My name is A.P. Fuchs and I’m an author, artist, and freelancer in all things publishing. You are tuned into my blog, Canister X, my official web presence. I’ve been writing and publishing since my first short story sale in 2000, and have been publishing books and comics since 2003.
My multi-faceted presence on social media includes:
My Patreon page can be found here. It’s where I post serial novels, essays on the creative arts industry, what goes on behind the scenes here in the great white north at Axiom-man Central, and more. Join the journey and be part of something special.
While I was ill a lot of stuff fell by the wayside. Some projects were done, others unfinished. It’s taken a while to figure out where things are at but today I came up with a publishing plan that I’m comfortable with, especially since I’m still on the mend.
So that said, here’s the plan:
While I’m doing the “more” of Project Rebirth, I will be publishing comics until the “more” is complete. I will talk about the “more” soon enough on the blog so stay tuned for that. Regarding comics, I have two projects on the go and they are such that I can maintain both without killing myself. They are Project Jackass and Project Cobalt.
Status of each:
Project Jackass: In the writing phase along with release and publication planning. Some design done. Publication planning mostly complete. This is a project that will be executed in an unusual way compared to what you’re used to from me.
Project Cobalt: New phase just started but still in the writing phase overall. Publishing plan mostly pinned down.
These are scheduled to debut next year.
There is a tiny chance Project Jackass will arrive before 2019 is out but don’t hold your breath. There are a lot of things that need to come together for this and my schedule is quite packed at the moment because apparently doing 101 things at once is how I roll.
One thing is certain, however: My days as just being a writer are over. I’m in a new era in my personal life and the old chapter is closed, including how I handled my creative career during that time. Going forward, I’m a writer/artist so my energies will be spent making both books and comics. Comics are what started me in this business all those years ago and it’s fitting that things have come full circle.
I can’t wait to reveal what these project code-names really are.
Full transparency: I’ve never deliberately looked up blog topics (so far as I can recall) but for fun, this morning I decided to do that and see what’s currently out there for blogging ideas. “The Toughest Part About Being a . . .” prompt was something I came across and, maybe because I’m still groggy, resonated with me the most this fine winter morning.
So that said, here is the toughest part about being a writer/artist as per how I feel at the moment I’m writing this:
Getting respect.
When people ask what I do for a living and I tell them I write stories and draw, I’m met with two general responses: “Oh man, that’s so cool!” or, “That’s nice. Maybe one day you’ll get a real job instead of playing all day.” The latter isn’t explicitly stated but is certainly implied by tone, facial expression, and body language, all with an air of disappointment.
The first crowd is, of course, the most pleasant to deal with. Their eyes light up and they smile and are genuinely happy for me. They often become my readers and usually follow up with me the next time I see them and ask how things are going and if I’m still doing it (the “still doing it” part hinting they understand it’s an unstable job but they have my back and are in my corner even if my answer is “No”).
The second crowd is the one I don’t understand. The general formula for a working adult is you get out of bed, go to work, come home, eat dinner, then get on with your evening, which may or may not include doing more work. That’s the formula I’ve lived by my entire working life–whether working in the arts or elsewhere–and the formula every working adult I know follows. The only difference is I work from home. So when I “go to work,” my commute is measured in hallways and staircases as I make my way down to the Central’s bunker to get started. I work all day–and get paid for it–turn the computer off, then reverse my commute and wind up back upstairs with the rest of the household. But mention you write stories and draw pictures for a living and suddenly you don’t have a real job (see the “On Freelancing for a Living (This is a Job)” blog post). Upon thinking about it, it’s not even the working from home part that seems to rub people the wrong way (though this can happen). It’s the specific what I do for a living. I’ve seen firsthand where others who work from home who don’t write stories and draw pictures are met with a metaphorical handshake. Me? It’s a metaphorical hands-in-their-pockets.
There is a disconnect that happens–usually with the older generation(s)–where, in the old days, work was something you left the house for and something you didn’t always enjoy. Work was actual work, like a chore, or work was something that demanded such a hard effort that every day ended the same when one came home: a collapse on the couch from mental and/or physical exhaustion. I believe the disconnect also happens because a lot of people tend to forget the entertainment they consume had to be created by somebody. Those books you read? Somebody took a lot of time writing them. Those comics you love? A group of people had to spend a lot of time writing, drawing, coloring, lettering, and printing them. Those movies you go to every Friday night? A whole slew of people had to go somewhere to play dress-up and pretend for a camera to tell you a story. That video game? Tons of people. Tons of artists. Even the very computer or smartphone this entry is being read on was dreamed up and sketched out by people who went to work. Somebody had to write all the code used in that phone. Somebody had to draw all those app icons. Somebody had to make science fiction science fact. Oh, and they got paid to do it because they need food and shelter, too.
Why is my job not normally respectable? Is it the non-steady paycheck? Is it the fact I like it? Is it because I’d rather spend a third of every day enjoying myself versus dragging myself through the motions? Is it because I made up my mind and chose what I was going to do with the old statement that you can either work towards making your own dreams come true or you can work for someone else to make their dreams come true?
Why does a lawyer get the handshake and I don’t? Why does a doctor? Or an accountant? Or a factory worker or a mechanic? Their job puts food on the table and keeps a roof over their loved ones’ heads just like mine does. My income goes towards food and bills, getting stuff for the kids and gas in the car. It buys Christmas presents and pays for date nights. It funds life just like their job funds life.
I work. You work. We all work.
And like I posted to social media forever ago, I want to repeat here: Everything is art. Every. Single. Thing. Creation is God’s canvas and nature is His painting. The stuff humans have made? It’s all based on someone dreaming and asking themselves, “What if . . .?” Then writing it down and drawing it out. Designing your couch is an art form. Writing the code for your car’s computer is an art form. Coming up with how to safely make a handheld drill is an art form. And so on.
In the end, I’ve learned to live with the hits and learned my career choice will be frowned upon by others. But there are also others who don’t frown and instead smile. Those are the people who give respect. The others? I’ll still respect their work because they are my fellow human beings, and perhaps one day I’ll get the same occupational respect in return.
Author’s note: This article isn’t about complaining. It’s pointing out a disconnect that some people seem to have and is hopefully encouraging to those who might be in the same boat.
Lots of comics on the brain these days, both the creation of them and the publishing of them (the latter being the most difficult in the context of distribution; publishing them in general is a non-issue). I’m basically living in my head on the matter and have written notes where and when needed. An overall plan is starting to congeal but there are still a few missing elements which will no doubt present themselves the further I get into the process.
I’m still waiting to hear back from some people on something that will dictate the winter schedule. I expect I’ll be hearing something soon thus helping things on my end.
A good chunk of Project Rebirth is in the can, here is the update, lifting the list from this previous blog entry:
Resumption of my newsletter, The Canister X Transmission: This has been back up and running for a while now and is just as enjoyable now and it was all the years I’ve been doing it. Please subscribe by going here. You get a free novelette as a thank you.
A Patreon account with special content just for patrons: This has also been running for a bit now. It’s a lot of fun and I’m thrilled to provide exclusive content to my patrons. Please join the Patreon journey and get access to an ongoing serial novel (plus other things, depending on the tier you select), by going here.
Order fulfillment of the Axiom-man/Auroraman: Frozen Storm Kickstarter: The paperback is coming off the line at the printer’s right now so a pick up is in the near future. I will sign the books then send them to Jeff Burton for his signature before they go out to backers. The lettered edition is printed and signed on my end. I’m in the process of inserting a piece of exclusive art into the book. Once this is done, these will also go to Jeff Burton for signature then to backers. If you missed the kickstarter but want a copy of the book to complete your Axiom-man and/or Auroraman collection, please go here.
Publication of projects that were temporarily put on hold: A list is made, but this is tied into the “more” below, so as it stands right now, I’m not moving on them just yet.
Bigtime expansion and growth of The Axiom-man Saga and associated products: In process.
Revving up public appearances and media again: To be looked at over the winter.
New YouTube channel: The channel has been up for a short while with more videos being added as time goes on. Please subscribe here.
More . . . : This “more” is tied into the “hearing back from some people” statement above. This step is a big part of my winter so I’m in a holding pattern until I know what’s going on. Watch this space for more info once I have it. I think a Web presence redesign was part of my original plan for “more” so that’s also complete both here on the blog and on social media.
And that pretty much sums up where things are at with Project Rebirth. More news to come as things progress along.
Reminder: A Tip Jar was set up yesterday on Patreon and on Ko-fi. The tips are meant to help fuel the free stuff I put on the Web (daily blogging, YouTube videos, a weekly newsletter, and artwork). Thank you in advance for any beans you throw my way.
As part of my redesign efforts for my webpages–this blog and social media–I also redesigned my Patreon page with a new banner and color scheme. My first design was a little distant whereas this new one invites you to immerse yourself in my Realm of Heroes and Monsters.
Patreon is one of the best ways you can support me outside of grabbing my books for your personal library. I have some cool stuff planned for Patreon for over the winter so now’s a good time to get in on the ground floor, catch up on what’s there, and get ready to be entertained as the temperature drops and we’re locked indoors together for a season.
A quick reminder of what is currently offered:
For $1, you get access to an ongoing serial novel (minimum of one chapter posted every two weeks). Current creature feature playing is Gigantigator Death Machine, an homage to classic B-grade monster horror following a group of friends on a cabin getaway only to meet something sinister at the docks. You also get regular Patreon-only blog posts.
For $2, you get complete access to the serial novel as well as Patreon-only essay blog posts exploring the ins and outs of publishing and tricks on getting your work done so you can share your craft with the world. (Minimum of one essay per month.) Plus regular Patreon-only blog posts.
For $5, you get access to the serial novel, Patreon-only essay blog posts, a look behind-the-scenes (whether text, photo, or video; advanced looks at works in progress), a nifty A.P. Fuchs/Canister X Official Membership Card mailed out to you with your name and membership number, and regular Patreon-only blog posts.
For $30, you become a member of the A.P. Fuchs Book-of-the-month Club. Each month I will select a book or comic book of mine from my inventory and mail it out to you complete with signature for the duration of your Gold Standard patronage. You also have access to all other reward tiers, including your membership card.
A public thank you to those who have already shown me support on Patreon and a public thank you in advance to those who join the journey as this post goes live.
The winter season is nearly here, which means this week I’m putting the final touches on getting ready for Heavy Broadcast Mode, which starts November 1. Believe it or not, a lot of planning and organizing goes into making books and comics for public consumption. It’s not just me writing a story and sending it out all willy nilly. Every creator works their own way, but on my end, I need to have certain mechanisms in place so I can publish a story and get it into your hands properly. This ranges from the actual publishing machine itself to the promotion side of it to even making sure I have copies here at the Central for you. Then add on the need to make and have all those systems in place all the while keeping a roof over my head and, well, yeah. Busy times.
This isn’t over-complicating it. It’s just planning things out so, once all is up and running, I have the greatest resource of all when it comes to creating stories and sharing them: Time.
Everything takes time. Some things take a mere minute, other things take hours or days, and the only way to have that time is do all that I’ve been doing behind the scenes here at the Central. (Speaking of behind the scenes, a new behind-the-scenes entry is going up on my Patreon this Friday. Join the journey to check it out.)
To find out more of what it takes to keep the creative machine running, please join my free weekly newsletter, The Canister X Transmission. It’s a letter from me to you week after week. It’s a chance for all subscribers to have a common meeting point each week to take a load off, escape the stress of the world, have a read (maybe even a laugh), and just breathe after busting butt all week. It’s also a chance to bring you up to speed on all that’s happened here at the Central, things not always covered on this blog. Pull up a chair. We always have room for one more.
The snow that hit earlier this month had melted but this morning the yard is white. It may or may not stick around, but even if it goes away, it’ll be back with a vengeance because snow is what we do six months of the year here in Winnipeg. And while the possibility of doing things outside gets greatly reduced during the winter months, being locked indoors for half a year has its advantages when you make books and comics for a living.
You get to just, simply, work. However, that doesn’t mean you can’t plan for out-of-the-studio excursions in the New Year.
If you go to the Convention and Book Signing Schedule section of this site, you’ll see that I didn’t do events in 2019. There are lots of reasons for this, some of which had to do with being unwell. With the loss of the Central Canada Comic Con–my “default” show for every year except for last year–I have to do some research for local events over the winter so I can book on time for the 2020 season. If I succeed in what I have planned for the winter, then I’ll have a lot of new material for next year’s shows plus any book signings along the way. There has also been talk here at the Central about leaving the province–possibly even the country–for a few events next year. Once dates and locales are locked down, I will announce them here. I’m eager to connect with fans again at these venues. Always a joy to see them.
In the meantime, I’m really looking forward to just working throughout the winter season. It’s been a good long while since I was able to create without hindrances. I can’t wait to get back to it again.
Ps. A new behind-the-scenes entry is scheduled to go on my Patreon page later this week. Join the journey to catch the post plus other behind-the-scenes goodies already on the site. Of course, getting access to a serial novel, essays, patron-only posts and patron-first announcements along with an exclusive membership card isn’t a bad deal either.
This morning I once again met with writer/artist G.M.B. Chomichuk and writer/editor Jonathan Ball at Clementine Cafe in Winnipeg’s Exchange District. On top of the outstanding fried chicken on toast I had for breakfast, we got to work talking about the publishing business.
See, I have a major advantage over other writers: I’m tapped into both the book publishing world and the comic book publishing world. While there are similarities in the overall business side of things, there are distinct differences and, I believe, it’s a merge of these two models that are the future of publishing.
What’s happening in the book publishing world at present is an old archaic system at war with the new digital paradigm. While some adaptations have been made, for the most part book publishing is operating on an out-of-date system that doesn’t work in today’s reading climate which is why most writers cannot make a living from their craft. What compounds the problem are publishers–big and small–stuck in the old way of doing things and writers who don’t want to do anything but write. This is a major problem that hurts both publishers, creators, and readers.
Ground was gained this morning in coming up with a new way of doing things that merges the best of the book publishing world and that of the comics publishing industry while setting aside dated systems that hinder bringing books and comics to the reader. Some of the ideas put forth were new (to me) and others were in line with the bomb that went off when my workload exploded.
The above photo–a visual documentation of our little meeting created by G.M.B. Chomichuk–shows how three creators think when hashing out how to create a publishing system that benefits both the creator and reader. Yes, the image is hard to follow without explanation, but will serve as a future reference point for a venture that was brought up during the meeting (details still to be ironed out).
The main goal with these meetings outside of spending time with friends is to learn something new, have discussion, and then apply those lessons to see what works and what doesn’t.
In the end, it was a productive morning and one that will stew in my brain for a while as I retool things over here.
(Please also see my first entry about my breakfast with these two creators by going here.)
My name is A.P. Fuchs and I’m a novelist, cartoonist, and freelancer in all things publishing. You are tuned into my blog, Canister X, my official web presence. I’ve been writing for publication since my first short story sale in 2000, and have been publishing books since 2003.
My longstanding presence on social media includes:
My Patreon page can be found here, where I post serial novels, essays on the creative and publishing industries, what goes on behind the scenes here at Axiom-man Central, and more.
Caught in Black Headlights is a poetry book I’ve been picking at for a long while now. It’s meant as a depository of musings for when a thought or moment consumes me and I have something to say about it.
I am no stranger to the poetry world, having thus far published three books in the genre: The Hand I’ve Been Dealt, Haunted Melodies and Other Dark Poems, and Still About a Girl. These books are out of print, but I’m thinking of bringing them back at some point so my readers have a chance to complete their A.P. Fuchs collection.
Caught in Black Headlights is low-priority on the project list. Again, it’s there for when I have something I need to say and a poem is the only way to say it. Eventually, the notebook will be filled enough for it to merit a published book. Until then, I’ll just be ruminating and writing it down.