If you’d like to commission me to draw your hero (or anything else), please see my artwork page for rates and samples. If your type of project isn’t listed in the standard drawing/fee schedule, inquire anyway and I’m sure we can work something out.
Pretty sure I’m stuck in an accelerated timestream.
Anyway, I set out into 2020 with specific goals now that all my prelim work is pretty much done. (All discussed in my newsletter.)
And so . . . here is where some projects stand a couple of weeks into 2020:
Project Rebuild: First batch of second editions are my Undead World Trilogy. The new cover style–which looks incredible–is almost done. Layout to begin soon. Here is the original announcement.
Patreon: New tiers and options to be added once some second editions come out. Gigantigator Death Machine is the current feature playing as a serial novel with a new installment every two weeks. This will run until May, if I counted out the installments correctly. A new serial novel will start up after this first one is done. Please go here to start reading the previous chapters so you’re ready for the next episode.
Artwork: Putting the final touches on a commission. Have permission to share it on-line once the client receives it in the mail.
Freelance: In the middle of a project for someone and still have my client that requires two days a week. (Which slows down my published work output but, hey, need to keep the lights on somehow.)
New published work: This involves all the various projects I mentioned in previous blog posts and in the newsletter. As of this writing, the plan is to do a few second editions first then release something new then more second editions then new work, and so on. This plan keeps me at a pace I can manage, which in turn benefits you by giving you a pattern for 2020 and something to look forward to.
YouTube: The channel is growing and content is going up at, on average, a video a week. Your subscription to the channel helps keep the writing and art machine running so please subscribe if you haven’t already.
Daily blogging: Still on the Monday-to-Friday schedule. I’m doing my best to give you something each day that entertains or informs at least one person. Check back daily for new entries. If you check back and the blog hasn’t been updated, check back again later. Lately, my blogging hour has been shifting for various reasons.
Vacation: Though I took a break over the Holidays, it wasn’t really a break. In the end, I had a few days for a breather because it took me until Boxing Day to finally slow down and just relax. Throw in some Holiday activities during that relax time and I didn’t end up having a genuine break. I was back at it on the 30th. So, things are in motion for a legit winter holiday, but by the time all is arranged, that won’t be until February sometime. Watch this space.
Conventions and public appearances: One convention has been announced. I have irons in the fire in others and am waiting to hear back.
Posted through my social channels this morning:
“Hoping to find new inroads in the publishing world (books and comics) in 2020. I’m convinced the current standard system is terrible. That said, it’s up to creators to create the market, not companies. We need to get that straight first otherwise it’ll be same old, same old.”
I stand by the idea that creators create the market. Read my essay, “Why I Quit the Publishing Industry and Opted to Just Make Books Instead,” to find out my thoughts on the current climate and my general attitude toward it. If you’re a creator reading this, please check out the essay. We’re not at the mercy of various companies to get our work out. They’re at your mercy to provide them work to distribute. They don’t have a business without you. Take that to heart. Stand strong. Make new roads. Find out new ways to share with your readers. You and your readers are the ones in control, not these companies.
Okay. That’s all I’ve got for now. Thank you for checking in.
Since about the spring of 2009, I’ve been working full time as a writer and publisher. There have been a couple out-of-the-house gigs here and there since 2014, but otherwise I’ve been on my own. Even after the past seven years or so, it still all feels kinda new. If you know my journey and all that went on behind-the-scenes, you know it hasn’t been an easy road, so to finally be able to live my creative dream after all those obstacles is surreal. There are days I feel like I’m doing something wrong; decades of being conditioned to think that all jobs need to occur at a place of business instead of in a home office still creeps into my brain once in a while. Calling my own shots and my own hours is something I’m still getting used to even after years of doing it.
On Working for a Living:
I’ve never been opposed to working for a living. I believe everyone needs to earn their own way through life and not live on handouts. To clarify, “earning their own way” is meant as don’t be one of those people who sit around all day or count every day as play time. A person needs to work and that doesn’t necessarily mean at a job-job. If you’re a stay-at-home parent, you have my admiration because I did the stay-at-home dad thing for a long time and know how hard it is to maintain a home plus take care of a couple rugrats. Actually, stay-at-home parents work harder than anyone else if you count all the tasks and stresses associated with it. They make a living for everyone else around them even though they don’t collect dollars and cents every two weeks.
The world owes you nothing.
If you want something, you have to go and get it.
On Living Without a Regular Paycheck:
My needs are small and, in recent years especially, I’ve become something of a minimalist in terms of being content and fulfilled by the basics: food, shelter, clothes, a means to work. All the rest is window dressing, and I don’t chase the dollar sign nor do I want a rich lifestyle. Heck, I go to some friends’ houses who are way more well off than I am and within a few minutes I feel out of place. Same with fancy restaurants or venues. I get uncomfortable. I’m good with my 110-year-old house with a crappy paint job and holes in my socks.
But in terms of working without knowing where the next paycheck is coming from, I’ve gotten used it and I’ve always been provided for even when I’ve hit lean times now and then. The basics have always been met and, at the end of the day, those are the most important.
Living without security has also taught me to ensure I get my butt in gear and produce books and items to keep those books selling which, when the payday comes, makes it even more rewarding than a guaranteed salary because I know had I not made the effort to move the books, I wouldn’t be able to buy my next box of cereal.
It was a hard leap to plunge into what was essentially the world of sales and commission. When you’re used to a regular 9-5 and have been brainwashed by everyone in your circle that security is the way to go, it was a challenge to start working without a net.
Nowadays, I like the thrill of the chase. Even as I type this, my June is up in the air monetarily speaking, but I know I’ll be okay once it rolls around.
The greatest reward is the creative community I’ve plugged myself into over the years. If I were to corral the people together into categories, they fall into two major groups: my on-line horror buddies whom I spent hours and hours with over the computer back in the early days, and the second group is a local one I started getting involved with in the fall of 2014. (Social media killed that first one.)
Writing is an incredibly lonely job. It’s fun while you’re doing it and is best done by yourself, but when you’re doing all the peripheral tasks of independent publishing, it can get lonesome sitting there at a computer all day. Having a group to connect with now and then in the real world has enabled me to get out of the house and be an off-line human being. It has filled me up in ways digital connection cannot, and since I’m generally opposed to living my whole life on the Internet, has been quite welcome.
I don’t know what the future looks like creatively-speaking. Truthfully, I don’t want to know. But what I do know is come the day I’m lying on my deathbed, I get to lay there and look back over my career and know I had a fulfilling working life doing what I love on my own terms. That’s something money can’t buy, is something I can take with me as I leave this world, and an example I can leave behind on what it truly means to be rich.