• Tag Archives money
  • Blogging Has Lost Its Way

    I discovered this link through Warren Ellis’s blog. As a paraphrase of what it’s about–though I encourage you to read it–it basically says that blogs have now been geared toward getting traffic via catchy headlines and, simply, have become a complete defeat of what blogging was meant to be, which is merely a place for someone to log their thoughts and personal items and create content of interest without getting all gimmicky about it.

    The argument put forth over at Ribbon Farm is a compelling one, especially to someone like me who hates the pursuit of money and fame and popularity. (If those things are an honest byproduct of what you do, that’s different. I’m talking about making those things one’s goal(s) as the error).

    The idea of writing a blog where, even if it had just an audience of one (me), is tantalizing. I’m very anti-establishment by nature and tend to see the strings in what people are doing (especially in the creative industry). It all comes off as so flimsy and childish. I’m not knocking my fellow creators but am talking straight to whomever this entry here at Canister X and over at Ribbon Farm speaks to. Should a person not be of interest through genuine organic efforts instead of a blatant attempt to sell a product? Shouldn’t who they are be more important than what they make? When did an inorganic object of extremely limited value replace a person whose value is limitless? Something’s not right here.

    I’ve always been partial to the random, the underground, the unique. Maybe because those are my roots and are a constant theme in my work (taking an idea and trying something new with it, consequences be damned). There has always been a soft spot in my heart for that guy or girl with an obscure blog from some other part of the world, the kind of blog you read where you don’t know if you’re the only audience member or not.

    Capitalist culture would call blogging for no one a wasted effort because it doesn’t–or is unlikely to–yield a financial result.

    This is foolish.

    Blogging isn’t about money despite what the marketers tell you (who want you to visit their blog for information so they can sell you something).

    Blogging is about showcasing a life in thought, word, and deed. Blogging is about honesty. It’s about talking to the world about anything that interests you or is on your mind and heart.

    I might not have always succeeded, but since I’ve been back after being ill, I’ve made every effort to showcase myself and what I do and talk to you honestly through my blog entries and newsletter. Sometimes you might have enjoyed what you read, other times not. And that’s okay. I’ve been doing this long enough to know I won’t hit a chord with everyone. The magic is in the honesty. The magic lies within you, dear reader, when you commit the simple act of reading regardless of how you feel about what you’re reading. It’s the fact that you did take the time to read the words of a person you only know through a screen. And maybe that’s the secret right there? Taking the time to read the words of a person–a very real person with a physical body and mind and heart and spirit–whom you never met. Like I always say, time is the most valuable thing a person has and its wealth surpasses anything we can compare it to. The fact that a person takes that precious commodity and spends it on you is magic.

    Here at Canister X, the Realm of Heroes and Monsters, there is a certain blogging style, a way of communicating that’s in a constant state of adjustment and fine-tuning but one that has a core that has been in place long enough that you know what to expect from me. If I segue into experimental blogging styles, I hope you come along for the ride. Or I might start a new blog where I can fiddle with blogging conventions until I find a method I like and is an honest expression of myself. Time will tell.

    In the end, it does indeed dismay me that blogs are often started as business ventures versus public journals. I get the reasoning behind it, but it doesn’t sit right and that’s probably because it replaces a person with a commodity and, in the end, it’s our replacement of people for commodities that caused the world to be in the state it is currently in.

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  • On Those Hidden Readers

    Recently, I’ve been giving some special thought to my hidden readers, the people who buy my books and/or read my blog and/or watch my YouTube channel but don’t say anything or make themselves known in any way. They’re the readers I’ll never know about other than through the number of books sold or the number of times a post is read or a video is watched. If you’re one of those people, know that I do think about you and do appreciate you spending your time and money on me. You are considered every bit as important to my little operation of heroes and monsters as the people I do know about.

    You are not unnoticed and you are valued and you are one of the reasons I try and do my best with everything I create.

    Today, you are visible. Tomorrow, you will be, too. You were yesterday along with other times in the past, and you will be as the Timeline of All Things unfolds.

    Thank you.

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  • Cracking the Webcomics Code – Thoughts

    For what seems like ages, I’ve wanted to get back into webcomics. I briefly had one when I aired the first issues of Axiom-man many years back (along with some Canister X Comix stuff), then took everything down for various reasons. Recently, I’ve been wanting to do a comic again but know it’s a long slog and one that may or may not pay off, whether via viewership or compensation. (Ideally both.)

    As I mentioned in my Patreon reflections article, if I didn’t have bills to pay, I’d gladly give away my work for free. But I can’t. I have myself and a family to take care of.

    I love comics . . . but they take a long time to create. It takes anywhere from approximately eight to twenty-four hours to make a single page depending on your process and how many people you’re working with. Twenty-four hours. A whole day . . . just for the page to be read in a minute or less. And that’s the main hangup with webcomics: Time. Comics take a ton of time and unless you are independently wealthy, a good chunk of that time is taken up by a part- or full-time job so you can fund the basic essentials for life.

    The standard model for webcomics–which typically make money from ads and merchandise while the comic itself is on-line for free–only works for a tiny percentage of webcomikers. All those other webcomics you love have someone behind them who stays up to all hours working on pages and making enough money off it for a few items but not enough to make a full-time living (if they make any money at all).

    And this is the conundrum: How do I make my webcomic monetarily worthwhile so I have the time to make more of the comic on a regular basis?

    I have some ideas, but thus far they all cater to the standard webcomics’ long game. And by “long game” I mean that getting traction can take anywhere from a few months to several years. There is no recipe I can think of that will shrink that time frame, and I’ve done my research.

    This blog post isn’t a complaint, by the way. It’s just getting my thoughts on webcomics out in front of me so I can see them.

    I’d like to be able to share with you my still-formulating webcomic plan–which incorporates old ideas with [hopefully] new ones–but I can’t because it’s still formulating.

    I’ve had a webcomic in my head for coming up on a week–or maybe it has already been a week? I don’t know–that’s slowly being added to every day, my subconscious bringing ideas and notions to my conscious brain and filing them away as both solid form and possibilities. I’m also not overthinking this stuff either because overthinking and painfully analyzing something leads to disaster, if not immediately then inevitably.

    All I know is there is room for innovation in webcomics. I think what happened was webcomics came out under a certain model thus that model became the norm for comic readers. It’s going to take time to break that norm.

    After being in publishing for sixteen years, I know the industry is constantly changing. What worked for book authors ten years ago doesn’t work now so writers made changes. The same holds true for comics: What worked in the old webcomics model doesn’t work now so it needs an upgrade.

    Back to formulating. Will post more thoughts when I have them.

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  • Reflections on Patreon after a Month on the Platform

    A.P. Fuchs on Patreon

    On September 14, 2019, I launched my first Patreon page. It was a thrilling day and one filled with hope and excitement. Sure, part of the reason to create the page was to supplement my writing and drawing income, but, having been part of Web culture since close to the beginning of my career (circa 2000), it was an opportunity for me to create a place on the Web to share cool stuff with people in a kind of “club” format.

    See, I have this problem of creating a ton of stuff for free and putting in on the Web whether via this blog or social media. As of today’s date, I’m on here blogging articles, essays, and musings Monday to Friday, my free weekly newsletter goes out on Saturdays, I started up a YouTube channel again, and I’m doing Inktober and sharing those sketches on social media (see the icons on the right). I enjoy entertaining people and, if I was in a place where money was no object, I’d gladly share all my work for free. But I can’t. I need to eat, need to buy supplies, need to cover costs, etc. so I have no choice but to charge for my work hence adding Patreon as part of my platform.

    If there is one major aspect of Patreon I truly enjoy, it is the idea of having a special place on the Web where people use a key (money) to unlock a door (my Patreon) to get stuff only available on the other side of that door. It’s an opportunity for me to virtually sit down with a group of people several times a month and go, “Look what I made. Hope it entertains you. Hope it educates you.” Almost like show-and-tell but, hopefully, much more entertaining. And, in the end, that’s what Patreon stands for for me: My patrons. They’re a special group of people who were willing to shell out a few beans to help a northern jackass like myself keep making entertainment for them and others.

    (Side note to explain what creators mean when they say buying their work or supporting their Patreon enables them to keep creating. They are not saying that without the support they can no longer create. A creator creates and always will. Just how it is. What they are saying is your support buys them the greatest and most precious of all commodities: Time. Time is the most valuable thing on the planet. Once a moment passes, it’s gone forever. No going back. No storing it up. It’s not even in abundant supply because we all die. If a creator spends their time doing everything but creating–I’m talking surviving life stuff not blowing hours on social media–then we’d have no entertainment. By supporting a creator, you’re filling up their Time Bank Account instead of them spending their Time Dollars on things that hinder the hours needed to create something. Even if ten hours a week can be supplemented, if the creator is responsible, they now have ten extra hours to make stuff for you. It’s win-win on both ends.)

    I’m only about a month into my Patreon journey. It’s been wonderful so far and I look forward to the days that are scheduled to upload new content. Right now, a new chapter of my creature feature serial novel, Gigantigator Death Machine, airs every two weeks (a new chapter went up today). On the off weeks, I put up essays on the creative industry and also treat patrons to behind-the-scenes stuff here at the Central. Of course, there are also extra blog posts for everyone as well as patron-first announcements where my patrons receive news before the general public. I’m still finding my footing regarding what else to offer. I have a plan for an ongoing special something for patrons but it’s not ready yet. Perhaps in the New Year, perhaps sooner. Regardless, I’m pleased with my current offerings and am excited to share more as time goes on.

    My patrons are my special group. They are those who’ve gone the extra mile by way of monthly support, and for that I am grateful. I want to publicly thank them here and I want to offer a thanks to future patrons as well.

    My Patreon journey has just begun. Would you like to come along? Here, take my hand. I have something to show you.

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  • On Freelancing for a Living (This is a Job)

    Though this demands a full article, here is the brief version on creative freelancing for a living.

    It’s a job. A fun one, but a job. The common misconception people have of those working from home is that it’s all playtime and games, sleeping in and working here and there. This isn’t true. During the day, home becomes my workplace. There is a start-of-work time and an end-of-work time. (Except during deadline season, then it’s work until it’s done.) I have clients who have me on the clock. I have personal projects on the clock. Everything is scheduled. If I don’t adhere to the schedule, I lose the job with a client and/or I lose income generated from regularly releasing books. I have my Patreon to attend to with hard-earned money being spent by people who have trusted me with it in exchange for entertaining them. I have a career built on a reputation and if I wreck that reputation, I can’t get it back. This is all taken very seriously. My career is zero without my readers and clients. My ability to eat rests on ensuring they are treated well and quality work is being brought to them.

    While working at home has some advantages like not needing to commute or not needing to pack a lunch, or endless coffee and the ability to vape inside, it’s still treated like an out-of-home job. It has to be. I’m working whether I feel like it or not. I’m putting the time in whether I feel like it or not. This idea that working from home isn’t the same as a “real” job needs to stop. What is a job? It’s a task(s) you do in exchange for something. It’s a task(s) you’re depended upon to do. Any freelancer who knows their next meal is dependent on getting the job done knows this.

    Thought I’d clear the air.

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  • Why You Should Stop Selling Your Book (and Do Something Better)

    Getting Down and Digital DrivethruThis article was originally published July 7, 2016 on the Operation Awesome Blog.

    Now, repeat after me: selling your book is bad.

    Very bad.

    “Wait . . . what?” you say. “If I don’t sell my book, who’s going to read it? Isn’t selling my book and making money what authors are supposed to do after publication?”

    I don’t know. Is it?

    If you want to ensure your book won’t sell, sell your book.

    Here’s what I mean:

    The on-line world is loaded with authors whining and begging people to, “Buy my book!” They form groups on Facebook, which amount to nothing more than broke writers marketing their books to other broke writers. They tweet purchase links all day and hit up social networks with ads . . . then cry at night because it did absolutely nothing for them.

    How do you get a following these days with everyone and their dog writing a book, publishing it and calling themselves an author?

    Or how does someone who starts from scratch come out of nowhere and move copies of their work without shoving it in people’s faces? (And we’ve all seen them: those authors whom we’ve never heard of move a gazillion copies.)

    To build a following, marketing your book will get you nowhere. Sure, you might catch a few sales and feel like a success story all your own—and rightly you should, to be honest—but to keep those sales going and to build a readership, you need to switch up your game plan.

    You need to start marketing yourself.

    Some people call this branding. What are we? Cattle? I don’t want a brand for my books. I don’t want my books to be what I’m known for. I want me to be what I’m known for. When I’m dead and gone, that’s the thing that matters, not how many books I sold.

    Stop chasing the almighty dollar and start chasing the reader.

    You don’t want to be known as that distant author behind a desk somewhere. You don’t want to be that high-and-lofty literary guest at some convention. You want to be that down-to-earth extra awesome person who’s a familiar face at shows and signings. You want to be that friendly and approachable on-line personality who’s a class act and is genuinely interested in interacting with their readers.

    “But all I want to do is write!”

    Then get out of the business, frankly. Or, if you must write, then don’t publish. As much as I’m an art-first-money-later guy, I’d be lying if I said I wouldn’t want to make a few bucks off what I do. The motivation to make cash isn’t to be rich, though. I don’t care about that stuff. I just want to make enough to live on. But I can’t do that selling my book. I have to sell me.

    Let me break it down for you in really simple terms:

    When you first started writing, you went through a lot of trial and error and a lot of drafts. As you wrote a few books, you noticed your style started changing and at one point you reached that magical book where everything was different and you found your voice. Since then, your voice has been your style. Writing is easier, editing is easier, coming up with stories is easier, too.

    This applies to your marketing efforts. You need to find your voice. You can’t just be another author spamming the world. There are ads everywhere for everything. People ignore that stuff. But they don’t tune out unique voices . . . especially if that voice has something of value to say. This is how followings are made and grown. You become known as the author “who’s like that.” Not the author “who’s like so-and-so . . . and a million others.”

    I’ve been publishing since 2003, and indie publishing since 2004. I’ve seen it all. People have come and gone. There’s been successes and failures. Ups and downs. Yet there is one thing that has remained consistent throughout all of it: the authors who found their marketing voice are the ones who are still doing well today, who have a following, and have cultivated loyal readers based on who they are and not just their work.

    To be clear, I’m not diminishing the importance of putting out good books. Sometimes that can indeed be enough to build a readership (i.e. it initiates word-of-mouth, etc.). But if you’re an author lost to the din of the flooded publishing world, writing a damn good book is probably not going to cut it. You need to get yourself out there and expose yourself to readers by showing them who you are behind the page.

    Some writers niche themselves and become known for a certain thing or a certain personality. Others are more broad-brush. Whatever the case, simply blasting ads everywhere isn’t going to do anything for you. But if you meet people, whether on-line or off-, and not just use it as a means to pitch them your book, you’ll be surprised at how many copies you’ll move.

    Put the people first, your book/comic/whatever second. This is so important. This about reputation and, at least for me, I never, ever buy books from people who blatantly shove it in my face. I don’t care how good the cover is or what the synopsis is about. As a reader, I want to be cared for. I want to know this isn’t just a money game to the writer.

    Art first, book(s) second.

    And if you’ve somehow missed the point of everything above, all I’m saying is be yourself, share yourself, then share info about your book after that.

    Connect with readers first, then point them to the page.

    We good?

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