Everything is locked up in ice in Winnipeg today with, according to the weather network and the time of this writing (morning), the temperature being -33C (-43C with the windchill).
Everything is utterly frozen solid in a giant block of ice, which means it’s time to simply hunker down and work. Lots of focus behind the scenes here at the Central. I gave you the rundown yesterday on where things are at roughly two weeks into 2020. Status is the same as of today. A good way to stay current on project statuses is via my weekly newsletter because info isn’t always shared on the blog.
Want to see boiling water being thrown into freezing air? I made this video the other week showing that:
With winter in full swing and the temperature plummeting, I’m hunkered down in the bunker here at the Central getting things done. If you follow my newsletter, you know I had to do a bunch of work before I could work. This was the fall and early winter. Now I’m in a position to work on Project Rebuild and get my other ducks in a row.
There’s something magical about settling in with your work. Something comforting, alluring, and satisfying. It’s one of those things that you could put into words if you really tried—but defining it would take away its power. Instead, I’m opting to just enjoy the feeling, revel in it, and get things done.
Welcome to the A.P. Fuchs 2019 Holiday Gift Guide.
Holiday Season is now in full swing so here’s a list of things that would make great gifts to the A.P. Fuchs fan in your life or anyone who has a thing for superheroes and monsters. While everything I have to offer is available in the Book and Comic Shop (with links to a retailer of your choice), the list below showcases the more unique items from my catalog. All my titles except the second one are available in paperback and eBook.
1. A copy of my latest release, Axiom-man/Auroraman: Frozen Storm, written by me but with the story by Auroraman creator Jeff Burton and I. Opposite heroes. Cold weather. Snow monsters. You know? The good stuff. Copies are available here.
2. The Axiom-man/Auroraman: Frozen Storm lettered edition. This is different from the paperback above. The lettered edition is a hardcover edition of Frozen Storm limited to just 26 copies and comes with a special piece of art within the opening pages and the book is signed by Jeff Burton and myself. These are nearly sold out and only 26 copies were produced and will ever be produced. They run $50CAD each with $20CAD for shipping. (We can do a currency conversion to US funds if this item is going to the States.) Please inquire by email.
3. Axiom-man: Tenth Anniversary Special Edition. This book is a celebration of ten years of Axiom-man and includes a revision of the original book, a short story, an essay, and introduction. No collection of The Axiom-man Saga is complete without this special version of the first book. (The short story within is also considered canon.) Copies are available here.
4. Look, Up on the Screen! The Big Book of Superhero Movie Reviews. This title is perfect for the superhero film buff in your life. So far as I’m aware, this is the only film review book out there exclusively dedicated to superhero movies. 100 films are covered. Copies are available here.
5. Book-of-the-Month Club Patreon subscription. On my Patreon page, patrons can elect this tier to join A.P. Fuchs’s Book-of-the-Month Club, in which each month I sign and mail out a book or comic from my catalog. This tier is $30 and includes shipping. It also grants you access to the other tiers, which feature things like an ongoing serial novel, essays on the creative life, behind-the-scenes stuff, and an official membership card. Subscribing someone to the Book-of-the-Month Club ensures they get a signed book from me every month as a surprise in their mailbox. Other tiers for subscription consideration begin at just $1 a month. Please go here to subscribe that special reader in your life.
6. The Undead World Trilogy (Blood of the Dead, Possession of the Dead, Redemption of the Dead). A zombie series unlike any other. The goal with this trilogy was to take what people love about zombie stories to a whole new level and deliver unique twists and turns that you can’t get anywhere else. I don’t want to give anything away, but this series features elements I’ve yet to see in other zombie fiction. But if your reader loves fast-paced, high-stakes stories, then this trilogy delivers both. Copies are available here.
7. Zombie Fight Night: Battles of the Dead. What would happen if you took Bloodsport and The Walking Dead and mixed them together? Zombie Fight Night is what you’d get! This book was an attempt to put everything that’s cool between two covers. A main storyline about a gambler who gets in way over his head anchors the whole thing while the reader is treated to action-packed fights with zombies, werewolves, ninjas, superheroes, robots, kickboxers, sumos, and more! Copies are available here.
8. Metahumans vs the Undead and Metahuman vs Werewolves. Does your Holiday someone like superheroes and monsters? What if you could put the two together? Don’t fear! I’ve already done that for you by editing these two anthologies (which both feature a superhero vs monster tale written by me and starring my superhero, Axiom-man). The stories are about what the titles imply and each book is loaded with creative takes on superheroes vs monsters. And if you’re an Axiom-man collector, these definitely need to be added to your library because the Axiom-man stories within are considered canon here at the Central. Copies are available here.
Thank you for tuning in to the A.P. Fuchs 2019 Holiday Gift Guide this Christmas and I hope that special reader in your life enjoys one or more of the things above. Again, please be sure to browse the Book and Comic Shop for what’s not covered here. I am able to make arrangements with you if you want to order direct in the interest of getting a signature and a personal message (no extra charge for this). Please email or PM to get in touch.
We’ve turned a corner here at the Central now that a good chunk of Project Rebirth is out of the way. The next step is to review my Project Media notebook (not pictured) and see how the items listed in there fit on the schedule.
I have some goals in mind for the next little while, with overarching goals to take me into the spring and, in some cases, beyond. What needs to be done is figuring out the timing of these things so a release schedule can happen.
I’m guessing part of the day today will include me sitting in a chair and pondering timelines.
Full transparency: I’ve never deliberately looked up blog topics (so far as I can recall) but for fun, this morning I decided to do that and see what’s currently out there for blogging ideas. “The Toughest Part About Being a . . .” prompt was something I came across and, maybe because I’m still groggy, resonated with me the most this fine winter morning.
So that said, here is the toughest part about being a writer/artist as per how I feel at the moment I’m writing this:
When people ask what I do for a living and I tell them I write stories and draw, I’m met with two general responses: “Oh man, that’s so cool!” or, “That’s nice. Maybe one day you’ll get a real job instead of playing all day.” The latter isn’t explicitly stated but is certainly implied by tone, facial expression, and body language, all with an air of disappointment.
The first crowd is, of course, the most pleasant to deal with. Their eyes light up and they smile and are genuinely happy for me. They often become my readers and usually follow up with me the next time I see them and ask how things are going and if I’m still doing it (the “still doing it” part hinting they understand it’s an unstable job but they have my back and are in my corner even if my answer is “No”).
The second crowd is the one I don’t understand. The general formula for a working adult is you get out of bed, go to work, come home, eat dinner, then get on with your evening, which may or may not include doing more work. That’s the formula I’ve lived by my entire working life–whether working in the arts or elsewhere–and the formula every working adult I know follows. The only difference is I work from home. So when I “go to work,” my commute is measured in hallways and staircases as I make my way down to the Central’s bunker to get started. I work all day–and get paid for it–turn the computer off, then reverse my commute and wind up back upstairs with the rest of the household. But mention you write stories and draw pictures for a living and suddenly you don’t have a real job (see the “On Freelancing for a Living (This is a Job)” blog post). Upon thinking about it, it’s not even the working from home part that seems to rub people the wrong way (though this can happen). It’s the specific what I do for a living. I’ve seen firsthand where others who work from home who don’t write stories and draw pictures are met with a metaphorical handshake. Me? It’s a metaphorical hands-in-their-pockets.
There is a disconnect that happens–usually with the older generation(s)–where, in the old days, work was something you left the house for and something you didn’t always enjoy. Work was actual work, like a chore, or work was something that demanded such a hard effort that every day ended the same when one came home: a collapse on the couch from mental and/or physical exhaustion. I believe the disconnect also happens because a lot of people tend to forget the entertainment they consume had to be created by somebody. Those books you read? Somebody took a lot of time writing them. Those comics you love? A group of people had to spend a lot of time writing, drawing, coloring, lettering, and printing them. Those movies you go to every Friday night? A whole slew of people had to go somewhere to play dress-up and pretend for a camera to tell you a story. That video game? Tons of people. Tons of artists. Even the very computer or smartphone this entry is being read on was dreamed up and sketched out by people who went to work. Somebody had to write all the code used in that phone. Somebody had to draw all those app icons. Somebody had to make science fiction science fact. Oh, and they got paid to do it because they need food and shelter, too.
Why is my job not normally respectable? Is it the non-steady paycheck? Is it the fact I like it? Is it because I’d rather spend a third of every day enjoying myself versus dragging myself through the motions? Is it because I made up my mind and chose what I was going to do with the old statement that you can either work towards making your own dreams come true or you can work for someone else to make their dreams come true?
Why does a lawyer get the handshake and I don’t? Why does a doctor? Or an accountant? Or a factory worker or a mechanic? Their job puts food on the table and keeps a roof over their loved ones’ heads just like mine does. My income goes towards food and bills, getting stuff for the kids and gas in the car. It buys Christmas presents and pays for date nights. It funds life just like their job funds life.
I work. You work. We all work.
And like I posted to social media forever ago, I want to repeat here: Everything is art. Every. Single. Thing. Creation is God’s canvas and nature is His painting. The stuff humans have made? It’s all based on someone dreaming and asking themselves, “What if . . .?” Then writing it down and drawing it out. Designing your couch is an art form. Writing the code for your car’s computer is an art form. Coming up with how to safely make a handheld drill is an art form. And so on.
Everything is art.
In the end, I’ve learned to live with the hits and learned my career choice will be frowned upon by others. But there are also others who don’t frown and instead smile. Those are the people who give respect. The others? I’ll still respect their work because they are my fellow human beings, and perhaps one day I’ll get the same occupational respect in return.
Author’s note: This article isn’t about complaining. It’s pointing out a disconnect that some people seem to have and is hopefully encouraging to those who might be in the same boat.
This week was largely spent on Project Media, which introduced the redesign of this blog, my social media pages, and my Patreon page. It took a lot of time behind the scenes here at the Central, which is fine, but by default it interfered with getting other work done.
We’re also doing a big promo push for the Patreon page this week because winter is here and I need to keep warm so I can continue making stuff for you guys. If you’d like to support me on Patreon and get treated to a whole slew of entertainment, please do so here.
Currently pondering: Roll-out plan for Project Jackass, overall plan for Axiom-man (with surprises), Deadline juggling.
Awhile back I decided that November 1, 2019, would mark the day I officially went into winter hibernation mode aka Heavy Broadcast Mode. My work plate is mighty heavy and I need to keep my head low and just get things done. That said, I will be off the social feeds until spring. However, that doesn’t mean my feeds will be an empty desert. I’ll be broadcasting social content to you from here at the Central, but if you need to interact, please send me an email as I won’t be checking PMs.
One of the major tasks I need to do this winter is overhaul the website. The content will remain but the programming language is dated and I need to bring things up to speed if I’m to stay relevant as we progress down the Timeline of All Things. The aim is to do that this weekend, so if you come by the site between now and next week, don’t fret if things look in disarray. I’m hoping for a smooth transition and nobody is none the wiser, but I’ve also been around Web stuff long enough to know glitches happen when all you want to do is execute what is supposed to be a simple procedure(s).
Today also marks the beginning of a new month, which means a new month starts up on my Patreon page, in turn opening the gates for new chapters in my ongoing serial novel, Gigantigator Death Machine, essays, behind-the-scenes stuff, and more. Please join me and my other patrons as we embark on November’s journey by going here.
What is all this winter stuff I keep talking about? I don’t want to give away all the surprises, so I’ll give you a vague summary instead:
The winter season is nearly here, which means this week I’m putting the final touches on getting ready for Heavy Broadcast Mode, which starts November 1. Believe it or not, a lot of planning and organizing goes into making books and comics for public consumption. It’s not just me writing a story and sending it out all willy nilly. Every creator works their own way, but on my end, I need to have certain mechanisms in place so I can publish a story and get it into your hands properly. This ranges from the actual publishing machine itself to the promotion side of it to even making sure I have copies here at the Central for you. Then add on the need to make and have all those systems in place all the while keeping a roof over my head and, well, yeah. Busy times.
This isn’t over-complicating it. It’s just planning things out so, once all is up and running, I have the greatest resource of all when it comes to creating stories and sharing them: Time.
Everything takes time. Some things take a mere minute, other things take hours or days, and the only way to have that time is do all that I’ve been doing behind the scenes here at the Central. (Speaking of behind the scenes, a new behind-the-scenes entry is going up on my Patreon this Friday. Join the journey to check it out.)
To find out more of what it takes to keep the creative machine running, please join my free weekly newsletter, The Canister X Transmission. It’s a letter from me to you week after week. It’s a chance for all subscribers to have a common meeting point each week to take a load off, escape the stress of the world, have a read (maybe even a laugh), and just breathe after busting butt all week. It’s also a chance to bring you up to speed on all that’s happened here at the Central, things not always covered on this blog. Pull up a chair. We always have room for one more.