• Tag Archives David S. Goyer
  • Canister X Movie Review #134: Batman v Superman (2016)

    batmanvsupermanBatman v Superman: Dawn of Justice (2016)
    Written by Chris Terrio and David S. Goyer
    Directed by Zack Snyder
    Runtime 151 min.
    4 out of 5

    After witnessing the battle between Superman and General Zod in Metropolis, Bruce Wayne takes it upon himself to ensure the Man of Steel isn’t a rogue alien who might one day enslave the human race. In the meantime, Lex Luthor has sworn to ensure humanity’s survival by securing for himself Kryptonite, which is later discovered to be the one thing that can weaken Superman. Worse, Luthor has a secret project tracking metahuman activity across the globe, which prompts Diana Prince to obtain the confidential data he has on her. To complicate matters, Luthor has also acquired the body of General Zod and creates from it an unstoppable killing machine—Doomsday, a being more powerful than even Superman. It’s going to take Batman, Superman, and Wonder Woman to take down the beast lest the city—even the planet—is destroyed by this destructive force.

    Okay, this is a first impression review, with some processing time after.

    Batman v Superman is a comic book movie, and not in the campy sense. It has the feel of DC’s direct-to-video animated features and there’s an atmosphere to the movie that superheroes belong in the world created.

    The downside to the flick is it doesn’t work as a stand-alone film. There’s no strict A to B to C to the story. It’s more an introduction of story elements that will all play out in future DC movies instead. It’s like the first part of a giant graphic novel, and it is my hope that years down the road when all the other DC movies are released, what we will have is one massive story instead of what is usually given to us in today’s superhero flicks: each one a self-contained tale with subplots running through them that culminate in team-up adventures. If indeed DC’s plan is to make one giant movie, then that’s something never attempted before and never in the superhero genre. If this is the case, that’s brilliant and should be applauded. It’s jarring for moviegoers, but once they catch onto what’s going on, they’ll no doubt be amazed. After all, we do like our epics both on the big screen and TV.

    Superman/Clark Kent. Once again, Henry Cavill delivers as the Last Son of Krypton. In fact, I think his performance is a step up from his previous outing in Man of Steel. That first flick was about Superman finding his footing, and while there is still some of that here, it’s more about the world finding its footing now that Superman is on the scene. You can tell Superman has become a beacon of hope to the world despite how some might view him as a threat. He’s bigger, stronger, and carries with him that air of awe and wonder Superman should. We’re not supposed to relate to this god-like being, but instead look up to him as something and someone to aspire to, and Superman is very much coming into that form as the flick goes on. As for the Clark Kent side, reporter Clark in this flick was pretty much just Average Joe. There wasn’t all that much involved in creating a clear line between Superman and Clark Kent, that strong sense of two separate people. I wish there was, but I also see how Average Joe works better in the reality established in these movies than someone who’s an over-the-top nerd. At the same time, it would’ve been nice to see Clark trip over his own feet or bump into a desk or something to really give off that whole there’s-no-way-this-guy-can-be-Superman thing. There was also one scene I had so hoped for in this movie that never came and that was the classic Clark ripping his shirt open to reveal the S. Perhaps in another movie.

    Batman/Bruce Wayne. When Ben Affleck was cast, I got behind it right away. I’m an Affleck fan and knew he could deliver on what would be a worn-out Bruce Wayne, which would eventually give way to a worn-out Batman. What can I say? Affleck did a superb job. He did the playboy thing—though he could’ve played up the douche bag part a bit; yet at this point in his life, a cocky playboy might not be in the cards for him—and also did well when it was just him and Alfred. As Batman, this is the Batman we’ve been waiting for. Finally, oh finally, we got to see the comic book Batsuit and a Batman who’s fighting and action was the stuff that made the Arkham games so darn good. He also played the detective, which was never really in the other movies. And the bat-atmosphere? That part where he’s hanging in the corner in the dark and the light shines on him? Spooky and gorgeous. I also enjoyed the final fight and how Batman was portrayed. His limits as a human being with gadgets was shown, which is good, because I’m tired of stories where Batman somehow saves the day instead of the beings that are so much more powerful than him. I’m really excited for the forthcoming Bat-flicks with Ben Affleck in the lead.

    Diana Prince/Wonder Woman. Small hero part in this movie, comparatively speaking to the two male leads. As Diana Prince, Gal Gadot was mysterious and intriguing. There was also a sense of detachment about her which, once you learn who she really is, makes perfect sense since she’s from Themyscyra. When the Wonder Woman reveal happened, she stole the show. Sorry Superman and Batman, you were outshone big time. She had a heroic entrance—which is so important in superhero movies—a killer score, and was completely badass when she got down to business and helped in the fight against Doomsday. What was also interesting is while the movie didn’t get too much into who she was, she stilled carried her own weight and felt fleshed-out anyway. Of course, this could all be in my head since I know who Wonder Woman is and enough of her backstory to fill in the gaps. With the Wonder Woman movie in production as of the writing of this review, I know I’ll be one of the first in line when it comes out. She was that good.

    Lex Luthor. If Jesse Eisenberg is good at one thing, it’s playing the prideful I’m-smarter-than-everybody-else-in-the-room guy. And, yeah, that’s who Lex Luthor is. He’s a genius, and despite what he tells the public, has a contempt for humanity because he thinks he’s above it. Of course, the paradox is that he himself is human. In that regard, Jesse Eisenberg did a fine job. However, I still feel he was too youthful for the role since Lex is older than Superman in other incarnations, and Lex—as crazy as he can be sometimes—is more of a reserved crazy than someone more animated. It was this animated part that brought Lex down, in my opinion. Crazy is fine. Smart crazy is even better, but this kind of Joker-esque displays that happened now and then were out of place. Maybe given the ending Lex’s personality will change and he’ll be more reserved. We’ll see.

    Lois Lane. Amy Adams works for me. She does the hard-nosed journalist thing quite well, and the standard Lois Lane thing of getting herself into hot spots so only Superman can come to the rescue. I don’t mind this trope so long as it isn’t all the time. Her role in this flick wasn’t a main one like in Man of Steel. She was more part of Superman’s support team despite her entanglement in some of the later conflicts in the movie.

    Alfred Pennyworth. What can I say? Jeremy Irons did a good job as Alfred, who is also Batman’s co-combatant. Sure, he didn’t don a costume and get out there and fight bad guys, but helped Batman from the Batcave as a sort of special ops overseer. More importantly, he acted as Bruce Wayne’s conscience and wasn’t afraid to go up against him when he disagreed with something. As much as Robin’s job is to keep Batman grounded, it’s Alfred’s job as well, and since he is older than Bruce, he can provide wisdom in areas Bruce isn’t familiar with. Good choice having Jeremy Irons in the role.

    There were a few moments in the film where I wished things had gone in a different direction, but that could just be my taste as opposed to my ideas being better.

    Unfortunately, WB and DC marketed this movie as one thing and what it was was something different. Once you get over that hurdle and see Batman v Superman: Dawn of Justice for what it’s meant to be in the greater DC Universe, then a lot of pieces fall into place and it’s highly enjoyable.

    Go see it.


  • Canister X Movie Review #57: Man of Steel (2013)

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    Man of Steel (2013)
    Written by David S. Goyer
    Directed by Zack Snyder
    Runtime 143 min.
    5 out of 5

    A sole survivor of the doomed planet Krypton grows up on Earth and discovers he has abilities far beyond those of mortal men. Once grown, he sets off to find out who he is and where he comes from. The answer is discovered in a spaceship in the arctic and Krypton’s Last Son, Kal-El—Clark Kent—meets a hologram of his long-dead father, Jor-El, who reveals to him his destiny: to be a beacon of hope for humanity, and also someone who could one day restore the doomed Kryptonian race.

    Enter Zod, a harsh general and one who has fought his whole life to protect Krypton and its people. During an altercation with Jor-El prior to Krypton’s explosion, he finds out that Jor-El has sent his newborn son off-world and, along with the child, plans for Krypton’s future. A battle ensues and Zod is sent off-planet, too, him and his cohorts banished to the Phantom Zone for rehabilitation. When Krypton explodes, the containment units holding Zod and his followers release them and he spends the next thirty-three years combing the stars, searching for Jor-El’s son.

    Locating Kal-El on Earth, Zod sends an ultimatum to the planet, forcing Kal-El to reveal himself to the humans and to stop Zod from using Earth as ground zero for a new Krypton. Zod, like Kal-El, is now powered by the Earth’s yellow sun and is empowered with superabilities. An enormous battle ensues between Krypton’s general and Kal-El, the fate of the Earth hanging in the balance.

     

    What can I say? This movie is mind blowing! It’s epic, it’s incredible. So much was riding on this film to deliver a Superman movie that would captivate audiences and restore the Man of Steel to his rightful place as king of the superheroes. Man of Steel does just that and then some, bringing with it the awesome sci-fi factors of Star Wars to the dense storytelling of The Dark Knight Trilogy.

    There has never, ever been a superhero movie like this before. Henry Cavill as Superman nailed the part. He’s a nice guy, a caring guy, but he’s dead serious about doing the right thing and exudes the confidence that only one who has sold himself out for the good of all can portray. He did something that was never done before by any other Superman actor: showing Clark Kent before he was Superman or even the bumbling reporter of the Daily Planet. (I’m referring to the movies, not Smallville). In fact, he’s this version of Clark Kent for nearly the whole movie. You see him making the big decisions, weighing his upbringing against this new task of saving the world that was suddenly dropped on his lap. You journey along with him as he wrestles with his being different and how those differences apply not just to his life, but to the lives of others.

    As Superman, he’s the Superman. I never thought Christopher Reeve’s performance could be outdone, but Henry Cavill matches, if not exceeds, what Mr. Reeve brought to the character. Cavill’s Superman is one hundred percent devoted to staying true to who he is, his abilities, his upbringing, his quest for truth and justice, and for putting his foot down both with men and rebel Kryptonians when needed. I can’t really comment on his reporter Clark persona because that’s not a big role in this movie. I hope, however, it will be in the sequel and we’ll see plenty of Lois and Clark interaction in the next one, especially after the way the Lois and Clark relationship is portrayed in this movie. You’ll have to see for yourself for what I mean.

    Michael Shannon as Zod was crazy good. The guy can act and his Zod is much different than Terrence Stamp’s. Yes, both are ruthless, but whereas Stamp’s Zod was more about power grabbing and his desire to rule, Shannon’s is about giving his all to restore the former glory of Krypton at any cost, even if that means eradicating all of Earth’s population to do it. The best villain is always the villain you accidently find yourself rooting for, and that happened to me throughout this movie. Every so often I felt for Zod and understood what he was trying to accomplish. It made sense and made me consider that maybe if I was in his shoes I would’ve done the same thing or something similar.

    Amy Adams as Lois Lane was a good choice. I wasn’t sure at first, as I know Amy Adams as more of the happy-go-lucky girl from other movies far removed from the superhero genre—though she was in one episode of Smallville during its first season—but she sold me on the part and she reminded me of the Lois Lanes from the old cartoons: warm, but cut and dry; funny, but serious about what she does and her desire to go the distance to get a story.

    The action in this movie was crazy huge. The bar has been set so high in terms of superhero cinema in recent years and Man of Steel makes every superhero movie that’s come before it look like a puppet show by comparison. The wide-scale destruction wrought by Superman and Zod—never mind Zod’s right-hand-woman Faora and the other rebel Kryptonians—is what you’d expect if people with god-like powers let loose in an all-out brawl across a city. And the speed, man, the speed! Normally superspeed is shown as either a big blur or done in slo-mo, with the superspeedsters moving quickly while everyone else is frozen. In this one, you see Superman et al. zipping around, pausing, breaking sound barriers, and bringing the viewer along as if we’re in his boots the whole time and experiencing the thrill of superspeed ourselves.

    The way Superman flies in this is unlike any other portrayal before, and while I loved how he flies in the other movies and TV shows, in this one he seems to hurl himself through the air at times, while at others flies with precision and care. The heat vision effect in this was stellar, too. The glow beneath the skin around the eyes and to see the veins beneath its surface made it all the more menacing. The superhearing and X-ray vision were familiar territory to those who’ve watched Smallville, but there was no all-out X-ray vision where everything was dark blue and white.

    The fighting between Superman and Zod was serious business and was truly a portrayal of two warriors going toe-to-toe and not just wrestling or tapping each other out. It was one crazy hard blow after another, some slow, some rapid, even some in the sky! Insane! So many times I was blown away and just going “Wow, wow, wow!” Zod fought with the skill of a trained warrior, whereas Superman fought with brute force.

    Man of Steel is a crazy good movie with a strong story, an incredible cast, and superhero action that has now become the benchmark for anything to follow. To be honest, I don’t know if it can be followed. Hopefully in Man of Steel 2.

    Super recommended.


  • Canister X Movie Review #19: Blade: Trinity (2004)

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    Blade: Trinity (2004)
    Written by David S. Goyer
    Directed by David S. Goyer
    Runtime 113 min.
    3.5 out of 5

    Things come to a head in this thrilling final chapter in the Blade Trilogy, pitting Blade against Drake aka Dracula, the king daddy of all vampires. Teaming up with Hannibal King and Abigail Whistler, the trio seeks to take down Dracula before he can create more daywalkers and eliminate Blade forever.

     

    If you’re going to bring things to a head and have a final showdown between the good guy and a major bad guy, you need to ensure that your major bad guy is a big deal and you don’t really get any more big deal than Dracula. Created by Bram Stoker and based on the historical and infamous Vlad the Impaler, Dracula was the first vampire ever and has since become not only the most famous one, but has tons of media under his namesake including movies, books, TV shows, cartoons, songs—everything. And that’s just him never mind the countless media sporting all the vampires he inspired. Taking a vampire hunter like Blade and putting him up against Dracula makes good sense to me.

    Except the Dracula in this movie is pretty so-so, which doesn’t cut it, in my opinion. I was expecting an ultra-powerful vampire, one that would give even the Reapers in Blade II a run for their money in terms of villain awesomeness. Instead, I was given a strong vampire, but not the ultimate vampire. Too bad, too, because having him as a bad guy is an awesome idea.

    As always, Wesley Snipes leads the flick as the titular hero, picking up right where he left off in Blade II and staying consistent in character start to finish.

    Having Ryan Reynolds as Hannibal King—I’m a Reynolds fan. Put him in the right role and you’re guaranteed something good. Not sure how he stacks up against his comic book counterpart, but for this flick, not only was he tough as all get out and kicked all sorts of butt, but the comedic elements he brought had me laughing out loud more than once and yet such jokes worked in this movie and didn’t seem out of place.

    Jessica Biel as Abigail Whistler—who doesn’t like a strong woman who can hold her own and fight vampires? I appreciated the seriousness she brought to the role and was a nice counterbalance to Hannibal King.

    Kris Kristofferson was briefly back as Whistler, Abigail’s father. Won’t say more as I don’t want to spoil anything for those who haven’t seen the flick yet.

    This movie has solid action throughout, but I wish the climactic battle between Dracula and Blade was more epic. Seemed average, but that could just be me. Really liked this movie on the whole, though. It was the Dracula angle that brought it down a notch solely because there was more they could’ve done in terms of raising the stakes with such a villain.

    In the end, it’s a decent send-off for Blade and a pretty good bookend to the trilogy.

    Go check it out.


  • Canister X Movie Review #18: Blade II (2002)

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    Blade II (2002)
    Written by David S. Goyer
    Directed by Guillermo del Toro
    Runtime 117 min.
    4 out of 5

    A major virus is sweeping the through the vampire community and transforming its hosts into creatures called Reapers, who have a thirst for blood worse than vampires, are near invulnerable, and who can also pass the virus on to victims of their own. Worse, they feed on both human and vampire alike. Desperate to stop these creatures, the vampire community strikes a truce with Blade and gets him to help them fight these awful creatures. As Blade carves his way through the Reapers, he finds out their sinister origin and must put a stop to the Reaper vampires once and for all.

     

    The thing with sequels is you gotta go bigger and better than the first one. It’s not always easy and usually fails, however there are exceptions and Blade II is such an exception. Instead of just simply pitting Blade against more vampires, he now has to fight alongside them and stop a common enemy. How does that go? “The enemy of my enemy is my friend”? That’s what’s happening here and is a unique take on the vampire mythos and takes Blade to the next level.

    Wesley Snipes is back as the Daywalker, and does everything right in this flick like he did in the first movie: tough, sweet action, martial arts, swordplay, solid acting and more. It’s always great when you can see the actor enjoys what they’re doing—or convinces you they are—instead of merely phoning it in as is sometimes the case when an actor keeps reprising a role.

    Kris Kristofferson is back, too, which is awesome because Whistler is a big part of the first movie and this one might’ve felt hollow without him. How they bring him back after what happened in the last movie was also clever.

    The Reapers—total killers with sweet SFX, brutal savagery and they make the regular vampires look like a bunch of modern day angsty vamps by comparison. Always a good thing when you up the ante on the bad guy.

    I really liked this sequel, especially because, like I said, it had a fresh take on the slayer-vs-vampire mythos and I’m all about fresh takes. The story moved along at a good clip, kept me engaged, and makes me have a good time every time I have a Blade movie marathon.

    Awesome stuff, Blade II.

    Recommended like the first.


  • Canister X Movie Review #17: Blade (1998)

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    Blade (1998)
    Written by David S. Goyer
    Directed by Stephen Norrington
    Runtime 120 min.
    4 out of 5

    Half-human/half-vampire Blade makes war on the undead—that’s the vampire undead, I’m talking—and tries to dismantle the vampire underworld piece by piece. He soon meets Karen, a hematologist, who was bitten by a vampire. Before the change occurs, she researches how a possible cure can be attained. Meanwhile, Deacon Frost, a rising star in the vampire community, believes he can become even more powerful by awakening the blood god La Magra. The problem is he needs the blood of the “daywalker”—Blade—to achieve it.

    Blood and carnage ensue as Blade tries to stop the vampire world from rising to supremacy while also battling the bloodthirsty vampire within himself in this thrilling monster superhero movie extravaganza.

     

    For me, Blade was the “prequel” movie to the start of the superhero box office comeback, which would later be kicked off by X-Men. It was almost as if studios were testing the waters with a serious superhero movie using a lesser known character and disguising him as a “slayer” to see how audiences would react. That’s my superficial first impression, but then when you get into Blade and watch it you soon find out there is far more here than just a slayer-vs-vampire flick. Is he a superhero? Yes, but not your conventional one. There is no secret identity, no costume per se—though he does sport a cool trench coat and sword—and no standard supporting character in the vein of a love interest. Instead, you get a conflicted man who’s part vampire who’s trying so desperately to tame the beast within while also doing what’s right: killing vampires and helping those who get caught in the crossfire. Sounds like a superhero to me.

    Wesley Snipes as Blade is sheer awesomeness. He’s tough as nails, got the martial arts moves, is dark and handles himself like someone who has the weight of the world on his shoulders. Which is true, of course, as he’s doing his best to keep the vampires at bay, namely the ambitious ones who would seek to subdue, even eradicate, the human race.

    Kris Kristofferson is dynamite as Whistler, Blade’s father-figure, friend and mentor. Talk about a tragic origin for this guy and one that tugs at the heartstrings. He’s the perfect example of a man trying to make things right because something so wrong was done to him and those he loved. Plus “Kris Kristofferson” is a cool name so he gets points just for that.

    I liked Stephen Dorff as Deacon Frost, a cocky villain who knows how powerful he is and is tired of others trying to “keep a good vampire down.” He’d make an amazing Bat-villain, in my mind, just by the way he plays villains—confident, dark, a tad witty—maybe Riddler? I mean, the real Riddler, the one who’s serious and not a slapstick goofball like in Batman Forever.

    Blade’s exciting from start to finish, with action sequences and slayer-vs-vampire moments that make you want to hit the rewind on the remote and watch ’em again. I’m really glad they made two other sequels because Blade’s a character with endless story possibilities because both him and his universe go beyond the simple slayer-vs-vampire motif. Like a Transformer, there’s more to him than meets the eye and this flick does a great job of showing that. No wonder it did so well at the box office and earned about triple its budget.

    Recommended.


  • Canister X Movie Review #11: Batman: Gotham Knight (2008)

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    Batman: Gotham Knight (2008)
    Written by Brian Azzarello, Josh Olson, David S. Goyer, Greg Rucka, Jordan Goldberg and Alan Burnett
    Directed by Yasuhiro Aoki, Yuichiro Hayashi, Futoshi Higashide, Toshiyuki Kubooka, Hiroshi Morioka, Jong-Sik Nam and Shojiro Nishimi
    Runtime 75 min.
    4.5 out of 5

    Okay, now this is how you do something new with a character and do it right and totally change the formula. Not only was the style of Batman animation changed—this whole movie is done in anime by genuine Japanese anime directors—but also instead of giving us one big story, why not give us six shorter ones in the same universe?

    This flick was meant as a bridge between Batman Begins and The Dark Knight, giving audiences an in-depth glimpse into Batman’s past and what he’s been up to between those two movies. To make it even sweeter, Kevin Conroy voices Batman for all six short films.

    They are (and what I thought):

     

    Have I Got a Story for You

     

    Premise: A bunch of skater kids relate to each other firsthand encounters with the Dark Knight.

    Really good, each story seeming to center around Batman chasing the same thief. The art direction is ridiculous! Did you see the backgrounds in this thing? While the character designs for this vignette were so-so, the backgrounds were insane. What makes this vignette special is it shows how the Batman legend was born, that is, people swapping stories, relating what they thought they saw versus what really happened, and how one tale leads to another until, eventually, Batman is myth and man combined.

    Of course, sometimes the facts get straightened out, as per the ending of this story. You’ll have to see for yourself what I mean.

     

    Crossfire

     

    Premise: Two cops take a recently-dropped-off-by-Batman felon to the Narrows for incarceration. There they encounter tons of trouble and Batman comes to the rescue.

    This one is much grittier than the previous story, focusing heavily on the cops and gangs. The art is superb and while the backgrounds are more classical animation, the character design is top notch and I really dig how everyone looks in this tale. Batman is boss in this: big, powerful, sleek, tough—wish he looked like this all the time. Well done.

    The main point of the story is the question: is Batman an ally? One cop thinks so, the other is skeptical, and the conclusion reached? Well, you’ll just have to see this wicked cartoon for yourself.

     

    Field Test

     

    Premise: Lucius Fox shows Bruce Wayne some new gear he can use as Batman and he gets a chance to do just that.

    How does anyone draw this good? The backgrounds are so realistic it’s upsetting (in that good way). The character design is very classic anime: pointier noses, smaller eyes, very realistic body proportions.

    Batman definitely has a unique style to his suit in this; not your classic uniform but it works. I also like the change of pace by showing his eyes instead of having just whites. I think this is the first time Batman’s been animated that way.

    All in all, this vignette was great and there is a moral to the story about Batman’s stance on guns and how he understands the need to defend himself against them . . . but not at another’s expense.

     

    In Darkness Dwells

     

    Premise: When a congregation starts going crazy during a church service, Batman thinks the Scarecrow is to blame. Instead, he’s greeted by someone far more dangerous: Killer Croc! However, Scarecrow is still waiting in the wings.

    Visually, this vignette is very comic-book-like. I see glimpses of Mike Mignola’s—Hellboy artist and creator—style though I doubt that the animators were trying to imitate that. It’s just what it reminds me of.

    This one was pretty exciting. Lots of action, lots of danger, lots of Batman stopping baddies and getting out of tight situations. Dig it.

     

    Working Through Pain

     

    Premise: Suffering from a gunshot wound, Batman flashes back to before he donned the cowl and reflects on pain and what it means in his life physically and emotionally.

    This one’s pretty gory, but that’s to further cement the point of this tale: pain . . . and what it does for Batman, how he deals with it and how he overcomes it. Giving glimpses into Bruce Wayne’s travels and the training he picked up along the way, we get to see the lengths he went to to perfect his body in the areas of enduring through pain—physical and emotional—something he no doubt knew he needed to do if he was to succeed in his mission. Except, there is one pain he can’t overcome.

    Visually, I liked the art style of this one as well.

     

    Deadshot

     

    Premise: Deadshot comes to Gotham and the word is he’s going to assassinate Jim Gordon. When the GCPD catch wind of this, they let Batman know. Batman becomes Gordon’s shadow and resolves to keep his friend safe.

    The art direction in this is like a high-end comic book come to life. Really, really liked it. Great line work, crisp images, solid colors, dark and bleak like a Batman comic. Awesome. And that train tunnel? Gotta be a 3D background but it looks unbelievably cool.

    The Batman-vs-Deadshot battle is a sweet one, high speed on a train.

    The main thrust of this story is about guns and how Batman feels about them. Since it was a gun that killed his parents, it’s a touchy area for him.

     

    All six of these stories were well done, well thought out and well written. I’m proud to be a Batman fan while watching these and I’m equally happy DC tried something new with the character and succeeded in spades. By tying this animated flick into the live action ones, it added a whole new dimension to those stories and to these animated shorts as well.

    Long live Batman!


  • Canister X Movie Review #8: Batman Begins (2005)

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    Batman Begins (2005)
    Written by Christopher Nolan and David S. Goyer
    Directed by Christopher Nolan
    Runtime 140 min.
    5 out of 5

    Bruce Wayne’s parents are brutally murdered right before his eyes. He is only eight years old. His father holds his hand. His mother lays in her own blood beside them. His father’s dying words: “Don’t be afraid.”

    Vowing vengeance, Bruce travels the world, learning all that he can to become a one-man army against crime. He leaves behind the life of a billionaire playboy and instead seeks to find the man rooted in pain and anger, the one inside him.

    Trained by a man named Ducard, a representative of Ra’s Al Ghul, Bruce learns how to harness his rage and use it to exact vengeance on those who would dare break the law.

    But to do so as Bruce Wayne would only put those he cares about in danger and would not be the symbol required to get the job done, and so is born . . . the Batman.

    Drugs are secretly being pumped into Gotham City’s waterways, the underground crime circuit somehow connected to a mysterious figure overseas who has big plans for Gotham. No one knows his face . . . until it’s too late.

    Jonathan Crane, aka the Scarecrow, uses his position in Arkham Asylum to get the inmates gathered for what’s to come, and when the moment finally arrives, all hell breaks loose on Gotham’s streets.

    The night grows dim, the knight grows dark.

    Batman is born.

     

    Wowser.

    This flick was amazing.

    After the disaster that was Batman & Robin, I was so scared about how this would turn out. Sure, the trailers looked cool, dark, and edgy, but studios always put the best bits in the trailers anyway. All we had were hopes and good-sounding quotes from those involved in the film’s production.

    And, man, did they deliver!

    This stuff was real. Real-real. Batman Begins was grounded in reality in a way I hadn’t seen since X-men. This stuff could really happen. It was that tone that brought a level of seriousness to the movie that the other Bat-flicks—except Batman in 1989—didn’t have. This wasn’t a superhero movie, but a story about a man lost in rage, darkness and needing a way out. It was about the very real contrast between revenge and justice, and making right what once went so terribly wrong.

    It’s a story about redemption, love, and fighting to protect strangers in a city where crime, filth and evil are the everyday norm.

    Christian Bale is Batman. Period. When the mask was on, you could tell Bruce was channeling pure rage and distaste for evil, focusing all that anger on the task before him. When the mask was off, he was the Bruce Wayne who was a spoiled rich boy, dumb, and no one took seriously. Excellent duality.

    Katie Holmes as Bruce’s childhood friend/love interest, Rachel Dawes, was a good thing. The other Bat-movies always had a girlfriend for him. Though there was romantic interest here, it was rooted in friendship, which was a nice change.

    Michael Caine as Alfred—brilliant. He was your loving father-figure, yet was stern with Bruce when the need arose, and even got behind him despite reservation when Bruce told him his grand plan for saving Gotham. Only the love of a friend would allow such a thing: to believe in an ideal and not necessarily the method.

    Cillian Murphy was downright creepy as Jonathan Crane/Scarecrow. I only knew him from 28 Days Later so wasn’t sure how he’d play this. Let’s just say I was happy.

    Liam Neeson as Ducard/Ra’s Al Ghul was all right. As Ducard, sure, made sense. He did a great job as Bruce’s mentor. The two were the same at heart. Just chose different paths. As Ra’s—that twist didn’t surprise me (solely because I stumbled upon the script online before I saw the actual movie), but it did surprise me in the sense that Liam Neeson will always be Qui-Gon Jinn to me. It was hard to see him as a bad guy.

    Gary Oldman is James Gordon. He looked the part, acted the part, and I fully sympathized with him being pretty much the only good cop in a bad town.

    Batman Begins is the quintessential Bat-film.

    Very recommended. Ten times over.