• Category Archives Drawing
  • Posts showcasing drawings and art.

  • Nightcat by J.L. MacDonald – Artwork Commission

    Superhero author and creator J.L. MacDonald recently commissioned me to draw her superheroine, Nightcat.

    Here she is in glorious black and white!

    Nightcat created by J.L. MacDonald with art by A.P. Fuchs

    The image was created with pencil and ink with Copic marker gray toning. She was a blast to draw.

    For more Nightcat by J.L. MacDonald, visit Nightcat directly on the Web by going here.

    To read Nightcat short stories with other fantastic superheroes, read Metahumans vs The Undead and Metahumans vs Werewolves.

    If you’d like to commission me to draw your hero (or anything else), please see my artwork page for rates and samples. If your type of project isn’t listed in the standard drawing/fee schedule, inquire anyway and I’m sure we can work something out.

    Thanks.


  • The Daily Schedule of a Writer/Artist

    January 27 and 28 2020 day planner

    It’s been a long while since I wrote the daily schedule of a writer/artist (me, in this case). It might have been in one of the newsletters I sent out in the fall that I last talked about it. Might have been on the blog though I’m leaning toward the former. Anyway, regardless, a new layout of the schedule is probably due so here is what a typical day looks like for me at Axiom-man Central. Of course, like in any life, things happen that can throw a wrench into the following general workday. However, I stick to this schedule as the backbone of my whole operation and make time for it as able on days that get screwy. I’ve long advocated a schedule for creators as one of the important ingredients to making a successful career out of the arts.

    Monday to Friday:

    Wake up – Lately it’s been averaging between 8:30 and 9:30am. Next, roll around in bed for a short while to let the brain come online before checking the news.

    Coffee – Go down to the bunker and turn the computer on. Go back up to the main level and get coffee while the computer is loading (older machine so takes a bit to warm up).

    Patreon – On a day a Patreon post is scheduled, I do this first and get it done for my patrons. For example, today was the latest chapter of Gigantigator Death Machine so that was posted before writing this entry. Market Patreon entry.

    Blog – Skip previous step if a non-Patreon day. Write and/or edit blog entry. Take any required picture(s) and post. Market blog entry and set up in the broadcaster a couple of extra notices about the latest entry to air throughout the day on the social feeds.

    Break – Maybe around 15 or 20 minutes. Used to change mental gears. On the break I’ll either read something or play a game or fiddle with something around the house.

    Email – Check email and respond, if needed/able to.

    Work – Writing, drawing, editing, freelancing, book production, marketing, etc. Could be all of those or just one of them. Depends what’s on deadline and what isn’t. Work until 4 with a couple breaks thrown in there between tasks to rest the eyes and/or hands and get blood moving throughout the system. I’ve been trying to give careful attention to lunch because I get so wrapped up working I forget to eat then around 2 I start to feel real sick. A bad habit I’m working on. Back to the job: Pressing work is in my day planner so I consult it every morning so I know if I’ve set the day aside for something(s) specific. Whatever the day planner says I’m doing is priority one for the day. If the day planner shows the day as open, then I work on the next thing due. If things are due more or less around the same time, then I pick whatever I’m leaning toward at that moment.

    End of day – Around 4pm. Start shutting things down; possibly do a couple small tasks that had to wait until the end of the work day for whatever reason (i.e. a quick marketing thing or a phone call or whatever).

    Evening – Cooking is my thing so after the work day is done, I put on my chef’s hat and start thinking about what I want to make for dinner. This involves scoping out the deep freeze and scanning the pantry for ideas (though I usually start getting ideas mid-afternoonish). Then I cook dinner and let the day’s issues–if there are any–melt away. Once dinner is done, the evening is mine to do whatever with whomever (I usually hang out with author Melinda Marshall and this ranges from playing games to reading to TV to going for groceries, etc). On other nights, Melinda and I hang out with my boys.

    Bed – 10pm or thereabouts.

    Saturday:

    Wake up – Somewhere between 9:30 and close to 11am.

    Coffee – Enjoy a cup of coffee with Melinda.

    Newsletter – Head down to the bunker to send Saturday’s newsletter.

    The rest of Saturday and all of Sunday are days off, and it typically takes until late Saturday afternoon for me to put the week in my back pocket. Saturday evening and all of Sunday are used to do next to nothing and purposefully not think about work so my brain can heal from the week and be sharp for the week to come.

    And that’s what a typical week looks like here in the Great White North.

    To touch on what I said above about this schedule being the backbone on days things don’t go as planned, on such days I still let this overall schedule float in the background of my mind so that when a window of time opens up amidst that particularly goofy day, I can still do what needs doing or at least get a start on those things so the day isn’t a wash.

    Right now, this schedule works well and hasn’t changed much since I last talked about it. It will no doubt change somewhere down the line since life isn’t stagnant, but this method works for the time being.


  • On Ambition and Fatigue

    I have a lot to do.

    Lots has been done but I still have some fairly large projects that need completion.

    At the end of each day, I’m beat.

    The frustration: After a full day, I’ve hit my wall. I can’t work anymore. Technically, I could and get by, but I care enough about this stuff to ensure I carry it out to the best of my ability so I honor not only the work but, more importantly, my reader. That said, though I could work a little more or do some task a better way, I know I won’t be at my best therefore run the risk of messing up. Sure, I might still do a solid job overall but if one thing is off, well, I don’t want my reader to be the recipient of that. When you want to work because you enjoy it but you know you can’t is very irritating.

    I live and breathe books and comics. This is what I do and who I am. It’s tough when you need to step back even though you know it’s for the best.

    A character flaw I’m working on, the flaw being not always knowing when it’s time to step away when it’s a good thing to do that. This applies to both knowing when to call it quits for the day and when it’s time to declare a project done.

    Anyone know when the next workaholics meeting is?


  • Full Creative Plate

    Full Creative Plate
    This photo is indicative of the work week thus far.

    I have a full creative plate.

    Lots going on, with some projects for clients on the tail-end of completion, Project Rebuild in full swing, and working on other projects both in terms of on-line content and for hardcopy books and comics. While this week seemed full on the onset, the load is already beginning to lighten due to tying up some things yesterday. I figured out on the weekend why things have seemed hectic: Project Rebirth. When Project Rebirth started in the fall, it was a project that had a lot of moving parts and a lot of little tasks associated with it so each day I was doing a plethora of things to get my career running again. Now, and I’m fairly sure I’ve previously mentioned, my workflow is shifting to fewer things in the day because those fewer things take more time. In the end, this switch-up in working is a welcome one because I nearly crashed prior to the Holidays with juggling so many things.

    Anyway, adjustments made. Focus change pleasant.

    Speaking of focus and zeroing in, today I posted a couple of pages to Patreon of pencils from Secret Project No. 3, showing what these things look like before they’re ever printed in comic book form. Go here to check it out and read past patron-only blog posts, essays, a serial novel, and more.


  • Quotes on Drawing – Jan1420

    Sketchbook Hands
    A page from an old sketchbook.

    Some quotes on drawing for Jan1420.

    Drawing and making comics was how I stumbled my way into the book industry. It’s a long story and one I’ll be sharing in my upcoming memoir. I’ve made it my goal to draw regularly in 2020 and get back to my comic-making roots. The picture above is from an old sketchbook, circa 1999. At this point in my life, all that mattered in terms of career aim was making comics.

    Here are some quotes for my fellow artists to ponder:

    “I cannot rest, I must draw, however poor the result, and when I have a bad time come over me it is a stronger desire than ever.” – Beatrix Potter

    This is true. I find I’m the most inspired to write or draw when I’ve hit a hard time. It’s a way to deal with what’s going on and get out on paper all that it is making me feel. This has also led to some strange, and sometimes even dark, drawings.

    “In drawing, nothing is better than the first attempt.” – Pablo Picasso

    There’s something raw about a first effort. That might go without saying, but a first try carries with it a lot of heart because if one is gung-ho about drawing a specific thing, that passionate thrust carries through into the drawing and makes it come alive in its own way, even if the drawing isn’t that great. A second attempt, as per my experience, seems to lack the same heart as the first and looks flat even if it’s technically correct. This is why I don’t agree with comic makers going back and redoing earlier work or pages. Artistic expression is a journey and there’s something to be said about looking back on earlier work and seeing where you were in that journey and what you were feeling at the time. It’s even better when someone from the outside sees it and knows where you came from and where you presently are at. This applies to early writing work, too.

    “Perspective is the rein and rudder of painting.” – Leonardo da Vinci

    This is true and, admittedly, a weaker area for me. I can do perspective when it comes to inorganic objects, but ensuring your character is 3D takes a lot of practice and is something I’m working on.

    In the end, the new 2020 art journey is going to be a good one and I look forward to sharing more art with you when it’s ready. In the meantime, please head on over to my art page to see what’s there.

    Lastly, on a side note, a new chapter of Gigantigator Death Machine was uploaded to Patreon this morning. In this chapter, those who are left desperately wish the gator will just plain go away. Head on over and get reading for just a buck. Thanks.


  • On Settling in with Your Work

    With winter in full swing and the temperature plummeting, I’m hunkered down in the bunker here at the Central getting things done. If you follow my newsletter, you know I had to do a bunch of work before I could work. This was the fall and early winter. Now I’m in a position to work on Project Rebuild and get my other ducks in a row.

    There’s something magical about settling in with your work. Something comforting, alluring, and satisfying. It’s one of those things that you could put into words if you really tried—but defining it would take away its power. Instead, I’m opting to just enjoy the feeling, revel in it, and get things done.


  • New 2020 Artwork and Publishing Services Rates Now in Effect

    Copic Markers and Keyboard
    Offering original artwork is NEW for 2020. A showcase is here on the site but also at Ello.

    As mentioned in this blog entry, my new 2020 artwork and publishing services rates are now in effect.

    Please check out my Publishing Services page for the new rates and offerings.

    Thank you. I look forward to working with you in 2020.


  • Inktober 2019 Artwork Video Showcase

    A.P. Fuchs Inktober 2019 Artwork Showcase Thumbnail
    Inktober 2019 Artwork Video Showcase

    Welcome to my Inktober 2019 Artwork Video Showcase!

    As promised, here is the video showcasing this year’s Inktober efforts.

    My Ello account has also been updated to show the three collages created from 31 drawings.

    Inktober was completed on schedule, with 31 ink sketches done in 31 days at a rate of one per day. Images were shared each day on social media, with Instagram being where I uploaded them.

    It was my first year doing it and I had a blast.

    Please watch the video below and please subscribe to my YouTube channel so you can ensure you receive notifications of each new video the moment they are uploaded.

    Thanks.

    Enjoy.


  • Secret Project No. 3: Drawing Phase Begins

    Secret Project No 3 Notebook and Paper

    Today, the drawing phase of Secret Project No. 3 begins!

    This is a horror comic that I showed a very brief glimpse of on my Patreon’s behind-the-scenes tier. I haven’t really mentioned it here on the blog but it’s a project I’ve been sitting on for a decent chunk of time (two years, maybe?). A few pages are finished but the strips inside are not. Time to get the whole thing done and published. Since it’s a full-sized issue, and considering the time it takes to make comics, this won’t be available until early next year.

    With 2020 right around the corner and taking into account my overall plan regarding the “things I need to finish” from Project Rebirth, it’s time to get my butt in gear and get this particular project complete. (See this blog entry regarding what “things I need to finish” is all about.)

    A title is still being settled upon. I will share it with you once I figure out what it is.

    In the meantime, may the drawing phase commence!