• Canister X Movie Review #81: Superman/Batman: Public Enemies (2009)

    Posted on by A.P. Fuchs

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    Superman/Batman: Public Enemies (2009)
    Written by Stan Berkowitz
    Directed by Sam Liu
    Runtime 67 min.
    4.5 out of 5

    The Man of Steel has been framed for the murder of Metallo.

    Now on the public’s radar as a wanted man, Superman must team up with his greatest ally—and closest friend—Batman, to clear his name and show the public what really happened the night Metallo died. But before he can do that, he must survive an onslaught of superheroes and supervillains alike, all of whom have come to cash in on the bounty for his capture.

    Meanwhile, a giant kryptonite meteor is on a collision course for Earth, making things even worse for the Man of Steel who has no way to stop it, especially since the President of the United States, Lex Luthor, wants to destroy it himself with nuclear missiles.

    Will the Earth survive and will Superman restore his good name?

     

    This movie, based on the graphic novel by Jeph Loeb and Ed McGuinness, Superman/Batman: Public Enemies, is a comic book fan’s dream come true. Not only does it feature all of comicdom’s two most popular icons, but also a super supporting cast consisting of Power Girl, Captain Atom, Major Force, Black Lightning, Starfire, Katana and a host of other familiar faces, including, but not limited to, Captain Cold, Mr. Freeze, Bane, Lady Shiva and a ton of others.

    The story is solid, simple, but enough to really showcase each character: Superman as the one who doesn’t kill; Batman as the disgruntled detective; Lex Luthor as the glory-seeking, power-mad President—it totally works. The pacing was bang on and not once was I bored. Even the humor was in-step with the rest of the movie and didn’t come across like jokes from left field. Case in point, the giant robot in the end would’ve come across as goofy had not an explanation been given for the way it looked.

    There was a good give-and-take between Batman and Superman in this flick, too, both in their banter with one another, their approach to doing things, and also in saving each other’s bacon. Sometimes it seems that whenever the two team up, it’s always Batman that saves Superman. It was awesome a balance was finally struck between who helps who and when.

    I’m a huge fan of Ed McGuinness’s rendition of Superman and to see that they mimicked that art style in this feature made this fanboy happy. His Superman is big and strong and powerful. His Batman is top notch, too, same with the other characters.

    Of course, having Superman voiced by Tim Daly and Batman voiced by Kevin Conroy only adds to it as these guys were the voice talent behind these characters on their respective animated series. I really wish they would’ve been used for all the animated movies, but sadly that’s not the case and, of course, there’re different behind-the-scenes reasons as to why that is. Regardless, each actor captures each character perfectly, their tone, inflections and presentation reflecting the hero they’re supposed to portray.

    Superman/Batman: Public Enemies was one of the early feature-length DC animated movies and still holds up to this day as a classic.

    Highly Recommended.


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  • Canister X Movie Review #80: Superman/Batman: Apocalypse (2010)

    Posted on by A.P. Fuchs

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    Superman/Batman: Apocalypse (2010)
    Written by Tab Murphy
    Directed by Lauren Montgomery
    Runtime 78 min.
    4.5 out of 5

    A spaceship lands in Gotham Harbor. A young woman emerges with powers just like Superman.

    Welcome to Earth, Supergirl.

    Upon learning of Kara Zor-El’s (Supergirl’s) arrival, Darkseid orders her capture . . . and succeeds. If he can control her, he can use her to lead the Female Furries army.

    Superman, Batman and Wonder Woman track Kara down with the help of Barda, the old leader of the Female Furries, and take the battle to Apokolips to save Kara and stop Darkseid from going through with his plans.

     

    Talk about raising the bar and setting the stakes so high that it takes the combined forces of Superman, Batman and Wonder Woman to save the day. Add the threat of an unstable and brainwashed Kryptonian by way of Supergirl and the all-powerful Darkseid, and you have a recipe for a strong superhero story.

    The spotlight was on Superman in this one and that pleases this Superman fan. By introducing Kara into the mix, we get to see him come to the realization that he’s not Krypton’s sole survivor and that he actually has family, a blood relative (Kara is Superman’s cousin; her father and his were brothers). To see him try and show her the ways of Earth, help her fit in the same way his own earthly parents aided him, is a definite passing of the torch. It also gives him a chance to explain why he does things the way he does.

    Tim Daly returns as the voice of Superman in this. I love his voice for the character. He was the man on Superman: The Animated Series and every time I see his name in the credits of a DCU movie, I know I’ll be happy with the Superman in the flick.

    Kevin Conroy is Batman. No, I mean, he is Batman. He cemented himself as such in Batman: The Animated Series and continues doing so with every outing.

    Summer Glau picked up the reins as Supergirl in this and sold the dialogue very well.

    Darkseid—Andre Braugher—was okay, but I wish he had more of a commanding voice presence instead of just a deep one.

    This movie is Supergirl’s movie, to be sure. It was based off the graphic novel Superman/Batman: Supergirl by Jeph Loeb and the late Michael Turner. Not sure why they changed the title for this movie. Whatever. They also translated Mr. Turner’s art very well to the screen. I love his artwork so was happy to see it animated as it was. He draws such amazingly beautiful women.

    DC animated movies are good for including some fantastic extras and this one includes a Green Arrow animated short. It is pure gold and while I know the character is busy with his own TV show at the moment—Arrow—I hope DC at some point makes a full-length live action movie or animated feature with him. If this short proves anything, it’s that they can do it and do it well.

    Superman/Batman: Apocalypse is the total package and one I really liked a lot. Recommended.


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  • Canister X Movie Review #79: Superman IV: The Quest for Peace (1987)

    Posted on by A.P. Fuchs

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    Superman IV: The Quest for Peace (1987)
    Written by Lawrence Konner and Mark Rosenthal
    Directed by Sidney J. Furie
    Runtime 134 min.
    3 out of 5

    The world is on the brink and Superman takes it upon himself to rid the planet of all nuclear weapons. Of course, war is big business and Lex Luthor sees an opportunity to use the Man of Steel’s quest for peace as a way to make big bucks. By promising various war moguls that he’ll destroy Superman for a cut of the profits, he puts a genetic stew made from Superman’s own DNA aboard one of the rockets he knows Superman is going to throw into the sun. After the Man of Steel does, Nuclear Man is born, a being bent on the destruction of Superman and to do Lex Luthor’s bidding.

    Will Superman stand against this solar villain or will he fail and let the world fall along with him?

     

    This was the last box office outing for the Man of Steel for almost twenty years. I remember my parents taking me to the theatre to see it when I was just six and a half. At the time, sure, I loved it. It was Superman, it was at the movies, and I had no clue what the story was about. Just Superman fighting bad guys and that was all that mattered.

    Nowadays . . .

    As a general premise, it’s a basic idea: save the world, your main villain doesn’t want you to and thus creates something powerful to defeat you.

    But something gets lost in translation and there are so many laughable moments in the movie that it’s the worst of the Superman movies when it could have been the flick to redeem the franchise after the misfire that was Superman III.

    The special effects are terrible. I don’t understand how the SFX from the movies nine years earlier were better. Most of the flying scenes were like a cut-out of Superman against a still back drop. Even in one of them, when he’s flying along the river, you can see the wake of the boat from the camera crew.

    The fight choreography was overly-dramatic and something you’d see in a school play.

    It seemed they either tried too hard with this movie and it all fell apart, or they just didn’t try at all.

    As always, Christopher Reeve was amazing as Superman. That’s who he was.

    Margot Kidder was back as Lois Lane in this one and you can see glimpses of the connection she and Superman had in Superman I and II, but nothing comes to fruition in this. Granted, this movie didn’t have any romantic elements other than one scene where the two fly together, which was just repeated footage cut over a multitude of backgrounds. (They fly around the whole world in that sequence in record time, too.)

    There is a lot wrong with this movie with plenty of story and continuity inconsistencies, never mind the introduction of new superpowers that are not in the comics or other films (i.e. Superman rebuilding the Great Wall of China just by looking it).

    There were, however, some things right with the movie. One of my favorite parts is when Clark and Superman are invited up to Lacy Warfield’s (Mariel Hemingway’s) penthouse. Clark has to keep coming up with ways to disappear and become Superman and vice versa without tipping Lois and Lacy off that the two are one and the same. This was well done and the ways he does it are very creative.

    Gene Hackman’s Lex Luthor—yes, he is the greatest criminal mind of our time and for good reason. He does the part just as well as he did back in Superman I and II. Who else would come up with a way to destroy Superman that would also make him stinking rich in the meantime?

    This is one of those movies that if you go in and see it for what it is, you’ll be fine with it. Won’t change your life, but you’ll be fine with it. If you go in expecting a stellar superhero movie, especially one that could stand toe-to-toe with the super flicks of today, then you’ll want to look elsewhere.


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  • Canister X Movie Review #78: Superman III (1983)

    Posted on by A.P. Fuchs

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    Superman III (1983)
    Written by David Newman and Leslie Newman
    Directed by Richard Lester
    Runtime 125 min.
    3.5 out of 5

    Gus Gorman (Richard Pryor) can’t get a break, so he decides to go back to school and become a computer programmer. Finding out he has a genius-like knack for telling computers what to do, he quickly tries to make himself rich by doing so. After getting caught, the business tycoon he tried to rip off hires Gus to use computers to make him rich, namely by building a machine that can control the weather and cause different natural disasters which would in turn benefit the company. The plans are foiled when Superman (Christopher Reeve) steps in and saves the day. Now with the Man of Steel in their sights, Webster uses Gus’s computer know-how to take down the Last Son of Krypton once and for all by synthesizing the one thing that can hurt him: Kryptonite.

    Except, because of a slight alteration to the formula, Gus and Webster get something else: a changed Superman, one bent on evil instead of good.

    Can the Man of Steel be restored before Webster has taken over the globe?

     

    What can I say about this movie? It’s a hard movie to judge because it was such a drastic shift in tone from the previous Superman flicks that on the one hand, you look at it as a continuation of the others—and it fails miserably—but on the other, you see it for what it is and it’s pretty good.

    Let me explain.

    As strictly a superhero movie, it’s silly. It was written as a comedy—probably to make Richard Pryor shine, who was a massive comedic star in the ’80s—and that’s where its downfall was. While Christopher Reeve played Superman straight like he always does, it didn’t really mesh with the rest of the movie and as a result it’s hard to take it seriously.

    However, Mr. Reeve is stacked as Superman in this flick. Physique-wise, he totally peaked with Superman III and was even more powerful-looking than in the other films. I wish this presentation of Superman muscle-wise was in all of them. The super feats are great, you cheer him on, and your inner fanboy squeals with glee every time.

    Storywise, some might call it silly. I call it: okay for the time. In general, the idea of a computer genius trying to take out the Man of Steel is a fine idea. Put him up against some tech-based problems and you could have a good movie. But this was the early 1980s and movie special effects were nowhere near what they are today and the budget wasn’t there to put Superman up against some really strong computer-or-robot-based foe, so we settled for manufactured weather disasters and a super computer and woman-turned-robot at the end. Bummer. (But as a kid, the robo version of Vera (Annie Ross) scared me big time.)

    From looking at it as a comedy, it’s great. Pure gold. Richard Pryor wasn’t called a comedic genius for nothing. Everything from his mannerisms to facial expressions to punch line delivery shines in this flick. The jokes are smart, sometimes slapstick and sometimes incredibly subtle, but always funny.

    This movie would never go over well with audiences today and at a superficial glance, I can see why, but if you take the time to really look at it and appreciate it for what it is, it is a good movie.


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  • Canister X Movie Review #77: Superman II: The Richard Donner Cut (2006)

    Posted on by A.P. Fuchs

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    Superman II: The Richard Donner Cut (2006)
    Written by Mario Puzo, David Newman and Leslie Newman
    Directed by Richard Donner
    Runtime 115 min.
    5 out of 5

    Superman is back, and when he inadvertently releases three inmates from the Phantom Zone, he has to go up against three supervillains every bit as powerful as he is. Complicating matters, Lois Lane is getting wise to the possibility that Clark Kent might not be who he claims to be and that, just maybe, beneath those glasses is the Man of Steel she so desperately loves.

    As the two become close and spend time together, the three Kryptonian villains arrive on Earth and wreak havoc and destruction. Meanwhile, Lex Luthor seizes the opportunity to cash in on the aliens’ arrival and tries to exploit their powers for his own gain.

    With the fate of the world hanging in the balance and Superman nowhere to be found, will the Earth fall to General Zod forever?

     

    This version of Superman II, the Richard Donner cut, was made possible by the outcry of fans. Eventually, the studio and Richard Donner—the director of Superman I and the original director of Superman II—responded and thus this version of the beloved super movie was born. Tracking down loads of old footage—most of which was shot when Superman I and II were filmed simultaneously, but then later discarded since with a change of director came a change in vision—fans finally got Superman II as intended.

    This version is way better, in my opinion. Better paced, better story—well, it’s the same story but the “new” scenes are better and more well-written than the 1980 Superman II ones—and lots of heart and Superman fun.

    For performance reviews, see my 1980 Superman II review as the actors did just as well in the alternate scenes shown in this flick.

    While, yes, you can watch this movie after Superman I, you’ll notice some overlap but don’t let that distract you. When there was a change of director behind-the-scenes, it affected even the cut of Superman I that made it into theatres.

    While attending a panel with Margot Kidder (Lois Lane) back in 2007, I asked her how this version of Superman II came about. Aside from giving a detailed backstory—however, I can’t remember the specifics, it was so long ago—I do remember her saying that had it not been for the screen test footage that was used in the Lois-finds-out-Clark-is-Superman scene in the Niagara Falls hotel room, the one where she shoots him with a blank, the Richard Donner cut would’ve been released in theatres. I don’t know if this is fact or wishful thinking on her part, but I know I would’ve paid to see this on the big screen. Easy. Obviously, the official Lois-finds-out-Clark-is-Superman scene in the Niagara Falls hotel room was never shot due to the change of directors and with Mr. Reeve’s passing, it couldn’t have been reshot anyway. I’m sure with Hollywood magic the reshoot could’ve been pulled off, had he been alive.

    The big battle between Superman (Christopher Reeve) and General Zod (Terrance Stamp), Ursa (Sarah Douglas) and Non (Jack O’Halloran) is more exciting in this version, and likewise we find out what happened to the bad guys in this flick as opposed to them just dropping into a foggy chasm in the Fortress in the 1980 film.

    The Lois and Clark relationship is better portrayed in this one, too, and that new scene with Lois trying to make Clark reveal himself as Superman when she jumps out of the Daily Planet window is more exciting than the “I’m going to drown myself in a river” bit that was in the 1980 flick.

    There is also plenty of Jor-El (Marlon Brando) and Superman/Clark interaction, stuff that wasn’t in the 1980 movie. It totally adds to the mythology and the overall sense of awe and wonder that is Superman.

    For the Superman completist, this movie is a must-watch and a must-own. I know, for me, when I go to watch the Superman movies, I watch Superman I then Superman II: The Richard Donner Cut. I feel I’m getting the original story this way as the original script was so massive it had to become two movies.

    Watch this movie. It’s awesome.


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  • Canister X Movie Review #76: Superman II (1980)

    Posted on by A.P. Fuchs

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    Superman II (1980)
    Written by Mario Puzo, David Newman and Leslie Newman
    Directed by Richard Lester
    Runtime 127 min.
    4.5 out of 5

    Superman is back, and when he inadvertently releases three inmates from the Phantom Zone, he has to go up against three supervillains every bit as powerful as he is. Complicating matters, Lois Lane is getting wise to the possibility that Clark Kent might not be who he claims to be and that, just maybe, beneath those glasses is the Man of Steel she so desperately loves.

    As the two become close and spend time together, the three Kryptonian villains arrive on Earth and wreak havoc and destruction. Meanwhile, Lex Luthor seizes the opportunity to cash in on the aliens’ arrival and tries to exploit their powers for his own gain.

    With the fate of the world hanging in the balance and Superman nowhere to be found, will the Earth fall to General Zod forever?

     

    This is a great follow up to Superman I, and is basically a direct continuation of that story, with seeds for this one planted in the first movie. This is also true behind-the-scenes as Superman I and II were shot simultaneously but due to various complications, the version that came out in 1980 wasn’t completely what was intended, and thus the birth of Superman II: The Richard Donner Cut, which is the subject of another review.

    Regardless, this version is fantastic, beginning with a recap of the Superman origin and mythology during the opening credits, and jumping right into Superman action pretty much from the start. The ante is upped by putting Superman against not only someone who is his equal power-wise, but three people who are, never mind Lex Luthor as well, who is a big challenge to Superman in the struggle of brains vs brawn.

    This movie at its center carries a lot of heart as it goes into the relationship between Lois and Clark and Lois and Superman, making for a love story that is every bit as good as some romance movies without transforming this whole film into a romance flick. The ending is heart-wrenching as you understand the cost of being Superman and even the cost of being someone close to him.

    Like its predecessor, Christopher Reeve and Margot Kidder know their roles and fulfill them to a T. Same with Gene Hackman. Obviously, a great deal of this has to do with them filming Superman I and II simultaneously, but in the interest of watching them from one movie to the next, that seamless transition adds to the believability of the whole thing.

    Terrance Stamp stole the show as General Zod, easily holding up against Christopher Reeve and oftentimes overshadowing him. He carried with him a powerful presence, and gave off a rage that only one who had been—in his eyes—unrightfully imprisoned in the Phantom Zone could give. Sarah Douglas as Ursa and Jack O’Halloran as Non did just fine in their roles, but their main score was their reverence and allegiance to Zod, which then added to Stamp’s performance.

    The super battle at the end was great and awesome for its time. Most of the effects were practical effects—the best kind, in my opinion—and so while nowadays these guys wouldn’t look so tough fighting it out on screen, back then I remember being in awe at how mean and powerful the bad guys were and how Superman really had a run for his money.

    Superman II carries the same awe and wonder that Superman I did, even more so depending on what angle you want to tackle it from (i.e. Superman II showcases all of Superman’s powers whereas the first one didn’t).

    Whether as a kid or an adult, I love this movie.

    Recommended.


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  • Canister X Movie Review #75: Superman (1978)

    Posted on by A.P. Fuchs

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    Superman (1978)
    Written by Mario Puzo, David Newman, Leslie Newman and Robert Benton
    Directed by Richard Donner
    Runtime 143 min.
    5 out of 5

    Before the doomed planet Krypton explodes, Jor-El and wife Lara send their infant son, Kal-El, to Earth to save his life. Discovered in a field and raised by Jonathan and Martha Kent, Kal-El—renamed Clark—grows up to discover he has powers and abilities far beyond those of mortal men. After leaving the farm after high school, Clark heads north and meets a holographic projection of Jor-El and learns who he really is and what he is meant to do. Twelve years later, Clark re-enters the world and becomes Superman, a symbol of hope in a world that desperately needs it.

    Upon observing Superman’s debut, the greatest criminal mind of our time, Lex Luthor, hatches a clever real estate scheme to destroy the Man of Steel while also making himself filthy rich.

    With millions of lives in the balance as well as his own, can Superman stop Lex and put an end to the madman’s plan?

     

    Like most kids, I watched this flick a thousand times. Okay, maybe not a thousand, but as often as I could considering my parents taped it for me and I knew how to work the VCR. At one point, I think we even had a VHS tape that had all four Superman movies on it from when they aired on TV. Anyway, I’ll freely admit this review is totally biased as we’re talking about a movie—especially a Superman movie—from my childhood, and it’s impossible for me to watch the movie now without memories of being a kid, holding my Superman action figure and watching Superman catch Lois Lane falling from a helicopter that’s stuck on the side of a building.

    That said, this movie is still aces for loads of reasons. One, it was taken seriously. I read somewhere that Christopher Reeve—who plays Superman/Clark Kent—put forth that he wanted to do it straight-laced. Up until then, you had the Batman TV series for men in tights (unless you counted the Green Hornet TV series, which was semi-serious), and then the cartoons. There was the George Reeves Adventures of Superman series in the ’50s and the Kirk Allen series before that, but in terms of immediate “superheroes in people” memory, you had ’60s Batman and that was it.

    By taking the source material seriously, by playing Superman as if it’s really happening, this was the first time audiences were treated to superheroes in real life and the filmmakers weren’t kidding when they said, “You’ll believe a man can fly.” I know I did, both now and when I was a kid. Superman was larger than life on the screen, whether he was using his powers or not. He inspired hope, and the film didn’t shy away from showcasing a Superman that fought for “Truth, Justice and the American Way.”

    We got to see Superman enjoy being Superman, especially during his first night out saving a cat stuck in a tree, stopping Air Force One from falling to the ground, apprehending a jewel thief and putting an end to a criminal/police car chase.

    Christopher Reeve as Superman has been the benchmark every other Superman actor has tried to reach. His Superman is bold, idealistic, hopeful and kind. As Clark Kent, mild mannered reporter for the Daily Planet, he did a fine job of really making you believe he was two different people when all he really had to use was a change of clothes, a new hairstyle and a pair of glasses. The guy changed his voice, his mannerisms, his speech—everything. I bought it. Go ahead. Put a picture of the two side-by-side and it’s like two different guys, so I don’t believe it when people nowadays say a pair of glasses is a stupid idea to conceal your identity. Ever have someone you know really well not recognize you after a haircut? It’s happened to me and that’s just a haircut not something covering part of my face like glasses. Anyway . . .

    Margot Kidder was a solid Lois Lane: brash, driven and totally obsessed with Superman while being dismissive of Clark Kent. Her way of treating the two totally made the bizarre love triangle that is Superman/Lois/Clark work. Aside from some bad decisions that maybe we wouldn’t expect a smart-as-a-whip reporter to make, she still sold it.

    Gene Hackman as Lex Luthor. His version was good. I don’t know much about the comics of the time, so I can’t say how faithful he was. But in terms of being a good villain, for sure. And he was a bad guy here, an actual criminal and not the revered-but-shady businessman he would later become in the comics world.

    The overall story: hey, it’s simple, but so were most movies back then. At the same time, the superhero movies of today—as good as they are—could learn a lot from Superman and sometimes keeping things simple instead of just non-stop explosions and action is the better way to go. So much more room for character development and interaction.

    This review wouldn’t be complete without mentioning John Williams’s iconic score. The “Theme from Superman” is right up there with Beethoven’s Sixth. You play the tune anywhere and people recognize it. It’s iconic, inspiring, heroic and like one of the folks who worked on the movie said—I think it was Richard Donner himself—you can actually hear the song say the word, “Superman.”

    Watch this movie. Just watch it.

    You’ll believe a man can fly.

    Highly recommended.


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  • Canister X Movie Review #74: Superhero Movie (2008)

    Posted on by A.P. Fuchs

    Superhero Movie (2008)

    Superhero Movie
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    Superhero Movie (2008)
    Written by Craig Mazin
    Directed by Craig Mazin
    Runtime 85 min.
    4 out of 5

    After being bitten by a genetically-engineered super dragonfly, Rick Riker (Drake Bell) discovers he has superpowers and can stick to walls, has superstrength and can even fly! Trying to live up to the high expectations of the Riker family name, he becomes the Dragonfly, stopping evildoers wherever they may tread.

    Meanwhile, evil billionaire industrialist Lou Landers (Christopher McDonald), trying to cure a disease that’s killing him, tests an experimental procedure on himself. It goes wrong and he’s left with the ability to suck the life energy out of people. For each person he kills, he can live an extra twenty-four hours. To accomplish this, he takes on the identity of the Hourglass and starts killing people left and right.

    It’s going to take a real hero to stop him and the Dragonfly is the right hero for the job!

    This blatant superhero parody is basically a retelling of the 2002 Spider-Man movie, with a few references to other heroes thrown in (i.e. a scene from Batman Begins).

    Part slapstick comedy, part tongue-in-cheek, part smart and witty, this flick travels in the vein of the Scary Movie franchise, the Naked Gun flicks, Disaster Movie and others. As a fan of all those movies, to see the superhero genre getting the same treatment made this flick even more of a delight. What makes these types of movies brilliant is the deadpan delivery of most of the lines, where every character plays both the straight man and the funny man, the roles interchanging between whoever they are playing along with.

    Again, storywise, it’s the Spider-Man 2002 movie, with names changed, a few different scenarios and, well, that’s about it, so I don’t need to recap here.

    The action was fine, but obviously toned down because that’s not what this movie was about.

    Riffing on the Spider-Man 2002 costume, Dragonfly’s suit was pretty slick, actually. Hourglass’s, not so much.

    The super effects were well done and believable, and it had a soundtrack that was a take-off of, again, the 2002 Spider-Man movie (I sense a theme).

    As one who isn’t a fan of over-the-top crude humor, I’m glad that that stuff was toned down for this flick. Maybe because they thought some parents would let their kids see it because it has a superhero in it, I don’t know, but by doing that, it also forces the jokes and sight gags not to default to the easy stuff like sex humor.

    Definitely a movie for grownups, Superhero Movie is a tip of the hat to the superhero genre from the comedy genre without it simply being a campy rendition of the same.

    Funny stuff.


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  • Canister X Movie Review #73: Supergirl (1984)

    Posted on by A.P. Fuchs

    Supergirl (1984)

    Supergirl
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    Supergirl (1984)
    Written by David Odell
    Directed by Jeannot Szwarc
    Runtime 125 min.
    3.5 out of 5

    After accidentally losing the Omegahedron, Argo City’s power source, Kara Zor-El (Helen Slater) embarks on a journey to go recover it before Argo City perishes. Upon arriving on Earth, she discovers she has superpowers and adopts the identity of Supergirl, which she uses to help others while on her quest to recover the Omegahedron.

    Elsewhere, the Omegahedron has fallen into the hands of Selena (Faye Dunaway), a flunky witch who quickly becomes powerful because of it and who sets her sights on Supergirl, ready to eliminate the Girl of Steel the first chance she can get.

    Can Supergirl recover the Omegahedron before Argo City goes dark and Selena is victorious?

    It’s superheroine versus supervillainness in this ’80s classic of Good vs Evil.

    This flick is every bit a part of my childhood as the Superman movies were. At the time, of course, I was too young to understand the story, but now older, it’s not too bad. Sure, it has some flaws and continuity issues, but at its heart it’s the story about someone trying to right a grievous mistake, something that most of us can relate to.

    The visuals and hints of Kryptonian mythology put forth quickly link it to the Superman movies—Supergirl identifies herself as Superman’s cousin while in costume, and also as Clark Kent’s cousin when she’s in disguise as Linda Lee; her supersuit is basically the Christopher Reeve costume from the waist up—and it has a cinematic score that carries a similar heroic tone to that of its male counterpart. Likewise, Marc McClure reprises his role as Jimmy Olsen from the Superman movies and appears as Lucy Lane’s boyfriend (Lucy is Lois Lane’s younger sister).

    They seem to want to jump right into Kara being Supergirl so don’t give an explanation as to why she leaves Argo City in that bubble ship in one outfit then transforms inside the ship and flies out of the water in her supersuit, but whatever. They do a good job of showing her discovering her powers, the joy of having them, and also the satisfaction of using them for good.

    As hopeful and cheery as this flick is at times, it’s also equally dark thanks to Selena being a witch. There is a ton of occult imagery and when you’re watching this stuff as a kid, it creeps you right out. And that funhouse that Supergirl’s “man in distress” has to find his way out of? Shivers, man. But who isn’t afraid of creepy funhouses, right?

    The pacing was pretty decent and each obstacle Supergirl must overcome as the movie rolls along keeps getting bigger and bigger until the end when it seems all hope is lost and even the Girl of Steel is helpless.

    What was especially cool is during the time of Supergirl’s tenure on Earth, Superman was elsewhere in the galaxy doing his thing, so when the story wraps up, Supergirl asks those who knew of her presence to forget she was there and flies off triumphant back to Argo City. This, of course, kept the two super franchises separate while still linking them. I heard Christopher Reeve was supposed to have a cameo in Supergirl but it didn’t work out, with Reeve citing personal reasons (whatever those might’ve been). Would’ve been amazing had the two teamed up for it. Maybe we’ll finally get to see Supergirl and Superman together in Man of Steel 2 . . .

    In the end, Supergirl is an overall enjoyable flick that is from a time before superhero movies got all dark and gritty, the hero was filled with angst and turmoil, and it enjoys itself for what it is: a movie about a girl who can fly.


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  • Canister X Movie Review #72: The Spirit (2008)

    Posted on by A.P. Fuchs

    The Spirit (2008)

    Spirit
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    The Spirit (2008)
    Written by Frank Miller
    Directed by Frank Miller
    Runtime 103 min.
    3.5 out of 5

    Denny Colt was one of the best cops Central City has ever known. After being killed in the line of duty, he returns from the grave as the Spirit and fights evil as a masked crime fighter. Enter the Octopus, an evil villain bent on gaining immortality and will do anything and stop at nothing to achieve it.

    So basically this is Sin City meets an old pulp superhero, the Spirit, who was created by Will Eisner. We can thank Frank Miller for the Sin City spin on this flick as he was the man behind it. Which, to me, is fine. I thought Sin City was the breath of fresh air movies needed and adding that kind of style and storytelling to the world of the Spirit is cool with me. Granted, I never read the comics so I can’t comment on if that was a smart move for an adaptation or not. I can comment that the costume change—going from an all-blue suit and fedora with a red tie, to an all-black suit and fedora with a red tie—was a cool move as a guy in a blue suit, a non-spandex one, wouldn’t translate to film very well.

    This movie is big time over-the-top, so leave your expectations for a realistic comic book movie at the door. The characters take a ton of abuse and keep on kicking. I mean, the Spirit taking a toilet to the head and still standing after? Come on. But if you go in not expecting a realistic superhero movie, then this won’t bother you.

    On a visual scale, this movie is aces. The black and white, the spot coloring, the glows, the different animated scenes thrown in—again, like Sin City but a really cool way to do a super flick and it makes me wonder how it might look if it was done with some of the more major franchises—i.e. if Captain America had a couple slick, three-or-four-second animated scenes as part of the movie. You never know.

    Gabriel Macht did just fine as the Spirit—was tough, suave and able to hold his own on the action scale. Samuel L. Jackson as the Octopus—well, he’s SLJ so you got SLJ. I love the guy but he’s the same guy in every movie despite what he’s supposed to be. Granted, there are a few exceptions (i.e. The Caveman’s Valentine).

    Bottom line: this is a crazy ride and cool detective story blended with superhero action and mayhem. It won’t change your life, but it certainly might add to it in a little way.

    Good movie.


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