Canister X – A.P. FuchsWriter, Artist, Creator
Funko Pop SUPERgirlfriends Collection Showcase
Funko Pop SUPERgirlfriends Collection Showcase
The best part about being a Funko Pop and Funko collector is you’re allowed more than one girlfriend. These are mine, a special roster of some fine ladies with my top lady at the end.
Can you guess who they are? One might be super, another a wonder, but you will all marvel at the girls in store.
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Canister X Mailbag – Melissa Benoist Supergirl Figurine Unboxing – 04112024
What a surprise! First we ordered off a different online vendor to try it out. Secondly, we ended up with a Melissa Benoist Supergirl Figurine. I didn’t know it was the Supergirl from the TV show. Just thought it was a regular Supergirl figure.
Cool.
Great show. You should watch it. It’s available here at Amazon.
Note: It was end of day when I made this video. My brain wasn’t working right. It was AliExpress we tried, not Temu.
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Canister X Mailbag – Circle K DC Herobadges Unboxing – Nov192023
Canister X Mailbag – Circle K DC Herobadges Unboxing – Nov192023
Went down to the corner store for bus tickets and came back with something much more exciting . . . Herobadges from DC Comics!
Let’s open ’em up and see who we’ve got!
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4.5 out of 5
Kicking the season off, Clark fights a bizarro version of himself, picking up the cliffhanger from the previous season. Great start. Then things get even more cool with the emergence of a super . . . girl? Yup, you guessed it, Supergirl herself has arrived on Earth. Her name is Kara. She is Clark’s cousin from Krypton and Laura Vandervoort does a fantastic job as the Girl of Steel, who not only proves that blood runs thicker than water, but also has no fear of heights like her farmboy cousin and does plenty of flying to prove it.
Not only is there one Supergirl in this season, but two. Kinda. Helen Slater, who played Supergirl in the 1984 movie of the same name, made an appearance as Clark’s Kryptonian mother, Lara, in the episode that shared her namesake.
Season Seven was a load of fun and was one of the best ones of the series so far.
The only episode I didn’t really like was “Wrath,” where Lana gets Clark’s powers and uses them to get her revenge on Lex. Again, this kind of thing was done before in Lois and Clark (the power transfer), and I was getting tired of seeing these repeat ideas as they had done Lois and Clark-type episodes in the past. Speaking of which, the Dean Cain episode, “Cure,” made me feel like I was watching Lois and Clark all over again and though this episode was more filler than moved the Season Seven story arc along, it was cool to see Dean Cain back in the Superman universe. They even called his character Curtis Knox (see the initials?).
The last thing that bothered me about this season, more specifically the episode, “Quest,” was the major playing up of Clark being some sort of messiah. I’m a Christian, so this probably bothered me more than most, but that aside, it still was overdone. Okay. We get it. Clark’s going to save the world one day. Move on.
This season was a step up from Season Six, so 4.5 stars out of 5.
Recommended.
Written by Bob Goodman
Directed by James Tucker
Runtime 75 min.
4 out of 5
When Brainiac shows up and threatens to destroy Metropolis, Superman and his cousin Supergirl must rise to the occasion and put an end to a foe that has deep ties to Krypton.
This was a good flick. Hey, it’s Superman and lately DC’s been pulling out all the stops and every time Supes gets the DVD treatment it’s done really well. Supergirl’s presence added a new dimension to the Man of Steel’s animated movie exploits. Giving a quick showcase of her past, what happened to Kandor, and how those events created the motivations behind the Supergirl of this movie proved that sometimes less is more. Also understanding where she was coming from gave Superman a glimpse into a part of himself that he wasn’t really ready to face: the need to sometimes go hard on bad guys for the greater good. Yet, being true to who he was, he was also able to soften Supergirl around the edges, which just goes to show how much you can learn from family.
The animation was smooth, the colors were clear, the action was great and the art was fantastic. The slightly too-long-of-a-face aside, I like the way Superman looked in this. The Clark Kent was so-so. More of a fan of the thick glasses than the more stylish ones, but whatever. In the animated series he had two thin circles for frames and that was it.
Lois looked good, too. My only gripe is, while I understand these movies are being made more and more for adults, there are parents out there who buy these flicks for their kids because a) they’re superheroes, b) it’s cartoons, and having Lois giving Brainiac the finger wasn’t cool. Though I doubt it’ll ever happen, there should be some sort of bold labeling or disclaimer on the package aside from the MPAA rating that lets parents know if there’s content inside that is inappropriate for kids. This “giving the finger” is why I won’t let my kids see this movie now. Something for DC to think about.
As a Superman fan, I’ve been loving all this attention the Man of Steel has been getting lately and since Batman was the focus of so many shows and animated features, giving the Last Son of Krypton a shot and a large amount of screen time helps balance all that out. I also hope DC has plans in the works for other animated movies for other characters, JLA stuff aside.
What can I say? DC and Warner Bros. keep knocking these flicks out of the park. Now, if they translate this awesome sensibility and sensitivity to the comics to the big screen on a consistent basis, then superhero fans will truly be living in a new golden era of superhero cinema.
Written by Tab Murphy
Directed by Lauren Montgomery
Runtime 78 min.
4.5 out of 5
A spaceship lands in Gotham Harbor. A young woman emerges with powers just like Superman.
Welcome to Earth, Supergirl.
Upon learning of Kara Zor-El’s (Supergirl’s) arrival, Darkseid orders her capture . . . and succeeds. If he can control her, he can use her to lead the Female Furries army.
Superman, Batman and Wonder Woman track Kara down with the help of Barda, the old leader of the Female Furries, and take the battle to Apokolips to save Kara and stop Darkseid from going through with his plans.
Talk about raising the bar and setting the stakes so high that it takes the combined forces of Superman, Batman and Wonder Woman to save the day. Add the threat of an unstable and brainwashed Kryptonian by way of Supergirl and the all-powerful Darkseid, and you have a recipe for a strong superhero story.
The spotlight was on Superman in this one and that pleases this Superman fan. By introducing Kara into the mix, we get to see him come to the realization that he’s not Krypton’s sole survivor and that he actually has family, a blood relative (Kara is Superman’s cousin; her father and his were brothers). To see him try and show her the ways of Earth, help her fit in the same way his own earthly parents aided him, is a definite passing of the torch. It also gives him a chance to explain why he does things the way he does.
Tim Daly returns as the voice of Superman in this. I love his voice for the character. He was the man on Superman: The Animated Series and every time I see his name in the credits of a DCU movie, I know I’ll be happy with the Superman in the flick.
Kevin Conroy is Batman. No, I mean, he is Batman. He cemented himself as such in Batman: The Animated Series and continues doing so with every outing.
Summer Glau picked up the reins as Supergirl in this and sold the dialogue very well.
Darkseid—Andre Braugher—was okay, but I wish he had more of a commanding voice presence instead of just a deep one.
This movie is Supergirl’s movie, to be sure. It was based off the graphic novel Superman/Batman: Supergirl by Jeph Loeb and the late Michael Turner. Not sure why they changed the title for this movie. Whatever. They also translated Mr. Turner’s art very well to the screen. I love his artwork so was happy to see it animated as it was. He draws such amazingly beautiful women.
DC animated movies are good for including some fantastic extras and this one includes a Green Arrow animated short. It is pure gold and while I know the character is busy with his own TV show at the moment—Arrow—I hope DC at some point makes a full-length live action movie or animated feature with him. If this short proves anything, it’s that they can do it and do it well.
Superman/Batman: Apocalypse is the total package and one I really liked a lot. Recommended.
Written by David Odell
Directed by Jeannot Szwarc
Runtime 125 min.
3.5 out of 5
After accidentally losing the Omegahedron, Argo City’s power source, Kara Zor-El (Helen Slater) embarks on a journey to go recover it before Argo City perishes. Upon arriving on Earth, she discovers she has superpowers and adopts the identity of Supergirl, which she uses to help others while on her quest to recover the Omegahedron.
Elsewhere, the Omegahedron has fallen into the hands of Selena (Faye Dunaway), a flunky witch who quickly becomes powerful because of it and who sets her sights on Supergirl, ready to eliminate the Girl of Steel the first chance she can get.
Can Supergirl recover the Omegahedron before Argo City goes dark and Selena is victorious?
It’s superheroine versus supervillainness in this ’80s classic of Good vs Evil.
This flick is every bit a part of my childhood as the Superman movies were. At the time, of course, I was too young to understand the story, but now older, it’s not too bad. Sure, it has some flaws and continuity issues, but at its heart it’s the story about someone trying to right a grievous mistake, something that most of us can relate to.
The visuals and hints of Kryptonian mythology put forth quickly link it to the Superman movies—Supergirl identifies herself as Superman’s cousin while in costume, and also as Clark Kent’s cousin when she’s in disguise as Linda Lee; her supersuit is basically the Christopher Reeve costume from the waist up—and it has a cinematic score that carries a similar heroic tone to that of its male counterpart. Likewise, Marc McClure reprises his role as Jimmy Olsen from the Superman movies and appears as Lucy Lane’s boyfriend (Lucy is Lois Lane’s younger sister).
They seem to want to jump right into Kara being Supergirl so don’t give an explanation as to why she leaves Argo City in that bubble ship in one outfit then transforms inside the ship and flies out of the water in her supersuit, but whatever. They do a good job of showing her discovering her powers, the joy of having them, and also the satisfaction of using them for good.
As hopeful and cheery as this flick is at times, it’s also equally dark thanks to Selena being a witch. There is a ton of occult imagery and when you’re watching this stuff as a kid, it creeps you right out. And that funhouse that Supergirl’s “man in distress” has to find his way out of? Shivers, man. But who isn’t afraid of creepy funhouses, right?
The pacing was pretty decent and each obstacle Supergirl must overcome as the movie rolls along keeps getting bigger and bigger until the end when it seems all hope is lost and even the Girl of Steel is helpless.
What was especially cool is during the time of Supergirl’s tenure on Earth, Superman was elsewhere in the galaxy doing his thing, so when the story wraps up, Supergirl asks those who knew of her presence to forget she was there and flies off triumphant back to Argo City. This, of course, kept the two super franchises separate while still linking them. I heard Christopher Reeve was supposed to have a cameo in Supergirl but it didn’t work out, with Reeve citing personal reasons (whatever those might’ve been). Would’ve been amazing had the two teamed up for it. Maybe we’ll finally get to see Supergirl and Superman together in Man of Steel 2 . . .
In the end, Supergirl is an overall enjoyable flick that is from a time before superhero movies got all dark and gritty, the hero was filled with angst and turmoil, and it enjoys itself for what it is: a movie about a girl who can fly.
