• Category Archives Patreon
  • Posts pertaining to A.P. Fuchs’s Patreon page.

  • Mild Day in Winnipeg and Goals for the Week

    Main goals for the week include: Continue keeping the Project Rebuild wheel in motion, continue work on the new art print I started last week, and some behind-the-scenes stuff connected to my little media machine. I’m sure secondary goals for the week will pop up, but until they do, these items get the focus.

    Fairly mild morning here in Winnipeg. We got hit with some real cold weather last week but it’s begun to let up.

    Presently drinking coffee and allowing the brain to come on-line for the day.

    Tomorrow, a new entry for the behind-the-scenes tier airs on Patreon. Get an inside look at how things work behind the curtain here at Axiom-man Central by going here and joining my Patreon journey. Thanks.


  • My Patreon Index: What You Can Expect as my Patron

    Patreon Logo

    Patreon has been a lot of fun since the get-go. There was a learning curve–just like for all things–but we’ve settled into a groove. And while true there will be new tiers as the year goes on, the current tier structure of Serialized Novels, Essays, Behind the Scenes, and the Gold Standard is working out just fine.

    And I want you to be a part of the journey.

    Here are some index-like stats and summaries to let you know what’s presently on the page:

    Serialized Novels ($1 a month)

    Presently airing is Gigantigator Death Machine. The majority of the book is uploaded with a new chapter posting every two weeks. Lots already there for this story about a group of young adults wanting a simple beer-fest getaway with friends that quickly turns into a race for their lives against a giant, bloodthirsty alligator. This is pure creature feature B-horror with all the fun and guts B-horror is known for.

    Essays ($2 a month)

    This tier gives you access to the serial novel as well as essays focusing on the creative arts industry.

    The following essays are available for immediate reading:

    The Secret to Social Media Success Part 1
    The Secret to Social Media Success Part 2
    The Secret to Social Media Success Part 3
    How to Write Well Every Time: Proper Writing
    The Road Back: How to Create Again After a Hiatus
    Spontaneous Book or Comic Marketing
    How to Maintain a Blogging Schedule

    Behind the Scenes ($5 a month)

    This tier gives you access to the serial novel, the essays, and behind-the-scenes looks unavailable anywhere else. Plus, you also get a cool A.P. Fuchs/Canister X Official Membership Card with your name on it.

    Presently shared:

    Behind the Scenes – Studio Space 091319
    Behind the Scenes – Secret Project No. 3 092719
    Behind the Scenes – Web Interface 100419
    Behind the Scenes – Axiom-man/Auroraman Artwork 110119
    Behind the Scenes – New Studio Space 122419
    Behind the Scenes – Secret Project No. 3 Pages 012120

    Gold Standard ($30 a month)

    This tier gives you all the benefits of the previous tiers plus every month I will mail out to you a signed and, if you choose, personalized hardcopy book or comic from my bibliography to add to your collection. Comics come bagged and boarded.

    The books and comics that I’m drawing from are available for viewing in my Book and Comic Shop. Take a look to get an idea as to what to expect in your mailbox.

    Lastly, as regular content for all the tiers, not only do you receive whatever items from the tier you choose, I also post patron-only blog posts and reveals, video content, and messages for special occassions.

    Thank you. Hope you enjoyed this little rundown of what’s presently available on my Patreon page and, of course, more content will be added as February rolls along. Hope you join me and my other patrons for more intrigue, information, entertainment, and fun as we head further into 2020.

    Please join myself and my other patrons on Patreon by going here.

    For further reading, here is a blog post from about a month after being on the Patreon platform and my thoughts thereof.

    See you on Patreon!


  • First Batch of Releases 2020

    Creator Retreat 2017 GMB Chomichuk Art
    Mug art by G.M.B. Chomichuk

    First Batch of Releases 2020.

    With Project Rebuild underway, we’re getting into that season I’ve been talking about for the past while: release season.

    Though the project list between new stuff and the reissues is long, here is the short-term release schedule with an estimate on timeframe. (Times to be locked down next week so the below is a rough guide. Things will probably happen faster but I’m giving breathing room just in case.)

    Current Project Rebuild titles:

    Blood of the Dead – later February 2020
    Possession of the Dead – later February 2020
    Redemption of the Dead – later February 2020

    New release:

    Gigantigator Death Machine – First half of 2020

    We’ll revisit this list as time goes on.

    Also note Gigantigator Death Machine is currently airing on my Patreon as a serial novel. You can read it early by going here (just a buck a month plus it’s a way to support me as a creator; new chapter every two weeks).

    The method to the madness here is seeing where things are at after the first round of reissues. This will inform the timing of the next batch of reissues and the next new release, but for now, let’s focus on First Batch of Releases 2020.

    There are more cool things happening behind the scenes but I haven’t gotten into them publicly. Some details are still being ironed out (involves other people) so if/when I’m able to talk about it, I will. Regardless, these processes behind the scenes are working and all is on track.

    Have a good day.


  • The Daily Schedule of a Writer/Artist

    January 27 and 28 2020 day planner

    It’s been a long while since I wrote the daily schedule of a writer/artist (me, in this case). It might have been in one of the newsletters I sent out in the fall that I last talked about it. Might have been on the blog though I’m leaning toward the former. Anyway, regardless, a new layout of the schedule is probably due so here is what a typical day looks like for me at Axiom-man Central. Of course, like in any life, things happen that can throw a wrench into the following general workday. However, I stick to this schedule as the backbone of my whole operation and make time for it as able on days that get screwy. I’ve long advocated a schedule for creators as one of the important ingredients to making a successful career out of the arts.

    Monday to Friday:

    Wake up – Lately it’s been averaging between 8:30 and 9:30am. Next, roll around in bed for a short while to let the brain come online before checking the news.

    Coffee – Go down to the bunker and turn the computer on. Go back up to the main level and get coffee while the computer is loading (older machine so takes a bit to warm up).

    Patreon – On a day a Patreon post is scheduled, I do this first and get it done for my patrons. For example, today was the latest chapter of Gigantigator Death Machine so that was posted before writing this entry. Market Patreon entry.

    Blog – Skip previous step if a non-Patreon day. Write and/or edit blog entry. Take any required picture(s) and post. Market blog entry and set up in the broadcaster a couple of extra notices about the latest entry to air throughout the day on the social feeds.

    Break – Maybe around 15 or 20 minutes. Used to change mental gears. On the break I’ll either read something or play a game or fiddle with something around the house.

    Email – Check email and respond, if needed/able to.

    Work – Writing, drawing, editing, freelancing, book production, marketing, etc. Could be all of those or just one of them. Depends what’s on deadline and what isn’t. Work until 4 with a couple breaks thrown in there between tasks to rest the eyes and/or hands and get blood moving throughout the system. I’ve been trying to give careful attention to lunch because I get so wrapped up working I forget to eat then around 2 I start to feel real sick. A bad habit I’m working on. Back to the job: Pressing work is in my day planner so I consult it every morning so I know if I’ve set the day aside for something(s) specific. Whatever the day planner says I’m doing is priority one for the day. If the day planner shows the day as open, then I work on the next thing due. If things are due more or less around the same time, then I pick whatever I’m leaning toward at that moment.

    End of day – Around 4pm. Start shutting things down; possibly do a couple small tasks that had to wait until the end of the work day for whatever reason (i.e. a quick marketing thing or a phone call or whatever).

    Evening – Cooking is my thing so after the work day is done, I put on my chef’s hat and start thinking about what I want to make for dinner. This involves scoping out the deep freeze and scanning the pantry for ideas (though I usually start getting ideas mid-afternoonish). Then I cook dinner and let the day’s issues–if there are any–melt away. Once dinner is done, the evening is mine to do whatever with whomever (I usually hang out with author Melinda Marshall and this ranges from playing games to reading to TV to going for groceries, etc). On other nights, Melinda and I hang out with my boys.

    Bed – 10pm or thereabouts.

    Saturday:

    Wake up – Somewhere between 9:30 and close to 11am.

    Coffee – Enjoy a cup of coffee with Melinda.

    Newsletter – Head down to the bunker to send Saturday’s newsletter.

    The rest of Saturday and all of Sunday are days off, and it typically takes until late Saturday afternoon for me to put the week in my back pocket. Saturday evening and all of Sunday are used to do next to nothing and purposefully not think about work so my brain can heal from the week and be sharp for the week to come.

    And that’s what a typical week looks like here in the Great White North.

    To touch on what I said above about this schedule being the backbone on days things don’t go as planned, on such days I still let this overall schedule float in the background of my mind so that when a window of time opens up amidst that particularly goofy day, I can still do what needs doing or at least get a start on those things so the day isn’t a wash.

    Right now, this schedule works well and hasn’t changed much since I last talked about it. It will no doubt change somewhere down the line since life isn’t stagnant, but this method works for the time being.


  • Full Creative Plate

    Full Creative Plate
    This photo is indicative of the work week thus far.

    I have a full creative plate.

    Lots going on, with some projects for clients on the tail-end of completion, Project Rebuild in full swing, and working on other projects both in terms of on-line content and for hardcopy books and comics. While this week seemed full on the onset, the load is already beginning to lighten due to tying up some things yesterday. I figured out on the weekend why things have seemed hectic: Project Rebirth. When Project Rebirth started in the fall, it was a project that had a lot of moving parts and a lot of little tasks associated with it so each day I was doing a plethora of things to get my career running again. Now, and I’m fairly sure I’ve previously mentioned, my workflow is shifting to fewer things in the day because those fewer things take more time. In the end, this switch-up in working is a welcome one because I nearly crashed prior to the Holidays with juggling so many things.

    Anyway, adjustments made. Focus change pleasant.

    Speaking of focus and zeroing in, today I posted a couple of pages to Patreon of pencils from Secret Project No. 3, showing what these things look like before they’re ever printed in comic book form. Go here to check it out and read past patron-only blog posts, essays, a serial novel, and more.


  • Where Projects Stand a Couple of Weeks into 2020

    January whiteboard
    Part of the whiteboard listing projects and deadlines in the studio bunker here at the Central.

    Where Projects Stand a Couple of Weeks into 2020.

    Time is flying by. It felt like it was New Year’s last week.

    It was two weeks ago.

    Pretty sure I’m stuck in an accelerated timestream.

    Anyway, I set out into 2020 with specific goals now that all my prelim work is pretty much done. (All discussed in my newsletter.)

    And so . . . here is where some projects stand a couple of weeks into 2020:

    Project Rebuild: First batch of second editions are my Undead World Trilogy. The new cover style–which looks incredible–is almost done. Layout to begin soon. Here is the original announcement.

    Patreon: New tiers and options to be added once some second editions come out. Gigantigator Death Machine is the current feature playing as a serial novel with a new installment every two weeks. This will run until May, if I counted out the installments correctly. A new serial novel will start up after this first one is done. Please go here to start reading the previous chapters so you’re ready for the next episode.

    Artwork: Putting the final touches on a commission. Have permission to share it on-line once the client receives it in the mail.

    Freelance: In the middle of a project for someone and still have my client that requires two days a week. (Which slows down my published work output but, hey, need to keep the lights on somehow.)

    New published work: This involves all the various projects I mentioned in previous blog posts and in the newsletter. As of this writing, the plan is to do a few second editions first then release something new then more second editions then new work, and so on. This plan keeps me at a pace I can manage, which in turn benefits you by giving you a pattern for 2020 and something to look forward to.

    YouTube: The channel is growing and content is going up at, on average, a video a week. Your subscription to the channel helps keep the writing and art machine running so please subscribe if you haven’t already.

    Daily blogging: Still on the Monday-to-Friday schedule. I’m doing my best to give you something each day that entertains or informs at least one person. Check back daily for new entries. If you check back and the blog hasn’t been updated, check back again later. Lately, my blogging hour has been shifting for various reasons.

    Vacation: Though I took a break over the Holidays, it wasn’t really a break. In the end, I had a few days for a breather because it took me until Boxing Day to finally slow down and just relax. Throw in some Holiday activities during that relax time and I didn’t end up having a genuine break. I was back at it on the 30th. So, things are in motion for a legit winter holiday, but by the time all is arranged, that won’t be until February sometime. Watch this space.

    Conventions and public appearances: One convention has been announced. I have irons in the fire in others and am waiting to hear back.

    Posted through my social channels this morning:

    “Hoping to find new inroads in the publishing world (books and comics) in 2020. I’m convinced the current standard system is terrible. That said, it’s up to creators to create the market, not companies. We need to get that straight first otherwise it’ll be same old, same old.”

    I stand by the idea that creators create the market. Read my essay, “Why I Quit the Publishing Industry and Opted to Just Make Books Instead,” to find out my thoughts on the current climate and my general attitude toward it. If you’re a creator reading this, please check out the essay. We’re not at the mercy of various companies to get our work out. They’re at your mercy to provide them work to distribute. They don’t have a business without you. Take that to heart. Stand strong. Make new roads. Find out new ways to share with your readers. You and your readers are the ones in control, not these companies.

    Okay. That’s all I’ve got for now. Thank you for checking in.

    See you tomorrow.


  • Quotes on Drawing – Jan1420

    Sketchbook Hands
    A page from an old sketchbook.

    Some quotes on drawing for Jan1420.

    Drawing and making comics was how I stumbled my way into the book industry. It’s a long story and one I’ll be sharing in my upcoming memoir. I’ve made it my goal to draw regularly in 2020 and get back to my comic-making roots. The picture above is from an old sketchbook, circa 1999. At this point in my life, all that mattered in terms of career aim was making comics.

    Here are some quotes for my fellow artists to ponder:

    “I cannot rest, I must draw, however poor the result, and when I have a bad time come over me it is a stronger desire than ever.” – Beatrix Potter

    This is true. I find I’m the most inspired to write or draw when I’ve hit a hard time. It’s a way to deal with what’s going on and get out on paper all that it is making me feel. This has also led to some strange, and sometimes even dark, drawings.

    “In drawing, nothing is better than the first attempt.” – Pablo Picasso

    There’s something raw about a first effort. That might go without saying, but a first try carries with it a lot of heart because if one is gung-ho about drawing a specific thing, that passionate thrust carries through into the drawing and makes it come alive in its own way, even if the drawing isn’t that great. A second attempt, as per my experience, seems to lack the same heart as the first and looks flat even if it’s technically correct. This is why I don’t agree with comic makers going back and redoing earlier work or pages. Artistic expression is a journey and there’s something to be said about looking back on earlier work and seeing where you were in that journey and what you were feeling at the time. It’s even better when someone from the outside sees it and knows where you came from and where you presently are at. This applies to early writing work, too.

    “Perspective is the rein and rudder of painting.” – Leonardo da Vinci

    This is true and, admittedly, a weaker area for me. I can do perspective when it comes to inorganic objects, but ensuring your character is 3D takes a lot of practice and is something I’m working on.

    In the end, the new 2020 art journey is going to be a good one and I look forward to sharing more art with you when it’s ready. In the meantime, please head on over to my art page to see what’s there.

    Lastly, on a side note, a new chapter of Gigantigator Death Machine was uploaded to Patreon this morning. In this chapter, those who are left desperately wish the gator will just plain go away. Head on over and get reading for just a buck. Thanks.


  • Project Rebuild Notice: Undead World Trilogy

    Undead World Trilogy by A.P. Fuchs

    Project Rebuild Notice: Undead World Trilogy.

    This notice is to inform you all three books in my Undead World Trilogy are the first on the docket for Project Rebuild (the name I gave in my newsletter to the “things to finish” category from stuff leftover from Project Rebirth).

    From now until their re-release, the books will remain available in their original first-edition formats for my readers who want a first-edition collection of my work. When it’s near time to publish the reissues, these original formats will be removed from sale so please don’t delay and grab your copies now before they’re gone.

    Also note Project Rebuild is very time-consuming thus my free content for the web will slow down a little. Daily blogging, the newsletter, and YouTube videos will continue but the content will shift a little so I ensure this rebuilding project gets completed.

    Thanks.

    Ps. A new essay was posted to Patreon today that discusses spontaneous book or comic marketing and gives ideas on how you can market your project at the drop of a hat. Read it here.


  • Recap Tunnel: Catch-up Time

    Recap Tunnel 2019 No. 4

    Here is the last installment of this recap series. It is called Recap Tunnel: Catch-up Time and it’s very simple: I’ve done a lot of blogging over the past few months here at Canister X, your Realm of Heroes and Monsters, so you’re invited to poke around the blog and check out the various pages as well as scroll through previous blog posts to ensure you’re all caught up before we head into 2020’s blogging year.

    Some ways you can make sure you don’t miss a blog update are to use some of the subscription boxes to the right of the screen, which enable you to subscribe to the blog via email and/or to the RSS feed and/or to my weekly newsletter, The Canister X Transmission. My YouTube channel is also regularly updated.

    You can also use these links:

    Canister X RSS Feed
    The Canister X Transmission
    A.P. Fuchs on YouTube

    Reminder: Today is the last day to book me for your project in 2020 and receive 2019’s rates. Please shoot me an email so we can lock something down because the fees go up effective tomorrow. Please go here to see what services I offer.

    It’s been a hard slog this year with recovery from being ill and getting my career back in order, but it was time well spent despite how difficult some days were. And so we march onward down the Timeline of All Things into 2020.

    Join me.

    Ps. A new chapter of Gigantigator Death Machine just went up on Patreon. Please read it and its previous chapters here.

    Pps. Thank you for reading my recap series of posts, starting with this one here (or technically here, if you want to go back to the series’ first mention) and ending up here with Recap Tunnel: Catch-up Time.

    Happy New Year’s Eve!


  • Recap Tunnel: 10 Accomplishments from the Past Decade

    Recap Tunnel 2019 No. 3

    Welcome to Recap Tunnel: 10 Accomplishments from the Past Decade.

    Recently, there was a thing going around on-line where you listed or said your accomplishments over the past decade.

    Here are ten of mine in no particular order:

    1) Published Canister X Comix Nos. 1 – 3
    2) Celebrated ten years of Axiom-man with the Axiom-man: Tenth-anniversary Special Edition (which includes a bonus short story, intro by A.P. Fuchs, and an essay)
    3) Was obscenely sick and had to go into obscurity for a season before coming back from the dead
    4) Co-ran a Kickstarter campaign with Auroraman creator Jeff Burton. This birthed Axiom-man/Auroraman: Frozen Storm in paperback, eBook, and a limited lettered hardcover edition
    5) As part of Project Rebirth, I launched a new channel on YouTube
    6) Did a whole ton of conventions and book signings
    7) Closed down the traditional publishing side of Coscom Entertainment and got back to publishing only my own work through this label (which I invented in the dark ages during high school)
    8) Made some massive changes to my personal life and lived to tell the tale
    9) Also as part of Project Rebirth, I launched a Patreon page that’s filled with a ton of content like a serial novel, videos, patron-only blog posts, essays, and behind-the-scenes secrets
    10) Moved into a new studio space

    There was a lot more that went down but I’ve probably talked about some of those things elsewhere on the blog or somewhere online or maybe in an interview. So here we are: Decade done. Time for a new one.

    Lots of plans are in place for 2020 and beyond.

    Reminder: I’m taking part in Smashwords’s year-end sale, which means my eBooks are 50% off at their site. You can grab one or more of them by going here. Thank you for your support.