• Category Archives Self-publishing
  • Posts pertaining to self-publishing books and comics.

  • First Batch of Releases 2020

    Creator Retreat 2017 GMB Chomichuk Art
    Mug art by G.M.B. Chomichuk

    First Batch of Releases 2020.

    With Project Rebuild underway, we’re getting into that season I’ve been talking about for the past while: release season.

    Though the project list between new stuff and the reissues is long, here is the short-term release schedule with an estimate on timeframe. (Times to be locked down next week so the below is a rough guide. Things will probably happen faster but I’m giving breathing room just in case.)

    Current Project Rebuild titles:

    Blood of the Dead – later February 2020
    Possession of the Dead – later February 2020
    Redemption of the Dead – later February 2020

    New release:

    Gigantigator Death Machine – First half of 2020

    We’ll revisit this list as time goes on.

    Also note Gigantigator Death Machine is currently airing on my Patreon as a serial novel. You can read it early by going here (just a buck a month plus it’s a way to support me as a creator; new chapter every two weeks).

    The method to the madness here is seeing where things are at after the first round of reissues. This will inform the timing of the next batch of reissues and the next new release, but for now, let’s focus on First Batch of Releases 2020.

    There are more cool things happening behind the scenes but I haven’t gotten into them publicly. Some details are still being ironed out (involves other people) so if/when I’m able to talk about it, I will. Regardless, these processes behind the scenes are working and all is on track.

    Have a good day.


  • The Daily Schedule of a Writer/Artist

    January 27 and 28 2020 day planner

    It’s been a long while since I wrote the daily schedule of a writer/artist (me, in this case). It might have been in one of the newsletters I sent out in the fall that I last talked about it. Might have been on the blog though I’m leaning toward the former. Anyway, regardless, a new layout of the schedule is probably due so here is what a typical day looks like for me at Axiom-man Central. Of course, like in any life, things happen that can throw a wrench into the following general workday. However, I stick to this schedule as the backbone of my whole operation and make time for it as able on days that get screwy. I’ve long advocated a schedule for creators as one of the important ingredients to making a successful career out of the arts.

    Monday to Friday:

    Wake up – Lately it’s been averaging between 8:30 and 9:30am. Next, roll around in bed for a short while to let the brain come online before checking the news.

    Coffee – Go down to the bunker and turn the computer on. Go back up to the main level and get coffee while the computer is loading (older machine so takes a bit to warm up).

    Patreon – On a day a Patreon post is scheduled, I do this first and get it done for my patrons. For example, today was the latest chapter of Gigantigator Death Machine so that was posted before writing this entry. Market Patreon entry.

    Blog – Skip previous step if a non-Patreon day. Write and/or edit blog entry. Take any required picture(s) and post. Market blog entry and set up in the broadcaster a couple of extra notices about the latest entry to air throughout the day on the social feeds.

    Break – Maybe around 15 or 20 minutes. Used to change mental gears. On the break I’ll either read something or play a game or fiddle with something around the house.

    Email – Check email and respond, if needed/able to.

    Work – Writing, drawing, editing, freelancing, book production, marketing, etc. Could be all of those or just one of them. Depends what’s on deadline and what isn’t. Work until 4 with a couple breaks thrown in there between tasks to rest the eyes and/or hands and get blood moving throughout the system. I’ve been trying to give careful attention to lunch because I get so wrapped up working I forget to eat then around 2 I start to feel real sick. A bad habit I’m working on. Back to the job: Pressing work is in my day planner so I consult it every morning so I know if I’ve set the day aside for something(s) specific. Whatever the day planner says I’m doing is priority one for the day. If the day planner shows the day as open, then I work on the next thing due. If things are due more or less around the same time, then I pick whatever I’m leaning toward at that moment.

    End of day – Around 4pm. Start shutting things down; possibly do a couple small tasks that had to wait until the end of the work day for whatever reason (i.e. a quick marketing thing or a phone call or whatever).

    Evening – Cooking is my thing so after the work day is done, I put on my chef’s hat and start thinking about what I want to make for dinner. This involves scoping out the deep freeze and scanning the pantry for ideas (though I usually start getting ideas mid-afternoonish). Then I cook dinner and let the day’s issues–if there are any–melt away. Once dinner is done, the evening is mine to do whatever with whomever (I usually hang out with author Melinda Marshall and this ranges from playing games to reading to TV to going for groceries, etc). On other nights, Melinda and I hang out with my boys.

    Bed – 10pm or thereabouts.

    Saturday:

    Wake up – Somewhere between 9:30 and close to 11am.

    Coffee – Enjoy a cup of coffee with Melinda.

    Newsletter – Head down to the bunker to send Saturday’s newsletter.

    The rest of Saturday and all of Sunday are days off, and it typically takes until late Saturday afternoon for me to put the week in my back pocket. Saturday evening and all of Sunday are used to do next to nothing and purposefully not think about work so my brain can heal from the week and be sharp for the week to come.

    And that’s what a typical week looks like here in the Great White North.

    To touch on what I said above about this schedule being the backbone on days things don’t go as planned, on such days I still let this overall schedule float in the background of my mind so that when a window of time opens up amidst that particularly goofy day, I can still do what needs doing or at least get a start on those things so the day isn’t a wash.

    Right now, this schedule works well and hasn’t changed much since I last talked about it. It will no doubt change somewhere down the line since life isn’t stagnant, but this method works for the time being.


  • Where Projects Stand a Couple of Weeks into 2020

    January whiteboard
    Part of the whiteboard listing projects and deadlines in the studio bunker here at the Central.

    Where Projects Stand a Couple of Weeks into 2020.

    Time is flying by. It felt like it was New Year’s last week.

    It was two weeks ago.

    Pretty sure I’m stuck in an accelerated timestream.

    Anyway, I set out into 2020 with specific goals now that all my prelim work is pretty much done. (All discussed in my newsletter.)

    And so . . . here is where some projects stand a couple of weeks into 2020:

    Project Rebuild: First batch of second editions are my Undead World Trilogy. The new cover style–which looks incredible–is almost done. Layout to begin soon. Here is the original announcement.

    Patreon: New tiers and options to be added once some second editions come out. Gigantigator Death Machine is the current feature playing as a serial novel with a new installment every two weeks. This will run until May, if I counted out the installments correctly. A new serial novel will start up after this first one is done. Please go here to start reading the previous chapters so you’re ready for the next episode.

    Artwork: Putting the final touches on a commission. Have permission to share it on-line once the client receives it in the mail.

    Freelance: In the middle of a project for someone and still have my client that requires two days a week. (Which slows down my published work output but, hey, need to keep the lights on somehow.)

    New published work: This involves all the various projects I mentioned in previous blog posts and in the newsletter. As of this writing, the plan is to do a few second editions first then release something new then more second editions then new work, and so on. This plan keeps me at a pace I can manage, which in turn benefits you by giving you a pattern for 2020 and something to look forward to.

    YouTube: The channel is growing and content is going up at, on average, a video a week. Your subscription to the channel helps keep the writing and art machine running so please subscribe if you haven’t already.

    Daily blogging: Still on the Monday-to-Friday schedule. I’m doing my best to give you something each day that entertains or informs at least one person. Check back daily for new entries. If you check back and the blog hasn’t been updated, check back again later. Lately, my blogging hour has been shifting for various reasons.

    Vacation: Though I took a break over the Holidays, it wasn’t really a break. In the end, I had a few days for a breather because it took me until Boxing Day to finally slow down and just relax. Throw in some Holiday activities during that relax time and I didn’t end up having a genuine break. I was back at it on the 30th. So, things are in motion for a legit winter holiday, but by the time all is arranged, that won’t be until February sometime. Watch this space.

    Conventions and public appearances: One convention has been announced. I have irons in the fire in others and am waiting to hear back.

    Posted through my social channels this morning:

    “Hoping to find new inroads in the publishing world (books and comics) in 2020. I’m convinced the current standard system is terrible. That said, it’s up to creators to create the market, not companies. We need to get that straight first otherwise it’ll be same old, same old.”

    I stand by the idea that creators create the market. Read my essay, “Why I Quit the Publishing Industry and Opted to Just Make Books Instead,” to find out my thoughts on the current climate and my general attitude toward it. If you’re a creator reading this, please check out the essay. We’re not at the mercy of various companies to get our work out. They’re at your mercy to provide them work to distribute. They don’t have a business without you. Take that to heart. Stand strong. Make new roads. Find out new ways to share with your readers. You and your readers are the ones in control, not these companies.

    Okay. That’s all I’ve got for now. Thank you for checking in.

    See you tomorrow.


  • On Settling in with Your Work

    With winter in full swing and the temperature plummeting, I’m hunkered down in the bunker here at the Central getting things done. If you follow my newsletter, you know I had to do a bunch of work before I could work. This was the fall and early winter. Now I’m in a position to work on Project Rebuild and get my other ducks in a row.

    There’s something magical about settling in with your work. Something comforting, alluring, and satisfying. It’s one of those things that you could put into words if you really tried—but defining it would take away its power. Instead, I’m opting to just enjoy the feeling, revel in it, and get things done.


  • Project Rebuild Notice: Undead World Trilogy

    Undead World Trilogy by A.P. Fuchs

    Project Rebuild Notice: Undead World Trilogy.

    This notice is to inform you all three books in my Undead World Trilogy are the first on the docket for Project Rebuild (the name I gave in my newsletter to the “things to finish” category from stuff leftover from Project Rebirth).

    From now until their re-release, the books will remain available in their original first-edition formats for my readers who want a first-edition collection of my work. When it’s near time to publish the reissues, these original formats will be removed from sale so please don’t delay and grab your copies now before they’re gone.

    Also note Project Rebuild is very time-consuming thus my free content for the web will slow down a little. Daily blogging, the newsletter, and YouTube videos will continue but the content will shift a little so I ensure this rebuilding project gets completed.

    Thanks.

    Ps. A new essay was posted to Patreon today that discusses spontaneous book or comic marketing and gives ideas on how you can market your project at the drop of a hat. Read it here.


  • New 2020 Artwork and Publishing Services Rates Now in Effect

    Copic Markers and Keyboard
    Offering original artwork is NEW for 2020. A showcase is here on the site but also at Ello.

    As mentioned in this blog entry, my new 2020 artwork and publishing services rates are now in effect.

    Please check out my Publishing Services page for the new rates and offerings.

    Thank you. I look forward to working with you in 2020.


  • Recap Tunnel: 10 Accomplishments from the Past Decade

    Recap Tunnel 2019 No. 3

    Welcome to Recap Tunnel: 10 Accomplishments from the Past Decade.

    Recently, there was a thing going around on-line where you listed or said your accomplishments over the past decade.

    Here are ten of mine in no particular order:

    1) Published Canister X Comix Nos. 1 – 3
    2) Celebrated ten years of Axiom-man with the Axiom-man: Tenth-anniversary Special Edition (which includes a bonus short story, intro by A.P. Fuchs, and an essay)
    3) Was obscenely sick and had to go into obscurity for a season before coming back from the dead
    4) Co-ran a Kickstarter campaign with Auroraman creator Jeff Burton. This birthed Axiom-man/Auroraman: Frozen Storm in paperback, eBook, and a limited lettered hardcover edition
    5) As part of Project Rebirth, I launched a new channel on YouTube
    6) Did a whole ton of conventions and book signings
    7) Closed down the traditional publishing side of Coscom Entertainment and got back to publishing only my own work through this label (which I invented in the dark ages during high school)
    8) Made some massive changes to my personal life and lived to tell the tale
    9) Also as part of Project Rebirth, I launched a Patreon page that’s filled with a ton of content like a serial novel, videos, patron-only blog posts, essays, and behind-the-scenes secrets
    10) Moved into a new studio space

    There was a lot more that went down but I’ve probably talked about some of those things elsewhere on the blog or somewhere online or maybe in an interview. So here we are: Decade done. Time for a new one.

    Lots of plans are in place for 2020 and beyond.

    Reminder: I’m taking part in Smashwords’s year-end sale, which means my eBooks are 50% off at their site. You can grab one or more of them by going here. Thank you for your support.


  • New A.P. Fuchs Business Cards Unboxing

    My new business cards–printed by Vistaprint–came in along with return address labels for stuff shipping out of Axiom-man Central among other purposes. Take a look at this unboxing video showcase to see the new cards.

    Business cards are critical in the art world and I’ve been using them in one way or another since I published my first book back in 2003. I might have even had some before then. I can’t remember. Regardless, it still surprises me when I meet creators at conventions and they don’t have a card so I can follow up with them. Business cards are Publishing 101 so if you don’t have some of your own for whatever you do, better get going on that.

    Be sure to subscribe to the channel by going here so you don’t miss the latest video.

    Enjoy!

    Thanks.


  • Self-publishing and Writing Articles Review

    Some of the articles under the Self-publishing Articles section on this blog are a little dated. The principles have not changed but some of the wording needs an update. These articles cover various aspects of self-publishing along with other articles that focus on writing. That said, it’s time to consider revisiting some of them to bring them into the present.

    This is where you come in. Are there any articles you’d like me to update or express new views on?

    Let me know either via email or via the comments below.

    Thanks.


  • New Artwork and Publishing Services Rates for 2020

    Keyboard and Pen and Markers
    I work with both traditional and digital tools.

    With 2020 around the corner, it’s time for me to visit my freelancing Artwork and Publishing Services Rates again and adjust things for the New Year.

    The following rates will be effective on January 1, 2020. If you book me before January 1, I will honor my old rates so this is a chance to book me now even if your project won’t be ready to go until early in the New Year.

    The formula for the list below is Old Rate > New Rate

    All rates are in US funds.

    Editing (which is a full edit that covers everything from copy editing to proofreading):

    Short stories (1,000 – 7,000 words): 1¢ per word > 1.5¢ per word

    Novelettes (7,001 – 15,000 words): $250 > $275

    Novellas (15,001 – 40,000 words): $325 > $350

    Short novels (40,001 – 60,000): $425 > $450

    Novels (60,001 – 80,000 words): $500 > $525

    Blockbusters (80,001 – 120,000): $625 > $650

    Doorstops (120,000+): inquire for quote

    Formatting:

    Paperback formatting – $200 > $225

    eBook formatting – $150 > $175

    Paperback and eBook formatting bundle – $325 > $375

    Book Cover Design (includes the paperback and eBook files):

    Using stock art/photos/art you acquired elsewhere: $275US or $350CAN > $300US or $400CAN

    A note on stock photos: I do my best to seek out stock photos that are free for commercial use, however, sometimes the perfect photo needs to be purchased. Responsibility of cost for the purchased photo is the client’s. All proposed purchases are cleared with the client first.

    NEW – Using my original art created for the project’s cover (which includes the use of the art plus all the design that goes into a stock photo cover): $500US or $675CAN

    NEW – Artwork Commissions

    Penciled only: $150 (for up to two figures; additional figures $20 each)

    Inked: $200 (for up to two figures; additional figures $30 each)

    Colored (digital or traditional media, depending on the piece): $350 (for up to two figures; additional figures $40 each)

    Custom Artwork: If your project doesn’t fit the above commission guidelines, inquire anyway and we’ll figure out something that works for both of us.

    Thank you. I look forward to working with you.