Earlier this month, I invited you to join me on my Inktober 2019 journey. Today, that journey comes to an end. This was my first year doing Inktober and it was honestly a lot of fun. It has been nearly two decades since I drew in a sketchbook every day. The last time was in animation school way back when people still carried swords to fend off invading armies. And while the daily Inktober sketches are done, I have a little more work ahead of me. My Inktober efforts were shared via social media every day this month, but I realize not everyone saw them, so the next step is to create collage images showcasing the month as well as a video for my YouTube channel. Stay tuned for those. Feel free to check out my social media in the meantime if you can’t wait/want to play catch-up.
Thank you to everyone who followed along this year!
A lot of what I share on here has to do with the creative journey and stating what I’ve learned through experience. The reason is rooted in my passion for the creative industry. I’ve been making stuff up since I was a kid running around in a Superman costume (something I did even when my other friends had grown out of it). It’s all I know.
Making up stories, drawing, and thinking about how to better get my imagination onto the page takes up most of my time and is my preferred activity. Some guys work on cars or model kits to help fill the hours; I work on imaginary worlds. It’s just how I’m wired and I don’t know any other way to live my life.
Is always talking about creativity beating a dead horse? I honestly don’t know because in my world that horse keeps coming back to life. All I know is writing out my thoughts on the creative life helps me organize them, and if they can benefit or entertain someone along the way, then I’m more than happy to take them on the journey with me.
It’s important for every creator to make a schedule for their creative time. The idea of “creating when inspired” or “in the mood” doesn’t work. (Been there, done that.) Not very long ago I was mocked on-line for suggesting a creative schedule to someone who was having trouble creating. The answer I proposed to their problem was to treat it like a job and just do it. Most seasoned creators will tell you that you have to create whether you feel like it or not if you want a career in this business.
The formula is simple: Approach this casually, you’ll get casual results. Approach this diligently, you’ll get diligent results.
There is no way around this. And, usually, once you get going on a project after deciding to start working, the project starts to flow on its own anyway.
Schedule out your time. Schedule out your projects.
It’s worth taking the time to do this step. In fact, it actually saves you time later in a multitude of ways.
As mentioned in yesterday’s post, I’m participating in Inktober this year. This is my first time. For those who don’t know what Inktober is, it’s basically NaNoWriMo (National Novel Writing Month) but for artists. The goal? Draw one inked drawing a day and share it with at least one person on-line or off-.
Today is Day Three so after I post this blog entry, I’ll be working in my sketchbook to create a new offering. Days One and Two are posted to my social media, which is where you’re invited to check out my daily drawings. My Inktober efforts show up on my Facebook, Twitter, Instagram, and Tumblr feeds.
Though this demands a full article, here is the brief version on creative freelancing for a living.
It’s a job. A fun one, but a job. The common misconception people have of those working from home is that it’s all playtime and games, sleeping in and working here and there. This isn’t true. During the day, home becomes my workplace. There is a start-of-work time and an end-of-work time. (Except during deadline season, then it’s work until it’s done.) I have clients who have me on the clock. I have personal projects on the clock. Everything is scheduled. If I don’t adhere to the schedule, I lose the job with a client and/or I lose income generated from regularly releasing books. I have my Patreon to attend to with hard-earned money being spent by people who have trusted me with it in exchange for entertaining them. I have a career built on a reputation and if I wreck that reputation, I can’t get it back. This is all taken very seriously. My career is zero without my readers and clients. My ability to eat rests on ensuring they are treated well and quality work is being brought to them.
While working at home has some advantages like not needing to commute or not needing to pack a lunch, or endless coffee and the ability to vape inside, it’s still treated like an out-of-home job. It has to be. I’m working whether I feel like it or not. I’m putting the time in whether I feel like it or not. This idea that working from home isn’t the same as a “real” job needs to stop. What is a job? It’s a task(s) you do in exchange for something. It’s a task(s) you’re depended upon to do. Any freelancer who knows their next meal is dependent on getting the job done knows this.
Very simply, if you want to get anywhere in life, you gotta get things done. Books don’t write themselves. Drawings don’t draw themselves. Work doesn’t work itself, and so on. You want something, earn it. End of story. Discussion over.
Usually, I have a mental road map as to where things are going with my career, projects on the docket, and other things that need tending to. Using this foreknowledge, I try and automate as much of it as I can, then clear off the small tasks so I can then work on the bigger projects. For me, this has been a good method to get time working for me instead of me trying to find the time to get it all done.
And, of course, setting up a planned chunk of time to be offline also helps because the Net’s rabbit hole is deep and addictive.
Presently, there are things that are on my “looking ahead” agenda, things in motion, all to be revealed and/or released in due time.
I used to work on one novel, one short story, and a poem at the same time. Then I switched to working on one book and/or item at a time. Now I’m back to working on multiple things at once. It’s a stretch of the mind, to be sure, but also a method of getting a lot done because you are multitasking. These days I usually have one personal project, something freelance, and something art-related all happening at the same time. Thus far, things are working out okay. This will probably change in the future as the project schedule changes, but until then, I’ll stick with this method of working.
On a personal note, I am looking forward to things slowing down a bit. Can only go hard for so long until you burn out and, frankly, that’s already happened several times over. Gonna need time to recuperate but this going hard is all part of my masterplan so you gotta do what you gotta do.
This is a note to let you know I’m still alive albeit working hard down in the mines. The picture you see is the current art table complete with stimulants to keep things going.
I’m prepping two series for Instagram, and writing Axiom-man/Auroraman: Frozen Storm. Progress is being made on all three fronts.
This is also a friendly reminder to tune into my weekly newsletter, The Canister X Transmission, for updates as to what’s going on and how insane I’m getting chipping away at these rocks somewhere around the planet’s core. Trust me, I’m starting to lose it down here.
Presently, I’m sitting on a block of work outside of the aforementioned projects. There are four books already written that need to go through the production process before release. The Axiom-man/Auroraman title makes it five. Once this superhero book is done, it’s off to the races and to pumping out book after book in the hopes of entertaining you guys.
Then I’m gonna nap. Forever.
But on the off chance I awake, it’ll back down here with the shovel and pick-axe, working away.
We’re getting there, people. New books are coming.