• Tag Archives superheroes
  • Canister X Movie Review #54: The Legend of Zorro (2005)

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    The Legend of Zorro (2005)
    Written by Roberto Orci and Alex Kurtzman
    Directed by Martin Campbell
    Runtime 129 min.
    3 out of 5

    In this follow up to 1998’s The Mask of Zorro, Alejandro must try and abstain from adventuring as the black-masked crusader in an effort to keep his home life under control as his wife, Elena, now feels it’s time for him to give up the mask since he’s been Zorro for nine years. Meanwhile, a nefarious plan is afoot to stop California from becoming part of the United States. Soon the lines between the Fox’s life as Zorro and his life as Alejandro blur and our hero must balance the two and ensure California’s statehood comes to pass before it’s too late.

     

    I loved The Mask of Zorro so was super excited when this one came out. To me, it was one of those “what took you so long?” things. Well, I don’t know what went on behind the scenes or why the delay, but I was happy when they finally made this movie. Due to being a new parent at the time, I didn’t make it to theatres to check it out and had to do so once it hit the direct market.

    It was all right. Wasn’t as thrilling as the first one nor was the story as good. There was a lot of Zorro in this, which, of course, is a plus, but I think because it was more lighthearted than its predecessor I was let down. Sure, Zorro isn’t a grim and brooding hero, but since the first movie was so serious, I expected more of the same with this one. That’s not to say this was all slapstick and camp. Far from it. Just had this lighter vibe to it that I wasn’t really into.

    I think, for me, the romantic tension in this movie is what wasn’t my thing. There was good reason for it in the context of the story, but I just didn’t see how Elena (Catherine Zeta-Jones) couldn’t just simply tell Alejandro (Antonio Banderas) what was going on and together they would take on Armand (Rufus Sewell). Perhaps relationships were different back then than they are now, I don’t know.

    The swashbuckling and adventure were fun and would make any male watching it want to put on a mask and get on a horse and go ride around. Kind of hard nowadays, but you get the idea.

    The thing that makes Zorro interesting in this movie is the fact that he has a son. Superman Returns aside, what other superhero on the big screen has to juggle being a dad and a superhero? Even in Superman Returns Superman didn’t find out about his kid until the end of the flick so we never got to see him be a family man and Earth’s champion. If you were a superhero and had kids, you’d have to keep it a secret lest they spill the beans to their friends. You’d also have to face years of them being disappointed in you because you’re always “working” and are never around. And the sacrifice involved on the part of the parent is also high because you’re missing out on all these great moments from your kid’s childhood because you’re off saving the day.

    I think this movie would’ve worked well as a third in a trilogy after some kind of high-octane swashbuckling adventure of a second flick. Then you can have your hero think of retiring and moving on instead of setting him up as a legend at the end of the first movie then suddenly saying, “Nope, you’ve had enough. Let’s slow things down.” What happened in between?

    This is a fun movie, don’t get me wrong, and is a good time for adults and kids alike.

    I do recommend this movie because I think it’s important the younger generation knows who Zorro is in this day and age of high-profile DC and Marvel superheroes and suggest parents show their kids this flick for that reason.

    Any Zorro exposure is good in my book.


  • Canister X Movie Review #52: Justice League: The New Frontier (2008)

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    Justice League: The New Frontier (2008)
    Written by Stan Berkowitz
    Directed by Dave Bullock
    Runtime 75 min.
    4 out of 5

    In the fifties, the world doesn’t know what to make of superheroes. Some of them are accepted and beloved, others not so much. When a mysterious entity known as The Center rises to thwart the planet, the core Justice Leaguers—Superman, Batman, Flash, Wonder Woman, Green Lantern, and Martian Manhunter—must unite for the first time to stop what is seemingly an unstoppable threat.

     

    Based on the best-selling graphic novel by Darwyn Cooke, Justice League: The New Frontier is unlike any Justice League movie out there. For starters, it’s a period piece. Nothing modern day here, with the story taking place between 1953 and 1960. Even more so, it’s art direction is based on Cooke’s art from the graphic novel, where each character was drawn in a very forties-style way: simple, with minimal muscle and heavy lines for eyes. No bodybuilding superheroes in this flick. And, of course, all the backgrounds, supporting cast and tech in the film were all time-appropriate as well. Even the “advanced tech” in the film was old school in its presentation and style.

    The story was good—very much an origin story for the Justice League, with the overarching origin story being that of Green Lantern—and each character was faithful to their source material. The pacing was a bit slow at times, with lots of talking—there were a few moments where I was, like, “Get on with it!”—but at the same time, it being a period piece, TV and movies back then had lots of talking, too.

    Not that talking is a bad thing. Just wished for a few more fast-paced sequences—not necessarily violence or fighting—to move things along.

    Warner Bros. and DC Comics are amazing at their direct-to-market animated features, each one meant to stand on its own instead of where one story feeds off another. By doing that, they pick and choose the best graphic novels to adapt and don’t have to worry about the baggage of continuity as a result. Doing Justice League: The New Frontier afforded them an opportunity to do something wholly original and deliver something that modern day audiences haven’t seen in recent years: a superhero story that takes place in the past. After watching this, I wish someone in Hollywood would do a live action version of Superman or Flash or whoever, but set it in the past. You can still be true to the characters, as this story has shown, but give something fresh at the same time and, from a marketing and creative standpoint, give something original as a result.

    Justice League: The New Frontier is a fantastic movie, and for those who want more of their favorite heroes but sometimes wish something new was done with them, then this is the flick for you.

    Recommended.


  • Canister X Movie Review #50: Justice League: Doom (2012)

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    Justice League: Doom (2012)
    Written by Dwayne McDuffie
    Directed by Lauren Montgomery
    Runtime 77 min.
    4.5 out of 5

    Assembled by Vandal Savage, the elite members of the Legion of Doom—Bane, Cheetah, Mirror Master, Star Sapphire, Ma’alefa’ak and Metallo—are shown how to beat each and every member of the Justice League of America. Using the specific weaknesses of each hero, the Legion heads out to destroy their counterparts and bring them to their knees so Vandal Savage could implement the next phase of his plan: annihilating the majority of the human race so he can bring about a new world order from its ashes.

    To make things worse, Vandal Savage didn’t discover how to destroy the Justice League on his own, and when the answer as to who was responsible is revealed, the JLA is rocked to its core with the fate of the world hanging in the balance.

     

    Man, I love this movie. It features an all-star cast of all-star superheroes going up against an all-star roster of evil supervillains. Finally, we get to see the villains stick it to the heroes in a big way and not let up until the JLA is down. And I mean really down. It’s not often you see Superman on the brink of death, Batman humiliated and defeated, Flash completely screwed, Green Lantern a broken man, Martian Manhunter totally incapacitated, and Wonder Woman so messed up she doesn’t know what to do or which way to turn.

    This flick is based on the “Tower of Babel” Justice League story arc by Mark Waid, who is arguably one of the best comic book writers on the planet. I can’t comment on this flick’s faithfulness to that storyline because it’s been over ten years since I last read it, but I do remember the overall premise and this movie delivered on that.

    The heroes and villains look great in this movie, and it does well in showcasing their various powers and abilities.

    It’s also an exciting movie that is fast-paced, has a sense of atmosphere, a sense of taking place in the overall DC Universe—thanks to other heroes and villains not mentioned above showing up—and gives the JLA a threat that even they might not be able to handle. And that’s the thing with a JLA movie: the threat needs to be so huge and so dangerous that it takes them as a team to solve the issue, and considering each one of them is extremely powerful in their own right, that threat needs to be mega huge, not just physically but psychologically as well. Justice League: Doom has that and delivers it in spades.

    Also features the voice talent from the Justice League animated series so that totally adds to it as well, giving it a sense of familiarity.

    Out of all the superhero movies on the market, this is easily one of my favorites and is good viewing for kids and adults alike.

    Highly recommended.


  • Canister X Movie Review #43: The Incredibles (2004)

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    The Incredibles (2004)
    Written by Brad Bird
    Directed by Brad Bird
    Runtime 115 min.
    5 out of 5

    Superheroes used to span the globe, saving people from all sorts of calamities and stopping numerous supervillains from taking over the world. However, after an incident in which Mr. Incredible saved someone who didn’t want to be saved and the superheroes were sued for not only that but all the collateral damage their superheroic exploits caused, the government forced the superheroes to go into hiding and created a superhero relocation program for them.

    Now, many years later, Mr. Incredible is married to Elastigirl, has three superpowered kids, and is just trying to lead a quiet domestic life while also being unable to help himself but sneak out now and then to do good deeds for people along with his buddy Frozone. When an opportunity arises from a private party for him to once again don his tights, Mr. Incredible jumps at the chance and gets to be a hero once more. The only problem is this private party is not who they seem and has a deadly agenda against not just Mr. Incredible but against all former superheroes.

    The bonds of family and friendship are tested to their limits as Mr. Incredible must try and stop this threat without getting his family involved.

    Except, it might already be too late for that.

     

    Wow.

    Every so often a superhero movie comes along that does everything right. Great characters, great story, great presentation. In the case of animation, great voice talent, a great tale, great effects, great rendering. The Incredibles is an utterly amazing movie and is in the top ten superhero flicks of all time. In my personal top five, easy, and very close to the number one spot.

    This movie hits all the high notes on every level. Superhero action? Check. Awesome heroes and an A-plus villain? Check. Completely relatable characters? Check. A solid story with an interesting plot? Check. A stellar cast? Check.

    Ah, where to begin? That’s the thing with this movie: there is so much right with it that it’s hard to decide where to start.

    Okay, how about looking at a superhero story without the super heroics? Before you throw stones because I know there’s lots of superhero-ing in this movie, the majority of it doesn’t have that stuff, but instead focuses on the lives of a family of superpowered people and what they have to go through to keep their powers a secret thanks to the government making it illegal for superpowered individuals to show themselves. You got Bob Parr (Craig T. Nelson), who’s just itching to relive the glory days and finally does albeit covertly; you got the homemaker wife, Helen (Holly Hunter), who’s just trying to hold down the fort against a husband she discovers is out gallivanting with his buddy (Lucius Best aka Frozone played by Samuel L. Jackson) while also juggling kids; Dash Parr (Spencer Fox), who’s frustrated he’s got to keep his superspeed under wraps; Violet Parr (Sarah Vowell), who’s frustrated in being in a family that can’t be who they truly are; Jack Jack (Eli Fucile and Maeve Andrews), well, he’s just a baby and does baby stuff . . . but with a super flare, of course. Throw in a supervillain who’s motivation for being one is totally plausible—proving himself to the one hero who let him down—and, yeah, the heart of this movie lies in the people versus just simple superhero action.

    When it does come time for the Parrs to don their new gear and become the superteam the Incredibles, they take all that character development with them and bring it to the streets as they fight Syndrome (Jason Lee) and put a stop to his evil plans.

    What’s great, too, about this flick is the immense amount of world-building thanks to the backstory as to how the heroes—or the “supers” as they are called in the flick—used to be all over the place and then how and why they were suddenly banned from doing their job with Bob right in the middle of it. It was actually his case of saving someone from suicide that caused the whole thing. (And suicide, by the way, a pretty dark subject for a kids movie.) You also got to see many of the other heroes that inhabit the Incredibles’s universe, giving you a sense of scope that adds to the believability of the story and enhances the character depth even more.

    Thematically, this movie is about many things, some of which are dealing with poor self-esteem, sacrifice, being true to who you are, doing the right thing at all costs and, at its heart, the strength of family against all odds.

    The Incredibles is a movie that is highly recommended, a genuine timeless classic, and there have been rumors of a sequel for years. Director/writer Brad Bird has hinted at it repeatedly, but is also waiting for the right story to come along. To be honest, a part of me hopes a sequel doesn’t happen because I understand the power of a good solo flick and how hard it is to do a follow up that tops the original. At the same time, we seem to have come to a place in superhero cinema where the sequel often is better than the first.

    What do you think?

    While you mull that over, go back and watch The Incredibles again.

    And again.

    And again.


  • Canister X Movie Review #41: Hulk vs (2009)

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    Hulk vs (2009)
    Written by Craig Kyle and Christopher Yost
    Directed by Frank Paur and Sam Liu
    Runtime 78 min.
    4.5 out of 5

    Two short films, one explosive movie!

     

    Hulk vs Wolverine: Logan (Wolverine) is called in to a small town that the Hulk just ravaged in an effort to track down the beast and stop him for good. However, once the two meet, they go head-to-head and battle to the finish. Different phases of the fight trigger certain flashbacks for Wolverine and he remembers bits and pieces of how he came to be and his history with Weapon X (who also shows up).

     

    This part of the movie is all-out-hey-bub-come-get-some craziness. Wolverine lets it rip and him and Hulk go at it like no one’s business, definitely making this segment the more exciting of the two in terms of action. I mean, Hulk really smashes and showcases his raw power and strength and, I’m telling you, there’s no holding back.

    Putting Wolverine up against Hulk was a smart move because here you got this guy who’s tough as nails, has a healing factor, and has an adamantium skeleton—and claws!—that make him near invincible. On the I-can-take-some-serious-damage level, Wolverine is right up there.

    I also appreciated how they had him slice into Hulk versus just having the two slug it out. Frankly, Wolverine’s punches against the Hulk wouldn’t him take him far, if anywhere at all. Have him start cutting the Hulk with his claws—and with them being adamantium, they can do that—now Hulk finds himself in some serious jeopardy if he’s not careful.

    Storywise, this one was the weaker of the two, but getting a brief overview of the Weapon X program and Wolverine’s creation is a plus for fans. Besides, Deadpool is in this and who doesn’t love that?

     

    Onto . . .

     

    Hulk vs Thor: Loki transports Hulk to Asgard while the city is no longer under Odin’s protection thanks to his annual Odinsleep. By separating Bruce Banner from the Hulk, Loki removes the restraint on the Hulk and unleashes the green beast against the unsuspecting Asgardians. Thor steps in to stop the Hulk from breaking in and destroying the city. The two battle it out in the realm eternal and only one can be the victor.

     

    Straight off, the storytelling of this one was much more complex than the Hulk vs Wolverine segment. I appreciated that and liked how Thor was dragged into this battle as opposed to him just trying to get back at Hulk for something or simply seeing who is the strongest.

    Sticking Hulk in the realm of Asgard as opposed to having the story take place on Earth changes things up for those of us not used to Hulk fighting in that kind of arena. Throw some complex emotions and Hulk’s inner turmoil into the mix by way of honing in on Bruce Banner, and you got a good Hulk story.

    This one focused more on Hulk in that regard whereas the other one seemed to focus more on Wolverine despite this movie titled as being Hulk-centric.

    The battles on Asgard were almost as good as the Hulk vs Wolverine ones, but not as awe-inspiring. I did like, however, Hulk going up against multiple opponents in this as he took on the Asgardians.

     

    The movie as a whole—I wish they’d do a live action version or something similar if they ever do a follow up to The Incredible Hulk. To have Hulk not just have the army on his tail but also other powerful superheroes would make for an exciting flick.

    You never know.

    Hulk smash!


  • Canister X Movie Review #31: Fantastic Four (2005)

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    Fantastic Four (2005)
    Written by Michael France and Mark Frost
    Directed by Tim Story
    Runtime 106 min.
    3.5 out of 5

    Five people are endowed with superpowers after an accident on a space station. Four become a force for good. One becomes a force for evil. That’s pretty much it.

     

    This is a fun movie and I liked it. It had a solid origin story, some good action, and pretty good SFX. Each character was clearly defined, even stereotypical, but that’s the Fantastic Four for you.

    A lot of people griped on this movie. It was not bad. Wasn’t as “cosmic” or over-the-top as I would’ve liked, but it wasn’t a bad flick by any means. It was a great translation of comic book to screen and carried that vibe with it from beginning to end.

    The invisibility effects of the Invisible Woman (Jessica Alba) were awesome, a sweet combination of complete I-can’t-see-you-at-all invisibility with the glass-like, transparent humanoid figure so we can see her enough to know what she’s doing.

    The Human Torch (Chris Evans) looked like a man on fire, which he is, but animated enough so we can make out his actions, his costume, facial expressions and anything else we needed to in a given scene.

    Mr. Fantastic (Ioan Gruffudd): at some points he looked like a real-life stretchy dude, at others the CGI was very clear (i.e. that scene when he stretches his hand under the door to unlock it from the outside).

    The Thing (Michael Chiklis), arguably the hardest costume because you didn’t want to run the risk of making him look like a cartoon character by going all CGI (as good as the Hulk looks even in The Avengers, there’s still an animated quality to it), but you also didn’t want bad prosthetics either. The Thing in this movie looked amazing and looked real. Well done.

    Dr. Doom (Julian McMahon) was fine as is, his costume something like an elaborate cosplay. I would’ve liked more detail in the cloak, some sort of pattern, but the whole how-he-got-his-armor thing was pretty cool.

    What worked especially well was the dynamic of family and all the love, bickering and craziness that goes along with having one. There was real chemistry between all the main players and it added a dynamic to the team that made the whole scenario believable.

    What also makes the Fantastic Four different is they’re public superheroes without secret identities, that is, though they have codenames, everyone knows who they are. While Iron Man did this, too, having a whole family who everyone knows who they are changes the game. It’s also different because, unlike Iron Man, they didn’t decide, “Hey, let’s be superheroes,” but instead it’s something that kind of happens and they discover how important it is they use their powers to help people.

    For me, Fantastic Four was a good movie that I like popping into the DVD player now and then.


  • New Interview Up at Captain Awesome’s Realm of . . . Awesomeness

    Like the headline says, there’s a new interview with me at Captain Awesome’s Realm of . . . Awesomeness. It was a pleasure doing the interview and I got to talk about superheroes and self-publishing. Andrew Lorenz, who conducted the interview, is a great guy and great comic writer. He runs September17 Productions, which publishes the comics he writes.

    To read the interview, please go here.


  • Taking Notes Superhero Style

    DSCF3331As per my last post, the project right now is to reread The Axiom-man Saga thus far. It took a few days to get going, but now I’m in the midst of reading the first book. It’s strange reading it as just a reader versus going over it for edits. I admit that the editor side of my brain is looking at ways to tweak this or change that, but then I remember that I’m reading it for the joy of reading it and also to take notes, no other reason. A writer’s work is never done, it seems. The book was also written by a different guy some eight years ago. I was a different man back then with a different writing style.

    It is cool, however, to see the character in his infancy, to see him stumble along as he tries to figure out this whole superhero thing. At the time the story takes place, he’s only been at it four months, a time frame that isn’t long enough for someone to be truly adept at being a hero. It’s also neat considering I know where the story goes and is going, and I’m looking at Axiom-man thinking, Man, you have no idea of the scope of things ahead of you, how your universe and the reason for your existence is this huge thing and here you are still getting used to wearing a costume beneath your clothes.

    Like the picture shows, I’ve been taking notes, little things that I want to mention in the upcoming four-book arc or things simply for me to keep in mind while writing it. The main points I’m after are mythology-related and certain items that foreshadow where I’m ultimately leading everybody. I want to make sure I don’t leave anything out because the upcoming storyline is meant to wrap up everything that’s come before.

    After reading this first book, it’s onto First Night Out, which takes place between the “Four months earlier . . .” segments of Axiom-man and the novel’s main story.

    Like last entry, I’m asking for those who’ve read the series to come forward and write reviews. Reviews help spread the word and I’m hoping to grow The Axiom-man Saga in the coming year into something more prominent in the superhero fiction market.

    On a side note, I’m tabling at the Winnipeg Comic and Toy Expo this Sunday at the Viscount Gort Hotel in Winnipeg. Hope those in town can come out, say hi, and talk superheroes with me.

    Until next time . . .


  • Look, Up on the Screen! The Big Book of Superhero Movie Reviews

    Look, Up on the Screen! The Big Book of Superhero Movie Reviews

    Look, Up on the Screen! The Big Book of Superhero Movie Reviews by A.P. Fuchs

    Superheroes have invaded film more in the past decade and a half than they have in their entire history. From major blockbusters like Man of Steel and The Dark Knight Trilogy, to DC Entertainment’s line of fantastic direct-to-video animated films, to other super-flicks like The Incredibles, superheroes are enjoying a major resurgence in popular culture and fans have now entered a golden era of superhero cinema.

    Lifelong superhero fan and author A.P. Fuchs has made it his mission to see every superhero movie that’s been brought to screen. Collected here are his first one hundred reviews, covering the major blockbusters of today to the lesser-known super flicks of yesterday along with everything in between.

    Reviewing such classics as the original Christopher Reeve Superman films to the jaw-dropping Marvel Phase One series that include Iron Man 1 and 2The Incredible HulkThorCaptain America and The Avengers, to the movies that arguably started the current age of superhero cinema: The X-Men franchise, he’s got this amazing genre covered. Also included are a multitude of animated features, superhero movies that didn’t quite hit at the box office, pulp heroes and more.

    Look, Up on the Screen! is a collection of reviews for the serious superhero filmgoer from a diehard fan who’s seen nearly all of what the superhero motion picture field has to offer. Whether your theatre is at the cineplex or in your own home, this is one collection that’s a must-add to your bookshelf of behind-the-scenes goodies, movie guides, superhero film novelizations and graphic novels.

    Available as a paperback at:

    Amazon.com
    Amazon.ca
    Amazon.co.uk
    Barnes and Noble
    Other On-line Retailers

    Available as an eBook at:

    Amazon Kindle
    Drivethru Fiction
    Smashwords

    For other non-fiction like Look, Up on the Screen! The Big Book of Superhero Movie Reviews, consider Canadian Scribbler: Collected Letters of an Underground Writer.


  • Axiom-man (The Axiom-man Saga, Book 1)

    Axiom-man Superhero Novel

    Axiom-man (The Axiom-man Saga, Book 1)

    One night Gabriel Garrison was visited by a nameless messenger who bestowed upon him great power, a power intended for good. Once discovering what this power was and what it enabled him to do, Gabriel became Axiom-man, a symbol of hope in a city that had none.

    One night after a routine patrol, a mysterious black cloud appears over the city. Flying over to investigate it, Axiom-man is stopped short when the cloud’s presence shakes him to the core. An electrifying fear emanates from the cloud and he can barely get near it. Quickly, the cloud takes flight and leads him on a wild goose chase throughout the city, only to flee from him in the end. Almost immediately after the cloud’s appearance, a new hero arises, Redsaw, clad in a black cape and cowl. The people, now enamored with this new super-powered marvel, seem to have forgotten about Axiom-man and all he’s done for them.

    Except something’s wrong. That same fear that emanated from the cloud drips off Redsaw like a foul smell and Axiom-man can barely get close to him without feeling ill.

    What is Redsaw’s agenda and who is he? And why is it every time Axiom-man gets close to him it feels as if his powers are being sucked away?

    As if that wasn’t enough, Gabriel’s day job hasn’t gotten any easier. His co-worker and the woman he adores, Valerie Vaughan, has little interest in him, and his boss has made it clear that one more day late to work will be the day he cleans out his desk. Then there’s the new trainee, Gene Nemek. What is his fascination with Redsaw and why is he never around when Redsaw appears?

    From flying over city streets and soaring at dizzying heights, to balancing a secret identity with destiny, Axiom-man must discover what Redsaw’s presence means and how it ties into the messenger’s life-altering visit before the city—and the world—are enamored with an evil that has haunted the cosmos since the dawn of Time.

    Welcome to Axiom-man (The Axiom-man Saga, Book 1).

    Available as a paperback at:

    Amazon.com
    Amazon.ca
    Amazon.co.uk
    Barnes and Noble
    Other On-line Retailers

    Available as an eBook at:

    Amazon Kindle
    Drivethru Fiction
    Smashwords

    Be sure to check out the rest of The Axiom-man Saga at the Book and Comic Shop!