There are those on the planet who enjoy making things. I mean, really making things, going from mere idea to its actual physical reality. There’s a sense of pride in seeing something through start to finish, crafting something with your own hands, making something that wasn’t there before.
Our world wouldn’t be where it is if not for those who saw it fit to make their ideas a reality, for others to see, feel and experience those ideas and, hopefully, make the world a better place as a result. Sometimes we’ve succeeded at that, others times not. Regardless, bringing something into existence that wasn’t there before is incredible.
That’s what self-publishing is: an incredible way for writers to bring their ideas into physical reality for a reader. And while before it was a joint effort between a publisher and writer to do that, taking the path of self-publishing enables the writer to be the sole creator of a book.
The reasons people take the self-publishing route vary from individual to individual, but there has to be a few positive reasons behind doing it for it to be a viable option and worth the writer’s time, effort, and money.
Self-publishing puts the success or failure of a book on the writer’s shoulders. By them being the publisher, it rests on them if the book succeeds or not, and by walking the book from conception to finished manuscript to formatted and printed paperback/hardcover and eBook, they can oversee each step in the process to stack the odds in their favor for a successful outcome.
Why should anyone self-publish? I mean, it is an awful lot of work. Some, like me, would argue that the writing of the book is the easy part, but turning that manuscript into a published book is where the challenge is.
It’s not for everybody and is certainly not for those seeking a get-rich-quick scheme, but it is for those who are entrepreneurial by nature, are very hands-on, enjoy a great deal of control, and even are lone wolves at heart. Writing itself is a lonely job, sitting there for hours on end typing on a computer or writing a book on a legal pad. Throw taking that manuscript and turning it into a published book into the mix and you’ve just added even more hours spent by yourself.
For me, I wouldn’t have it any other way. I love my alone time and prefer to spend the majority of my time that way if it can be helped. Ever since I was a kid I enjoyed time by myself, with time spent with others more of a chore than a joy. Nothing against anybody; just how I’m wired. But if this is you, too, then you’ve already got the makings of a writer and a self-publisher.
To see a book through from start to finish, there’s an immense amount of control. Unlike the traditional publishing model where things like the cover or even the book’s title are under the domain of the marketing department, everything is up to the writer if they self-publish. The beauty of this is you can not only call the book what you want instead of giving your baby another name, but also decide on its presentation.
When writing the book you no doubt had the story’s different scenes playing through your head. I’m sure there was at least one moment or two where you thought, Man, if only this scene was on the cover. Well, self-publishing gives you that chance. You can be very specific with the artwork and hire someone to bring to life that image you saw in your mind’s eye. Likewise, the book’s interior can be presented the way you want. Do you want spot illustrations in it? Hey, hire and artist and put them in. A traditional publisher might not go for that if you asked because it’s an added expense for them and an additional hassle in terms of coordinating with the artist for those images. Same with even font style, or simply labeling your chapters as “Chapter One” or “Chapter 1” or “1.” However you want it is how it’ll be which, to me, brings an added level of artistry to the book. Not only did you write the story, but you also designed the canvas for it to be presented on. Self-publishing is the only way to have this kind of control.
Same with picking the price point. Traditional publishers have a bottom line they’re trying to feed and, depending, that bottom line might not even be dictated by the company owner but by others with their fingers in the pie. After all—and as I’m sure you’ve experienced if you’ve ever worked for a big company—the almighty shareholder comes first and who cares about practicality, right? By being in control of the pricing, you get to decide how much you make as the author/publisher and have the ability to experiment with different price points to see which one yields you the most earnings.
Speaking of money . . .
Please go here for Part Two on why you should self-publish.
Progress continues on the writing of Secret Project No. 1. Very few people know the details and I’m enjoying keeping things under wraps for now. According to the wordometer on the right side of this blog, we’re sitting at about 10,700 words on the first draft. Not bad. The story’s flowing and I know where I’m going with it, currently thinking 2-3 scenes ahead.
I gave a hint on this blog entry as to what it’s about. I’ll give another: it’s a new genre for me to write in.
Genre variation is something I think is important for writers to experiment with. It’s a chance to stretch one’s creative muscles, try new things and not get stuck in the same ol’, same ol’.
In other progress news, today I’ll be reposting an old self-publishing article on this blog as part of my rebuild motto that I got going on over here.
I want to say thanks to those who’ve supported my books this year thus far. I’m grateful for every reader, especially in this competitive industry. So, again, thank you.
Without giving the finer details, the bottom line is one thing happened: I crashed.
Crashed and burned.
In some ways I’m still burning.
It was a cumulative thing, years of being a one-man band publishing house and a writer. In my career since 2004 I published over a 100 books for other people plus around 30 of my own never mind some comic projects. Most of them were since 2009. That’s a lot for any person in terms of all the work involved for each project plus all the work the administration and logistics side of things demand. It basically got to the point where I was spending so much time running the business that keeping up with my own writing was difficult.
I’m grateful for the career, to be sure, and have learned many lessons and made many friends along the way, but it became too much.
I realize it was all self-instigated as I wanted a career in this business so badly I was willing to go the distance to get it. I’m like that: willing to move mountains to get what I want. A good trait and bad, depending on how you look at it.
But last year was a turning point. Leading into the summer I buckled down hard and produced a bunch of titles, five of them personal, the bulk of the writing for them being done on top of everything else. I started pulling away from the business before then but after the C4 Comic Con in the fall, it became too much. That’s when I totally burned out. Still tried working through it, but if you’ve ever gone through a burnout, you know how hard it is.
Fast forward to the beginning of February this year and a traumatic personal event happened that rocked my world and led to a three-day panic attack with trouble breathing, violent shaking and a complete meltdown and, well, given the circumstances, I had to shut everything down completely.
Only so much one man can handle.
About a month and a half later is when I restarted some things, having finally got some stuff sorted out, but in the end, what happened was beyond just being overworked.
It cut deep, it got personal, and the only choice given all that happened was an utter pulling of the plug.
I feel bad and I know I let some people down. I’m sorry for that. Was never my intention for things to fall apart. Thought I could handle it all.
I was wrong, and I’m so very sorry.
So here we are, still in recovery mode, trying to get some stuff done from a new perspective and a new stance on the type of work I’m willing to get behind. There’s a spiritual component to all this as I’ve preached on here before, and for years I struggled with the type of material I was putting out. See, I wanted this job so bad I made certain compromises to get it. I’ve been writing since 2000, and having been aiming for a career in the creative field since 1995, first comics then books. The obstacles and trials I’ve been through to make it happen–I could tell you stories. Things finally came to a head in February and I had to make hard choices.
I suppose in the end all this only adds to my writing and publishing experience, having now added “complete shut down” to my resume.
I’m in a rebirth stage right now, still sorting through things, still wrapping up loose ends.
It’s my hope that–because all this book stuff is such a public endeavour–my years of working in the small press and the reputation I’ve built will be enough to help cover this bump in the road.
It’s also my hope this entry has helped those who looked on and wondered what was going on get some clarity as to what happened. I hope those I let down will cut me a break and we could still be friends.
I hope that as time passes and life goes on, we can all look back on this and say, “It was a wild time, but we’re in a better place now.”
Thank you to those who’ve shown support along the way. Thank you to my readers for reading my material. Thank you to my friends in the business who helped make me the writer and publisher I am today.
I did a panel on Time Management at the Central Canada Lit Fest a few weekends ago. While I went over several points and gave suggestions on budgeting one’s time for writing, my main message was simply this: get it done.
That’s it, and that’s the real secret to a writer’s management of their time. It all comes down to actually writing versus humming and hawing about when to do it or how. Just sit down whenever possible, write, and go until the clock runs out or your story is done.
It really is that simple.
So in keeping with that spirit, I’ve set up word count meters on the side of this blog, the aim being to let you follow along as I write each project. Word counts listed are approximate and are not updated in real time. Likewise, final word counts are estimates. I’ll adjust the meters accordingly if it turns out something will be longer or shorter than predicted. I’ll also try to update my progress whenever possible.
You might also notice the listing of three Secret Projects. They pertain to yesterday’s clue about how I want to present this website. That’s all I’m saying for now and I’ll let you speculate on what they could be. I started one of those Secret Projects today.
In other news, I’m still rereading The Axiom-man Saga so it’ll be a while yet before I start writing the new installments. Need something else to keep my hands busy in the mean time hence the new projects.
So it’s just me, the keyboard, some ideas . . . and getting it done.
They will make up the first-ever prequel and trilogy in the series. They will still follow the main feature/episode/main feature/episode reading format established thus far, with the prequel to be an episode novella and the trilogy–name to be revealed later–to be one main feature book, an episode, then finishing in a main feature book.
I have these all blocked out in my head and what each one is going to be about. The plan is to tie up all loose storylines from the first seven books.
The cool part, too, is these will all be written marathon-style as I’ve found with my past few books that I write really well just going whole hog and typing 6-10k a day (sometimes more). For this series I plan on writing all four books first then releasing them so fans can get the whole story in one shot instead of waiting between each installment.
The titles for each of the books will be revealed after they are written. I found a word count widget–I think it was yesterday–that I’m going to use for each one and post them on the side of the blog so you can check in and see the progress of each book as I go along. The goal word count will be an estimate as I really don’t know the final word count until a book is finished, but the widget requires I put something as my end game.
This week is Spring Break so my boys are home thus working is tricky as I juggle Dad duty and book stuff, so my first step is to re-read The Axiom-man Saga to date and make sure I remember all loose threads so they can be addressed when I go to town writing the new series. I also have some cool plans for the cover art so I’ll be getting in touch with the artists soon to share with them my vision.
I’m really excited for this next set of books as they’ve been in my head for years but only now is Axiom-man at a point in his superhero career where he is able to take things to the next level.
In the meantime, I’m asking readers who’ve read the first Axiom-man book–or any of the others–if they’d be willing to put up a review on Amazon. Reviews go a long way in selling books and I’d really like Axiom-man to have his day in the sun, so if you’ve enjoyed any of the books in the series, would you be willing to help out and take a few minutes to post a review? The first book in the series can be found on Amazon here. Thank you to those who are able to write something. It means a lot.
I have more things planned as we lead up to the release of this new story arc, but in the meantime . . . I got some reading to do.
The thing with writing is that, at times, certain ideas speak to you louder than others, and over the past few days one idea–make that four interconnected ideas–have been pretty loud and clear in their intention–dare I say need–to be written.
So that’s what’s happening next.
I’ve made my choice in terms of what the next series of projects will be. I use the word “series” on purpose and as a hint as to what I’m going to start writing soon. As a second hint, the ideas have been brewing for quite some time, but the other day I finally got this realization as to how I’m going to present them. It’s one idea, four parts: a prequel and a trilogy.
Also have a marketing plan formulating for them once all is said and done, but part of it might entail doing not only title reveals on this blog but those word counter things I’ve seen where you can check in here and monitor my progress via a progression bar. The only downside to those bars is, so far as I know, they need a predetermined word count to be entered. This is information I don’t have. I can ballpark it, but I have no idea on the outset the exact length of any book I write.
So we’ll see.
In the meantime, I’ve finished my rough draft of the five panels I’ll be doing this weekend at Lit Fest. Will give it a quick once-over and fill in any gaps, then will review it once I’m actually at Lit Fest and ink in any changes/additions before speaking.
If you are or will be in Winnipeg, details for the Central Canada Lit Fest can be found at their website here.
Project-wise, I have an idea of where I’m going, that is, I know what I’m writing, just an issue of what project comes first.
So that’s good.
In terms of my on-line presence and whatnot, the “simply working” thing is, and will be, in place. Sometimes I forget what things looked like from your perspective, so while it seemed, to me, I was always on-line, the times I actually popped my head up were about average to those looking on. That’s not to say I loathe being on-line. Quite the contrary. I find myself slipping into the Twitter vortex rather often. Used to be a Facebook junkie until I switched to a fan page versus a personal one. Now I can’t see anything other than logging in. Which is fine as Facebook, for me, will become more of a broadcast point and central hub. Twitter is where I’m at these days. I really like how I can streamline the news feed and see what I want to see and, because it’s only 140 characters per post, it’s very neat and tidy.
Simple.
Simply tweeting?
Anyway . . .
I’m going to start next week on getting my panels together for the Central Canada Lit Fest at the end of the month, while also doing some of the administration chores left over from my days as a traditional publisher. I hired out some help with that so, pressure-wise, a good chunk of it has been lifted.
Then there’s the writing and my hope is by next week I’ll know what project I’m going to embark on. After that, assuming I maintain a good schedule, you’ll start seeing new books from me rather quickly.
Last week I began reinstating some of my titles, starting what could be considered my fifth era in this business, my Mark 5, so to speak.
Those in the know would tell you the reason for my retiring was a valid one, but upon reflection, prayer and consulting with others, I’ve stepped back into the world of writing and publishing.
However, this time, things will be different. As said, this is my fifth era in terms of how I do things, and it’s going to be a much simpler one. One of the problems with the last method was its complexity. Most of it was complicated by its nature, and the rest was made complicated by me, but since publishing is always about learning, I discovered how I did things before brought on its share of headaches and issues. Not the publishing part, but the administrative side.
The main thing that will underline what I plan on doing going forward is to keep things as simple as possible in as many ways as possible. Going back to basics here, and since 2014 already marked a change in my career in terms of stepping down as publisher, it’ll also be a year in which I fly below the radar in a lot of ways. I plan on just keeping my head down and working, only surfacing from time to time to check in, see what’s what, then step away again.
One of the main points of my retirement notice was my plan to go into full time Christian ministry. That’s still the plan in that I want my writing work to glorify God and not use it to glorify myself. I might miss the mark now and then, but Jesus is the center of my life so while I’ve made mistakes and had my ups and downs, I want my career to reflect my love for Him.
There are still some Mark 4 items that I’m wrapping up, but after the end of April at the [hopefully] latest, it’ll be Mark 5 all the way.
For my titles, I’ve brought a good portion of them back–books and comics–but my monster and horror stuff is gone. Those made up about half my catalog, but I’m okay with letting them go. What does light have to do with darkness, right? As for anything else I might bring back, we’ll see.
I learned a lesson recently in that I was invited to submit a horror story to an anthology in 2013, the story due end of January/early February of this year. I had a very, very hard time writing it. It was around 13,000 words or so on the third draft, if memory serves, but it was a difficult write and I mentioned to my wife as I wrote it that I just wasn’t into that stuff anymore. That story won’t be published and I pulled out of the anthology when I posted my retirement notice. My heart’s changed and horror and monsters are no longer my thing. A pastor I spoke to recently said it best when he said I was a dispenser of fear.
It’s true.
I was.
I don’t want to be that anymore.
I have plans for what books I’ll write this year and I really hope to do some comic stuff, too, as I love them so much.
This blog will be updated now and then, but with what, I’m not sure. I might go back to a schedule, I might not. I really like this idea of simply working.
Why You Should Self-publish Part One
