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  • A.P. Fuchs’s movie reviews, ranging from horror to superhero to sci-fi and a bunch of other stuff.

  • Canister X Movie Review #54: The Legend of Zorro (2005)

    Posted on by A.P. Fuchs

    The Legend of Zorro (2005)

    Legend of Zorro
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    The Legend of Zorro (2005)
    Written by Roberto Orci and Alex Kurtzman
    Directed by Martin Campbell
    Runtime 129 min.
    3 out of 5

    In this follow up to 1998’s The Mask of Zorro, Alejandro must try and abstain from adventuring as the black-masked crusader in an effort to keep his home life under control as his wife, Elena, now feels it’s time for him to give up the mask since he’s been Zorro for nine years. Meanwhile, a nefarious plan is afoot to stop California from becoming part of the United States. Soon the lines between the Fox’s life as Zorro and his life as Alejandro blur and our hero must balance the two and ensure California’s statehood comes to pass before it’s too late.

    I loved The Mask of Zorro so was super excited when this one came out. To me, it was one of those “what took you so long?” things. Well, I don’t know what went on behind the scenes or why the delay, but I was happy when they finally made this movie. Due to being a new parent at the time, I didn’t make it to theatres to check it out and had to do so once it hit the direct market.

    It was all right. Wasn’t as thrilling as the first one nor was the story as good. There was a lot of Zorro in this, which, of course, is a plus, but I think because it was more lighthearted than its predecessor I was let down. Sure, Zorro isn’t a grim and brooding hero, but since the first movie was so serious, I expected more of the same with this one. That’s not to say this was all slapstick and camp. Far from it. Just had this lighter vibe to it that I wasn’t really into.

    I think, for me, the romantic tension in this movie is what wasn’t my thing. There was good reason for it in the context of the story, but I just didn’t see how Elena (Catherine Zeta-Jones) couldn’t just simply tell Alejandro (Antonio Banderas) what was going on and together they would take on Armand (Rufus Sewell). Perhaps relationships were different back then than they are now, I don’t know.

    The swashbuckling and adventure were fun and would make any male watching it want to put on a mask and get on a horse and go ride around. Kind of hard nowadays, but you get the idea.

    The thing that makes Zorro interesting in this movie is the fact that he has a son. Superman Returns aside, what other superhero on the big screen has to juggle being a dad and a superhero? Even in Superman Returns Superman didn’t find out about his kid until the end of the flick so we never got to see him be a family man and Earth’s champion. If you were a superhero and had kids, you’d have to keep it a secret lest they spill the beans to their friends. You’d also have to face years of them being disappointed in you because you’re always “working” and are never around. And the sacrifice involved on the part of the parent is also high because you’re missing out on all these great moments from your kid’s childhood because you’re off saving the day.

    I think this movie would’ve worked well as a third in a trilogy after some kind of high-octane swashbuckling adventure of a second flick. Then you can have your hero think of retiring and moving on instead of setting him up as a legend at the end of the first movie then suddenly saying, “Nope, you’ve had enough. Let’s slow things down.” What happened in between?

    This is a fun movie, don’t get me wrong, and is a good time for adults and kids alike.

    I do recommend this movie because I think it’s important the younger generation knows who Zorro is in this day and age of high-profile DC and Marvel superheroes and suggest parents show their kids this flick for that reason.

    Any Zorro exposure is good in my book.

    This is The Legend of Zorro.


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  • Canister X Movie Review #53: Kick-Ass (2010)

    Posted on by A.P. Fuchs

    Kick-Ass (2010)

    Kick-Ass
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    Kick-Ass (2010)
    Written by Matthew Vaughn and Jane Goldman
    Directed by Matthew Vaughn
    Runtime 117 min.
    4.5 out of 5

    Dave Lizewski (Aaron Johnson), comic book geek and nobody-at-large, always wondered why no one stepped up and became a superhero. People aspire to be doctors and firemen and policemen, so why not also want to be someone else who helped his fellow man?

    After ordering a green and yellow wetsuit off the Internet, Dave dons the outfit and hits the streets as Kick-Ass, a superhero without powers, training or even a proper motivation to fight crime other than “what if?” The first few weeks are uneventful, and after his first attempt at stopping a car robbery nearly kills him, Dave returns more determined than ever to rid the streets of crime. Soon, after stopping the beating of a guy from a gang, Kick-Ass is all over the Internet and soon becomes a citywide celebrity.

    Little does he realize he’s not alone. Enter Big Daddy (Nicholas Cage) and Hit Girl (Chloe Moretz), a father-daughter team of real-deal vigilantes with a thirst for blood and matching guns to boot. Their mission? Take out the D’Amico crime family, their leader, Frank D’Amico (Mark Strong), having been personally involved with Big Daddy long ago and robbing him of the one he loved.

    Soon Kick-Ass, Big Daddy, Hit Girl and newcomer Red Mist (Christopher Mintz-Plasse) are locked in a war that, hopefully, only the good guys survive.

    It’s guns, action, comic books and bubble gum in this adaptation of Mark Millar and John Romita Jr.’s graphic novel.

    This movie is crazy. A good crazy. A special kind of crazy. I knew from the previews I was in for a different kind of superhero flick and, man, that was what I got. This was fresh, exciting, fun and new. Most superhero movies stick to a formula (origin of the good guy then the bad guy, a few tussles along the way leading to a big fight in the end, the stuff in between usually dramatic bits starring the hero in his personal life). With Kick-Ass, though there were those basic elements to it, the one thing that was really hammered home over and over again was the idea that, yeah, Kick-Ass was functioning in the real world. One with guns, knives, average fighting skills and no body armor. Some folks might think the violence in this film was overdone. Personally—despite a few exceptions—I didn’t think so. You try doing the superhero thing in real life in a place like New York and see what happens.

    I also really liked how they dragged that fantasy of being a superhero into our reality and proved, really, that it wouldn’t work. Kick-Ass went up against real bad guys. Ones without mercy. Without care. They’d kill their own mothers if they had to.

    The lack of a costumed supervillain also helped this movie and ensured the focus was kept on the good guys. I particularly liked Big Daddy’s and Hit Girl’s origin. It was simple, yet bittersweet and, if anything, really showed that despite being off his rocker, Big Daddy really loved his little girl and only wanted the best for her.

    In terms of the non-costumed scenes, Dave Lizewski’s real life was extremely relatable (especially for this comic book nerd) and his high school years and mine seemed to have a lot in common. Except for the girlfriend part. I wasn’t cool enough to have one of those.

    This movie was fantastic start to finish. The writing, the action, the realism—truly cool.

    My only thing was the profanity. I don’t live in New York, but that was a lot of swearing and if people really talk like that in NYC, man, I feel sorry for them. (But, hey, I’m just a Maple Syrup-guzzling Canadian, so what do I know?) If they don’t, perhaps the writers can pull back a bit on the wagging tongue for the next one.

    Looking forward to the sequel.


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  • Canister X Movie Review #52: Justice League: The New Frontier (2008)

    Posted on by A.P. Fuchs

    Justice League: The New Frontier (2008)

    Justice League New Frontier
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    Justice League: The New Frontier (2008)
    Written by Stan Berkowitz
    Directed by Dave Bullock
    Runtime 75 min.
    4 out of 5

    In the fifties, the world doesn’t know what to make of superheroes. Some of them are accepted and beloved, others not so much. When a mysterious entity known as The Center rises to thwart the planet, the core Justice Leaguers—Superman, Batman, Flash, Wonder Woman, Green Lantern, and Martian Manhunter—must unite for the first time to stop what is seemingly an unstoppable threat.

    Based on the best-selling graphic novel by Darwyn Cooke, Justice League: The New Frontier is unlike any Justice League movie out there. For starters, it’s a period piece. Nothing modern day here, with the story taking place between 1953 and 1960. Even more so, it’s art direction is based on Cooke’s art from the graphic novel, where each character was drawn in a very forties-style way: simple, with minimal muscle and heavy lines for eyes. No bodybuilding superheroes in this flick. And, of course, all the backgrounds, supporting cast and tech in the film were all time-appropriate as well. Even the “advanced tech” in the film was old school in its presentation and style.

    The story was good—very much an origin story for the Justice League, with the overarching origin story being that of Green Lantern—and each character was faithful to their source material. The pacing was a bit slow at times, with lots of talking—there were a few moments where I was, like, “Get on with it!”—but at the same time, it being a period piece, TV and movies back then had lots of talking, too.

    Not that talking is a bad thing. Just wished for a few more fast-paced sequences—not necessarily violence or fighting—to move things along.

    Warner Bros. and DC Comics are amazing at their direct-to-market animated features, each one meant to stand on its own instead of where one story feeds off another. By doing that, they pick and choose the best graphic novels to adapt and don’t have to worry about the baggage of continuity as a result. Doing Justice League: The New Frontier afforded them an opportunity to do something wholly original and deliver something that modern day audiences haven’t seen in recent years: a superhero story that takes place in the past. After watching this, I wish someone in Hollywood would do a live action version of Superman or Flash or whoever, but set it in the past. You can still be true to the characters, as this story has shown, but give something fresh at the same time and, from a marketing and creative standpoint, give something original as a result.

    Justice League: The New Frontier is a fantastic movie, and for those who want more of their favorite heroes but sometimes wish something new was done with them, then this is the flick for you.

    Recommended.


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  • Canister X Movie Review #51: Justice League: The Flashpoint Paradox (2013)

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    Justice League: The Flashpoint Paradox (2013)

    Justice League Flashpoint Paradox
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    Justice League: The Flashpoint Paradox (2013)
    Written by Jim Krieg
    Directed by Jay Oliva
    Runtime 81 min.
    5 out of 5

    When the Flash cranks up the superspeed and travels back in time to right a painful wrong, the timeline is drastically altered and he wakes up in a present that’s not the one he knows. There’s a war raging between the Atlanteans and Amazons, Batman uses guns, Cyborg works for the government and Superman is nowhere to be found. Worse, the Flash no longer has his superpowers thus cannot travel back in time to repair the damage and restore the timeline to the one he knew.

    Powerless and with no Justice League to turn to, the Flash must decide how he’s going to change the course of history and if he’s willing to lose someone he loves—again—in the effort to save the lives of many.

    This flick is the ultimate fanboy trip for Flash lovers. He’s the main character and this is the first time in DC animated movie history that he gets the focus. You got superspeed, time travel, alternate timelines, the Speedforce and more. Way cool and, frankly, it’s about time DC took a break from Superman and Batman as the go-to guys for movies, even in the context of a JLA movie. With a new Flash TV series in production as of this review, I’m thinking this was DC’s way of priming the pump, so to speak, to get audiences ready for more adventures with the Scarlet Speedster.

    This movie’s strength lies in two areas: the Flash, and time travel.

    On the Flash: you got a quick recap of his origin, a real sense for what drives Barry Allen, multiple amazing displays of superspeed (especially that running sequence at the end), and a hero to root for from start to finish. I loved it. As a DC guy, I like the Flash, but this film really made me appreciate him and care for him all the more as it gave a strong face to his mythology and character.

    On time travel: I love time travel stories. The more scientifically accurate and plausible the better, but I’ll take just about any story that deals with time travel, parallel universes and butterfly effects. I write about that stuff in my own fiction, for crying out loud. Here, DC went to great lengths to explain the time travel in a plausible way and apply what we know of its possibility as realistically as they could in the context of the movie. Nice. The DVD extras that go further into this are an added bonus for us time travel enthusiasts and are much appreciated.

    Storywise, I loved this movie and the twists and turns it took made me go, “Man, that’s awesome,” more than once. When I found out the history behind the Batman of the alternate timeline I went nuts. So cool and so utterly tragic. Perfect for Batman. And Superman’s portrayal in the alternate timeline? Crazy! Putting all that against a backdrop of an Atlantean vs Amazon war added a breath of fresh air to DC’s animated movies because, like I said, it was relieving to stay away from putting the spotlight on Superman or Batman. (Granted, Batman plays a big part in this movie, but in such a way that it’s not our Batman but another, which makes it fresh.)

    The animated style chosen for this flick I wasn’t crazy about at first, to be honest. The small heads and wider bodies looked weird. It grows on you, though, and eventually you get used to it. The color scheme and bleak tone throughout added to the overall feel of what was a heavy story, thus sucking you in further.

    This is not a movie for kids, though. There’s a lot of violence and gore, adult themes and some language. While I appreciate “grownup” superhero movies, I wish these elements would be scaled back a bit so I could show my kids these flicks and go on super adventures with them instead of having to shelve the DVD until they’re older so they can watch it.

    From a superhero fan’s standpoint, Justice League: The Flashpoint Paradox is a stellar movie adapted from the graphic novel by Geoff Johns and Andy Kubert.

    Recommended.


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  • Canister X Movie Review #50: Justice League: Doom (2012)

    Posted on by A.P. Fuchs

    Justice League: Doom (2012)

    Justice League Doom
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    Justice League: Doom (2012)
    Written by Dwayne McDuffie
    Directed by Lauren Montgomery
    Runtime 77 min.
    4.5 out of 5

    Assembled by Vandal Savage, the elite members of the Legion of Doom—Bane, Cheetah, Mirror Master, Star Sapphire, Ma’alefa’ak and Metallo—are shown how to beat each and every member of the Justice League of America. Using the specific weaknesses of each hero, the Legion heads out to destroy their counterparts and bring them to their knees so Vandal Savage could implement the next phase of his plan: annihilating the majority of the human race so he can bring about a new world order from its ashes.

    To make things worse, Vandal Savage didn’t discover how to destroy the Justice League on his own, and when the answer as to who was responsible is revealed, the JLA is rocked to its core with the fate of the world hanging in the balance.

    Man, I love this movie. It features an all-star cast of all-star superheroes going up against an all-star roster of evil supervillains. Finally, we get to see the villains stick it to the heroes in a big way and not let up until the JLA is down. And I mean really down. It’s not often you see Superman on the brink of death, Batman humiliated and defeated, Flash completely screwed, Green Lantern a broken man, Martian Manhunter totally incapacitated, and Wonder Woman so messed up she doesn’t know what to do or which way to turn.

    This flick is based on the “Tower of Babel” Justice League story arc by Mark Waid, who is arguably one of the best comic book writers on the planet. I can’t comment on this flick’s faithfulness to that storyline because it’s been over ten years since I last read it, but I do remember the overall premise and this movie delivered on that.

    The heroes and villains look great in this movie, and it does well in showcasing their various powers and abilities.

    It’s also an exciting movie that is fast-paced, has a sense of atmosphere, a sense of taking place in the overall DC Universe—thanks to other heroes and villains not mentioned above showing up—and gives the JLA a threat that even they might not be able to handle. And that’s the thing with a JLA movie: the threat needs to be so huge and so dangerous that it takes them as a team to solve the issue, and considering each one of them is extremely powerful in their own right, that threat needs to be mega huge, not just physically but psychologically as well. Justice League: Doom has that and delivers it in spades.

    Also features the voice talent from the Justice League animated series so that totally adds to it as well, giving it a sense of familiarity.

    Out of all the superhero movies on the market, this is easily one of my favorites and is good viewing for kids and adults alike.

    Highly recommended.


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  • Canister X Movie Review #49: Justice League: Crisis on Two Earths (2010)

    Posted on by A.P. Fuchs

    Justice League: Crisis on Two Earths (2010)

    Justice League Crisis on Two Earths
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    Justice League: Crisis on Two Earths (2010)
    Written by Dwayne McDuffie
    Directed by Lauren Montgomery and Sam Liu
    Runtime 75 min.
    5 out of 5

    The superhero known as Lex Luthor travels from a parallel Earth to ours and summons the help of the Justice League to take on the Crime Syndicate, an evil version of the JLA from his own Earth. Agreeing to help him, the Justice League travels to Luthor’s Earth and takes on the Crime Syndicate, pitting the likes of Superman against Ultraman, Wonder Woman against Superwoman, the Flash against Johnny Quick, Green Lantern against Power Ring, Martian Manhunter against J’edd J’arkus, Hawkgirl against Angelique, and, soon enough, Batman against Owlman.

    In a true case of looking in a mirror darkly, Justice League: Crisis on Two Earths is a super heroic and super villained thrill ride that gives you two Justice Leagues for the price of one!

    Such a simple premise but such a cool story. Why not have the JLA face themselves from an alternate reality? Who would win? If you’re fighting someone every bit as powerful as you are, would someone come out on top? What if they thought like you? Talk about playing with one’s shadow.

    There’s superpowers galore in this movie as each hero gets to take on their counterpart and show what they are fully capable of. More so, you get to see what our beloved JLA would be like had they taken other paths in life as the similarities and differences between them and the Crime Syndicate are explored.

    A bunch of other heroes make an appearance in this flick as well, guys like Aquaman, Black Canary, Red Tornado (a personal favorite), Firestorm (another favorite), and more. Kind of a throwback to Justice League Unlimited in that way.

    Don’t be fooled, though, as this movie is more than just a superhero/supervillain slugfest. It gets into the deeper issues, the big one being about choice. In the context of the movie, if every choice we make spawns an alternate reality where the alternate choice(s) was also made, do any of the choices we make ultimately matter?

    This movie is smart, interesting, and grabs you from the get-go. The action is top notch, the animation is ultra sweet, and if these direct-to-video DC Universe movies have proven anything, it’s that they know how to make a good Justice League flick. I can’t wait until they transfer that same know-how to a live action Justice League movie. Can you imagine how awesome that’ll be?

    Anyway, back to this one. This is such a good movie and is a must-have on any superhero fan’s movie shelf. You not only get DC Universe’s all-stars, but the all-stars of a parallel universe as well. Like I said above, definitely a two-for-one ticket and definitely worth checking out.


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  • Canister X Movie Review #48: Iron Monkey (1993/2001)

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    Iron Monkey (1993/2001)

    Iron Monkey
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    Iron Monkey (1993/2001)
    Written by Tsui Hark
    Directed by Yuen Woo-ping
    Runtime 90 min.
    4 out of 5

    Like Robin Hood, the Iron Monkey robs from the rich and gives to the poor, but instead of wielding a bow and arrow and sword, he wears a mask and uses martial arts weapons instead.

    By day, Chinese doctor Yang Tianchun (Rongguang Yu) is a physician caring for the poor and rich alike, but at night he’s the Iron Monkey, a high-kicking do-gooder assisting those in need who are suffering beneath the rule of the corrupt governor.

    Meanwhile, Wong Kei-Ying (Donnie Yen) and his son Wong Fei-hong (Sze-Man Tsang) come into town. Soon after, Wong Kei-Ying is captured on suspicion of being the Iron Monkey after being observed in battle. His son is arrested as well. In an effort to clear himself, he offers to capture the real Iron Monkey, his son being forced to remain in prison to ensure his compliance.

    Soon Wong Kei-Ying and the Iron Monkey meet and, after going toe-to-toe with no victor, form an alliance that will rescue Wong Fei-hong from prison and bring down the evil governor once and for all.

    This movie kicks some serious wa-hoo-hoo and I’m not just saying that because of the awesome kung fu sequences, but because of it’s fun presentation of a classic story—Robin Hood—through the lens of Chinese culture, martial arts and fast-paced action.

    Quentin Tarantino brought the flick over to the West and I’m glad he did. I’m 99% sure I went to the theatre to check out this gem and it soon got a place in my DVD collection once it hit store shelves.

    What can I say? The fight sequences are over-the-top—wire acts, crazy fast kicks—but those are what make kung fu movies great and give the fight performances that supernatural feel that can’t be obtained otherwise.

    The superhero fan part of me had never seen a kung fu superhero movie, and when I compare it to the Western version of martial arts techniques that we get in our own superhero flicks, sadly, we come up short every time. I mean, this crazy, fast-paced over-the-top form of fighting is one of the main reasons The Matrix became so popular.

    There is lots that goes on in this movie storywise, everything from the simple rob-from-the-rich-to-feed-the-poor angle to Wong Kei-Ying’s tense relationship with his son, to commentary on oppression and what’s fair and what isn’t, to comedic moments, tear-jerking moments, to adrenaline-fueled action—it’s a full experience, something that Quentin Tarantino said in an interview on the DVD that is common in Chinese cinema but not really over here in the West. I think we need to learn a thing or two about moviemaking from our Chinese friends instead of compartmentalizing everything into genres and niches.

    If you love folk heroes like Robin Hood, or are a superhero fan, Iron Monkey should definitely be on your watch list.


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  • Canister X Movie Review #47: Iron Man 3 (2013)

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    Iron Man 3 (2013)

    Iron Man 3
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    Iron Man 3 (2013)
    Written by Drew Pearce and Shane Black
    Directed by Shane Black
    Runtime 130 min.
    3.5 out of 5

    An evil mastermind terrorist known as the Mandarin (Ben Kingsley) is wreaking havoc via a rash of bombings, holding the world in his grip. Iron Man (Robert Downey Jr.) gets on the case and discovers the bombings are initiated by people exposed to the Extremis program, something Stark Industries could’ve had ties to a long time ago, but chose not to. Turns out those Tony Stark knew back then are neck-deep involved with what’s going on now, have re-entered his life, and are making things complicated.

    While trying to pinpoint the location of the Mandarin, Iron Man aka Tony is also dealing with the aftermath of the Chitauri invasion of New York in The Avengers. Having trouble sleeping, he’s been spending all his time constructing various Iron Man armors to help himself cope. This brings tension to his relationship with Pepper Potts (Gwyneth Paltrow), who he’s now living with and is dedicated to.

    Upon discovering the location of the Mandarin and his true identity, Iron Man and his almost-sidekick the Iron Patriot aka War Machine aka Col. James “Rhodey” Rhodes (Don Cheadle) head up against a battalion of Extremis-infected warriors and must pull out all the stops to put an end to their reign of terror. The problem is these Extremis soldiers are so powerful that victory doesn’t seem likely.

    Can Iron Man prevail against an army as strong as he is?

    I’m not sure what to make of this movie. Sure, it was entertaining and the storyline was fine. I like the idea of making it a direct follow up to The Avengers, and showing how Tony Stark’s world—never mind the rest of the world—had been affected by the Chitauri invasion and the presence of the other Avengers.

    This flick was loaded with solid action, tough bad guys, cool tech, guns and everything else that makes an Iron Man movie a lot of fun. I just wasn’t sold on the presentation. This might be harsh, but this flick came off as the Batman Forever of the Iron Man movies. I’m all for humor in even the most serious of movies, but it seemed the jokes were either too forced or too slapstick to make me take this flick seriously. And that’s the secret with superhero movies: they need to take themselves seriously—even if they’re meant to be a comedy—otherwise they’ll never work. There was an awful lot of getting in and out of the Iron Man suits in this film, both by Tony and Rhodey, never mind Pepper getting a shot at wearing it, the President, the Extremis guy—there were so many suit changes that the novelty of watching someone don the Iron Man armor was quickly spent after the first three times.

    This film was not directed by Jon Favreau, which might have had something to do with it. Just seems this movie was weighed down with not enough Iron Man and a storyline—which was solid in and of itself—that moved slowly. I realize Tony’s aftermath and post-traumatic stress from The Avengers was the focus, but the same goal could’ve been accomplished had there been more Iron Man. I don’t necessarily mean more action—as action-filled movies that are nothing but explosions start to finish get boring after a while—but perhaps him having a love/hate relationship with the suit because being in it nearly killed him at the end of The Avengers, or maybe take the robo-injections to summon the suit to a new level because he’s trying to make himself super to be on par with guys like Captain America or Thor and have him deal with that?

    The extra scene at the end of the credits with Dr. Bruce Banner (Mark Ruffalo) picked up on the bromance from The Avengers. A nice touch. Didn’t move the Marvel Cinematic Universe forward in any way, but was nice nevertheless.

    If you’re a Marvel movie completist, then by all means, check it out. Likewise, pick up the Blu-ray when it comes out to complete your set. For me, I think I’m going to have watch it again and perhaps I’ll warm up to it a bit more. I felt let down when I watched the first Spider-Man in 2002, but got more into it with subsequent viewings. Iron Man 3 might be one of those movies.

    Just think they could’ve done a lot more with it.


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  • Canister X Movie Review #46: Iron Man 2 (2010)

    Posted on by A.P. Fuchs

    Iron Man 2 (2010)

    Iron Man 2
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    Iron Man 2 (2010)
    Written by Justin Theroux
    Directed by Jon Favreau
    Runtime 124 min.
    4 out of 5

    Taking place six months after Iron Man, old shellhead is using his armor to maintain world peace and keep things right as rain for the world. Enter Ivan Vanko (Mickey Rourke), aka Whiplash, who has a vendetta against Tony Stark and wants to see him dead for the wrong he believed Tony did to his father.

    Meanwhile, Tony’s dealing with issues of his own, namely that the very tool he’s using to keep himself alive—the arc reactor in his chest—is actually poisoning him, and time is quickly running out.

    Can Iron Man defeat a foe hellbent on grinding him to dust while also saving his own life?

    Iron Man 2 is a solid sequel. It’s not as smart as the first one, but it’s certainly not bad by any means. The idea of the arc reactor slowly killing Tony is brilliant. I mean, really, what do you do, right? Just wait it out? Unplug? Tell someone? Good stuff.

    A lot of people gave this movie grief and I don’t understand why. You got superhero action, superhero struggle, relationship tension, introduction of a new hero—War Machine (Don Cheadle, who plays James Rhodes; the part was originally played by Terrence Howard in the first movie)—and a new villain with a simple but decent origin story. Adding to that you got the breadcrumb trail that will eventually lead into The Avengers. The cool part is this subplot—complete with appearances by Nick Fury (Samuel L. Jackson) and Black Widow (Scarlett Johansson)—don’t detract from the main story. Of course, I won’t fail to mention Sam Rockwell as Justin Hammer, who’s an amazing actor and becomes whatever role he is assigned. I love that about him.

    As before, Robert Downey Jr. continues to amaze me as Tony Stark. He is that guy. End of story. Never thought I’d like a self-absorbed hero, but he proved me wrong.

    Anyway, back to the action: Iron Man 2 has got loads of it, right from Iron Man’s first encounter with Whiplash, to the big fight at the end where it takes Iron Man teaming up with War Machine to take out robots and a newly-armored Whiplash. What I liked was the realistic—as you can get, anyway—portrayal of what a suit of robot armor would most likely do and fight like if it was real. It was fluid, yet appropriately clunky and moved as such accordingly. The flight sequences were exciting, same with the weapons used.

    What was also good was the humor. Aside from the here’s-how-I-pee-in-the-armor joke, which I found dumb, every other bit of joking around totally worked and still maintained that this was a serious movie with a serious hero fighting a serious villain.

    What makes this third movie in Marvel’s Phase One plan great is that while it had its own self-contained story, it was part of the overall Avengers plotline. I loved how the two worked together but weren’t dependent on each other.

    Do I watch this movie when I’m going through my super flicks in my DVD and Blu-ray collection? Every time.

    A major iron thumbs up from me on this one.

    Recommended.


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  • Canister X Movie Review #45: Iron Man (2008)

    Posted on by A.P. Fuchs

    Iron Man (2008)

    Iron Man
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    Iron Man (2008)
    Written by Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway
    Directed by Jon Favreau
    Runtime 126 min.
    5 out of 5

    Tony Stark has it all: money, women, fame, and little regard for anyone else but himself, but when he’s kidnapped by a terrorist group known as the Ten Rings, everything changes and he soon finds himself with a car battery connected to a magnet in his chest. Tiny bits of shrapnel from the blast that led to his capture are slowly making their way to his heart and the magnet is keeping them at bay.

    The Ten Rings want him to build them a weapon and Tony knows that if he does, the world will fall into the terrorists’ hands. He needs to find a way to escape and to do so he must create something more than just the weapon the Ten Rings wanted him to.

    After inventing a metal suit with some crude weaponry, he manages to escape the Ten Rings’ lair and return to the world as a new man. Taking his iron suit discovery to a whole new level, he becomes Iron Man and sets to right the wrongs of his past and ensure that the terrorists who tried to enslave him won’t do so to anyone else.

    Iron Man is a thrill ride you don’t want to miss!

    There’s something about origin stories that I have an extreme soft spot for and Iron Man is near perfect in that regard. Given that Iron Man is a “human hero with no powers” ala Batman and it’s his suit which gives him his abilities, he becomes instantly relatable (well, okay, maybe not one hundred percent as I’m not a billionaire, playboy, philanthropist like him), but I’m on the journey of life like Tony with my own share of pain and turning points. The movie’s pacing is bang on and progresses “as if this really happened,” which is a huge plus for a superhero movie. (I’m a fan of super flicks that come from the angle, “If this happened tomorrow, this is how it’d most likely play out.” My own superhero series, The Axiom-man Saga, is based on that premise.)

    The Iron Man armor looks amazing and real, which is a big deal because most of it is CGI. I’m glad they were able to create real-looking metal armor that didn’t look totally fake. Likewise, to see the progression from the oh-so-crude Mark One armor all the way up the Mark Three was cool.

    The rest of the special effects were out-of-sight, especially the ultrasonic flying sequences. Looking at the world from Tony’s perspective inside the suit put you in his shoes—in his armor—and made you feel like you were Iron Man along with him.

    This flick also boasts a killer soundtrack and score that gets you pumped.

    Let’s see . . .

    Robert Downey Jr. is Tony Stark. Right from the first scene he lets you know who he is and what he believes in: himself. This carries throughout the rest of the film, but he also does a good job of becoming a changed man as the story goes on and the Tony we meet in the beginning of the movie is different from the one at the end. A lot of actors who are on supposed journeys during a story don’t pull that off and usually come across as the same guy from start to finish.

    Gwyneth Paltrow as Pepper Potts is dynamite. She’s strong, witty and is one of the few people who can go toe-to-toe with Tony’s narcissistic personality. Excellent casting for this role.

    Iron Man was the stepping off point for Marvel’s Phase One, which would later culminate in The Avengers. I don’t think at the time anyone knew that Iron Man—who back then wasn’t really known outside of the comic book community—would become such the massive hit it was, the franchise growing bigger and bigger with each outing.

    But I can see why. This movie is awesome.


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