• Tag Archives superhero
  • Canister X Movie Review #34: Green Lantern (2011)

    Green Lantern (2011)

    Green Lantern
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    Green Lantern (2011)
    Written by Greg Berlanti, Michael Green, Marc Guggenheim and Michael Goldenberg
    Directed by Martin Campbell
    Runtime 114 min.
    3.5 out of 5

    When dying alien and Green Lantern Abin Sur is discovered by brash and cocky fighter pilot Hal Jordan (Ryan Reynolds), Hal’s life is suddenly changed when the mysterious alien gives him a green power ring and matching lantern with vague instructions to “speak the oath.”

    After finally unlocking the lantern, Hal is taken to the planet Oa where he learns he has become Abin Sur’s successor in the Green Lantern Corps and is also the first human to ever bear the powerful mantle of a Green Lantern.

    As part of his training, Hal is taken under the wing of a powerful Lantern named Sinestro (Mark Strong) whose view of right and wrong is sheer black and white, and who has no trouble enforcing the law with lethal force. Turns out Sinestro wasn’t the first to feel this way as long ago one of the creators of the lantern rings—one of the Guardians of Oa—disagreed with the Oan Council and set off on his own, discovering a new power, this one the yellow power of Fear. Now the superpowered being Parallax, this former Guardian wishes to take revenge on those who banished him.

    As Hal learns what it means to set aside his own pride and ego and live by the sacred Green Lantern oath—In brightest day, in blackest night . . . —he must come to grips with his newfound power and expel Parallax’s presence from the universe once and for all.

    After the crazy success of Batman Begins and The Dark Knight, Warner Brothers and DC Comics were in big need of another hit after Superman Returns failed to deliver at the box office, and so they went to another DC hero: Green Lantern. Good choice. He’s a kind of Superman/Batman hybrid in that Hal Jordan is human and has the qualities and struggles thereof like Bruce Wayne, and yet by wielding his power ring, his superpowers get up there right alongside the Last Son of Krypton in many ways. Whether this was Warners’ reasoning or not, I don’t know—probably not—but GL was certainly a good character to try and take to the big screen, especially since it had never been done before.

    In a nutshell, the movie wasn’t bad. I liked it. It didn’t change my life, but it’s not the piece of garbage many folks make it out to be. It covered Hal Jordan’s transformation into Green Lantern, delivered awesome effects, created a sense of atmosphere both about the Green Lantern Corps and Oa, and came through on telling a simple story that got Hal Jordan from Point A to B in a reasonable amount of time.

    People complained there wasn’t enough action or not enough stuff on Oa—but those kinds of things aren’t—and weren’t—supposed to be the focus of this movie. It was about getting the ring into Hal’s hands and teaching him the ol’ Uncle Ben motto of “With great power comes great responsibility.”

    I like how it took time to get Hal used to using the ring and it wasn’t a case of him putting it on and suddenly becoming an expert on creating green light constructs. And once he figured it out, I enjoyed how his constructs were simple—the racetrack, machine guns, etc.—as opposed to something crazy or way too technical. Why? Put yourself in his shoes. You’d probably construct something you’re more comfortable with than trying to create some big complicated airship stocked with robot soldiers with a zillion weapons and stuff.

    The love story between Hal and Carol Ferris (Blake Lively) seemed forced though it did provide a nice bridge between the realm of Oa and Earth. Clearly this relationship was introduced for sequel purposes because those who know the comics know Carol Ferris becomes the supervillain Star Sapphire down the line.

    I think in the end, Green Lantern did its job. Could it have been better? Sure. Could it have been worse? Yup.

    Regardless, I like popping this movie into the player from time to time, and if you’re a superhero fan, you should, too.


  • Canister X Movie Review #33: The Green Hornet (2011)

    The Green Hornet (2011)

    Green Hornet
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    The Green Hornet (2011)
    Written by Seth Rogen and Evan Goldberg
    Directed by Michel Gondry
    Runtime 119 min.
    2.5 out of 5

    Irresponsible and party-it-up guy Britt Reid (Seth Rogen) is living the life as the son of the well-to-do publisher of The Daily Sentinel, but when his father is found dead after a fatal bee sting, Britt’s life is changed. Since he never liked his father, he goes to the cemetery and, meaning to sabotage his dad’s memorial, he and his dad’s mechanic, Kato (Jay Chou), end up saving a couple people from being mugged. Later, Britt convinces Kato that the two of them should pose as criminals so they could get close to real criminals and bust them.

    Kato agrees and Britt adopts the identity of the Green Hornet. His target is Benjamin Chudnofsky, a Russian mob boss who is trying to unite the crime families in Los Angeles. Soon the Green Hornet and Kato find themselves neck-deep in the city’s underworld.

    Sometimes it takes a criminal—or one posing as one—to catch a criminal.

    I don’t know, man. I was super jazzed when I found out they were making this movie because I’m a big fan of the 1960s TV show starring Van Williams and Bruce Lee as the Green Hornet and Kato. I thought, hey, imagine doing an updated version where it could be a mob story with all sorts of intense drama, action and be a kind of Sin City, you know, with Green Hornet being an antihero and all?

    Instead, I got a goofball comedy out of what was supposed to be a serious idea. I blame Seth Rogen, who I usually don’t mind. He was one of the writers on this movie so obviously wrote to his strengths versus what the character was really about.

    The costumes were cool, the action was fantastic, Chou’s martial arts was aces—but they got the Green Hornet wrong and took the gist of him and then did their own thing. Too bad. This really could have been a hit had they done the original series justice and then tweaked it for a modern audience.

    Maybe sometime down the line they’ll do another one and do it right. In the meantime, if a straight-up, not bad superhero movie is your thing, check it out, otherwise there are other lesser-known-superhero movies I enjoyed more like The Phantom and The Rocketeer.


  • Canister X Movie Review #32: Ghost Rider (2007)

    Ghost Rider (2007)

    Ghost Rider
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    Ghost Rider (2007)
    Written by Mark Steven Johnson
    Directed by Mark Steven Johnson
    Runtime 114 min.
    3 out of 5

    After having made a deal with the devil to save the life of his father when he was young, Johnny Blaze (Nicolas Cage) is a cursed man. When the devil’s son, Blackheart (Wes Bentley), comes to Earth in search of a contract that would bring Hell to the planet, the devil makes Johnny the new Ghost Rider and tasks him with killing Blackheart. If Johnny succeeds, he can have his soul back.

    Supernatural excitement and thrills ensue in this paranormal tale about a haunted man facing his own demons—both internally and externally—and what it takes to be the Ghost Rider.

    There’re lots of ways of looking at this movie, everything from was it faithful to the comic to simple eye candy to story to themes to—well, you get the idea. For me, it was all right. I like Nic Cage because, well, he’s Nic Cage and usually just plays himself, it seems. Sometimes he steps outside that, but in Ghost Rider, he was Nic Cage. Ghost Rider did look amazing in this, looked real. That first transformation sequence was insane! It’s hard to sell the image of a walking, burning skeleton in leather, but they pulled it off here.

    The motorcycle—trippin’. Can you imagine owning a hog like that? Know how many heads you’d turn? And if you could ride up a building like he did? Yeah, thought so.

    The story’s pretty good and carries its own mythology and purpose. The elemental demons that Ghost Rider has to go up against were pretty cool and tough to beat, and the effects needed to portray them looked real. It’s amazing what Hollywood can do these days.

    This movie got a lot of mixed reactions from fans. For me, it was okay. Wasn’t one of those superhero movies I could watch over and over again. At the same time, it did do its job in getting me interested in the sequel, which is on my to-check-out list, so that definitely has to count for something.


  • Canister X Movie Review #28: Defendor (2009)

    Defendor (2009)

    Defendor
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    Defendor (2009)
    Written by Peter Stebbings
    Directed by Peter Stebbings
    Runtime 101 min.
    4.5 out of 5

    Arthur Poppington (Woody Harrelson) has a secret: when night rises upon the city, he takes to the streets as Defendor, a lone avenger on the hunt for the ever-elusive Captain Industry. Unfortunately for Arthur, he’s mildly retarded and the line between right and wrong sometimes blurs. Though he means well, sometimes he gets in over his head, especially when his search for Captain Industry takes him into the city’s underworld of drugs, guns and prostitution.

    After saving the life of prostitute and drug-addict Kat Debrofkowitz (Kat Dennings), Arthur takes her in and, though at first exploited by her for money, the two eventually bond and he accomplishes one of his first objectives he had since donning the Defendor uniform: helping those who need it most.

    Being a lifelong superhero fan, there are a few things, to me, that define a good superhero movie and Defendor had more than one of those things. It touched me on that very human level of seeing a sincere human being trying to make a difference regardless of what other people thought of him. Fear of man is one of the things I think holds people back from doing the right thing in real life. To at least see that attribute on the screen means a lot to me because it proves that people are still thinking about it even if it’s just in a movie.

    The trailer for this flick makes it come across as more of a superhero spoof than a serious movie, and this was most definitely a serious movie. Sure, there were some funny moments, but this movie wasn’t about that, but instead was about a man who saw something wrong and did the best he could with what he knew how to do.

    And he did. He showed us who Captain Industry really was: the villain that all of us have in each of our cities, the one comprised of drugs, guns and illegal sex that has ruined countless lives yet for some reason authorities refuse to do something about.

    This movie makes me think of the real life superheroes that are out there, those real men and women who don guises of other personas and do what they can to help us. Lots of people mock them. Lots of people mocked Defendor, but when all is said and done, they, like Defendor, do the right thing and try to right a world full of wrongs, bring hope to those who need it, and set an example that we should all follow.

    Defendor is a fantastic movie and I’m really glad Peter Stebbings went ahead and made this flick.

    Fight back.

    Recommended.


  • Canister X Movie Review #25: Daredevil (2003)

    Daredevil (2003)

    Daredevil
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    Daredevil (2003)
    Written by Mark Steven Johnson
    Directed by Mark Steven Johnson
    Runtime 103 min.
    4 out of 5

    An A-plus report card brings young Matt Murdock to the docks to show his father. All he ever wanted was to please his dad and, as per his father’s advice, “be a doctor, be a lawyer.” Except, stumbling upon his alcoholic, washed-up ex-boxer father as a leg-breaker, Matt takes off on his skateboard in a hurry, only to accidentally run into a truck with barrels of radioactive liquid that cause him to go blind. But all is not darkness because he also mysteriously inherits a strange “radar sense” that enables him to see in a sort of X-ray way because of his newfound ability to convert sound waves into sight.

    Him and his father vow to fix their relationship and their life, promise to never give up and be fearless, and embark on a journey to perfect themselves and hit the comeback trail—Matt via the books and honing his senses and disciplining his body; his father to enter the ring once more. With Matt by his side, Jack “the devil” Murdock makes good on that promise, but a fateful night in the ring changes everything and Matt promises from then on to stick up for those who can’t defend themselves and watch out for the long shots like he and his father were.

    Now, all grown-up, he’s a lawyer by day and masked crime fighter by night. His name: Daredevil.

    And he’s not the only one who wants a piece of New York. Crime boss the Kingpin (Michael Clarke Duncan) is on the rise, as is his hired goon, Bullseye (Colin Farrell). Adding to matters, Elektra Natchios (Jennifer Garner)—a shapely martial arts master—has her sights on Daredevil (Ben Affleck) as well, leading us into a battle for New York, for vengeance, and for those who have been a victim of crime.

    For some reason a lot of people didn’t like this movie. I thought it was great. I liked the overall story; the costumes (except Bullseye’s); the atmospheric New York City; the sense of darkness Matt Murdock carried within himself; Elektra’s close relationship with her father; Foggy Nelson (Jon Favreau) and his being a “come-with” guy—very enjoyable. There was a sense of humanity about this version of Daredevil that I was able to relate to on a lot of levels.

    The fight scenes were nothing short of amazing, especially that barroom brawl where Daredevil clears the room. I remember seeing that in the trailer and just being absolutely stoked.

    Who cares that Kingpin was black? So what? The dude’s one of my favourite actors and it was interesting to see him play the bad guy as he’s usually the nice, innocent one, but for some reason people didn’t like the character being black in this. It doesn’t matter, folks. He did a good job.

    The whole Matt Murdock-Elektra/Daredevil-Elektra relationship was well-handled, in my opinion, and I particularly enjoyed how those elements intertwined with each other throughout the film.

    If I was going to criticise a few things—and while I enjoyed Daredevil’s gallivanting throughout New York—his spinning jumps and aerial movies were very similar to Spider-Man’s (who made his feature film debut the year before Daredevil came out), and some of the stuff Daredevil was able to do was pretty farfetched. I mean, I don’t care how awesome you are at acrobatic stuff or if you’re more fit than Bruce Lee on his best day, but falling face first toward a window washer’s station at lightning speed won’t get slowed down by doing a somersault in the air so you could land on your feet. You’d break your legs and die from the impact. But whatever. It’s superheroes, so I overlook most of the impossible these guys accomplish. Just goes with the understanding that superheroes can do things we can’t, whether realistic or not.

    That’s really my only critique. I liked everything else. Wasn’t crazy about Bulleye’s costume. Would have liked to have seen him as more of a stealth assassin. I also don’t read Daredevil comics so I can’t tell you if this is a faithful adaptation or not. I know Daredevil’s backstory and a bit about some past adventures, but that’s about it.

    I haven’t seen the director’s cut of this either, so need to get around to doing that.

    Still a good movie and I’m proud to have it in my superhero movie collection.

    If you like superhero flicks, you’ll like Daredevil (2003).


  • Canister X Movie Review #24: Chronicle (2012)

    Chronicle (2012)

    Chronicle
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    Chronicle (2012)
    Written by Max Landis
    Directed by Josh Trank
    Runtime 84 min.
    5 out of 5

    Andrew Detmer’s got a tough life: he’s bullied at school, his mom’s dying of cancer, and his dad is an alcoholic. Andrew also likes to film things and his friend, Steve, gets him to film something him and Matt have found in the woods: a strange deep hole with a weird blue crystalline object inside it. After the boys develop telekinetic abilities, all bets are off as they discover exactly what they are capable of. The problem, however, is that with great power comes great temptation and Andrew begins to discover not only the extent of his power but what is deep inside of him. Soon, the group of friends are divided and one has gone off the deep end.

    This movie is the boss. This is very much in the vein of Unbreakable, that is, the story of people pre-superhero or pre-supervillain, how they got their abilities, the discovery of their powers, the honing of them, and the ultimate decision as to what to do with them.

    Filmed via “shaky cam” documentary style, Chronicle looks like a home movie but carries the strong story and special effects of a major blockbuster. Actually, it has a stronger story than most major blockbusters, but that’s another topic. This flick is completely down-to-earth despite its out-of-this-world premise. By doing it documentary style, the character development of Andrew (Dane DeHaan), Steve (Michael B. Jordan) and Matt (Alex Russell) is through the roof and you care about each one, hope for each one, and get mad at each one when they do something you think you wouldn’t do yourself. Well done, boys. Well done.

    Telekinesis is the name of the game in this movie, that is, the ability to move and control things with your mind. While we’ve seen this power on screen before, this flick really gets into the potential of that ability from simply causing objects to float all the way to making yourself fly. Telekinesis would be the power to choose if one was presented with it because the majority of superpowers can ultimately come from it: flight, strength, stopping objects from hitting you, forcing bad guys to stop their actions, and more.

    What makes this flick stand out is its intense study into what having such an incredible power does to a person, whether for good or ill. This is something we seldom see in standard superhero cinema as usually you got the hero or villain get their powers and already start using them based on their personality or because of how they’re raised, or they are used a certain way because of a recent event. This flick asks the question—even answers it—does absolute power corrupt absolutely?

    I’ve never seen a documentary-style superhero movie before. Correction: I’ve never seen a documentary-style superhero/villain origin movie before and I am curious if others exist. Will have to track them down because I thoroughly enjoyed Chronicle, was captivated by it, and it brings a level of realism to the material that even your most-seriously-attempted-at-realism superhero movies can’t portray. It’s about everyday people suddenly getting a powerful ability with everyday people reactions, temptations, and usages.

    Such a well done flick. So good. You need to see this. What Blair Witch did for horror Chronicle does for the superhero genre.

    Highly recommended.

    This is your review of Chronicle (2012).


  • Canister X Movie Review #23: Catwoman (2004)

    Catwoman (2004)

    Catwoman
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    Catwoman (2004)
    Written by John Brancato, Michael Ferris and John Rogers
    Directed by Pitof Comar
    Runtime 104 min.
    2 out of 5

    Patience Phillips overhears news of the terrible side effects of a skin cream that is being manufactured by the company she works for, Hedare Beauty, and is quickly silenced—fatally—for her eavesdropping. However, she comes back from the dead thanks to an Egyptian Mau cat and discovers she has cat-like abilities. Disguising herself as Catwoman, Patience seeks to learn the truth behind her own death.

    Do you have any idea how excited I was when I heard they were making a Catwoman movie? I mean, it could be the greatest cat-burglar movie of all time loaded with super slick espionage, martial arts, sneaking around, Batman mythos references and/or cameos, strong-female-led action, cool costume(s) and more.

    And then they made the movie they did.

    Almost wish I could make this whole review two words—“no comment”—but that’d be cheating you guys.

    This movie was not a Catwoman movie. I just don’t understand what they were trying to do here. Had this been a fan film and some attempted new take on the character, okay, fine, whatever, put it online and let people decide, but this was supposed to be the real deal. She wasn’t even called Selina Kyle in this. Instead, she was “Patience Phillips.” They tried to jazz up what is supposed to be a very down-to-earth origin and give it a mythology of its own. Okay, points for trying something new and superhero or supervillain origins are often tweaked or changed for the big screen. What makes Catwoman as a character awesome is the fact that she’s human, like Batman, and is basically his opposite. Not so in this one. She’s got cat-powers and while it was visually cool to watch her jump around and scale buildings and stuff, it’s just not who she is.

    Halle Berry playing Catwoman is just fine. She’s sleek, sexy and pulls off the part. The problem is the story is not very good, the costume is terrible—how slinky and impractical can you get?—and there’s really nothing in this that ties it into the Batman universe. This is supposed to be a spin-off, but even spin-offs have a connection to the main source. i.e. the Elektra spin-off movie from Daredevil. Regardless of how you feel about that one, it’s still a spin-off and is known as such.

    This was definitely a comic book movie in that they went for “comic booky” as the feel of it. Felt more direct-to-video to me, seemed rushed and just fell flat.

    Catwoman is an awesome character and was resurrected in The Dark Knight Rises in a much more real world way. I hope that someday—hopefully sooner rather than later—another Catwoman flick is made and they really try to get it right. It has huge potential. Sadly, it was missed with this version here.


  • Canister X Movie Review #20: Blankman (1994)

    Blankman (1994)

    Blankman
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    Blankman (1994)
    Written by Damon Wayans and J.F. Lawton
    Directed by Mike Binder
    Runtime 92 min.
    4 out of 5

    Two brothers. One a nerd. One a Karate expert. Both grown up and living with their grandma.

    Darryl and Kevin Walker (Damon Wayons and David Alan Grier) have lived in the rough part of town with their grandma since they were kids. As boys they’d run around the apartment with towels tied around their necks, aping Batman and Robin. Now, grown up, Kevin works at the TV station doing over-the-top news stories about aliens while Darryl works as a repairman and has a knack for inventing. After their grandma is killed along with several others while working to support the campaign of a wholesome, upcoming mayor, Darryl vows to make a difference in his city and invents bulletproof long johns, transforming himself into Blankman. He even makes a costume for his brother . . . who quickly refuses to join him. Taking cues from the campy 1960s Batman series, Blankman sets out to help others and uses this super alter ego to work through his grandmother’s death. Meanwhile, Kevin lets Darryl go about his crimefighting business since he’s too busy trying to woo beautiful reporter Kimberly Jonz (Robin Givens), who does real news stories several floors above him. Of course, tensions rise as Kimberly seems to have a thing for Blankman and admires the superhero’s heroic efforts.

    Eventually, Kevin learns who was behind their grandmother’s death: the city’s crime boss, Michael Minelli (Jon Polito). This time, Kevin asks to join Darryl on his crusade and since Darryl is the ever-faithful brother, he produces the outfit Kevin rejected and Kevin becomes Other Guy, Blankman’s sidekick. The two take it upon themselves to hunt down Minelli and bring him to justice, making him pay for what he did once and for all.

    Blankman is superhero comedy at its finest. It’s also inspiring as it’s the story of everyday guys trying to do the right thing even if it means putting on a costume and helping others. Damon Wayons and David Alan Grier are hilarious and the chemistry between the two works well. If you didn’t know any better, you would think they were brothers in real life.

    This flick isn’t your usual superhero spoof, though. It took itself seriously in that it wasn’t tongue-in-cheek, but a deliberate superhero comedy with serious undertones. Everything from the social outcast that rises up, to the standing up for what’s right in a world that’s cynical and jaded, to going out of your way to help your fellow man, Blankman hits it hard on all points.

    The jokes and humor are laugh-out-loud funny, the sad moments make you ache inside, and David Alan Grier’s facial expressions are priceless.

    Like I mentioned in my review of The Phantom, sometimes it’s nice to unplug and watch a superhero movie that’s lighthearted, easygoing, and loads of fun.

    There’s plenty of action and excitement in this movie to satisfy those looking for those things, but it’s real strength lies in its heart and that is about two boys rising up to become men in a world that took away the one person they held the most dear.

    As a fair warning, this isn’t a kid’s movie as there’s grown-up humor, innuendo and some language in it so is recommended for ages 14+.

    I’ve been a Blankman fan from the beginning and though it’s been nearly twenty years since it came out, I’m still rooting for a sequel.


  • Canister X Movie Review #17: Blade (1998)

    Blade (1998)

    Blade
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    Blade (1998)
    Written by David S. Goyer
    Directed by Stephen Norrington
    Runtime 120 min.
    4 out of 5

    Half-human/half-vampire Blade makes war on the undead—that’s the vampire undead, I’m talking—and tries to dismantle the vampire underworld piece by piece. He soon meets Karen, a hematologist, who was bitten by a vampire. Before the change occurs, she researches how a possible cure can be attained. Meanwhile, Deacon Frost, a rising star in the vampire community, believes he can become even more powerful by awakening the blood god La Magra. The problem is he needs the blood of the “daywalker”—Blade—to achieve it.

    Blood and carnage ensue as Blade tries to stop the vampire world from rising to supremacy while also battling the bloodthirsty vampire within himself in this thrilling monster superhero movie extravaganza.

    For me, Blade was the “prequel” movie to the start of the superhero box office comeback, which would later be kicked off by X-Men. It was almost as if studios were testing the waters with a serious superhero movie using a lesser known character and disguising him as a “slayer” to see how audiences would react. That’s my superficial first impression, but then when you get into Blade and watch it you soon find out there is far more here than just a slayer-vs-vampire flick. Is he a superhero? Yes, but not your conventional one. There is no secret identity, no costume per se—though he does sport a cool trench coat and sword—and no standard supporting character in the vein of a love interest. Instead, you get a conflicted man who’s part vampire who’s trying so desperately to tame the beast within while also doing what’s right: killing vampires and helping those who get caught in the crossfire. Sounds like a superhero to me.

    Wesley Snipes as Blade is sheer awesomeness. He’s tough as nails, got the martial arts moves, is dark and handles himself like someone who has the weight of the world on his shoulders. Which is true, of course, as he’s doing his best to keep the vampires at bay, namely the ambitious ones who would seek to subdue, even eradicate, the human race.

    Kris Kristofferson is dynamite as Whistler, Blade’s father-figure, friend and mentor. Talk about a tragic origin for this guy and one that tugs at the heartstrings. He’s the perfect example of a man trying to make things right because something so wrong was done to him and those he loved. Plus “Kris Kristofferson” is a cool name so he gets points just for that.

    I liked Stephen Dorff as Deacon Frost, a cocky villain who knows how powerful he is and is tired of others trying to “keep a good vampire down.” He’d make an amazing Bat-villain, in my mind, just by the way he plays villains—confident, dark, a tad witty—maybe Riddler? I mean, the real Riddler, the one who’s serious and not a slapstick goofball like in Batman Forever.

    Blade’s exciting from start to finish, with action sequences and slayer-vs-vampire moments that make you want to hit the rewind on the remote and watch ’em again. I’m really glad they made two other sequels because Blade’s a character with endless story possibilities because both him and his universe go beyond the simple slayer-vs-vampire motif. Like a Transformer, there’s more to him than meets the eye and this flick does a great job of showing that. No wonder it did so well at the box office and earned about triple its budget.

    Recommended.


  • Canister X Movie Review #14: Batman Returns (1992)

    Batman Returns (1992)

    Batman Returns
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    Batman Returns (1992)
    Written by Daniel Waters
    Directed by Tim Burton
    Runtime 126 min.
    3.5 out of 5

    A mysterious “penguin man” surfaces and takes the city by storm, so much so that evil business tycoon Max Shreck, played by Christopher Walken, thinks he can turn Penguin into the city’s new mayor. But Penguin is not all what he seems and he secretly controls the Red Triangle Gang, who are wreaking havoc across the city.

    Adding to the mix is one Selina Kyle, Shreck’s lowly assistant, er, secretary, who, after a bad night with her boss, becomes Catwoman.

    The Bat Signal shines and the Dark Knight returns to once again rid Gotham of chaos and restore order.

    Michael Keaton is back as Gotham’s Guardian and brings to the role all the mystery and edge that made the ’89 movie so popular. What’s even better is that this movie actually has Batman in it and the vigilante appears, clad in black armor, more than just four times like in the previous flick.

    Danny DeVito as the Penguin does a great job given what he had to work with. Though the Penguin in this film is not the same as the one in the comics, DeVito still did well portraying a man who was born . . . a little different.

    Michelle Pfeiffer pulls off the dual role of Selina Kyle/Catwoman nicely. In fact, she plays four distinct roles in this film, all in one character: nerdy Selina, hip Selina, crazy Selina and Catwoman.

    This film is filled with action, darkness and fun, all set in Tim Burton’s eerie Gotham City, which was a character on its own in this film and its predecessor.

    It’s the hokey plot that’s earning this film a lower rating than the previous one. Had the story been better, this movie had the potential to be one of the best superhero flicks ever.