• Canister X Movie Review #91: V for Vendetta (2005)

    Posted on by A.P. Fuchs

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    V for Vendetta (2005)
    Written by The Wachowski Brothers
    Directed by James McTeigue
    Runtime 132 min.
    4.5 out of 5

    In the late 2020s, the United Kingdom is the only last stable government in the world and is led by the oppressive Norsefire party. Under such a tight regime, the people are controlled at every turn. The exchange? Bow down and you’ll live in peace and safety.

    From out of the shadows rises V (Hugo Weaving), a Guy Fawkes-mask-wearing caped activist who has a thorough plan meant to topple the present government and, over the course of a year, expose the Norsefire regime for what they really are and inspire the people to be free.

    After being saved by V from an attempted rape, Evey Hammond (Natalie Portman) goes into hiding in V’s lair and learns not only of V’s plans for the UK, but also about herself, her fears, and what it will take for her to rise from her own ashes to help him on his quest.

    This movie was based on the graphic novel by Alan Moore and David Lloyd.

     

    Hugo Weaving is insane in this. His acting is through the roof! I mean, come on, the guy had a mask on the entire time. You don’t see his face, and yet with every nuance of every word, every expressive tone, every bit of body language, you didn’t need the aid of a face to sell you on what he was saying or why he was saying it. No small feat and was truly amazing. And that “V speech” when he introduces himself to Evey? Go. Watch it. Now. Awesome.

    Natalie Portman is the bomb as Evey Hammond. I love her in nearly everything she does and her performance in V for Vendetta is no exception, especially when her character starts going through the wringer and she starts to break down. That scene where she gets her head shaved? That happened in real life. That was really her hair and was a one-take deal shot with three cameras, and a very poignant scene in the film. Her journey from start to finish is the audience’s on-screen link to V and his quest, and by the end, you’re with him one hundred percent.

    While there are some differences between the movie and the graphic novel, they by no means take away from it, in my opinion. There will always be differences when adapting books to film.

    V in this flick is a kind of Robin Hood-meets-Zorro figure, but instead of having the people behind him, he’s on his own with only Evey at his side. However, over the course of the year the story takes place, and as V unfolds his plan, the people start to get behind him, first in their hearts and then in their actions.

    Speaking of action, I love V’s fighting in this, spinning his swords and holding his own against multiple opponents. Some of the trickery he uses to evade capture also reminds me of Batman-like tactics.

    The movie is a strong one, interesting from start to finish, and one that not only inspires, but makes me grateful I live in a free country like Canada and not in a fascist state.

    V for Vendetta also spilled over into the real world—our world—inspiring folks to wear Guy Fawkes masks during public demonstrations, like Occupy Wall Street. If that doesn’t show the impact of a movie, I don’t know what does.

    This is a superhero movie with depth and is an important addition to any superhero fan’s library.

    Highly recommended.


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  • Canister X Movie Review #90: Unbreakable (2000)

    Posted on by A.P. Fuchs

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    Unbreakable (2000)
    Written by M. Night Shyamalan
    Directed by M. Night Shyamalan
    Runtime 106 min.
    5 out of 5

    Ordinary David Dunn (Bruce Willis) has a failing marriage, a son who needs him, and a job as a security guard. However, all that changes after a severe train wreck and he is the only survivor. Even more miraculous, he is completely unharmed. When confronted by a man named Elijah Price (Samuel L. Jackson), who suggests David is invulnerable, David shrugs it off but eventually begins to test himself and discovers that maybe he’s not that ordinary after all and soon learns he can do things no other man can. At Elijah’s insistence, David explores his abilities even more and soon begins a journey that reveals maybe he is indeed unbreakable.

     

    I’ve said it before and I’ll say it again: I love superhero origin stories and Unbreakable is just that. Written and directed by M. Night Shyamalan of Sixth Sense fame, Unbreakable is a story deconstructing the superhero, and suggesting a possible real life origin for these amazing people, while keeping your interest from start to finish.

    Using the real-life medical condition osteogenesis imperfecta as a springboard, suggesting that if someone with such frail bones can exist, is it not possible someone with unbreakable bones—even body—can exist? And thus is the story as we follow Elijah Price as he searches out this amazing possibility in the person of David Dunn.

    This movie also heavily references comic books, Elijah posing the idea that comic books are modern day retellings of stories of times past and of real people who once were able to do things other people couldn’t.

    Each moment of this movie is an in-depth look at what makes the superhero tick, everything from the discovery of his power, to his motivation in using it, to the doubt that such a possibility could exist in a person, to finding a possible weakness, to balancing having this special ability with the demands of everyday life, and more.

    This movie is a drama and not an action flick. While there is some action, namely toward the end, it’s a life and times superhero story that makes you stop and think about what being a person with an extraordinary ability might actually be like, if it would be easy or hard, or a bit of both. What kind of challenges would you face? What kinds of benefits?

    Apparently, M. Night Shyamalan came up with the idea following the standard three-part structure of a superhero story: the origin, the rise to being a hero, then the final confrontation with the villain. The movie has all these elements, but because he found it the most interesting, Shyamalan spends most of the time focusing on the origin. As a result, there is such depth surrounding David Dunn and Elijah Price that as the hero and villain, they rival characters that have been around for decades in terms of richness. Very well done.

    This movie is just so, so good and is one of my all-time favorites. It’s one of those flicks to throw on on a rainy day, get under a blanket, and get swept up in the world of the superhero only to be inspired to look for the spectacular in one’s own self.

    Highly recommended.


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  • Canister X Movie Review #89: Ultimate Avengers 2: Rise of the Panther (2006)

    Posted on by A.P. Fuchs

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    Ultimate Avengers 2: Rise of the Panther (2006)
    Written by Greg Johnson
    Directed by Will Meugniot and Richard Sebast
    Runtime 73 min.
    4 out of 5

    Picking up pretty much right where Ultimate Avengers left off, Ultimate Avengers 2 starts off in Wakanda and the kingdom falls under attack from Herr Kleiser, who kills the king and sends the prince, T’Challa, into action by taking up the mantle of the Black Panther. Black Panther then heads to the city to find Captain America. The Avengers are assembled and head to Wakanda to stop the Chitauri threat, resuming their battle from the first movie.

     

    I liked the first movie a bit better, but probably because it was the birth of the Avengers vs them in full swing but that’s just me: I like origin stuff. Ultimate Avengers 2, however, is still a solid flick and falls right in line with its predecessor. (Always recommend watching these two back-to-back if you have the time, and with a little-over-an-hour runtime each, that’s definitely doable.)

    The battles in this flick are awesome and showcase some all-out superhero-vs-alien mayhem. Like the first, each character gets their moment to shine and it’s like being reacquainted with old friends.

    I love the depiction of the Avengers in this. Everyone is their stereotypical selves, something that they captured in the live action movie, but, to me, got even more right in this flick. Totally adds to it.

    Like the first, the art direction is top notch. Everyone matches the way they looked in the first movie, giving it that sense of continuity. They had the same voice talent as the first for this as well. I love it when animated flicks keep the cast consistent outing-to-outing.

    Watching this flick along with the first makes it a good final act to a stellar movie, but can also stand just fine on its own.

    Glad I have it as part of my superhero movie collection.

    Recommended.


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  • Canister X Movie Review #88: Ultimate Avengers: The Movie (2006)

    Posted on by A.P. Fuchs

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    Ultimate Avengers: The Movie (2006)
    Written by Greg Johnson
    Directed by Curt Geda and Steven E. Gordon
    Runtime 71 min.
    4 out of 5

    In World War II, the Nazis tried to launch an intercontinental missile and was thwarted by Captain America, but at great cost: Captain America fell into icy waters and was presumed dead. Some sixty years later, he was found and revived by S.H.I.E.L.D., who ends up convincing him to join their fight against the alien Chitauri. When the Chitauri attack, S.H.I.E.L.D. implements Project Avenger and begins assembling together Earth’s Mightiest Heroes to take on the Chitauri and put a stop to them once and for all.

     

    This ensemble flick is one of the greats and is a solid introduction for the uninitiated to the Avengers—Captain America, Iron Man, Thor, Black Widow, Giant Man, Wasp and Hulk—all led by Nick Fury.

    It’s evenly paced, exciting, and gives each member of the team enough screen time to give them a chance to lock in with the viewer and make that viewer-character connection before moving on to the next guy.

    Marvel’s direct-to-video efforts have been lacking and haven’t been that great because they’ve been very busy—albeit very successfully—focusing their efforts on bringing their heroes to the big screen. Ultimate Avengers and its sequel are the major exceptions to their animated shortcomings and this movie is every bit as good as their live action counterparts. I also think that’s the secret to making a good animated movie: treat it with the same care and seriousness as a live action film and you’ll hit it out of the ballpark every time. It works in Japanese animation. No reason why it wouldn’t work here in the West.

    This movie was good start to finish. Had a story that spanned decades, and made you care about what was going on from first frame to last.

    You have multiple plotlines going on, ranging from the Avengers dealing with the Chitauri to Bruce Banner trying to find a cure for the Hulk, to Captain America trying to find his place in the world. The amazing thing is they fit all these plotlines into a very short runtime (just over an hour).

    The art direction was superb and I enjoyed how everyone looked in this, especially Hulk. (For me, he’s one of those guys that don’t always come out well.)

    While there’s a pretty good dose of violence in this movie, it’s much more kid-friendly than the majority of DC’s animated features and is safe for kids (depending on your household rules for this sort of thing). Personally, I let my kids watch it but don’t let them watch the DC movies.

    Whether a Marvel fan, an Avengers fan, or a superhero fan in general, Ultimate Avengers is a fantastic flick worth watching many times over. What’s cool is it’s basically part one of two and goes right into its sequel, Ultimate Avengers 2: Rise of the Panther, without missing a beat, so if you have both, you’re in for a doubly-good time.

    Recommended.


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  • Canister X Movie Review #87: Thor (2011)

    Posted on by A.P. Fuchs

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    Thor (2011)
    Written by Ashley Edward Miller, Zack Stentz and Don Payne
    Directed by Kenneth Branagh
    Runtime 115 min.
    5 out of 5

    Long ago Odin (Anthony Hopkins) led Asgard to victory against the Jotunheim Frost Giants and captured the source of their power, the Casket of Ancient Warriors. Over a thousand years later, Odin is about to crown his son, Thor (Chris Hemsworth), as King of Asgard, but the coronation ceremony is interrupted when the Front Giants find a way into the weapons vault and try to steal back the Casket. Fortunately, it wasn’t stolen as the giants fell before they could take it. Wanting to make an example of them, Thor and some of his loyal companions travel to Jotunheim against his father’s wishes and start a war with the giants. Odin rescues them but not without grave consequences: upon returning to Asgard, Thor is banished to Earth for his actions, powerless and alone. Only his hammer, Mjolnir, is sent with him, but now with an enchantment that only the worthy can wield it—and Thor is not.

    On Earth, Thor meets Jane Foster (Natalie Portman), an astrophysicist who was there along with her mentor, Dr. Erik Selvig, the night Thor came through the wormhole.

    Meanwhile, Thor’s brother, Loki (Tom Hiddleston), finds out that his own heritage is not what he was told and, upon finding out his true origin, seeks to ensure his brother never returns to Asgard so he could become the king instead.

    While on Earth, Thor must learn what it means to be humble, care for others, and thus earn his place as the proper king of Asgard, all in time to stop his brother from leading the Frost Giants into Asgard and destroying Odin’s kingdom.

     

    This flick was Marvel’s fourth film in its Phase One plan leading up to The Avengers.

    I love this movie. It’s down-to-earth, fun, has a good story and enough action to keep things exciting but not so much that it bogs down the entire movie.

    Up until this flick, Thor was basically an unknown character to the movie-going public, and Thor does its job on giving the character a rich history, making you care about him, and making you cheer him on on his path to redemption.

    The scenes on Asgard were breathtaking—heavenly, even—the size and scope of the city enough to inspire awe. The stuff on Earth, well, it’s just the stuff on Earth and this is the first I’ve personally seen the realms of fantasy and reality merge so well. There was a bit of that in the Harry Potter movies, but those kids never went to another world where it’s fantasy-type stuff 24/7.

    The special effects were awesome and, to me, were a kind of unintentional preview to an exciting live action Superman movie, with Thor being the one in the red cape this time. The flying sequences were powerful, the strength, the lightning blasts—all good stuff, and with The Avengers on the horizon, the climatic fight scene between Thor and the Destroyer was well-paced and well done, saving Thor’s best for the ensemble film to come a year later.

    The relationship between Thor and Loki was done especially well because most siblings feel that their parents favor one above the other. There’s always going to be some sibling rivalry, jealousy and competitiveness. This flick nailed that, in my opinion, especially on Loki’s side of things. I mean, at times you can’t help but feel bad for the guy and sympathize with his motives (that’s the mark of a good villain, by the way).

    Thor is a sweet introduction to the character, sets him up really well for The Avengers, and this reviewer can’t wait to check out Thor: The Dark World and see how the Mighty Thor grows as a hero and as Asgard’s king.


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  • Canister X Movie Review #86: Superman vs the Elite (2012)

    Posted on by A.P. Fuchs

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    Superman vs the Elite (2012)
    Written by Joe Kelly
    Directed by Michael Chang
    Runtime 74 min.
    4 out of 5

    Upon meeting the Elite, Superman hopes to have found new allies in his quest against evil, but when he discovers they bring a new brand of justice to the table, he must make a stand against them.

     

    That’s basically the premise of the movie and it’s not so much a story with the fate of the planet hanging in the balance, but rather a story about the fate of how villains should be dealt with hanging in the balance. Bottom line is the question: is the world ready to move on from using temporal solutions to stop criminals—super or otherwise—to permanently stopping them by simply killing them?

    Superman believes in the potential good in everyone whereas the Elite, led by Manchester Black, believes that if you mess up, you should die to a) bring justice to whatever crime you did, and, b) stop any future chance of it happening again. While in a way you can see where he’s coming from, his black-and-white view of how to deal with evil leaves a lot to be desired. If anything, his view mirrors Superman’s in that justice must come to pass, but Superman also believes in mercy and forgiveness and the idea of learning one’s lesson then trying to make a positive go at things versus getting one shot and if you blow it then that’s it.

    Part of this movie asks the question about Superman’s place in our modern society and if his ideals and motives are still relevant. Face it, we live in a very cynical, hard-edged world where people would sooner see the worst in others—while missing the bad in themselves, of course—than acknowledge people’s shortcoming(s) for what they are, try to fix the issue(s), forgive and move on. This is the product of a self-centered society—especially in the West—so self-centered that we won’t even acknowledge we have this issue (or get mad when confronted with it), thus creating the need to produce movies like Superman vs the Elite as, it seems, there are only a few who want to bring it to light.

    That’s the deeper stuff. The lighter stuff is this movie has a fairly interesting story to bring the above to pass. I did find it slow in parts. The action sequences were pretty good, especially when Superman starts battling the Elite. I wasn’t a fan of the art direction, though, and have seen better presentations of Superman and his supporting cast in other direct-to-video DC movies.

    If it weren’t for the strong themes of this movie, I would’ve given it a three, but because it’s about something important, it gets bumped up a point.

    I do recommend this movie if you’re not sure if Superman is still relevant today or if you find him an unrelatable hero. This flick might change that for you. Take a look and decide for yourself.


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  • Canister X Movie Review #85: Superman: Unbound (2013)

    Posted on by A.P. Fuchs

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    Superman: Unbound (2013)
    Written by Bob Goodman
    Directed by James Tucker
    Runtime 75 min.
    4 out of 5

    When Brainiac shows up and threatens to destroy Metropolis, Superman and his cousin Supergirl must rise to the occasion and put an end to a foe that has deep ties to Krypton.

     

    This was a good flick. Hey, it’s Superman and lately DC’s been pulling out all the stops and every time Supes gets the DVD treatment it’s done really well. Supergirl’s presence added a new dimension to the Man of Steel’s animated movie exploits. Giving a quick showcase of her past, what happened to Kandor, and how those events created the motivations behind the Supergirl of this movie proved that sometimes less is more. Also understanding where she was coming from gave Superman a glimpse into a part of himself that he wasn’t really ready to face: the need to sometimes go hard on bad guys for the greater good. Yet, being true to who he was, he was also able to soften Supergirl around the edges, which just goes to show how much you can learn from family.

    The animation was smooth, the colors were clear, the action was great and the art was fantastic. The slightly too-long-of-a-face aside, I like the way Superman looked in this. The Clark Kent was so-so. More of a fan of the thick glasses than the more stylish ones, but whatever. In the animated series he had two thin circles for frames and that was it.

    Lois looked good, too. My only gripe is, while I understand these movies are being made more and more for adults, there are parents out there who buy these flicks for their kids because a) they’re superheroes, b) it’s cartoons, and having Lois giving Brainiac the finger wasn’t cool. Though I doubt it’ll ever happen, there should be some sort of bold labeling or disclaimer on the package aside from the MPAA rating that lets parents know if there’s content inside that is inappropriate for kids. This “giving the finger” is why I won’t let my kids see this movie now. Something for DC to think about.

    As a Superman fan, I’ve been loving all this attention the Man of Steel has been getting lately and since Batman was the focus of so many shows and animated features, giving the Last Son of Krypton a shot and a large amount of screen time helps balance all that out. I also hope DC has plans in the works for other animated movies for other characters, JLA stuff aside.

    What can I say? DC and Warner Bros. keep knocking these flicks out of the park. Now, if they translate this awesome sensibility and sensitivity to the comics to the big screen on a consistent basis, then superhero fans will truly be living in a new golden era of superhero cinema.


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  • Canister X Movie Review #84: Superman Returns (2006)

    Posted on by A.P. Fuchs

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    Superman Returns (2006)
    Written by Michael Dougherty and Dan Harris
    Directed by Bryan Singer
    Runtime 154 min.
    3 out of 5

    The Man of Steel had vanished for five long years.

    The world moved on.

    So did the one person everyone thought never would: Lois Lane. She even wrote about it in a Pulitzer Prize-winning article entitled, “Why the World Doesn’t Need Superman.”

    But that’s not all that changed. Lex Luthor had swindled his way out of a double life-sentence with a new plan: create his own continent and wipe out all the others.

    He just wasn’t prepared for one thing—Superman returns.

     

    It’d been almost twenty years between Superman movies when this one came out, the last being Superman IV: The Quest for Peace. Expectations were high, the hype was through the roof, a star director (Bryan Singer) was attached to it, huge names played some of the key roles . . .

    The payoff: an embarrassing movie.

    I remember feeling ashamed of my hero when I walked out of the theatre. Being a lifelong Superman fan, I thought Superman Returns would nail it and kick a certain red-and-blue wallcrawler off the box office charts.

    I was wrong.

    The story of Superman Returns is okay. It’s nothing new, pretty much a rehash of Superman: The Movie, just updated with a different spin.

    There are also several terrible and nonsensical moments in the film: Superman’s son, Superman in the hospital, Superman lifting a massive island made of kryptonite and flying it into space even though just before that scene being around kryptonite made him virtually mortal.

    It was tempting to give this movie two stars, but Brandon Routh’s portrayal of the Man of Steel saved the day. He did a stellar job as both Clark and Superman. Aside from Christopher Reeve, he’s my favorite boy in blue.

    Kevin Spacey did an all right job as Lex Luthor—evil, funny, selfish, manipulative, king of understatement. But he wasn’t evil-evil, unlike Michael Rosenbaum in Smallville. Though I realize they’re different continuities/series, you’d think a grown-up Lex would be darker than his younger counterpart.

    Warner Brothers et al. erred with this film because they didn’t remember the secret to Superman: people don’t want to relate to him. He’s an icon, an ideal. He’s not Spider-Man. We want to be amazed, put in a state of awe. People only want to relate to Clark Kent, not his cape-wearing alter ego. They blurred the line between the two when it should have been crisp and clear, and that is where this movie failed.

    Hopefully the sequel will not be a drama, but a serious yet fun superhero movie, one filled with wonder, eye-popping action and a story worthy of the Man of Steel. I just hope they don’t use kryptonite as a weapon against Superman. If they do, they’re going to have to use a whole planet’s worth to make a dent seeing as how a kryptonite island didn’t stop him.


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  • Canister X Movie Review #83: Superman: Doomsday (2007)

    Posted on by A.P. Fuchs

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    Superman: Doomsday (2007)
    Written by Duane Capizzi
    Directed by Bruce Timm, Lauren Montgomery and Brandon Vietti
    Runtime 78 min.
    4 out of 5

    Digging deep beneath the planet’s surface, Lexcorp accidentally unearths the merciless killing machine known as Doomsday. Immediately, the behemoth of rage goes on a rampage, destroying everything in its path, and all efforts to stop it fail.

    The Man of Steel, learning of the destruction and deaths in Metropolis, takes it upon himself to bring the monster down before more lives are lost.

    The battle is epic.

    The action is huge.

    The consequences are dire.

    Superman fails, falls . . .

    Dies.

    Adapted from the biggest and most shocking comic book story of all time, Superman: Doomsday is the emotional and action-packed tale of the life, death and return of the world’s greatest superhero.

     

    This story is dark, and not just because Superman dies. This isn’t a kids cartoon. The themes are mature (i.e. Lois half-naked in the Fortress of Solitude), Lex Luthor, distraught over Superman’s absence in his own weird way, is the most evil Lex ever seen in a cartoon and the things he does at some points in the film make you go, “Man, that’s evil. Not just evil. Hugely evil.”

    What was most astonishing was the swearing. I never would have expected that from a Superman cartoon.

    On the plus side, the battle between Superman and Doomsday is the greatest slugfest this reviewer has ever seen in a superhero cartoon (and I’ve seen nearly all of them). The story is solid and packs a lot in given the amount of time Warner Brothers seems to allow for these direct-to-DVD animated movies of theirs.

    The animation is dynamic, the coloring bold, the art in the style of the Justice League cartoons.

    This DVD includes a few special features, most notably the enthralling documentary on the life, death and return of Superman, chronicling the death saga from conception to fruition, with interviews with the many artists, writers and editors on the project.

    A very awesome movie.


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  • Canister X Movie Review #82: Superman: Brainiac Attacks (2006)

    Posted on by A.P. Fuchs

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    Superman: Brainiac Attacks (2006)
    Written by Duane Capizzi
    Directed by Curt Geda
    Runtime 75 min.
    3.5 out of 5

    When Lex Luthor proposes an alliance with Brainiac to take down the Man of Steel, Superman must pull out all the stops to stop the seemingly unstoppable Kryptonian cybervillain. Meanwhile, Clark Kent examines his relationship with Lois Lane and considers telling her who he really is, but after she is poisoned, the clock starts ticking as Superman must try to find a cure while also stopping Brainiac and Luthor.

     

    I love the animated style developed by Bruce Timm. It worked wonders on Batman: The Animated Series and then later they did Superman: The Animated Series the same way, and then after that they did Justice League and Justice League: Unlimited. It’s a great style and this flick was done in that style.

    This movie was pretty good. Wasn’t awesome, wasn’t terrible, was just above down the middle, I’d say. Brainiac is a cool villain, a very powerful one because he’s nearly unstoppable. Throw in some Lex Luthor action and have them go up against the Man of Steel and you know Superman is in trouble.

    Everyone was who they were supposed to be in this, except Lex Luthor. He wasn’t as dark and serious as he was in the animated series and acted out of character. That’s too bad because Luthor is a big part of Superman’s world so you want to get him right.

    Tim Daly—I love that guy as Superman. He has the right voice, the right delivery and every time DC does an animated movie and he’s voicing Superman, it makes those movies all the better as a result. Too bad he’s retired as of this review and his son, Sam, has taken over. Maybe he’ll come back one day.

    I won’t spoil it, but it did have a satisfying ending and, since this was Superman’s last solo animated adventure in the Superman: The Animated Series universe, it brought a smile to my face. I won’t spoil it here. You’ll have to see it for yourself.

    Containing all the elements that make Superman such a beloved character—the Lois-Clark-Superman triangle, Lex Luthor, the Fortress of Solitude, Perry White and the Daily Planet, even Metropolis—Superman: Brainiac Attacks is a fun movie, kid-friendly and is a great addition to any Superman fan’s movie shelf.


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