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  • Canister X Movie Review #26: The Dark Knight (2008)

    The Dark Knight (2008)

    Dark Knight
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    The Dark Knight (2008)
    Written by Christopher Nolan and Jonathan Nolan
    Directed by Christopher Nolan
    Runtime 152 min.
    5 out of 5

    Where do we begin?

    Three years ago, movie-goers wouldn’t dare touch a Batman movie. I mean, what happened? Did you get your act together and deliver us one of the best Bat-flicks ever?

    Seems so.

    And now you’ve done it again . . . times ten!

    Batman has made a difference in Gotham. Criminals are running scared. Underworld organizations are toppling. He has indeed become the symbol he set out to be.

    Now a psychotic clown-faced criminal is tearing his way through the Gotham City underworld, quickly establishing himself as the Clown Prince of Crime. His method: death, and lots of it. His motive: madness. But is he crazy? As he would say, “I’m not. No, I’m not.” And he’s right. He’s not crazy. This man—this “Joker”—is brilliant, and if he gets his way, Gotham will fall into his hands.

    Unless Batman can stop him.

    The Joker’s reign of terror starts in the underworld but reaches deep into Gotham’s social structure, various men strategically placed throughout the police, mayoral offices, everywhere. And they listen to him. Except for Gotham’s White Knight, Harvey Dent, the do-gooding district attorney who’s dedicated himself to cleaning up Gotham and taking down the crime syndicates that have oppressed it for so long.

    Death reigns supreme in this movie. People die, and Batman is faced with the hard choice of becoming that which he hates . . . or risk losing Gotham and those he loves to this madman.

    I cannot say enough good things about this movie. Going into this thing back in 2008, and despite the crazy good trailers for The Dark Knight, I wasn’t sure if Batman Begins could be beat or even tied. Batman Begins was what put serious superhero flicks back on the map in a big, big way. It was what restored the faith of us fans in DC Comics and gave us hope that they started the journey to taking down their number one competitor at the box office, Marvel. And with Superman Returns being just plain poopy, I hoped against hope they’d at least get Batman right a second time.

    And they did. They so did and me and everyone in that theatre were gushing with joy that not only was The Dark Knight as good as Batman Begins, it was even better.

    Christian Bale delivered another solid performance as Bruce Wayne/Batman. The new suit rocked hard. Loved the detail. Though he was less buff than the previous film—why? who knows? You’d think a crime fighter would maintain a fitness regimen—he did a great job differentiating between the boring and dull playboy Bruce Wayne and the rage-filled-justice-driven Batman. My only issue was the voice. In Batman Begins, it was gruff, cool and tough. In this one, he sounded like he was growling the whole time and he had to force the words out to make them all gravelly. (And, FYI, WB, Batman’s voice doesn’t have to be like he’s talking through pebbles and sand; Kevin Conroy proved that.)

    Heath Ledger’s Joker was utterly amazing. Creepy. Gothic. Funny, but not comical (like Jack Nicholson’s was). Eerie, disturbed, crazy—delicious. What I loved the most was two things: 1) the clown makeup was just that: makeup. At first I didn’t like this idea and wanted the Joker to have been a victim of an acid bath ala his comic book backstory, but after watching the movie, I see why they went this route. Bringing us to 2) Joker was a genius. It was his brilliant criminal mind that enabled him to quickly establish himself as a powerful evil force in Gotham and the makeup was his edge in doing that both in a scary-because-I’m-crazy way, but also it made others think he was merely a lunatic in turn making them drop their guard so he could move in.

    Once more, I really dug Gary Oldman’s James Gordon and seeing him officially become commissioner in this was cool.

    Likewise Aaron Eckhart as Harvey Dent and, eventually, Two-Face—hey, he did a good job on both sides of the, um, coin. My only thing with Two-Face in this flick was that I wasn’t expecting him to show up. I thought this movie would establish the Harvey Dent character in turn setting him up to become Two-Face in the next one. So, yeah, that part was a bit rushed but them’s the breaks.

    I enjoyed Maggie Gyllenhaal as Rachel Dawes better than Katie Holmes. Maggie’s kind and cute, but can be rough and tough when she needs to. Worked well for Bruce’s childhood friend/love interest, especially when that twist came that changed Rachel’s future forever.

    My only other little quibble was the whole bat-sonar thing. That was venturing into Batman Forever territory and we all know how that one turned out, but the positives of this movie more than made up for the couple of minor issues I had with it.

    This movie is just tremendously good. Good fighting. Good story. Good stuff.

    Very recommended.


  • Canister X Movie Review #8: Batman Begins (2005)

    Batman Begins (2005)

    Batman Begins
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    Batman Begins (2005)
    Written by Christopher Nolan and David S. Goyer
    Directed by Christopher Nolan
    Runtime 140 min.
    5 out of 5

    Bruce Wayne’s parents are brutally murdered right before his eyes. He is only eight years old. His father holds his hand. His mother lays in her own blood beside them. His father’s dying words: “Don’t be afraid.”

    Vowing vengeance, Bruce travels the world, learning all that he can to become a one-man army against crime. He leaves behind the life of a billionaire playboy and instead seeks to find the man rooted in pain and anger, the one inside him.

    Trained by a man named Ducard, a representative of Ra’s Al Ghul, Bruce learns how to harness his rage and use it to exact vengeance on those who would dare break the law.

    But to do so as Bruce Wayne would only put those he cares about in danger and would not be the symbol required to get the job done, and so is born . . . the Batman.

    Drugs are secretly being pumped into Gotham City’s waterways, the underground crime circuit somehow connected to a mysterious figure overseas who has big plans for Gotham. No one knows his face . . . until it’s too late.

    Jonathan Crane, aka the Scarecrow, uses his position in Arkham Asylum to get the inmates gathered for what’s to come, and when the moment finally arrives, all hell breaks loose on Gotham’s streets.

    The night grows dim, the knight grows dark.

    Batman is born.

    Wowser.

    This flick was amazing.

    After the disaster that was Batman & Robin, I was so scared about how this would turn out. Sure, the trailers looked cool, dark, and edgy, but studios always put the best bits in the trailers anyway. All we had were hopes and good-sounding quotes from those involved in the film’s production.

    And, man, did they deliver!

    This stuff was real. Real-real. Batman Begins was grounded in reality in a way I hadn’t seen since X-men. This stuff could really happen. It was that tone that brought a level of seriousness to the movie that the other Bat-flicks—except Batman in 1989—didn’t have. This wasn’t a superhero movie, but a story about a man lost in rage, darkness and needing a way out. It was about the very real contrast between revenge and justice, and making right what once went so terribly wrong.

    It’s a story about redemption, love, and fighting to protect strangers in a city where crime, filth and evil are the everyday norm.

    Christian Bale is Batman. Period. When the mask was on, you could tell Bruce was channeling pure rage and distaste for evil, focusing all that anger on the task before him. When the mask was off, he was the Bruce Wayne who was a spoiled rich boy, dumb, and no one took seriously. Excellent duality.

    Katie Holmes as Bruce’s childhood friend/love interest, Rachel Dawes, was a good thing. The other Bat-movies always had a girlfriend for him. Though there was romantic interest here, it was rooted in friendship, which was a nice change.

    Michael Caine as Alfred—brilliant. He was your loving father-figure, yet was stern with Bruce when the need arose, and even got behind him despite reservation when Bruce told him his grand plan for saving Gotham. Only the love of a friend would allow such a thing: to believe in an ideal and not necessarily the method.

    Cillian Murphy was downright creepy as Jonathan Crane/Scarecrow. I only knew him from 28 Days Later so wasn’t sure how he’d play this. Let’s just say I was happy.

    Liam Neeson as Ducard/Ra’s Al Ghul was all right. As Ducard, sure, made sense. He did a great job as Bruce’s mentor. The two were the same at heart. Just chose different paths. As Ra’s—that twist didn’t surprise me (solely because I stumbled upon the script online before I saw the actual movie), but it did surprise me in the sense that Liam Neeson will always be Qui-Gon Jinn to me. It was hard to see him as a bad guy.

    Gary Oldman is James Gordon. He looked the part, acted the part, and I fully sympathized with him being pretty much the only good cop in a bad town.

    Batman Begins is the quintessential Bat-film.

    Very recommended. Ten times over.