• Category Archives Public Journal
  • Public journal of author and cartoonist, A.P. Fuchs.

  • On Those Hidden Readers

    Recently, I’ve been giving some special thought to my hidden readers, the people who buy my books and/or read my blog and/or watch my YouTube channel but don’t say anything or make themselves known in any way. They’re the readers I’ll never know about other than through the number of books sold or the number of times a post is read or a video is watched. If you’re one of those people, know that I do think about you and do appreciate you spending your time and money on me. You are considered every bit as important to my little operation of heroes and monsters as the people I do know about.

    You are not unnoticed and you are valued and you are one of the reasons I try and do my best with everything I create.

    Today, you are visible. Tomorrow, you will be, too. You were yesterday along with other times in the past, and you will be as the Timeline of All Things unfolds.

    Thank you.


  • On Ambition and Fatigue

    I have a lot to do.

    Lots has been done but I still have some fairly large projects that need completion.

    At the end of each day, I’m beat.

    The frustration: After a full day, I’ve hit my wall. I can’t work anymore. Technically, I could and get by, but I care enough about this stuff to ensure I carry it out to the best of my ability so I honor not only the work but, more importantly, my reader. That said, though I could work a little more or do some task a better way, I know I won’t be at my best therefore run the risk of messing up. Sure, I might still do a solid job overall but if one thing is off, well, I don’t want my reader to be the recipient of that. When you want to work because you enjoy it but you know you can’t is very irritating.

    I live and breathe books and comics. This is what I do and who I am. It’s tough when you need to step back even though you know it’s for the best.

    A character flaw I’m working on, the flaw being not always knowing when it’s time to step away when it’s a good thing to do that. This applies to both knowing when to call it quits for the day and when it’s time to declare a project done.

    Anyone know when the next workaholics meeting is?


  • On Settling in with Your Work

    With winter in full swing and the temperature plummeting, I’m hunkered down in the bunker here at the Central getting things done. If you follow my newsletter, you know I had to do a bunch of work before I could work. This was the fall and early winter. Now I’m in a position to work on Project Rebuild and get my other ducks in a row.

    There’s something magical about settling in with your work. Something comforting, alluring, and satisfying. It’s one of those things that you could put into words if you really tried—but defining it would take away its power. Instead, I’m opting to just enjoy the feeling, revel in it, and get things done.


  • On Writing About Creativity

    A lot of what I share on here has to do with the creative journey and stating what I’ve learned through experience. The reason is rooted in my passion for the creative industry. I’ve been making stuff up since I was a kid running around in a Superman costume (something I did even when my other friends had grown out of it). It’s all I know.

    Making up stories, drawing, and thinking about how to better get my imagination onto the page takes up most of my time and is my preferred activity. Some guys work on cars or model kits to help fill the hours; I work on imaginary worlds. It’s just how I’m wired and I don’t know any other way to live my life.

    Is always talking about creativity beating a dead horse? I honestly don’t know because in my world that horse keeps coming back to life. All I know is writing out my thoughts on the creative life helps me organize them, and if they can benefit or entertain someone along the way, then I’m more than happy to take them on the journey with me.


  • On Scheduling

    It’s important for every creator to make a schedule for their creative time. The idea of “creating when inspired” or “in the mood” doesn’t work. (Been there, done that.) Not very long ago I was mocked on-line for suggesting a creative schedule to someone who was having trouble creating. The answer I proposed to their problem was to treat it like a job and just do it. Most seasoned creators will tell you that you have to create whether you feel like it or not if you want a career in this business.

    The formula is simple: Approach this casually, you’ll get casual results. Approach this diligently, you’ll get diligent results.

    There is no way around this. And, usually, once you get going on a project after deciding to start working, the project starts to flow on its own anyway.

    Schedule out your time. Schedule out your projects.

    It’s worth taking the time to do this step. In fact, it actually saves you time later in a multitude of ways.


  • On Being Swamped

    Last night, as I was winding down, I was struck with an idea for another massive project, one that, by it’s very nature, would be ongoing for years to come. I made a bunch of notes, but I had that famous moment where I thought, Gee, don’t I have enough to do already?

    I tweeted:

    “Why is it that I keep coming up with ideas for gigantor projects? As if I’m not busy enough writing books, making comics, blogging daily, taking and sharing pictures of my cooking efforts, marketing, freelancing, and trying to rebuild my life. I need to stop sleeping.”

    If I could indeed stop sleeping, that would free up 8 to 10 hours a day. But I also know that without a good night’s sleep, a person won’t make it in this world, and my years of functioning off minimal sack time are long gone.

    My plan for this massive project is to let it simmer in the ol’ noggin and if I’m still hyped about it in a week or two (or more), then maybe I’ll put it in motion.


  • On Creative Headspace

    October has just started and I had to spend some time thinking about what this month will look like in terms of work (roughly). If I’ve learned anything from my years in this business, it’s that one needs to be organized. Fortunately, my natural thinking process involves putting everything into lists under various headings and then looking at those items and breaking them down day by day. Some stuff is written down on paper, other stuff is written down in my head. Regardless, those items are then transferred to a calendar—both real and mental—thus informing me what each day entails. For the most part, I’ve learned to leave tomorrow in tomorrow, even parts of today in their respective parts of today. All that matters come nightfall is that the day’s tasks are done.

    This eliminates confusion and keeps a rein on anxiety.

    So what does my October to-do list look like?

    So far:

    – regular Web upkeep like this blog and backlog SEO work

    – edits for a client

    – finding out the finer details for a job I’m signing papers for tomorrow and then doing the work thereof

    – Inktober until the end of the month (daily ink drawings posted to my social media channels)

    – Ship off Kickstarter rewards for the Axiom-man/Auroraman: Frozen Storm campaign to Jeff Burton (this includes getting things done at the local printer for the paperback; my part of the lettered edition hardcover is done)

    – posting the Gigantigator Death Machine serial novel, behind-the-scenes stuff, and essays to Patreon

    – writing and sending out The Canister X Transmission every week

    – writing . . . something

    – drawing . . . something

    – business admin

    – anything else that comes up (to be sorted into the list depending on the item’s timeline)

    Welcome to my October.


  • On Freelancing for a Living (This is a Job)

    Though this demands a full article, here is the brief version on creative freelancing for a living.

    It’s a job. A fun one, but a job. The common misconception people have of those working from home is that it’s all playtime and games, sleeping in and working here and there. This isn’t true. During the day, home becomes my workplace. There is a start-of-work time and an end-of-work time. (Except during deadline season, then it’s work until it’s done.) I have clients who have me on the clock. I have personal projects on the clock. Everything is scheduled. If I don’t adhere to the schedule, I lose the job with a client and/or I lose income generated from regularly releasing books. I have my Patreon to attend to with hard-earned money being spent by people who have trusted me with it in exchange for entertaining them. I have a career built on a reputation and if I wreck that reputation, I can’t get it back. This is all taken very seriously. My career is zero without my readers and clients. My ability to eat rests on ensuring they are treated well and quality work is being brought to them.

    While working at home has some advantages like not needing to commute or not needing to pack a lunch, or endless coffee and the ability to vape inside, it’s still treated like an out-of-home job. It has to be. I’m working whether I feel like it or not. I’m putting the time in whether I feel like it or not. This idea that working from home isn’t the same as a “real” job needs to stop. What is a job? It’s a task(s) you do in exchange for something. It’s a task(s) you’re depended upon to do. Any freelancer who knows their next meal is dependent on getting the job done knows this.

    Thought I’d clear the air.


  • The Canister X Transmission Has Resumed

    Last Saturday, my free weekly newsletter, The Canister X Transmission, resumed. After that issue was sent, it was like no time had passed. Earlier this week I wrote the new issue, which will go out Saturday.

    To find out what we talk about, archived issues can be found here.

    I invite you to join myself and a host of others week after week as we get on with the Long Year Five.

    Please use the subscribe box to the right or go here.

    See you there.


  • On the World of Web Broadcasting

    I’ve been off-line for the most part during the 2019 Broadcast Mode season and have noticed massive improvements in my mood and mental health. The exposure to the toxicity of the mainstream social feeds had brought me low, so much so I was physically not feeling well. Recently, I came across this photo series in which the photographer removed the electronics from our hands to show us the lonely world we’re creating and it further cemented my thinking of us having lost our balance when it comes between living life on-line and off-.

    View it here.

    Back when I first started in this business, 98% of my computer time was spent writing. The other 2% was periodically updating my website and checking in on a message board called Shocklines. Even if I was following a conversation thread, most often I didn’t keep going back for updates. Those would wait until the next day to see where the conversation went. And people were polite for the most part and keyboard warrioring wasn’t really a thing. It was about lifting each other up instead of whining and complaining and tearing each other down.

    We need to get back to that in our on-line behaviors. We also need to find balance.

    It’s gone too far.

    I’m thrilled about being in Broadcast Mode. Life is so much easier. Work is so much easier. Everything is just, simply, better.