• Tag Archives superhero
  • Canister X Movie Review #70: Spider-Man 2 (2004)

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    Spider-Man 2 (2004)
    Written by Alvin Sargent
    Directed by Sam Raimi
    Runtime 127 min.
    5 out of 5

    Who ever said being a superhero would be easy?

    In this second installment in the Spider-Man franchise, Peter Parker has his back against the wall as he tries to juggle life as a student, being best friends with Mary Jane Watson, carrying the guilt of his uncle’s death, freelancing for the Daily Bugle, delivering pizza, and, of course, being ever on-call as your Friendly Neighbourhood Spider-Man.

    No matter how hard he tries, Peter just can’t seem to balance everything at once and the constant sacrifices he makes in his personal life so he can help others wears him down . . . down . . . down . . . until he can’t take it anymore and his spider-powers begin to change.

    Then vanish.

    The timing couldn’t have been worse, either, because Dr. Otto Octavius’s energy device backfired and has fused four robotic arms to his body, their AI worming its way into his brain, controlling him. All they care about is fulfilling their purpose and they don’t care who they have to hurt to recreate the device they were made for.

    Dr. Octopus’s (Doc Ock’s) rampage through New York is met with little resistance until our favorite web-slinger attempts to take him on.

     

    This movie thrills the inner fanboy much more than its predecessor and officially is my favorite—so far—in the Spider-Man series. This flick carries near start-to-finish classic superhero goodness: stellar aerial battles, eye-popping web-slinging, dual identity troubles, nerd-can’t/won’t-get-the-girl issues, a hardcore villain bent on his mark, trials, sacrifice—all crammed into a-little-over-two-hour movie. But the pacing works and doesn’t feel over cluttered at all.

    You feel for Peter Parker every minute of this film, both when he’s at the top of his game and when he’s at the bottom, and when he loses his spider-powers, your heart sinks and you cry out, “No! Not Peter! His powers are part of who he is. How can you take them away?”

    Tobey Maguire was extremely believable in this film and brought a real depth to Parker that—though was present in the first one—really shone through in this. And Alfred Molina as Doc Ock? Such duality. When you first meet Otto Octavius, he genuinely seems like a nice guy, an almost fatherly figure in a way, but when he loses his project and those he cares about, things switch and he barely resembles the man he once was. Yet deep within, you see him struggling against the mechanical arms that have taken over his body and mind.

    J.K. Simmons as J. Jonah Jameson was hilarious as always, and Kirsten Dunst as MJ—there was more maturity in the character this time around and though she still acted kind of “high school-ish,” you also saw someone struggling with who they were—more specifically, trying desperately to reach out to the man she’s fallen for but who is pushing her away.

    Spider-Man 2 thrilled me to pieces. I was there on opening night and I left the theatre all smiles and in a state of disbelief at how downright cool it was. I wasn’t sure if it would top the first one because most sequels—’til that point because the Superman movies and the previous set of Batman films were pretty much what we had to go on except for X2—usually don’t nail it like the first one.

    I was proven wrong.

    This movie rocked so hard I went back a couple more times and bought it on DVD as soon as I could.

    Check this flick out. You’re in for an amazingly cool, web-slinging good time.

    Recommended.


  • Canister X Movie Review #69: Spider-Man (2002)

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    Spider-Man (2002)
    Written by David Koepp
    Directed by Sam Raimi
    Runtime 121 min.
    4 out of 5

    This flick was decades in the making. So many legal setbacks forced Spider-Man to bounce from rights holder to rights holder before finally finding a place with Sony to deliver the goods.

    The hype surrounding this movie was astounding. I remember getting my copy of the soundtrack before the movie came out, and not just that, but also a copy of the “Hero” single by Nickelback as well. Seeing Spidey swinging over a golden-bathed New York on its cover got me even more stoked for this film.

    And so, opening night, I went with my dad to check the movie out, my heart pounding with excitement, the previews before the movie taking excruciatingly long.

    Peter Parker (Tobey Maguire), geek extraordinaire, gets bitten by a radioactive “super spider” while on a class fieldtrip as he tries to get a picture for the school paper of next-door-neighbour-slash-love-of-his-life Mary Jane Watson (Kirsten Dunst). Following a bout of sickness, Peter wakes up the next morning no longer a skinny geek but instead buff and tough, wondering what happened to him. Adding to the weirdness, he’s suddenly able to do things he wasn’t able to do before: no need for glasses; lots of energy; fantastic agility; amazing strength; sticks to walls; shoots sticky white web-things out of his wrists; can sense bad things before they happen. So, like any good teenager with superpowers, he uses them to impress the girl of his dreams, in his case, taking on a spider-like persona in a wrestling match to win some big money to buy a car. While on the way there, he fights with his uncle, Ben, and leaves in a huff, only to later find out the burglar he let get away—who had stolen from the wrestling folks who didn’t pay Peter what he was worth—killed his uncle in an effort to swipe a getaway car.

    Also going on, Norman Osborne (Willem Dafoe) is having trouble with his company and so, in a fit to prove to the military his superhuman formula works so he can sell it to them, he tries it on himself . . . but with dire side effects: the creation of an alternate personality which is eventually dubbed “the Green Goblin.” When things go sour for the company, the board of directors votes him out and Norman goes into full villain mode to exact his revenge.

    Across the city, Peter has learned that with great power comes great responsibility and so avenges his uncle’s death by using his new spider-like powers for good and becomes the Amazing Spider-Man.

    It’s hero versus villain, Spider-Man versus the Green Goblin, in this superheroic slugfest/love story/coming-of-age movie that made the wait for this flick well worth it.

     

    To be honest, however, the crazy overhype of this movie did put a damper on it for me when I first saw it. Straight up: when I left the theatre opening night I left disappointed. Not that I thought it was awful, not by any means, it was just there was this lingering “Is that it?” feeling that hung over me as I made my way back to the car.

    If anything, Spider-Man is definitely an origin movie, something to set the stage for more to come, giving a rich backstory and atmosphere not just to Peter Parker’s world, but to each of the supporting characters, even J. Jonah Jameson (who J.K. Simmons played brilliantly, by the way).

    The effects were top notch save for a couple moments where you clearly saw that the Peter that was swinging and jumping from rooftop to rooftop was animated. Speaking of the swinging, when Spidey took you up and down through the deep concrete chasms of New York—man, you felt like you were there, swinging along with him. I heard they even developed a “spider-cam” for this movie. Cool. And that heartbreaking scene at the end where Peter turns down MJ? My heart bled for the guy.

    Do I stand by Spider-Man? Absolutely. I saw it again in the theatre, going back with the mindset of “seeing it for what it was,” and I adored it afterward. Out of the three movies in this series so far, it’s my second favorite. As for my favorite-favorite, just read my reviews.

    This was a superhero movie done right, done well and done just plain cool.

    Recommended.


  • Canister X Movie Review #68: Spawn (1997)

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    Spawn (1997)
    Written by Alan McElroy
    Directed by Mark A.Z. Dippé
    Runtime 96 min.
    3 out of 5

    Seasoned soldier Al Simmons is double-crossed by his boss, Jason Wynn, and is assassinated. Heading straight to Hell, Al cuts a deal with the devil and is sent back to Earth. The catch? It’s five years later and his beloved wife Wanda is married to his best friend. Worse, Al’s rethinking his vow to lead Hell’s war against Heaven. Endowed with the powers of a hellspawn, he not only looks terrible but is hounded by a demented and demonic clown and finds himself at a crossroads as to what to do with these new abilities. Deciding to take his fate into his own hands, Al begins to mark out his own path as Spawn.

     

    This movie is a CGI extravaganza unlike anything that had ever been seen in a superhero film at the time. Most of the effects are computer, and I mean com-put-er, but those were how effects looked back then so whatever.

    That stuff aside, the movie’s all right. They got Al’s origin right, but really seemed to tame down the gruesome exploits of a hellspawn for mainstream audiences. Realistically, a true Spawn film would be rated R and loaded with language and so much gore that even the most desensitized audiences would cringe.

    Michael Jai White as Spawn worked for me. He was tough, brooding, had the grumbly voice, and the dude knows how to fight! (He’s a real-life martial artist in several disciplines.)

    John Leguizamo as the Clown/Violator was awesome. He was disgusting, funny, rude and was a thorn in Al’s side right from the get-go.

    The story seemed more like an overview versus the thick of Spawn’s mythos. Spawn does have a dense mythology with a lot of players and it’s real hard to get all that into an hour-and-a-half movie. At the same time, they didn’t have a choice but to go short and sweet because Spawn—back then and outside of the comic book universe—was completely unknown. Even now, unless you’re a comic fan, not many people know who he is. Hard to convince a studio to green-light a long Spawn movie.

    On the plus side, this flick is intensely atmospheric and harkens back to Tim Burton’s Batman movies in a lot of ways. There is a sense of Spawn’s world throughout the film and not just, “Oh, this is happening in that city down the block.” Some of the fights were top notch, too, especially the Spawn vs Violator battle when the Clown first reveals his true form. This was new for comic book flicks at the time and should not go unappreciated.

    Maybe Spawn’ll get a second shot at the big screen? There have been rumors of that for years. You never know.


  • Canister X Movie Review #65: The Rocketeer (1991)

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    The Rocketeer (1991)
    Written by Danny Bilson and Paul De Meo
    Directed by Joe Johnston
    Runtime 108 min.
    4 out of 5

    When Cliff Secord stumbles upon a rocket pack stashed away in an airplane, him and his friend Peevy soon find themselves on the run from gangsters with ties to the Nazis.

     

    I saw this back when I was a kid and it’s still one of my favorite superhero flicks, namely because it’s historical, has a very human superhero, and is about flying. I mean, who doesn’t want to fly? Better, who doesn’t want to think they can somehow piece together a rocket pack, strap it on and take to the sky?

    What makes this superhero movie different is it’s not about a guy going around and helping people while trying to juggle a secret identity and, later, ultimately facing off against a supervillain. Instead, it’s about someone who has something the bad guys want and spends all his time running from them, occasionally helping people along the way. So while true the standard superhero “ingredients” are there, they’re presented outside of the standard formula thus setting this flick apart. Couple that with it taking place in the past during a simpler time—a classier time, too—and you’ve got a memorable movie.

    I like how they also blended real life history into this, namely bringing in Howard Hughes as the designer of the rocket pack. Very cool. Throw in a Nazi as a main villain and you’ve got some solid Good vs Evil going on. Speaking of which, Timothy Dalton as Neville Sinclair the Nazi was awesome. He was super evil in this and once you found out who he really was you just hated the guy. You gotta love villains you can hate and feel justified in doing so.

    There was certainly a pulpy feel to this movie, which is good, as the Rocketeer is an old time hero, a pulp hero, in fact. They kept that element alive, even so far as having him go up against a giant goon with a unique visage. Reminded me of the Dick Tracy villains. Sweet.

    If you dig pulp heroes, The Rocketeer is definitely recommended viewing. Go see for yourself.


  • Canister X Movie Review #63: Planet Hulk (2010)

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    Planet Hulk (2010)
    Written by Greg Johnson
    Directed by Sam Liu
    Runtime 81 min.
    3 out of 5

    An ancient prophecy. An exiled hero. One battle after another.

    Hulk has been banished into space by the Illuminati. The reason? He’s simply too dangerous, too powerful and too unpredictable. Upon landing on the planet Sakaar, Hulk is taken captive and is forced to compete as a gladiator for the people’s entertainment. With no choice but to fight, Hulk must battle his way free, and not only for himself, but for an entire kingdom under the rule of an unpleasant emperor. Is Hulk the one foretold to come to usher in an era of peace?

     

    I don’t know, man. This flick wasn’t really my thing, to be honest. It was a kind of Star Wars meets superhero thing that, while kind of interesting, didn’t really thrill me as a superhero fan.

    But first, the pluses:

    Loads of action. Hulk is fighting people pretty much all the time in this movie, and not only simply fighting them, but having to struggle against those nearly as powerful as himself. You don’t often see him doing that.

    The sci-fi aspect was different and by having the story not take place on Earth, you got to see something that isn’t presented all too often in superhero flicks and/or cartoons.

    The minuses (for me):

    Hulk was the smart Hulk in this movie. Not the genius-level one, but he formed complete sentences, had genuine feelings, and wasn’t a big ball of rage like in Hulk vs. I’m a fan of the latter. I like the Hulk-smash Hulk. Not quite stupid, but certainly simple-minded, and an all-out force of meta-nature. Seeing him pretty much be a big green human wasn’t really my thing. I know others like that version of Hulk, which is fine, but I like the other one better.

    The pacing was slow as well, with flashbacks that seemed to bog it down versus add to it. I know why they had them, but they didn’t really add to the tale and those scenes could’ve been simply mentioned versus shown.

    Art’s subjective, but the cartooning style of this flick wasn’t up my alley. Whatever. It’s a minor point.

    Wish I could say more about it, but this Hulk outing didn’t grab me like The Incredible Hulk or Hulk vs.

    However, if you’re a Hulk fan, I’m sure you’ll enjoy it for that reason, and if you like the more intelligent Hulk, you’ll have a good time for sure.


  • Canister X Movie Review #62: The Phantom (1996)

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    The Phantom (1996)
    Written by Jeffrey Boam
    Directed by Simon Wincer
    Runtime 100 min.
    3.5 out of 5

    A ship taken over by pirates. The death of a father. A young boy thrown overboard. Washing up on the shore of the Island of Bengalla. A strange ritual and a vow. When that boy grew up and became a man, he became the Phantom.

    Centuries later, this boy’s descendant—the 21st Phantom (Billy Zane)—is protecting his beloved jungle when thieves steal a sacred skull from a lost treasure trove. The Phantom learns the significance of the skull and discovers it is one of three and should someone ever possess all three, they would have ultimate power. Trailing the stolen skull to New York, the Phantom, now under his civilian guise of Kit Walker, seeks to track down the remaining skulls. While there, he reconnects with his old flame, Diana Palmer (Kirsty Swanson), and the two need to reconcile past differences while Kit learns the location of the second skull. Meanwhile, evil businessman Xander Drax (Treat Williams), in cahoots with the Sengh Brotherhood, a band of pirates—the descendants of the same pirates that were responsible for sinking the ship of the father of the first Phantom—wants the skulls for himself. Drax, too, discovers the location of the second skull at the same time Kit and Diana do and after a failed attempt at disposing of Kit, kidnaps Diana and takes her to the location of the third: an uncharted island.

    Good confronts Evil when the Phantom seeks to rescue Diana while also stopping Drax and the Sengh Brotherhood from uniting the three skulls and becoming a powerful force in the world.

     

    Phantom lore is fascinating, especially the idea that he never dies, or, at least, that’s what criminals and evildoers everywhere think. The Ghost Who Walks has been around since 1936, which predates Superman, making the Phantom one of the earliest superheroes.

    I remember seeing trailers for this flick back when it first came out and getting all excited. It was a superhero, swashbuckling adventure. Even saw it in the theatre. On that day I was running a bit behind. If I remember right, I missed the previews and came in right when the movie was starting. The first words I saw were the words that kicked off the film, “For those who came in late.” I really thought the movie somehow knew I was late—or people like me—because then it went into a recap of the Phantom’s origin before launching into the main story. Ahh, to be a young, gullible fanboy again.

    This movie was clean, wholesome superhero fun. There was a decent story, superhero action, humor and adventure, with a little romance thrown in. It didn’t take itself seriously, but wasn’t a giant camp-fest either. I still pop it in the DVD now and then and enjoy The Phantom as a nice break from the oh-so-heavy-drama-laden superhero movies of today. Sometimes you just want to see a good guy busting bad guys and that’s it.

    Nowadays, this movie falls short in a few places—the “wow factor,” the costume, the life-or-death-save-the-world-or-die storylines—but I was happy with Billy Zane’s portrayal of the Phantom and with the movie as a whole. I’ve never read any of the comics so my view is completely on the flick and it being a simple superhero story. I will say that this movie has stirred in me an interest in the Phantom and am thinking of one day getting into the comics that spawned him.

    The movie is definitely kid-friendly and as a parent who doesn’t let his kids watch a good chunk of today’s superhero flicks due to their mature content, this is one I’d recommend for families or those just looking for a break from the more grownup, adult-oriented superhero movies of today.


  • Canister X Movie Review #61: Mystery Men (1999)

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    Mystery Men (1999)
    Written by Neil Cuthbert
    Directed by Kinka Usher
    Runtime 121 min.
    4 out of 5

    Captain Amazing (Greg Kinnear) is the hero of Champion City, but when he’s kidnapped by the evil Casanova Frankenstein (Geoffrey Rush), a ragtag team of wannabe superheroes must rise to the occasion and thwart Casanova’s plan before it’s too late. That is, if they don’t screw things up first.

     

    If there ever was a Seinfeld of superhero movies, this would be it. What I mean is, it’s a blend of everyday people doing super stuff while still dealing with the mundane of everyday life. The humor is overt in some places ala Kramer, and utterly-subtle-yet-brilliant in others (i.e. When the Shoveler hosts a superhero recruitment party in his backyard, his wife tells him she’ll divorce him if one person vomits in their pool and he replies deadpan: “That’s fair.”).

    This movie was a strange hybrid of wannabe-superheroes-from-our-world living in a comic book world. Normally, those two “realities” don’t collide in superhero stories, but they did here and thus became the crux of the story: guys and girls who want to be heroes but don’t have the chops to cut it in a reality where you need to be super to survive.

    At the same time, Mystery Men was meant to be a comedy as the rogues gallery were very ’60s Batman: the Frat Boys, the Disco Boys, the Suits, and others. Strangely, they were led by a leader who was much more competent and had the smarts to devise a plausible plan to take over the city.

    As a comic book and superhero fan, I appreciated the nods to comicdom and its characters, namely when they discuss how Lance Hunt couldn’t be Captain Amazing because: “Lance Hunt wears glasses, Captain Amazing doesn’t wear glasses.” Nice commentary on the how-does-anyone-not-know-Clark-Kent-is-Superman debate.

    The casting is perfect. Ben Stiller as Mr. Furious, William H. Macy as the Shoveler, Paul Reubens as the Spleen, Janeane Garofalo as the Bowler, Hank Azaria as the Blue Raja, Kel Mitchell as Invisible Boy and Wes Studi as the Sphinx. They all played it straight, which was what sold it given that they’re really ridiculous characters—farting as a superpower?—and made you feel for these guys and cheer them on as they bumbled their way through their adventure.

    I’ve said it before that I like lighthearted superhero movies, and what makes this one work is that while it’s a comedy, it’s not a parody like Superhero Movie, for example. It’s just simply fun.

    And fun is good.

    Recommended.


  • Canister X Movie Review #57: Man of Steel (2013)

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    Man of Steel (2013)
    Written by David S. Goyer
    Directed by Zack Snyder
    Runtime 143 min.
    5 out of 5

    A sole survivor of the doomed planet Krypton grows up on Earth and discovers he has abilities far beyond those of mortal men. Once grown, he sets off to find out who he is and where he comes from. The answer is discovered in a spaceship in the arctic and Krypton’s Last Son, Kal-El—Clark Kent—meets a hologram of his long-dead father, Jor-El, who reveals to him his destiny: to be a beacon of hope for humanity, and also someone who could one day restore the doomed Kryptonian race.

    Enter Zod, a harsh general and one who has fought his whole life to protect Krypton and its people. During an altercation with Jor-El prior to Krypton’s explosion, he finds out that Jor-El has sent his newborn son off-world and, along with the child, plans for Krypton’s future. A battle ensues and Zod is sent off-planet, too, him and his cohorts banished to the Phantom Zone for rehabilitation. When Krypton explodes, the containment units holding Zod and his followers release them and he spends the next thirty-three years combing the stars, searching for Jor-El’s son.

    Locating Kal-El on Earth, Zod sends an ultimatum to the planet, forcing Kal-El to reveal himself to the humans and to stop Zod from using Earth as ground zero for a new Krypton. Zod, like Kal-El, is now powered by the Earth’s yellow sun and is empowered with superabilities. An enormous battle ensues between Krypton’s general and Kal-El, the fate of the Earth hanging in the balance.

     

    What can I say? This movie is mind blowing! It’s epic, it’s incredible. So much was riding on this film to deliver a Superman movie that would captivate audiences and restore the Man of Steel to his rightful place as king of the superheroes. Man of Steel does just that and then some, bringing with it the awesome sci-fi factors of Star Wars to the dense storytelling of The Dark Knight Trilogy.

    There has never, ever been a superhero movie like this before. Henry Cavill as Superman nailed the part. He’s a nice guy, a caring guy, but he’s dead serious about doing the right thing and exudes the confidence that only one who has sold himself out for the good of all can portray. He did something that was never done before by any other Superman actor: showing Clark Kent before he was Superman or even the bumbling reporter of the Daily Planet. (I’m referring to the movies, not Smallville). In fact, he’s this version of Clark Kent for nearly the whole movie. You see him making the big decisions, weighing his upbringing against this new task of saving the world that was suddenly dropped on his lap. You journey along with him as he wrestles with his being different and how those differences apply not just to his life, but to the lives of others.

    As Superman, he’s the Superman. I never thought Christopher Reeve’s performance could be outdone, but Henry Cavill matches, if not exceeds, what Mr. Reeve brought to the character. Cavill’s Superman is one hundred percent devoted to staying true to who he is, his abilities, his upbringing, his quest for truth and justice, and for putting his foot down both with men and rebel Kryptonians when needed. I can’t really comment on his reporter Clark persona because that’s not a big role in this movie. I hope, however, it will be in the sequel and we’ll see plenty of Lois and Clark interaction in the next one, especially after the way the Lois and Clark relationship is portrayed in this movie. You’ll have to see for yourself for what I mean.

    Michael Shannon as Zod was crazy good. The guy can act and his Zod is much different than Terrence Stamp’s. Yes, both are ruthless, but whereas Stamp’s Zod was more about power grabbing and his desire to rule, Shannon’s is about giving his all to restore the former glory of Krypton at any cost, even if that means eradicating all of Earth’s population to do it. The best villain is always the villain you accidently find yourself rooting for, and that happened to me throughout this movie. Every so often I felt for Zod and understood what he was trying to accomplish. It made sense and made me consider that maybe if I was in his shoes I would’ve done the same thing or something similar.

    Amy Adams as Lois Lane was a good choice. I wasn’t sure at first, as I know Amy Adams as more of the happy-go-lucky girl from other movies far removed from the superhero genre—though she was in one episode of Smallville during its first season—but she sold me on the part and she reminded me of the Lois Lanes from the old cartoons: warm, but cut and dry; funny, but serious about what she does and her desire to go the distance to get a story.

    The action in this movie was crazy huge. The bar has been set so high in terms of superhero cinema in recent years and Man of Steel makes every superhero movie that’s come before it look like a puppet show by comparison. The wide-scale destruction wrought by Superman and Zod—never mind Zod’s right-hand-woman Faora and the other rebel Kryptonians—is what you’d expect if people with god-like powers let loose in an all-out brawl across a city. And the speed, man, the speed! Normally superspeed is shown as either a big blur or done in slo-mo, with the superspeedsters moving quickly while everyone else is frozen. In this one, you see Superman et al. zipping around, pausing, breaking sound barriers, and bringing the viewer along as if we’re in his boots the whole time and experiencing the thrill of superspeed ourselves.

    The way Superman flies in this is unlike any other portrayal before, and while I loved how he flies in the other movies and TV shows, in this one he seems to hurl himself through the air at times, while at others flies with precision and care. The heat vision effect in this was stellar, too. The glow beneath the skin around the eyes and to see the veins beneath its surface made it all the more menacing. The superhearing and X-ray vision were familiar territory to those who’ve watched Smallville, but there was no all-out X-ray vision where everything was dark blue and white.

    The fighting between Superman and Zod was serious business and was truly a portrayal of two warriors going toe-to-toe and not just wrestling or tapping each other out. It was one crazy hard blow after another, some slow, some rapid, even some in the sky! Insane! So many times I was blown away and just going “Wow, wow, wow!” Zod fought with the skill of a trained warrior, whereas Superman fought with brute force.

    Man of Steel is a crazy good movie with a strong story, an incredible cast, and superhero action that has now become the benchmark for anything to follow. To be honest, I don’t know if it can be followed. Hopefully in Man of Steel 2.

    Super recommended.


  • Canister X Movie Review #54: The Legend of Zorro (2005)

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    The Legend of Zorro (2005)
    Written by Roberto Orci and Alex Kurtzman
    Directed by Martin Campbell
    Runtime 129 min.
    3 out of 5

    In this follow up to 1998’s The Mask of Zorro, Alejandro must try and abstain from adventuring as the black-masked crusader in an effort to keep his home life under control as his wife, Elena, now feels it’s time for him to give up the mask since he’s been Zorro for nine years. Meanwhile, a nefarious plan is afoot to stop California from becoming part of the United States. Soon the lines between the Fox’s life as Zorro and his life as Alejandro blur and our hero must balance the two and ensure California’s statehood comes to pass before it’s too late.

     

    I loved The Mask of Zorro so was super excited when this one came out. To me, it was one of those “what took you so long?” things. Well, I don’t know what went on behind the scenes or why the delay, but I was happy when they finally made this movie. Due to being a new parent at the time, I didn’t make it to theatres to check it out and had to do so once it hit the direct market.

    It was all right. Wasn’t as thrilling as the first one nor was the story as good. There was a lot of Zorro in this, which, of course, is a plus, but I think because it was more lighthearted than its predecessor I was let down. Sure, Zorro isn’t a grim and brooding hero, but since the first movie was so serious, I expected more of the same with this one. That’s not to say this was all slapstick and camp. Far from it. Just had this lighter vibe to it that I wasn’t really into.

    I think, for me, the romantic tension in this movie is what wasn’t my thing. There was good reason for it in the context of the story, but I just didn’t see how Elena (Catherine Zeta-Jones) couldn’t just simply tell Alejandro (Antonio Banderas) what was going on and together they would take on Armand (Rufus Sewell). Perhaps relationships were different back then than they are now, I don’t know.

    The swashbuckling and adventure were fun and would make any male watching it want to put on a mask and get on a horse and go ride around. Kind of hard nowadays, but you get the idea.

    The thing that makes Zorro interesting in this movie is the fact that he has a son. Superman Returns aside, what other superhero on the big screen has to juggle being a dad and a superhero? Even in Superman Returns Superman didn’t find out about his kid until the end of the flick so we never got to see him be a family man and Earth’s champion. If you were a superhero and had kids, you’d have to keep it a secret lest they spill the beans to their friends. You’d also have to face years of them being disappointed in you because you’re always “working” and are never around. And the sacrifice involved on the part of the parent is also high because you’re missing out on all these great moments from your kid’s childhood because you’re off saving the day.

    I think this movie would’ve worked well as a third in a trilogy after some kind of high-octane swashbuckling adventure of a second flick. Then you can have your hero think of retiring and moving on instead of setting him up as a legend at the end of the first movie then suddenly saying, “Nope, you’ve had enough. Let’s slow things down.” What happened in between?

    This is a fun movie, don’t get me wrong, and is a good time for adults and kids alike.

    I do recommend this movie because I think it’s important the younger generation knows who Zorro is in this day and age of high-profile DC and Marvel superheroes and suggest parents show their kids this flick for that reason.

    Any Zorro exposure is good in my book.


  • Canister X Movie Review #53: Kick-Ass (2010)

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    Kick-Ass (2010)
    Written by Matthew Vaughn and Jane Goldman
    Directed by Matthew Vaughn
    Runtime 117 min.
    4.5 out of 5

    Dave Lizewski (Aaron Johnson), comic book geek and nobody-at-large, always wondered why no one stepped up and became a superhero. People aspire to be doctors and firemen and policemen, so why not also want to be someone else who helped his fellow man?

    After ordering a green and yellow wetsuit off the Internet, Dave dons the outfit and hits the streets as Kick-Ass, a superhero without powers, training or even a proper motivation to fight crime other than “what if?” The first few weeks are uneventful, and after his first attempt at stopping a car robbery nearly kills him, Dave returns more determined than ever to rid the streets of crime. Soon, after stopping the beating of a guy from a gang, Kick-Ass is all over the Internet and soon becomes a citywide celebrity.

    Little does he realize he’s not alone. Enter Big Daddy (Nicholas Cage) and Hit Girl (Chloe Moretz), a father-daughter team of real-deal vigilantes with a thirst for blood and matching guns to boot. Their mission? Take out the D’Amico crime family, their leader, Frank D’Amico (Mark Strong), having been personally involved with Big Daddy long ago and robbing him of the one he loved.

    Soon Kick-Ass, Big Daddy, Hit Girl and newcomer Red Mist (Christopher Mintz-Plasse) are locked in a war that, hopefully, only the good guys survive.

    It’s guns, action, comic books and bubble gum in this adaptation of Mark Millar and John Romita Jr.’s graphic novel.

     

    This movie is crazy. A good crazy. A special kind of crazy. I knew from the previews I was in for a different kind of superhero flick and, man, that was what I got. This was fresh, exciting, fun and new. Most superhero movies stick to a formula (origin of the good guy then the bad guy, a few tussles along the way leading to a big fight in the end, the stuff in between usually dramatic bits starring the hero in his personal life). With Kick-Ass, though there were those basic elements to it, the one thing that was really hammered home over and over again was the idea that, yeah, Kick-Ass was functioning in the real world. One with guns, knives, average fighting skills and no body armor. Some folks might think the violence in this film was overdone. Personally—despite a few exceptions—I didn’t think so. You try doing the superhero thing in real life in a place like New York and see what happens.

    I also really liked how they dragged that fantasy of being a superhero into our reality and proved, really, that it wouldn’t work. Kick-Ass went up against real bad guys. Ones without mercy. Without care. They’d kill their own mothers if they had to.

    The lack of a costumed supervillain also helped this movie and ensured the focus was kept on the good guys. I particularly liked Big Daddy’s and Hit Girl’s origin. It was simple, yet bittersweet and, if anything, really showed that despite being off his rocker, Big Daddy really loved his little girl and only wanted the best for her.

    In terms of the non-costumed scenes, Dave Lizewski’s real life was extremely relatable (especially for this comic book nerd) and his high school years and mine seemed to have a lot in common. Except for the girlfriend part. I wasn’t cool enough to have one of those.

    This movie was fantastic start to finish. The writing, the action, the realism—truly cool.

    My only thing was the profanity. I don’t live in New York, but that was a lot of swearing and if people really talk like that in NYC, man, I feel sorry for them. (But, hey, I’m just a Maple Syrup-guzzling Canadian, so what do I know?) If they don’t, perhaps the writers can pull back a bit on the wagging tongue for the next one.

    Looking forward to the sequel.