• Tag Archives kryptonite
  • Canister X Movie Review #134: Batman v Superman (2016)

    batmanvsupermanBatman v Superman: Dawn of Justice (2016)
    Written by Chris Terrio and David S. Goyer
    Directed by Zack Snyder
    Runtime 151 min.
    4 out of 5

    After witnessing the battle between Superman and General Zod in Metropolis, Bruce Wayne takes it upon himself to ensure the Man of Steel isn’t a rogue alien who might one day enslave the human race. In the meantime, Lex Luthor has sworn to ensure humanity’s survival by securing for himself Kryptonite, which is later discovered to be the one thing that can weaken Superman. Worse, Luthor has a secret project tracking metahuman activity across the globe, which prompts Diana Prince to obtain the confidential data he has on her. To complicate matters, Luthor has also acquired the body of General Zod and creates from it an unstoppable killing machine—Doomsday, a being more powerful than even Superman. It’s going to take Batman, Superman, and Wonder Woman to take down the beast lest the city—even the planet—is destroyed by this destructive force.

    Okay, this is a first impression review, with some processing time after.

    Batman v Superman is a comic book movie, and not in the campy sense. It has the feel of DC’s direct-to-video animated features and there’s an atmosphere to the movie that superheroes belong in the world created.

    The downside to the flick is it doesn’t work as a stand-alone film. There’s no strict A to B to C to the story. It’s more an introduction of story elements that will all play out in future DC movies instead. It’s like the first part of a giant graphic novel, and it is my hope that years down the road when all the other DC movies are released, what we will have is one massive story instead of what is usually given to us in today’s superhero flicks: each one a self-contained tale with subplots running through them that culminate in team-up adventures. If indeed DC’s plan is to make one giant movie, then that’s something never attempted before and never in the superhero genre. If this is the case, that’s brilliant and should be applauded. It’s jarring for moviegoers, but once they catch onto what’s going on, they’ll no doubt be amazed. After all, we do like our epics both on the big screen and TV.

    Superman/Clark Kent. Once again, Henry Cavill delivers as the Last Son of Krypton. In fact, I think his performance is a step up from his previous outing in Man of Steel. That first flick was about Superman finding his footing, and while there is still some of that here, it’s more about the world finding its footing now that Superman is on the scene. You can tell Superman has become a beacon of hope to the world despite how some might view him as a threat. He’s bigger, stronger, and carries with him that air of awe and wonder Superman should. We’re not supposed to relate to this god-like being, but instead look up to him as something and someone to aspire to, and Superman is very much coming into that form as the flick goes on. As for the Clark Kent side, reporter Clark in this flick was pretty much just Average Joe. There wasn’t all that much involved in creating a clear line between Superman and Clark Kent, that strong sense of two separate people. I wish there was, but I also see how Average Joe works better in the reality established in these movies than someone who’s an over-the-top nerd. At the same time, it would’ve been nice to see Clark trip over his own feet or bump into a desk or something to really give off that whole there’s-no-way-this-guy-can-be-Superman thing. There was also one scene I had so hoped for in this movie that never came and that was the classic Clark ripping his shirt open to reveal the S. Perhaps in another movie.

    Batman/Bruce Wayne. When Ben Affleck was cast, I got behind it right away. I’m an Affleck fan and knew he could deliver on what would be a worn-out Bruce Wayne, which would eventually give way to a worn-out Batman. What can I say? Affleck did a superb job. He did the playboy thing—though he could’ve played up the douche bag part a bit; yet at this point in his life, a cocky playboy might not be in the cards for him—and also did well when it was just him and Alfred. As Batman, this is the Batman we’ve been waiting for. Finally, oh finally, we got to see the comic book Batsuit and a Batman who’s fighting and action was the stuff that made the Arkham games so darn good. He also played the detective, which was never really in the other movies. And the bat-atmosphere? That part where he’s hanging in the corner in the dark and the light shines on him? Spooky and gorgeous. I also enjoyed the final fight and how Batman was portrayed. His limits as a human being with gadgets was shown, which is good, because I’m tired of stories where Batman somehow saves the day instead of the beings that are so much more powerful than him. I’m really excited for the forthcoming Bat-flicks with Ben Affleck in the lead.

    Diana Prince/Wonder Woman. Small hero part in this movie, comparatively speaking to the two male leads. As Diana Prince, Gal Gadot was mysterious and intriguing. There was also a sense of detachment about her which, once you learn who she really is, makes perfect sense since she’s from Themyscyra. When the Wonder Woman reveal happened, she stole the show. Sorry Superman and Batman, you were outshone big time. She had a heroic entrance—which is so important in superhero movies—a killer score, and was completely badass when she got down to business and helped in the fight against Doomsday. What was also interesting is while the movie didn’t get too much into who she was, she stilled carried her own weight and felt fleshed-out anyway. Of course, this could all be in my head since I know who Wonder Woman is and enough of her backstory to fill in the gaps. With the Wonder Woman movie in production as of the writing of this review, I know I’ll be one of the first in line when it comes out. She was that good.

    Lex Luthor. If Jesse Eisenberg is good at one thing, it’s playing the prideful I’m-smarter-than-everybody-else-in-the-room guy. And, yeah, that’s who Lex Luthor is. He’s a genius, and despite what he tells the public, has a contempt for humanity because he thinks he’s above it. Of course, the paradox is that he himself is human. In that regard, Jesse Eisenberg did a fine job. However, I still feel he was too youthful for the role since Lex is older than Superman in other incarnations, and Lex—as crazy as he can be sometimes—is more of a reserved crazy than someone more animated. It was this animated part that brought Lex down, in my opinion. Crazy is fine. Smart crazy is even better, but this kind of Joker-esque displays that happened now and then were out of place. Maybe given the ending Lex’s personality will change and he’ll be more reserved. We’ll see.

    Lois Lane. Amy Adams works for me. She does the hard-nosed journalist thing quite well, and the standard Lois Lane thing of getting herself into hot spots so only Superman can come to the rescue. I don’t mind this trope so long as it isn’t all the time. Her role in this flick wasn’t a main one like in Man of Steel. She was more part of Superman’s support team despite her entanglement in some of the later conflicts in the movie.

    Alfred Pennyworth. What can I say? Jeremy Irons did a good job as Alfred, who is also Batman’s co-combatant. Sure, he didn’t don a costume and get out there and fight bad guys, but helped Batman from the Batcave as a sort of special ops overseer. More importantly, he acted as Bruce Wayne’s conscience and wasn’t afraid to go up against him when he disagreed with something. As much as Robin’s job is to keep Batman grounded, it’s Alfred’s job as well, and since he is older than Bruce, he can provide wisdom in areas Bruce isn’t familiar with. Good choice having Jeremy Irons in the role.

    There were a few moments in the film where I wished things had gone in a different direction, but that could just be my taste as opposed to my ideas being better.

    Unfortunately, WB and DC marketed this movie as one thing and what it was was something different. Once you get over that hurdle and see Batman v Superman: Dawn of Justice for what it’s meant to be in the greater DC Universe, then a lot of pieces fall into place and it’s highly enjoyable.

    Go see it.


  • Canister X Movie Review #84: Superman Returns (2006)

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    Superman Returns (2006)
    Written by Michael Dougherty and Dan Harris
    Directed by Bryan Singer
    Runtime 154 min.
    3 out of 5

    The Man of Steel had vanished for five long years.

    The world moved on.

    So did the one person everyone thought never would: Lois Lane. She even wrote about it in a Pulitzer Prize-winning article entitled, “Why the World Doesn’t Need Superman.”

    But that’s not all that changed. Lex Luthor had swindled his way out of a double life-sentence with a new plan: create his own continent and wipe out all the others.

    He just wasn’t prepared for one thing—Superman returns.

     

    It’d been almost twenty years between Superman movies when this one came out, the last being Superman IV: The Quest for Peace. Expectations were high, the hype was through the roof, a star director (Bryan Singer) was attached to it, huge names played some of the key roles . . .

    The payoff: an embarrassing movie.

    I remember feeling ashamed of my hero when I walked out of the theatre. Being a lifelong Superman fan, I thought Superman Returns would nail it and kick a certain red-and-blue wallcrawler off the box office charts.

    I was wrong.

    The story of Superman Returns is okay. It’s nothing new, pretty much a rehash of Superman: The Movie, just updated with a different spin.

    There are also several terrible and nonsensical moments in the film: Superman’s son, Superman in the hospital, Superman lifting a massive island made of kryptonite and flying it into space even though just before that scene being around kryptonite made him virtually mortal.

    It was tempting to give this movie two stars, but Brandon Routh’s portrayal of the Man of Steel saved the day. He did a stellar job as both Clark and Superman. Aside from Christopher Reeve, he’s my favorite boy in blue.

    Kevin Spacey did an all right job as Lex Luthor—evil, funny, selfish, manipulative, king of understatement. But he wasn’t evil-evil, unlike Michael Rosenbaum in Smallville. Though I realize they’re different continuities/series, you’d think a grown-up Lex would be darker than his younger counterpart.

    Warner Brothers et al. erred with this film because they didn’t remember the secret to Superman: people don’t want to relate to him. He’s an icon, an ideal. He’s not Spider-Man. We want to be amazed, put in a state of awe. People only want to relate to Clark Kent, not his cape-wearing alter ego. They blurred the line between the two when it should have been crisp and clear, and that is where this movie failed.

    Hopefully the sequel will not be a drama, but a serious yet fun superhero movie, one filled with wonder, eye-popping action and a story worthy of the Man of Steel. I just hope they don’t use kryptonite as a weapon against Superman. If they do, they’re going to have to use a whole planet’s worth to make a dent seeing as how a kryptonite island didn’t stop him.


  • Canister X Movie Review #78: Superman III (1983)

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    Click Here to Order from Amazon.com
    Superman III (1983)
    Written by David Newman and Leslie Newman
    Directed by Richard Lester
    Runtime 125 min.
    3.5 out of 5

    Gus Gorman (Richard Pryor) can’t get a break, so he decides to go back to school and become a computer programmer. Finding out he has a genius-like knack for telling computers what to do, he quickly tries to make himself rich by doing so. After getting caught, the business tycoon he tried to rip off hires Gus to use computers to make him rich, namely by building a machine that can control the weather and cause different natural disasters which would in turn benefit the company. The plans are foiled when Superman (Christopher Reeve) steps in and saves the day. Now with the Man of Steel in their sights, Webster uses Gus’s computer know-how to take down the Last Son of Krypton once and for all by synthesizing the one thing that can hurt him: Kryptonite.

    Except, because of a slight alteration to the formula, Gus and Webster get something else: a changed Superman, one bent on evil instead of good.

    Can the Man of Steel be restored before Webster has taken over the globe?

     

    What can I say about this movie? It’s a hard movie to judge because it was such a drastic shift in tone from the previous Superman flicks that on the one hand, you look at it as a continuation of the others—and it fails miserably—but on the other, you see it for what it is and it’s pretty good.

    Let me explain.

    As strictly a superhero movie, it’s silly. It was written as a comedy—probably to make Richard Pryor shine, who was a massive comedic star in the ’80s—and that’s where its downfall was. While Christopher Reeve played Superman straight like he always does, it didn’t really mesh with the rest of the movie and as a result it’s hard to take it seriously.

    However, Mr. Reeve is stacked as Superman in this flick. Physique-wise, he totally peaked with Superman III and was even more powerful-looking than in the other films. I wish this presentation of Superman muscle-wise was in all of them. The super feats are great, you cheer him on, and your inner fanboy squeals with glee every time.

    Storywise, some might call it silly. I call it: okay for the time. In general, the idea of a computer genius trying to take out the Man of Steel is a fine idea. Put him up against some tech-based problems and you could have a good movie. But this was the early 1980s and movie special effects were nowhere near what they are today and the budget wasn’t there to put Superman up against some really strong computer-or-robot-based foe, so we settled for manufactured weather disasters and a super computer and woman-turned-robot at the end. Bummer. (But as a kid, the robo version of Vera (Annie Ross) scared me big time.)

    From looking at it as a comedy, it’s great. Pure gold. Richard Pryor wasn’t called a comedic genius for nothing. Everything from his mannerisms to facial expressions to punch line delivery shines in this flick. The jokes are smart, sometimes slapstick and sometimes incredibly subtle, but always funny.

    This movie would never go over well with audiences today and at a superficial glance, I can see why, but if you take the time to really look at it and appreciate it for what it is, it is a good movie.


  • Canister X Movie Review #55: LEGO Batman: The Movie – DC Superheroes Unite! (2013)

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    LEGO Batman: The Movie – DC Superheroes Unite! (2013)
    Written by David A. Goodman
    Directed by Jon Burton
    Runtime 71 min.
    4.5 out of 5

    It’s time for the Man of the Year Awards in Gotham City. The contenders? Bruce Wayne and Lex Luthor. The winner? Well, you guessed it: Bruce Wayne. When the Joker crashes the party, Lex sees a potential ally in his fight not only against Superman, but against all superheroes. They forge an uneasy alliance and Lex uses Joker’s expertise in chemistry to create not only a gas that would make everyone vote for him in the upcoming Presidential election, but also Kryptonite. In exchange, Lex would provide Joker with a special brick dismantling device that is able to take apart shiny black objects, something Joker’s all too familiar with thanks to the Dark Knight.

    Meanwhile, Batman and Robin have their hands full with a breakout from Arkham Asylum. Superman shows up to help and eventually the Dynamic Duo and the Man of Steel discover Lex’s and Joker’s partnership. However, team ups aren’t Batman’s strong suit but after a little coaxing from Robin, he learns that sometimes you need outside help to come to victory.

    Just when Batman and Superman think they’ve got Joker and Lex right where they want them, the sinister duo unleash a powerful force that will take the entire Justice League of America to stop.

     

    If you’ve played LEGO Batman 2, then you’re familiar with this story. This movie even uses clips from the game, but then fills in the gaps with fresh animation. So while it’s kind of a rehash, it’s a well-done rehash and, hey, it’s LEGO. LEGO animated movies are few and far between and I hope LEGO Batman: The Movie – DC Superheroes Unite is the first in a move to bring more and more brick superheroes to the small screen. Perhaps even to the big one one day.

    The animation is crisp, flawless, and well-thought out. The graphics are amazing and convey a plausible world made of LEGO, every detail somehow made from LEGO bricks. No small feat from a design standpoint, creating something so believable yet so . . . LEGO-y.

    With a solid story filled with the right amount of action and humor, I’m glad I added LEGO Batman: The Movie to my superhero movie collection. Besides, the exclusive Clark-Kent-changing-into-Superman LEGO minifigure that comes with it is not too shabby either. Glad to have him as part of my Superman figure collection.

    LEGO Batman: The Movie – DC Superheroes Unite is recommended for all ages. I loved watching it with my kids and I know you will, too. And if you don’t have kids, then it’s still worth checking out. Again, LEGO? Batman? Superman? DC superheroes? Yes, please!