• Tag Archives Kevin Conroy
  • Canister X Movie Review #81: Superman/Batman: Public Enemies (2009)

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    Superman/Batman: Public Enemies (2009)
    Written by Stan Berkowitz
    Directed by Sam Liu
    Runtime 67 min.
    4.5 out of 5

    The Man of Steel has been framed for the murder of Metallo.

    Now on the public’s radar as a wanted man, Superman must team up with his greatest ally—and closest friend—Batman, to clear his name and show the public what really happened the night Metallo died. But before he can do that, he must survive an onslaught of superheroes and supervillains alike, all of whom have come to cash in on the bounty for his capture.

    Meanwhile, a giant kryptonite meteor is on a collision course for Earth, making things even worse for the Man of Steel who has no way to stop it, especially since the President of the United States, Lex Luthor, wants to destroy it himself with nuclear missiles.

    Will the Earth survive and will Superman restore his good name?

     

    This movie, based on the graphic novel by Jeph Loeb and Ed McGuinness, Superman/Batman: Public Enemies, is a comic book fan’s dream come true. Not only does it feature all of comicdom’s two most popular icons, but also a super supporting cast consisting of Power Girl, Captain Atom, Major Force, Black Lightning, Starfire, Katana and a host of other familiar faces, including, but not limited to, Captain Cold, Mr. Freeze, Bane, Lady Shiva and a ton of others.

    The story is solid, simple, but enough to really showcase each character: Superman as the one who doesn’t kill; Batman as the disgruntled detective; Lex Luthor as the glory-seeking, power-mad President—it totally works. The pacing was bang on and not once was I bored. Even the humor was in-step with the rest of the movie and didn’t come across like jokes from left field. Case in point, the giant robot in the end would’ve come across as goofy had not an explanation been given for the way it looked.

    There was a good give-and-take between Batman and Superman in this flick, too, both in their banter with one another, their approach to doing things, and also in saving each other’s bacon. Sometimes it seems that whenever the two team up, it’s always Batman that saves Superman. It was awesome a balance was finally struck between who helps who and when.

    I’m a huge fan of Ed McGuinness’s rendition of Superman and to see that they mimicked that art style in this feature made this fanboy happy. His Superman is big and strong and powerful. His Batman is top notch, too, same with the other characters.

    Of course, having Superman voiced by Tim Daly and Batman voiced by Kevin Conroy only adds to it as these guys were the voice talent behind these characters on their respective animated series. I really wish they would’ve been used for all the animated movies, but sadly that’s not the case and, of course, there’re different behind-the-scenes reasons as to why that is. Regardless, each actor captures each character perfectly, their tone, inflections and presentation reflecting the hero they’re supposed to portray.

    Superman/Batman: Public Enemies was one of the early feature-length DC animated movies and still holds up to this day as a classic.

    Highly Recommended.


  • Canister X Movie Review #80: Superman/Batman: Apocalypse (2010)

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    Superman/Batman: Apocalypse (2010)
    Written by Tab Murphy
    Directed by Lauren Montgomery
    Runtime 78 min.
    4.5 out of 5

    A spaceship lands in Gotham Harbor. A young woman emerges with powers just like Superman.

    Welcome to Earth, Supergirl.

    Upon learning of Kara Zor-El’s (Supergirl’s) arrival, Darkseid orders her capture . . . and succeeds. If he can control her, he can use her to lead the Female Furries army.

    Superman, Batman and Wonder Woman track Kara down with the help of Barda, the old leader of the Female Furries, and take the battle to Apokolips to save Kara and stop Darkseid from going through with his plans.

     

    Talk about raising the bar and setting the stakes so high that it takes the combined forces of Superman, Batman and Wonder Woman to save the day. Add the threat of an unstable and brainwashed Kryptonian by way of Supergirl and the all-powerful Darkseid, and you have a recipe for a strong superhero story.

    The spotlight was on Superman in this one and that pleases this Superman fan. By introducing Kara into the mix, we get to see him come to the realization that he’s not Krypton’s sole survivor and that he actually has family, a blood relative (Kara is Superman’s cousin; her father and his were brothers). To see him try and show her the ways of Earth, help her fit in the same way his own earthly parents aided him, is a definite passing of the torch. It also gives him a chance to explain why he does things the way he does.

    Tim Daly returns as the voice of Superman in this. I love his voice for the character. He was the man on Superman: The Animated Series and every time I see his name in the credits of a DCU movie, I know I’ll be happy with the Superman in the flick.

    Kevin Conroy is Batman. No, I mean, he is Batman. He cemented himself as such in Batman: The Animated Series and continues doing so with every outing.

    Summer Glau picked up the reins as Supergirl in this and sold the dialogue very well.

    Darkseid—Andre Braugher—was okay, but I wish he had more of a commanding voice presence instead of just a deep one.

    This movie is Supergirl’s movie, to be sure. It was based off the graphic novel Superman/Batman: Supergirl by Jeph Loeb and the late Michael Turner. Not sure why they changed the title for this movie. Whatever. They also translated Mr. Turner’s art very well to the screen. I love his artwork so was happy to see it animated as it was. He draws such amazingly beautiful women.

    DC animated movies are good for including some fantastic extras and this one includes a Green Arrow animated short. It is pure gold and while I know the character is busy with his own TV show at the moment—Arrow—I hope DC at some point makes a full-length live action movie or animated feature with him. If this short proves anything, it’s that they can do it and do it well.

    Superman/Batman: Apocalypse is the total package and one I really liked a lot. Recommended.


  • Canister X Movie Review #13: Batman: Mystery of the Batwoman (2003)

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    Batman: Mystery of the Batwoman (2003)
    Written by Michael Reaves
    Directed by Curt Geda
    Runtime 75 min.
    5 out of 5

    There’s a new superhero in Gotham, one who wears silver-gray tights and a cape.

    And she’s a woman, a bat-woman.

    At first it appears she’s here to help, but when she begins targeting the Penguin and Rupert Thorne’s secret arms operation, the Dark Knight and the Boy Wonder step in to solve the mystery of the Batwoman.

    Who is she? What does she want? And why is it each time Batman thinks he’s solved her secret identity does he find himself back at square one?

    As Batman and Batwoman put the strain on the Penguin’s operation, the bird man calls in a deadly force to eliminate them: Bane.

     

    The Bruce Timm-designed Batman series is a staple on the animated superhero genre. The sleek yet angler style’s been used in Batman: The Animated Series, Batman Beyond, Superman: The Animated Series, Justice League and Justice League Unlimited. And in Batman: Mystery of the Batwoman, it’s delivered in spades. The art is just simply amazing straight through.

    The story is terrific, with twists and turns right up ’til the end, and no punches are pulled in giving each and every character a level of depth not usually achieved in animated features.

    Kevin Conroy is Batman and has the greatest Batman voice out of them all, both live action and animated. His line delivery as the Dark Knight forces you to respect the pointy-eared vigilante and take him seriously. The dude’s got major authority.

    Likewise, Efrem Zimbalist Jr. as Alfred? Wow. Between him and Kevin, these two hold down the film and set the tone for the entire movie. The relationship Alfred and Bruce Wayne share is beyond close and is a stark contrast to the relationships the bat-women suspects have with their own family or loved ones.

    You know what? All the voices were terrific, not a one out of place. Each suited the character they portrayed, the acting and tone behind their voices never missing a beat.

    The stakes are high, the danger’s real and Batman is better than ever.

    Go. Watch. Enjoy.


  • Canister X Movie Review #11: Batman: Gotham Knight (2008)

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    Batman: Gotham Knight (2008)
    Written by Brian Azzarello, Josh Olson, David S. Goyer, Greg Rucka, Jordan Goldberg and Alan Burnett
    Directed by Yasuhiro Aoki, Yuichiro Hayashi, Futoshi Higashide, Toshiyuki Kubooka, Hiroshi Morioka, Jong-Sik Nam and Shojiro Nishimi
    Runtime 75 min.
    4.5 out of 5

    Okay, now this is how you do something new with a character and do it right and totally change the formula. Not only was the style of Batman animation changed—this whole movie is done in anime by genuine Japanese anime directors—but also instead of giving us one big story, why not give us six shorter ones in the same universe?

    This flick was meant as a bridge between Batman Begins and The Dark Knight, giving audiences an in-depth glimpse into Batman’s past and what he’s been up to between those two movies. To make it even sweeter, Kevin Conroy voices Batman for all six short films.

    They are (and what I thought):

     

    Have I Got a Story for You

     

    Premise: A bunch of skater kids relate to each other firsthand encounters with the Dark Knight.

    Really good, each story seeming to center around Batman chasing the same thief. The art direction is ridiculous! Did you see the backgrounds in this thing? While the character designs for this vignette were so-so, the backgrounds were insane. What makes this vignette special is it shows how the Batman legend was born, that is, people swapping stories, relating what they thought they saw versus what really happened, and how one tale leads to another until, eventually, Batman is myth and man combined.

    Of course, sometimes the facts get straightened out, as per the ending of this story. You’ll have to see for yourself what I mean.

     

    Crossfire

     

    Premise: Two cops take a recently-dropped-off-by-Batman felon to the Narrows for incarceration. There they encounter tons of trouble and Batman comes to the rescue.

    This one is much grittier than the previous story, focusing heavily on the cops and gangs. The art is superb and while the backgrounds are more classical animation, the character design is top notch and I really dig how everyone looks in this tale. Batman is boss in this: big, powerful, sleek, tough—wish he looked like this all the time. Well done.

    The main point of the story is the question: is Batman an ally? One cop thinks so, the other is skeptical, and the conclusion reached? Well, you’ll just have to see this wicked cartoon for yourself.

     

    Field Test

     

    Premise: Lucius Fox shows Bruce Wayne some new gear he can use as Batman and he gets a chance to do just that.

    How does anyone draw this good? The backgrounds are so realistic it’s upsetting (in that good way). The character design is very classic anime: pointier noses, smaller eyes, very realistic body proportions.

    Batman definitely has a unique style to his suit in this; not your classic uniform but it works. I also like the change of pace by showing his eyes instead of having just whites. I think this is the first time Batman’s been animated that way.

    All in all, this vignette was great and there is a moral to the story about Batman’s stance on guns and how he understands the need to defend himself against them . . . but not at another’s expense.

     

    In Darkness Dwells

     

    Premise: When a congregation starts going crazy during a church service, Batman thinks the Scarecrow is to blame. Instead, he’s greeted by someone far more dangerous: Killer Croc! However, Scarecrow is still waiting in the wings.

    Visually, this vignette is very comic-book-like. I see glimpses of Mike Mignola’s—Hellboy artist and creator—style though I doubt that the animators were trying to imitate that. It’s just what it reminds me of.

    This one was pretty exciting. Lots of action, lots of danger, lots of Batman stopping baddies and getting out of tight situations. Dig it.

     

    Working Through Pain

     

    Premise: Suffering from a gunshot wound, Batman flashes back to before he donned the cowl and reflects on pain and what it means in his life physically and emotionally.

    This one’s pretty gory, but that’s to further cement the point of this tale: pain . . . and what it does for Batman, how he deals with it and how he overcomes it. Giving glimpses into Bruce Wayne’s travels and the training he picked up along the way, we get to see the lengths he went to to perfect his body in the areas of enduring through pain—physical and emotional—something he no doubt knew he needed to do if he was to succeed in his mission. Except, there is one pain he can’t overcome.

    Visually, I liked the art style of this one as well.

     

    Deadshot

     

    Premise: Deadshot comes to Gotham and the word is he’s going to assassinate Jim Gordon. When the GCPD catch wind of this, they let Batman know. Batman becomes Gordon’s shadow and resolves to keep his friend safe.

    The art direction in this is like a high-end comic book come to life. Really, really liked it. Great line work, crisp images, solid colors, dark and bleak like a Batman comic. Awesome. And that train tunnel? Gotta be a 3D background but it looks unbelievably cool.

    The Batman-vs-Deadshot battle is a sweet one, high speed on a train.

    The main thrust of this story is about guns and how Batman feels about them. Since it was a gun that killed his parents, it’s a touchy area for him.

     

    All six of these stories were well done, well thought out and well written. I’m proud to be a Batman fan while watching these and I’m equally happy DC tried something new with the character and succeeded in spades. By tying this animated flick into the live action ones, it added a whole new dimension to those stories and to these animated shorts as well.

    Long live Batman!