• Tag Archives dark knight

  • Canister X Movie Review #55: LEGO Batman: The Movie – DC Superheroes Unite! (2013)

    Posted on by A.P. Fuchs

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    LEGO Batman: The Movie – DC Superheroes Unite! (2013)
    Written by David A. Goodman
    Directed by Jon Burton
    Runtime 71 min.
    4.5 out of 5

    It’s time for the Man of the Year Awards in Gotham City. The contenders? Bruce Wayne and Lex Luthor. The winner? Well, you guessed it: Bruce Wayne. When the Joker crashes the party, Lex sees a potential ally in his fight not only against Superman, but against all superheroes. They forge an uneasy alliance and Lex uses Joker’s expertise in chemistry to create not only a gas that would make everyone vote for him in the upcoming Presidential election, but also Kryptonite. In exchange, Lex would provide Joker with a special brick dismantling device that is able to take apart shiny black objects, something Joker’s all too familiar with thanks to the Dark Knight.

    Meanwhile, Batman and Robin have their hands full with a breakout from Arkham Asylum. Superman shows up to help and eventually the Dynamic Duo and the Man of Steel discover Lex’s and Joker’s partnership. However, team ups aren’t Batman’s strong suit but after a little coaxing from Robin, he learns that sometimes you need outside help to come to victory.

    Just when Batman and Superman think they’ve got Joker and Lex right where they want them, the sinister duo unleash a powerful force that will take the entire Justice League of America to stop.

     

    If you’ve played LEGO Batman 2, then you’re familiar with this story. This movie even uses clips from the game, but then fills in the gaps with fresh animation. So while it’s kind of a rehash, it’s a well-done rehash and, hey, it’s LEGO. LEGO animated movies are few and far between and I hope LEGO Batman: The Movie – DC Superheroes Unite is the first in a move to bring more and more brick superheroes to the small screen. Perhaps even to the big one one day.

    The animation is crisp, flawless, and well-thought out. The graphics are amazing and convey a plausible world made of LEGO, every detail somehow made from LEGO bricks. No small feat from a design standpoint, creating something so believable yet so . . . LEGO-y.

    With a solid story filled with the right amount of action and humor, I’m glad I added LEGO Batman: The Movie to my superhero movie collection. Besides, the exclusive Clark-Kent-changing-into-Superman LEGO minifigure that comes with it is not too shabby either. Glad to have him as part of my Superman figure collection.

    LEGO Batman: The Movie – DC Superheroes Unite is recommended for all ages. I loved watching it with my kids and I know you will, too. And if you don’t have kids, then it’s still worth checking out. Again, LEGO? Batman? Superman? DC superheroes? Yes, please!


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  • Canister X Movie Review #27: The Dark Knight Rises (2012)

    Posted on by A.P. Fuchs

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    The Dark Knight Rises (2012)
    Written by Christopher Nolan and Jonathan Nolan
    Directed by Christopher Nolan
    Runtime 165 min.
    5 out of 5

    It has been eight years since the Batman took the wrap for the murder of District Attorney Harvey Dent. Eight years since the last time the Dark Knight was spotted in Gotham. The streets are safe, the police are receiving praise for doing a good job—except Commissioner James Gordon knows it’s all based on a lie. About to come clean of what really happened that fateful night, Gotham is suddenly thrown into chaos at the hands of a mastermind, muscle-loaded criminal named Bane. With the city about to fall, the Batman must return to restore order to his beloved city otherwise it will fall into the hands of a sadistic genius bent on its destruction.

    To complicate matters, a mysterious female cat burglar is working out an agenda of her own and her endgame is tied into the legacy of Bruce Wayne.

    Will Batman rise from the shadows to defeat evil once more, or has he had his day and should stay in the dark?

     

    Saw the midnight screening of this gem before it hit theatres all over the world. This movie is epic on a scale that is hard to fit into a simple review, especially since I don’t want to give away any key plot points and/or spoilers.

    The Dark Knight Rises picks up immediately after The Dark Knight storyline-wise, and eight years later in movie-time. Running throughout the whole flick are threads from Batman Begins and The Dark Knight, plotlines that reach their ultimate climax in what I have to say is one of the best endings to a trilogy I’ve ever seen. It’s on par with, third-movie-wise, Return of the Jedi and Return of the King. All comes to a head as we’re led down a deep tunnel into who Bruce Wayne (Christian Bale) truly is and what being Batman has done to him. Glimpses of his scarred psyche were hinted at in the previous two movies, but really get hit home in an emotional and powerful way throughout this final installment.

    Batman himself also shines as he gets to show off his physical skill against a villain that can truly stand toe-to-toe with him, something we never saw in the previous two films. The battle with Bane (Tom Hardy) is realistic, strongly-delivered, and one where this reviewer felt the punches thrown as if they were happening to him. Yeah, it was that good of a fight.

    The other Bat-flicks struggled with having two villains in the same movie. To be honest, I never thought I’d see the day where a modern superhero movie would have more than one villain and be just as good as if it had just one. Anne Hathaway’s Catwoman is the best rendition of the character I’ve seen on screen, both in movies and on TV. She had to play multiple roles given her identity as a thief and work her deception in such a way that a lot of the time we weren’t sure who’s side she was on. I’m an Anne Hathaway fan, but this movie easily contains her best career performance to date.

    Bane was a crazy good villain, a kind of cross between Joker—intelligence-wise—and Ra’s Al Ghul—combat-wise—of the previous two movies. Especially since most of his face was covered with a mask throughout the whole flick, Tom Hardy had to act with his eyes in such a way as to deliver a performance as if he wasn’t wearing a mask at all. It was something he did in spades. Bane was one of those on-screen villains that you were afraid of because he’s that smart and that powerful and that sadistic.

    Gary Oldman did an amazing job, as usual, as Jim Gordon, and Sir Michael Caine nailed it once again as Alfred. In fact, I’d be shocked if Sir Michael doesn’t get an Oscar nomination for his emotional portrayal of a hard-headed vigilante’s butler.

    It’d be so easy to give away several key plot points in this review, but I’m keeping it vague on purpose because you simply need to see this movie for yourself. You might think you have it figured out, but you’d be wrong, my friend.

    All dangling story threads from the previous two movies are resolved, the SFX did its job but the movie didn’t rely on it, and The Dark Knight Rises had one of the best movie endings in history, to me, one equal to the incredibly-satisfying ending of The Shawshank Redemption.

    Hats off to director Christopher Nolan and crew for the amazing stories and respect they delivered to Bat-fans everywhere throughout the entire Dark Knight Trilogy.

    Go watch this Bat-flick. You must return to Gotham. You must.

    Recommended.


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  • Canister X Movie Review #14: Batman Returns (1992)

    Posted on by A.P. Fuchs

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    Batman Returns (1992)
    Written by Daniel Waters
    Directed by Tim Burton
    Runtime 126 min.
    3.5 out of 5

    A mysterious “penguin man” surfaces and takes the city by storm, so much so that evil business tycoon Max Shreck, played by Christopher Walken, thinks he can turn Penguin into the city’s new mayor. But Penguin is not all what he seems and he secretly controls the Red Triangle Gang, who are wreaking havoc across the city.

    Adding to the mix is one Selina Kyle, Shreck’s lowly assistant, er, secretary, who, after a bad night with her boss, becomes Catwoman.

    The Bat Signal shines and the Dark Knight returns to once again rid Gotham of chaos and restore order.

     

    Michael Keaton is back as Gotham’s Guardian and brings to the role all the mystery and edge that made the ’89 movie so popular. What’s even better is that this movie actually has Batman in it and the vigilante appears, clad in black armor, more than just four times like in the previous flick.

    Danny DeVito as the Penguin does a great job given what he had to work with. Though the Penguin in this film is not the same as the one in the comics, DeVito still did well portraying a man who was born . . . a little different.

    Michelle Pfeiffer pulls off the dual role of Selina Kyle/Catwoman nicely. In fact, she plays four distinct roles in this film, all in one character: nerdy Selina, hip Selina, crazy Selina and Catwoman.

    This film is filled with action, darkness and fun, all set in Tim Burton’s eerie Gotham City, which was a character on its own in this film and its predecessor.

    It’s the hokey plot that’s earning this film a lower rating than the previous one. Had the story been better, this movie had the potential to be one of the best superhero flicks ever.


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  • Canister X Movie Review #13: Batman: Mystery of the Batwoman (2003)

    Posted on by A.P. Fuchs

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    Batman: Mystery of the Batwoman (2003)
    Written by Michael Reaves
    Directed by Curt Geda
    Runtime 75 min.
    5 out of 5

    There’s a new superhero in Gotham, one who wears silver-gray tights and a cape.

    And she’s a woman, a bat-woman.

    At first it appears she’s here to help, but when she begins targeting the Penguin and Rupert Thorne’s secret arms operation, the Dark Knight and the Boy Wonder step in to solve the mystery of the Batwoman.

    Who is she? What does she want? And why is it each time Batman thinks he’s solved her secret identity does he find himself back at square one?

    As Batman and Batwoman put the strain on the Penguin’s operation, the bird man calls in a deadly force to eliminate them: Bane.

     

    The Bruce Timm-designed Batman series is a staple on the animated superhero genre. The sleek yet angler style’s been used in Batman: The Animated Series, Batman Beyond, Superman: The Animated Series, Justice League and Justice League Unlimited. And in Batman: Mystery of the Batwoman, it’s delivered in spades. The art is just simply amazing straight through.

    The story is terrific, with twists and turns right up ’til the end, and no punches are pulled in giving each and every character a level of depth not usually achieved in animated features.

    Kevin Conroy is Batman and has the greatest Batman voice out of them all, both live action and animated. His line delivery as the Dark Knight forces you to respect the pointy-eared vigilante and take him seriously. The dude’s got major authority.

    Likewise, Efrem Zimbalist Jr. as Alfred? Wow. Between him and Kevin, these two hold down the film and set the tone for the entire movie. The relationship Alfred and Bruce Wayne share is beyond close and is a stark contrast to the relationships the bat-women suspects have with their own family or loved ones.

    You know what? All the voices were terrific, not a one out of place. Each suited the character they portrayed, the acting and tone behind their voices never missing a beat.

    The stakes are high, the danger’s real and Batman is better than ever.

    Go. Watch. Enjoy.


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  • Canister X Movie Review #12: Batman: Mask of the Phantasm (1993)

    Posted on by A.P. Fuchs

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    Batman: Mask of the Phantasm (1993)
    Written by Alan Burnett, Paul Dini, Martin Pasko and Michael Reaves
    Directed by Eric Radomski and Bruce Timm
    Runtime 76 min.
    5 out of 5

    A mysterious costumed phantasm haunts Gotham City, knocking off mob bosses thus drawing the Batman out from the shadows to stop him. Only when the Dark Knight starts to uncover clues as to who this person might be does he discover how deeply personal this phantasm’s crusade has become, not just to the phantasm himself, but to the Batman as well.

    Pulling out all the stops with top-notch storytelling, animation and direction, Batman: Mask of the Phantasm is a hallmark in Batman’s movie history that’s guaranteed not to disappoint!

     

    This movie is unbelievably amazing and rivals even the almighty Dark Knight Trilogy that would begin on the big screen twelve years later. Actually, Mask of the Phantasm was in theatres and I remember going there with a friend and being stunned start to finish at this masterpiece. I also remember being anxious for it to hit home video—and back then, flicks took a looong time to get to video—and the day it came out, I went to K-Mart straight after school, spent some big bucks for the VHS (over twenty, I’m sure), then biked home in the rain so I could watch it. It was totally worth that brutal and soaked-to-the-bone bike ride.

    This is a serious Bat-flick, both in tone and scope. Brought to life by the same team that managed Batman: The Animated Series—Bruce Timm and Paul Dini—I’m pretty sure this was the first animated superhero movie to ever hit the big screen. This was also at a time when animated superhero movies never happened. There were only half-hour shows—twenty-two minutes, technically—and that was it.

    The story is enthralling, right from the introduction of the mysterious phantasm through Bruce Wayne’s heartbreaking journey both in the present day and in the flashbacks that showcased his rise as the Dark Knight, all the way to the intense, sobering and heart-wrenching finish.

    To this day, Mask of the Phantasm stands as a benchmark of Batman storytelling in my book. It’s right up there with the Dark Knight Trilogy, Batman 1989, and the other recent animated efforts. Personally, it’s the finest superhero animated effort ever brought to screen.

    The storyline is mature and, probably due to it hitting theatres, was geared toward adults as it clearly contained those kinds of markings (i.e. a hinted-at sex scene between Bruce and Andrea, something that was never in superhero animation before). The violence level was also a notch above the animated series, complete with blood, hard-hitting brutality, and a glimpse into the kinds of real-life physical ordeals Batman would have to go through if he truly existed.

    The real strength of the story lies in the fact that as much as it’s Batman solving a mystery, it’s Bruce Wayne’s story, showing us a part of his journey to becoming Batman, what made him finally put on the cape and cowl, and how those events from his past had a direct and painful impact not just on his future, but on the future of Gotham City as well.

    The animation is perfect, moody, stylized and has become the benchmark even all these years later of what superhero animation can be.

    This isn’t a kids movie. This is a serious Bat-movie for the serious Bat-fan who wants to take their Bat-flick experience to the next level.

    Highly recommended.


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  • Canister X Movie Review #10: Batman Forever (1995)

    Posted on by A.P. Fuchs

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    Batman Forever (1995)
    Written by Lee Batchler, Janet Scott-Batchler and Akiva Goldsman
    Directed by Joel Schumacher
    Runtime 121 min.
    3 out of 5

    Two Face has been terrorizing Gotham for a while and after executing a terrible sentence at Gotham Circus, he inadvertently changes the life of the Dark Knight forever by setting in motion a chain of events that lead to the birth of Batman’s legendary partner, Robin.

    Continuing in the “double villain” trend as established by Batman Returns, a disgruntled—and stalker-ish—employee of Wayne Industries, Edward Nigma, gets revenge on his boss by becoming the Riddler, and steals his way to the top of the technology enterprise game.

    It’s two-on-two in this third installment of the Batman franchise.

     

    Riddle me this: what do you get when you cross Adam West and Michael Keaton? You get Val Kilmer’s portrayal of Batman, one who is part serious and part humorous. This is the film that I’ve always viewed as the “transition piece” between the dark Bat-flicks done by Tim Burton and the all-out camp-fest that is Batman & Robin.

    Though a bit over the top, the story of Batman Forever is a good one and if you watch it just for that, you’ll highly enjoy it.

    It was the humor that brought this film down.

    First, Batman ain’t funny. He’s so serious and dry he makes Al Gore look like Superman.

    Second, Two Face isn’t funny. Tommy Lee Jones, as much as I enjoy him as an actor, got the character wrong. Two Face is a gangster not another version of the Joker.

    Third, Riddler isn’t all whacky and zany, though by director Joel Schumacher’s choice to cast Jim Carrey in the role, it’s evident he was after Frank Gorshin’s Riddler from the ’60s instead of the comic book Riddler. Jim also got this part shortly after he became super famous so obviously this role was playing to his strength of being a rubber-faced whack job.

    Fourth, though it was a neat thing to add Robin to the mix, Chris O’Donnell was too old, but, I suppose, having a kid running around in an anatomically-correct rubber suit would have raised too many questions.

    This film was 50/50 for me. Had its pluses and minuses. I’m going to leave this in the “decide for yourself” category.


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  • Canister X Movie Review #5: Batman (1989)

    Posted on by A.P. Fuchs

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    Batman (1989)
    Written by Sam Hamm and Warren Skaaren
    Directed by Tim Burton
    Runtime 126 min.
    4 out of 5

    There are rumors of a six-foot bat in Gotham City. Whispers. Suggestions. Nothing concrete. But all that changes after the Batman confronts Carl Grissom’s men at Axis Chemicals and Grissom’s top hood, Jack Napier, gets dropped into a vat of chemicals, transforming him into the maniacal Joker. Discovering he had been set up by his boss to take the fall at Axis, Joker takes over Grissom’s operation, in turn allowing him to try and take over Gotham City itself, with only the Dark Knight to stop him.

     

    This was the film that gave us the “movie Batman” we know today: dark and armored. If it wasn’t for director Tim Burton’s gothic and grim vision of crime-ridden Gotham City and its brooding protector, I suspect the edgy superhero movies of today wouldn’t exist.

    Michael Keaton takes on the title role as billionaire playboy Bruce Wayne and his rubber-clad alter ego Batman, delivering one of the greatest Batman performances that many, at the time, hadn’t expected from “Mr. Mom.” And after his memorable line during the opening rooftop scene, “I’m Batman,” from that moment on he had you sold that his version of the Dark Knight meant business and quenches any lingering thought that Batman, thanks to the 1960s TV series, is a campy superhero.

    Stealing the stage is Jack Nicholson as the Joker. Basically take the Jack from One Flew Over the Cuckoo’s Nest and crank it up to a hundred and you have the Joker. Nicholson does a brilliant job of blending the serious and twisted Joker while also playing the crazy, laughing, psycho killer. I’m sure when Batman: The Animated Series came along, Nicholson’s Joker was the template for Mark Hamill’s performance when he voiced the character. Awesome.

    Danny Elfman’s haunting and lonely score only adds to the movie’s eeriness.

    My only problem with the film was there wasn’t enough Batman. I remember that bothering me as a kid. Batman shows up all of four times in the film, the first being something, like, only for a minute. Each subsequent time gets progressively longer, thankfully.

    Bold, atmospheric and downright fun, Batman is one for the ages. It was where the modern dark superhero movie started.


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