• Tag Archives Alan Moore
  • Various Bits from the Net – 121019

    The Various Bits from the Net segment was something I did as part of a daily blog schedule many years ago when each day of the week (Monday-Thursday, with Friday being a summary day; hope I remembered correctly) had a specific assigned topic. They were the same week-to-week except for, of course, the content itself. Various Bits from the Net was one of those days and it was a day I would post links and/or commentary on various items from the Net that caught my interest.

    I’m bringing that feature back but, as of this writing, not as a set day per week but rather something I’ll blog about here and there.

    So that said, welcome to Various Bits from the Net 2.0. Today’s date is 121019.

    Points of interest:

    The Black Widow Trailer

    Really curious about this one. Obviously, this takes place at some point before Avengers: Endgame, and then even at a point further back because we see Natasha training to become a spy. I’m also a David Harbour fan so I’m really curious as to what he’s going to do with Red Guardian. He’s seems somewhat Hopper-esque (from Stranger Things) which, to me, is a huge plus point.

    The Wonder Woman 1984 Trailer

    DC/WB have flubbed their movie outings since Day One with a few exceptions. And while I enjoy the WB/DC movies overall despite their flaws, Wonder Woman delivered well when it was first released about halfway through 2017. I personally think waiting three years for a sequel is one year too many, but I also understand the delay given what’s been happening at the WB offices and them not being sure what to do in terms of the DC Extended Universe. Anyway, Wonder Woman 1984 looks to be a promising sequel to Wonder Woman and I’m curious to see how certain things and characters are explained when the film comes out. This is also a teaser, and since we all know Cheetah is the other main bad guy and she’s not in this trailer, it’s safe to say the villainness will be the focus of a trailer closer to release date.

    The Ghostbusters: Afterlife Trailer

    I grew up with Ghostbusters. To me, they were superheroes because they wore a jumpsuit and had matching proton packs and stopped ghosts. I won’t mention the Ghostbusters reboot from a few years back. In the end, it looks like this is indeed Ghostbusters 3 (it’s about time), and also appears to be a transition movie to pass the torch on to a new group of Ghostbusters.

    UoN Interview: Alan Moore

    The last portion of this interview hit home hard. I’ve gone through what Alan Moore speaks about. It’s also very pleasant to see an interview with Mr. Moore that doesn’t rehash the same questions he’s been asked for the past twenty-plus years. He makes an excellent point about art in this clip and its impact on human history. It’s this point he makes that fuels me on a daily basis because I’m a firm believer that everything is art and that its value far exceeds anything else we put our value in (especially in the 21st century where our values seem awfully misplaced).

    My friend and fellow author Nick Cato came out with a book recently. It’s called Suburban Grindhouse and it’s his first film book. Though part memoir, it looks at exploitation films and the effect they had on audiences in New York and New Jersey. Presently, it’s available exclusively from the publisher. Details and write-up can be found here. (If you sign up for their newsletter, Nick informs me you get 20% off.)

    Lastly, today a new essay went up on my Patreon page and it’s about getting back in the creative saddle after a lengthy hiatus. I relay my own experience about getting back to work after being ill and suggest to you the steps that helped me get the ball rolling again. You can read the essay here.

    And that wraps up this installment of Various Bits from the Net.


  • On Ten Graphic Novels

    I love comics. Below are my top ten graphic novels and/or graphic novel series in no particular order.

    1) Alec by Eddie Campbell
    2) From Hell by Alan Moore and Eddie Campbell
    3) Watchmen by Alan Moore and Dave Gibbons
    4) The Crow by James O’Barr
    5) Sin City by Frank Miller
    6) Transmetropolitan by Warren Ellis and Darick Robertson
    7) American Splendor by Harvey Pekar et al.
    8) King-Cat by John Porcellino
    9) Cerebus by Dave Sim and Gerhard
    10) Sunnyville Stories by Max West


  • On Ten Books

    Every writer loves to read, so here are ten of my favorite books in no particular order and, yes, there’s even a kids one in there, too.

    There are others, but this is enough for now.

    1) Dreamcatcher by Stephen King
    2) Batman: Knightfall by Dennis O’Neil
    3) Stone of Tears by Terry Goodkind
    4) Voice of the Fire by Alan Moore
    5) The Chamber by John Grisham
    6) The Lord of the Rings by J.R.R. Tolkien
    7) The Long Walk by Richard Bachman
    8) George’s Marvelous Medicine by Roald Dahl
    9) The Death and Life of Superman by Roger Stern
    10) Batman: No Man’s Land by Greg Rucka

    I’m sure there’ll be another list in the future.


  • Canister X Movie Review #93: Watchmen: The Ultimate Cut (2009)

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    Watchmen: The Ultimate Cut (2009)
    Written by David Hayter and Alex Tse
    Directed by Zack Snyder
    Runtime 215 min.
    5 out of 5

    After the Comedian has been murdered, lone remaining vigilante Rorschach begins an investigation into his old acquaintance’s death. Since most superheroes were banned from existing after some legislation several years before, he looks up old allies and even old enemies in his quest for the truth. Slowly, he begins to unravel a plot that could bring about a disaster unlike anything the world has ever seen before.

     

    Based on what some would argue is the greatest graphic novel and superhero story of all time, Watchmen written by Alan More and Dave Gibbons, this movie adaptation was years in the making. Not this specific rendition, but from what I know, the book was optioned way back when it came out in the ’80s but never got off the ground. One of the reasons was very few filmmakers had the guts to touch it because Watchmen is such a revered work amongst comic fans and even in some literary and academic circles.

    Enter director Zack Snyder (Dawn of the Dead (2004), Man of Steel, 300 and more), whose eye for detail and a knack for visual storytelling takes on the gargantuan project and does his best to faithfully adapt Watchmen to the big screen. Him and his creative team nail it, in my opinion, and adapt the book the only way something like Watchmen could be adapted: panel-by-panel. It was the safest route but also the smartest. Some changes were made—like the ending—but for the most part, the book is translated completely as is to the big screen. Even the director’s cut includes additional scenes and animated clips from Tales of the Black Freighter interspersed throughout just like the graphic novel has bits of the pirate comic peppered throughout the main narrative.

    Watchmen asks the question: what would superheroes be like if they existed in the real world? Whether they are of the superpowerless variety or something more Superman-like ala Dr. Manhattan, you get an honest portrayal of superheroes in real life, all centered around the mystery of the murder of one of their friends.

    This story is about as down-to-earth as you get regarding superheroes in real life, and depending on the angle you’re coming from, can be equal to or more so than Kick-Ass in that regard.

    Each character in the flick matched their character in the book, all the way from the crazy-yet-cynical Comedian (Jeffrey Dean Morgan), to black-and-white-justice-seeking Rorschach (Jackie Earle Haley), to idealistic-yet-obsessed Nite Owl (Patrick Wilson), to insecure-but-strong Silk Spectre II (Malin Akerman), to misguided-but-you-can-see-how-he’s-right Ozymandias (Matthew Goode), and a supporting cast that makes every moment believable.

    The Watchmen story is so dense that the fact they were able to take the twelve-part series and showcase nearly all of it in around three and a half hours—I’m talking about the ultimate cut of the movie, which includes Tales of the Black Freighter and a bunch of additional footage not seen in the theatrical release—is pretty impressive. What’s amazing about the Watchmen narrative and thus the movie is the incredible amount of history for the characters that needed to be shown without bogging down the main story, which was the Comedian’s murder. You get to know these characters intimately, their pasts, their present and in some cases, their future.

    Zack Snyder’s knack for visuals gave this flick its own flavor and tone thanks to the color filters on the film. The score is fantastic. The action scenes were well done and quickly-paced, using brutal fighting techniques and the right amount of blood.

    Watchmen is certainly not your traditional superhero flick. It’s a superhero drama and is meant for an audience who likes to have some thinking along with their superhero slugfests. As a comic book fan, I appreciated the movie’s faithfulness to the graphic novel, the overall story of Watchmen, and how each person involved really seemed to take this movie seriously. Nothing was tongue-in-cheek.

    Watchmen ranks right up there as one of the greatest superhero movies of all time. If you consider yourself a superhero fan, then you should check it out. It’s a serious look at the genre through the lens of a clever story with amazing characters, all of which you feel like you’ve known for ages instead of just for a few hours on the screen.

    Highly recommended. Not for kids.