December is here. And it came too quickly. The days have been rocketing by.
I’m working again but via a different schedule (the sabbatical one). I’m still recovering from burn out so am taking the time in the off-hours for self-care. But in the on hours, I’m getting things done.
Speaking of which, I have some spots to fill in my freelance schedule so if you have need of an experienced editor and/or book cover designer, I’m your man. I’ve helped bring 170+ projects to life and always keep the author’s vision in mind.
On this Canada Day, we’re at the desk getting some work done despite having some brain fog. It’s a stat holiday for most folks, but I never take those off because my chosen profession is based on deadlines and each day off further delays those deadlines.
Which is fine, me working.
Making art is how I prefer to spend my time anyway. But as for you, if you have today off, go easy, take a breath, and recharge so you’re ready for the remainder of the week.
This morning, I posted a new chapter of Zomtropolis to Patreon. You can read it–and get caught up–by going here.
Just working and making comics. Who you see above is part of the Fredrikus storyline and more about this character will be revealed when the strip airs.
This week’s comic-making schedule is roughly mapped out and, so far, we are on track for a timely release.
We’re also soon going to be entering a production era here at Axiom-man Central. Lots of work is more or less ready to start going through the production machine, with the ultimate end game being to get these things into your hands.
Today we’re trying to do things with 20/20 vision given the date, which may or may not be obtained due to a nagging health slip that is being tended to but takes time to recover from. Regardless, we’re still working and still trucking along. As you can see from the photo, we’re about to start Page 14 of Fredrikus, or Episode 12.
Not long from now, the penciled and inked pages will go into the computer for final design, color, and formatting. Then they’ll be ready for the Fredrikus website.
Thus far, we are on track for my estimated launch date, which I will mention once I have enough penciled and inked pages for the computer. So soon.
Today, we’re making comics and tending to some personal stuff (one of those double-booked days).
We’re also hoping that the newsletter broadcaster is back up and running so I can send out the edition that was supposed to go out over the weekend.
I think that will be the day. Yesterday was a trying one and I’m learning that two packed days in a row are bad for me.
Slowing Down to Speed Up: Blogging Schedule Shift.
There is a lot on the go. Working at 1000mph has birthed all sorts of pathways and roads to travel down. Problem is, I only have one car.
You get the parallel.
This note is to inform you my new working method is based on the concept of slowing down to speed up. This is healthy for you, healthy for me, and healthy for 2020’s goals and projects as a whole.
So here is the new blogging schedule:
Simply put, the blog is short-term switching over to me posting when I feel like it or have something to say or want to show you something. Knowing me, it’ll still be fairly regularly but not on the Monday-to-Friday-mornings schedule. Going to keep things fluid for the time being. Be sure to check in as part of your Internet rounds, but bear in mind I could be posting any time of day. New posts will also be shared via the social networks as per usual.
We’re at a place with the workload where something relatively large needs to drop to Low Power Mode and the blog was selected.
Be sure to subscribe to my weekly newsletter, The Canister X Transmission. Each issue has a blog headline rundown as to what posted during the week so it’s another simple way to be notified of new content. It goes out Saturdays.
Full transparency: I’ve never deliberately looked up blog topics (so far as I can recall) but for fun, this morning I decided to do that and see what’s currently out there for blogging ideas. “The Toughest Part About Being a . . .” prompt was something I came across and, maybe because I’m still groggy, resonated with me the most this fine winter morning.
So that said, here is the toughest part about being a writer/artist as per how I feel at the moment I’m writing this:
When people ask what I do for a living and I tell them I write stories and draw, I’m met with two general responses: “Oh man, that’s so cool!” or, “That’s nice. Maybe one day you’ll get a real job instead of playing all day.” The latter isn’t explicitly stated but is certainly implied by tone, facial expression, and body language, all with an air of disappointment.
The first crowd is, of course, the most pleasant to deal with. Their eyes light up and they smile and are genuinely happy for me. They often become my readers and usually follow up with me the next time I see them and ask how things are going and if I’m still doing it (the “still doing it” part hinting they understand it’s an unstable job but they have my back and are in my corner even if my answer is “No”).
The second crowd is the one I don’t understand. The general formula for a working adult is you get out of bed, go to work, come home, eat dinner, then get on with your evening, which may or may not include doing more work. That’s the formula I’ve lived by my entire working life–whether working in the arts or elsewhere–and the formula every working adult I know follows. The only difference is I work from home. So when I “go to work,” my commute is measured in hallways and staircases as I make my way down to the Central’s bunker to get started. I work all day–and get paid for it–turn the computer off, then reverse my commute and wind up back upstairs with the rest of the household. But mention you write stories and draw pictures for a living and suddenly you don’t have a real job (see the “On Freelancing for a Living (This is a Job)” blog post). Upon thinking about it, it’s not even the working from home part that seems to rub people the wrong way (though this can happen). It’s the specific what I do for a living. I’ve seen firsthand where others who work from home who don’t write stories and draw pictures are met with a metaphorical handshake. Me? It’s a metaphorical hands-in-their-pockets.
There is a disconnect that happens–usually with the older generation(s)–where, in the old days, work was something you left the house for and something you didn’t always enjoy. Work was actual work, like a chore, or work was something that demanded such a hard effort that every day ended the same when one came home: a collapse on the couch from mental and/or physical exhaustion. I believe the disconnect also happens because a lot of people tend to forget the entertainment they consume had to be created by somebody. Those books you read? Somebody took a lot of time writing them. Those comics you love? A group of people had to spend a lot of time writing, drawing, coloring, lettering, and printing them. Those movies you go to every Friday night? A whole slew of people had to go somewhere to play dress-up and pretend for a camera to tell you a story. That video game? Tons of people. Tons of artists. Even the very computer or smartphone this entry is being read on was dreamed up and sketched out by people who went to work. Somebody had to write all the code used in that phone. Somebody had to draw all those app icons. Somebody had to make science fiction science fact. Oh, and they got paid to do it because they need food and shelter, too.
Why is my job not normally respectable? Is it the non-steady paycheck? Is it the fact I like it? Is it because I’d rather spend a third of every day enjoying myself versus dragging myself through the motions? Is it because I made up my mind and chose what I was going to do with the old statement that you can either work towards making your own dreams come true or you can work for someone else to make their dreams come true?
Why does a lawyer get the handshake and I don’t? Why does a doctor? Or an accountant? Or a factory worker or a mechanic? Their job puts food on the table and keeps a roof over their loved ones’ heads just like mine does. My income goes towards food and bills, getting stuff for the kids and gas in the car. It buys Christmas presents and pays for date nights. It funds life just like their job funds life.
I work. You work. We all work.
And like I posted to social media forever ago, I want to repeat here: Everything is art. Every. Single. Thing. Creation is God’s canvas and nature is His painting. The stuff humans have made? It’s all based on someone dreaming and asking themselves, “What if . . .?” Then writing it down and drawing it out. Designing your couch is an art form. Writing the code for your car’s computer is an art form. Coming up with how to safely make a handheld drill is an art form. And so on.
Everything is art.
In the end, I’ve learned to live with the hits and learned my career choice will be frowned upon by others. But there are also others who don’t frown and instead smile. Those are the people who give respect. The others? I’ll still respect their work because they are my fellow human beings, and perhaps one day I’ll get the same occupational respect in return.
Author’s note: This article isn’t about complaining. It’s pointing out a disconnect that some people seem to have and is hopefully encouraging to those who might be in the same boat.
The snow that hit earlier this month had melted but this morning the yard is white. It may or may not stick around, but even if it goes away, it’ll be back with a vengeance because snow is what we do six months of the year here in Winnipeg. And while the possibility of doing things outside gets greatly reduced during the winter months, being locked indoors for half a year has its advantages when you make books and comics for a living.
You get to just, simply, work. However, that doesn’t mean you can’t plan for out-of-the-studio excursions in the New Year.
If you go to the Convention and Book Signing Schedule section of this site, you’ll see that I didn’t do events in 2019. There are lots of reasons for this, some of which had to do with being unwell. With the loss of the Central Canada Comic Con–my “default” show for every year except for last year–I have to do some research for local events over the winter so I can book on time for the 2020 season. If I succeed in what I have planned for the winter, then I’ll have a lot of new material for next year’s shows plus any book signings along the way. There has also been talk here at the Central about leaving the province–possibly even the country–for a few events next year. Once dates and locales are locked down, I will announce them here. I’m eager to connect with fans again at these venues. Always a joy to see them.
In the meantime, I’m really looking forward to just working throughout the winter season. It’s been a good long while since I was able to create without hindrances. I can’t wait to get back to it again.
Ps. A new behind-the-scenes entry is scheduled to go on my Patreon page later this week. Join the journey to catch the post plus other behind-the-scenes goodies already on the site. Of course, getting access to a serial novel, essays, patron-only posts and patron-first announcements along with an exclusive membership card isn’t a bad deal either.