• Category Archives Drawing
  • Posts showcasing drawings and art.

  • On Settling in with Your Work

    With winter in full swing and the temperature plummeting, I’m hunkered down in the bunker here at the Central getting things done. If you follow my newsletter, you know I had to do a bunch of work before I could work. This was the fall and early winter. Now I’m in a position to work on Project Rebuild and get my other ducks in a row.

    There’s something magical about settling in with your work. Something comforting, alluring, and satisfying. It’s one of those things that you could put into words if you really tried—but defining it would take away its power. Instead, I’m opting to just enjoy the feeling, revel in it, and get things done.


  • New 2020 Artwork and Publishing Services Rates Now in Effect

    Copic Markers and Keyboard
    Offering original artwork is NEW for 2020. A showcase is here on the site but also at Ello.

    As mentioned in this blog entry, my new 2020 artwork and publishing services rates are now in effect.

    Please check out my Publishing Services page for the new rates and offerings.

    Thank you. I look forward to working with you in 2020.


  • Inktober 2019 Artwork Video Showcase

    A.P. Fuchs Inktober 2019 Artwork Showcase Thumbnail
    Inktober 2019 Artwork Video Showcase

    Welcome to my Inktober 2019 Artwork Video Showcase!

    As promised, here is the video showcasing this year’s Inktober efforts.

    My Ello account has also been updated to show the three collages created from 31 drawings.

    Inktober was completed on schedule, with 31 ink sketches done in 31 days at a rate of one per day. Images were shared each day on social media, with Instagram being where I uploaded them.

    It was my first year doing it and I had a blast.

    Please watch the video below and please subscribe to my YouTube channel so you can ensure you receive notifications of each new video the moment they are uploaded.

    Thanks.

    Enjoy.


  • Secret Project No. 3: Drawing Phase Begins

    Secret Project No 3 Notebook and Paper

    Today, the drawing phase of Secret Project No. 3 begins!

    This is a horror comic that I showed a very brief glimpse of on my Patreon’s behind-the-scenes tier. I haven’t really mentioned it here on the blog but it’s a project I’ve been sitting on for a decent chunk of time (two years, maybe?). A few pages are finished but the strips inside are not. Time to get the whole thing done and published. Since it’s a full-sized issue, and considering the time it takes to make comics, this won’t be available until early next year.

    With 2020 right around the corner and taking into account my overall plan regarding the “things I need to finish” from Project Rebirth, it’s time to get my butt in gear and get this particular project complete. (See this blog entry regarding what “things I need to finish” is all about.)

    A title is still being settled upon. I will share it with you once I figure out what it is.

    In the meantime, may the drawing phase commence!


  • New Artwork and Publishing Services Rates for 2020

    Keyboard and Pen and Markers
    I work with both traditional and digital tools.

    With 2020 around the corner, it’s time for me to visit my freelancing Artwork and Publishing Services Rates again and adjust things for the New Year.

    The following rates will be effective on January 1, 2020. If you book me before January 1, I will honor my old rates so this is a chance to book me now even if your project won’t be ready to go until early in the New Year.

    The formula for the list below is Old Rate > New Rate

    All rates are in US funds.

    Editing (which is a full edit that covers everything from copy editing to proofreading):

    Short stories (1,000 – 7,000 words): 1¢ per word > 1.5¢ per word

    Novelettes (7,001 – 15,000 words): $250 > $275

    Novellas (15,001 – 40,000 words): $325 > $350

    Short novels (40,001 – 60,000): $425 > $450

    Novels (60,001 – 80,000 words): $500 > $525

    Blockbusters (80,001 – 120,000): $625 > $650

    Doorstops (120,000+): inquire for quote

    Formatting:

    Paperback formatting – $200 > $225

    eBook formatting – $150 > $175

    Paperback and eBook formatting bundle – $325 > $375

    Book Cover Design (includes the paperback and eBook files):

    Using stock art/photos/art you acquired elsewhere: $275US or $350CAN > $300US or $400CAN

    A note on stock photos: I do my best to seek out stock photos that are free for commercial use, however, sometimes the perfect photo needs to be purchased. Responsibility of cost for the purchased photo is the client’s. All proposed purchases are cleared with the client first.

    NEW – Using my original art created for the project’s cover (which includes the use of the art plus all the design that goes into a stock photo cover): $500US or $675CAN

    NEW – Artwork Commissions

    Penciled only: $150 (for up to two figures; additional figures $20 each)

    Inked: $200 (for up to two figures; additional figures $30 each)

    Colored (digital or traditional media, depending on the piece): $350 (for up to two figures; additional figures $40 each)

    Custom Artwork: If your project doesn’t fit the above commission guidelines, inquire anyway and we’ll figure out something that works for both of us.

    Thank you. I look forward to working with you.


  • Upcoming: Inktober 2019 Showcase

    Inktober 2019 Scanned Pages
    Inktober 2019 Scanned Artwork

    This morning I scanned all my Inktober 2019 drawings into the computer and got them ready for a video and for three collages. These will be showcased on the blog once they are ready. The collages will also be showcased on social media. I just need to get some music together for the video.

    (If you recall, I mentioned I’d be doing this in this blog entry.)

    My current videos can be found on my YouTube channel. Be sure to subscribe so you don’t miss new uploads, which right now have been going up on a weekly basis.

    Thanks.


  • The Toughest Part About Being a Writer/Artist

    The Toughest Part About Being a Writer/Artist

    A.P. Fuchs Books
    Some books from the A.P. Fuchs library.

    Full transparency: I’ve never deliberately looked up blog topics (so far as I can recall) but for fun, this morning I decided to do that and see what’s currently out there for blogging ideas. “The Toughest Part About Being a . . .” prompt was something I came across and, maybe because I’m still groggy, resonated with me the most this fine winter morning.

    So that said, here is the toughest part about being a writer/artist as per how I feel at the moment I’m writing this:

    Getting respect.

    When people ask what I do for a living and I tell them I write stories and draw, I’m met with two general responses: “Oh man, that’s so cool!” or, “That’s nice. Maybe one day you’ll get a real job instead of playing all day.” The latter isn’t explicitly stated but is certainly implied by tone, facial expression, and body language, all with an air of disappointment.

    The first crowd is, of course, the most pleasant to deal with. Their eyes light up and they smile and are genuinely happy for me. They often become my readers and usually follow up with me the next time I see them and ask how things are going and if I’m still doing it (the “still doing it” part hinting they understand it’s an unstable job but they have my back and are in my corner even if my answer is “No”).

    The second crowd is the one I don’t understand. The general formula for a working adult is you get out of bed, go to work, come home, eat dinner, then get on with your evening, which may or may not include doing more work. That’s the formula I’ve lived by my entire working life–whether working in the arts or elsewhere–and the formula every working adult I know follows. The only difference is I work from home. So when I “go to work,” my commute is measured in hallways and staircases as I make my way down to the Central’s bunker to get started. I work all day–and get paid for it–turn the computer off, then reverse my commute and wind up back upstairs with the rest of the household. But mention you write stories and draw pictures for a living and suddenly you don’t have a real job (see the “On Freelancing for a Living (This is a Job)” blog post). Upon thinking about it, it’s not even the working from home part that seems to rub people the wrong way (though this can happen). It’s the specific what I do for a living. I’ve seen firsthand where others who work from home who don’t write stories and draw pictures are met with a metaphorical handshake. Me? It’s a metaphorical hands-in-their-pockets.

    There is a disconnect that happens–usually with the older generation(s)–where, in the old days, work was something you left the house for and something you didn’t always enjoy. Work was actual work, like a chore, or work was something that demanded such a hard effort that every day ended the same when one came home: a collapse on the couch from mental and/or physical exhaustion. I believe the disconnect also happens because a lot of people tend to forget the entertainment they consume had to be created by somebody. Those books you read? Somebody took a lot of time writing them. Those comics you love? A group of people had to spend a lot of time writing, drawing, coloring, lettering, and printing them. Those movies you go to every Friday night? A whole slew of people had to go somewhere to play dress-up and pretend for a camera to tell you a story. That video game? Tons of people. Tons of artists. Even the very computer or smartphone this entry is being read on was dreamed up and sketched out by people who went to work. Somebody had to write all the code used in that phone. Somebody had to draw all those app icons. Somebody had to make science fiction science fact. Oh, and they got paid to do it because they need food and shelter, too.

    Why is my job not normally respectable? Is it the non-steady paycheck? Is it the fact I like it? Is it because I’d rather spend a third of every day enjoying myself versus dragging myself through the motions? Is it because I made up my mind and chose what I was going to do with the old statement that you can either work towards making your own dreams come true or you can work for someone else to make their dreams come true?

    Why does a lawyer get the handshake and I don’t? Why does a doctor? Or an accountant? Or a factory worker or a mechanic? Their job puts food on the table and keeps a roof over their loved ones’ heads just like mine does. My income goes towards food and bills, getting stuff for the kids and gas in the car. It buys Christmas presents and pays for date nights. It funds life just like their job funds life.

    I work. You work. We all work.

    And like I posted to social media forever ago, I want to repeat here: Everything is art. Every. Single. Thing. Creation is God’s canvas and nature is His painting. The stuff humans have made? It’s all based on someone dreaming and asking themselves, “What if . . .?” Then writing it down and drawing it out. Designing your couch is an art form. Writing the code for your car’s computer is an art form. Coming up with how to safely make a handheld drill is an art form. And so on.

    Everything is art.

    In the end, I’ve learned to live with the hits and learned my career choice will be frowned upon by others. But there are also others who don’t frown and instead smile. Those are the people who give respect. The others? I’ll still respect their work because they are my fellow human beings, and perhaps one day I’ll get the same occupational respect in return.

    Author’s note: This article isn’t about complaining. It’s pointing out a disconnect that some people seem to have and is hopefully encouraging to those who might be in the same boat.


  • Heavy Broadcast Mode Initiated – Welcome to Winter

    November Winter Tree
    From outside the window this morning.

    Awhile back I decided that November 1, 2019, would mark the day I officially went into winter hibernation mode aka Heavy Broadcast Mode. My work plate is mighty heavy and I need to keep my head low and just get things done. That said, I will be off the social feeds until spring. However, that doesn’t mean my feeds will be an empty desert. I’ll be broadcasting social content to you from here at the Central, but if you need to interact, please send me an email as I won’t be checking PMs.

    One of the major tasks I need to do this winter is overhaul the website. The content will remain but the programming language is dated and I need to bring things up to speed if I’m to stay relevant as we progress down the Timeline of All Things. The aim is to do that this weekend, so if you come by the site between now and next week, don’t fret if things look in disarray. I’m hoping for a smooth transition and nobody is none the wiser, but I’ve also been around Web stuff long enough to know glitches happen when all you want to do is execute what is supposed to be a simple procedure(s).

    Today also marks the beginning of a new month, which means a new month starts up on my Patreon page, in turn opening the gates for new chapters in my ongoing serial novel, Gigantigator Death Machine, essays, behind-the-scenes stuff, and more. Please join me and my other patrons as we embark on November’s journey by going here.

    What is all this winter stuff I keep talking about? I don’t want to give away all the surprises, so I’ll give you a vague summary instead:

    • Plan for the 2020 convention/book signing season
    • Bring projects old and new up to speed
    • Release new book(s) and comic(s)
    • Build up the YouTube channel
    • Deliver solid content on Patreon
    • Partially rebuild the media machine
    • Engage in interviews through various channels
    • Try not to die from overworking

    There. Straight forward. Just work.

    Enjoy the weekend.


  • Inktober 2019 has Concluded

    Inktober 2019 Pumpkin Cake
    Fred (Fredrikus) the dog as a pumpkin cake.

    Earlier this month, I invited you to join me on my Inktober 2019 journey. Today, that journey comes to an end. This was my first year doing Inktober and it was honestly a lot of fun. It has been nearly two decades since I drew in a sketchbook every day. The last time was in animation school way back when people still carried swords to fend off invading armies. And while the daily Inktober sketches are done, I have a little more work ahead of me. My Inktober efforts were shared via social media every day this month, but I realize not everyone saw them, so the next step is to create collage images showcasing the month as well as a video for my YouTube channel. Stay tuned for those. Feel free to check out my social media in the meantime if you can’t wait/want to play catch-up.

    Thank you to everyone who followed along this year!


  • On Writing About Creativity

    A lot of what I share on here has to do with the creative journey and stating what I’ve learned through experience. The reason is rooted in my passion for the creative industry. I’ve been making stuff up since I was a kid running around in a Superman costume (something I did even when my other friends had grown out of it). It’s all I know.

    Making up stories, drawing, and thinking about how to better get my imagination onto the page takes up most of my time and is my preferred activity. Some guys work on cars or model kits to help fill the hours; I work on imaginary worlds. It’s just how I’m wired and I don’t know any other way to live my life.

    Is always talking about creativity beating a dead horse? I honestly don’t know because in my world that horse keeps coming back to life. All I know is writing out my thoughts on the creative life helps me organize them, and if they can benefit or entertain someone along the way, then I’m more than happy to take them on the journey with me.