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  • Canister X Movie Review #20: Blankman (1994)

    Posted on by A.P. Fuchs

    Blankman (1994)

    Blankman
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    Blankman (1994)
    Written by Damon Wayans and J.F. Lawton
    Directed by Mike Binder
    Runtime 92 min.
    4 out of 5

    Two brothers. One a nerd. One a Karate expert. Both grown up and living with their grandma.

    Darryl and Kevin Walker (Damon Wayons and David Alan Grier) have lived in the rough part of town with their grandma since they were kids. As boys they’d run around the apartment with towels tied around their necks, aping Batman and Robin. Now, grown up, Kevin works at the TV station doing over-the-top news stories about aliens while Darryl works as a repairman and has a knack for inventing. After their grandma is killed along with several others while working to support the campaign of a wholesome, upcoming mayor, Darryl vows to make a difference in his city and invents bulletproof long johns, transforming himself into Blankman. He even makes a costume for his brother . . . who quickly refuses to join him. Taking cues from the campy 1960s Batman series, Blankman sets out to help others and uses this super alter ego to work through his grandmother’s death. Meanwhile, Kevin lets Darryl go about his crimefighting business since he’s too busy trying to woo beautiful reporter Kimberly Jonz (Robin Givens), who does real news stories several floors above him. Of course, tensions rise as Kimberly seems to have a thing for Blankman and admires the superhero’s heroic efforts.

    Eventually, Kevin learns who was behind their grandmother’s death: the city’s crime boss, Michael Minelli (Jon Polito). This time, Kevin asks to join Darryl on his crusade and since Darryl is the ever-faithful brother, he produces the outfit Kevin rejected and Kevin becomes Other Guy, Blankman’s sidekick. The two take it upon themselves to hunt down Minelli and bring him to justice, making him pay for what he did once and for all.

    Blankman is superhero comedy at its finest. It’s also inspiring as it’s the story of everyday guys trying to do the right thing even if it means putting on a costume and helping others. Damon Wayons and David Alan Grier are hilarious and the chemistry between the two works well. If you didn’t know any better, you would think they were brothers in real life.

    This flick isn’t your usual superhero spoof, though. It took itself seriously in that it wasn’t tongue-in-cheek, but a deliberate superhero comedy with serious undertones. Everything from the social outcast that rises up, to the standing up for what’s right in a world that’s cynical and jaded, to going out of your way to help your fellow man, Blankman hits it hard on all points.

    The jokes and humor are laugh-out-loud funny, the sad moments make you ache inside, and David Alan Grier’s facial expressions are priceless.

    Like I mentioned in my review of The Phantom, sometimes it’s nice to unplug and watch a superhero movie that’s lighthearted, easygoing, and loads of fun.

    There’s plenty of action and excitement in this movie to satisfy those looking for those things, but it’s real strength lies in its heart and that is about two boys rising up to become men in a world that took away the one person they held the most dear.

    As a fair warning, this isn’t a kid’s movie as there’s grown-up humor, innuendo and some language in it so is recommended for ages 14+.

    I’ve been a Blankman fan from the beginning and though it’s been nearly twenty years since it came out, I’m still rooting for a sequel.


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  • Canister X Movie Review #19: Blade: Trinity (2004)

    Posted on by A.P. Fuchs

    Blade: Trinity (2004)

    Blade: Trinity
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    Blade: Trinity (2004)
    Written by David S. Goyer
    Directed by David S. Goyer
    Runtime 113 min.
    3.5 out of 5

    Things come to a head in this thrilling final chapter in the Blade Trilogy, pitting Blade against Drake aka Dracula, the king daddy of all vampires. Teaming up with Hannibal King and Abigail Whistler, the trio seeks to take down Dracula before he can create more daywalkers and eliminate Blade forever.

    If you’re going to bring things to a head and have a final showdown between the good guy and a major bad guy, you need to ensure that your major bad guy is a big deal and you don’t really get any more big deal than Dracula. Created by Bram Stoker and based on the historical and infamous Vlad the Impaler, Dracula was the first vampire ever and has since become not only the most famous one, but has tons of media under his namesake including movies, books, TV shows, cartoons, songs—everything. And that’s just him never mind the countless media sporting all the vampires he inspired. Taking a vampire hunter like Blade and putting him up against Dracula makes good sense to me.

    Except the Dracula in this movie is pretty so-so, which doesn’t cut it, in my opinion. I was expecting an ultra-powerful vampire, one that would give even the Reapers in Blade II a run for their money in terms of villain awesomeness. Instead, I was given a strong vampire, but not the ultimate vampire. Too bad, too, because having him as a bad guy is an awesome idea.

    As always, Wesley Snipes leads the flick as the titular hero, picking up right where he left off in Blade II and staying consistent in character start to finish.

    Having Ryan Reynolds as Hannibal King—I’m a Reynolds fan. Put him in the right role and you’re guaranteed something good. Not sure how he stacks up against his comic book counterpart, but for this flick, not only was he tough as all get out and kicked all sorts of butt, but the comedic elements he brought had me laughing out loud more than once and yet such jokes worked in this movie and didn’t seem out of place.

    Jessica Biel as Abigail Whistler—who doesn’t like a strong woman who can hold her own and fight vampires? I appreciated the seriousness she brought to the role and was a nice counterbalance to Hannibal King.

    Kris Kristofferson was briefly back as Whistler, Abigail’s father. Won’t say more as I don’t want to spoil anything for those who haven’t seen the flick yet.

    This movie has solid action throughout, but I wish the climactic battle between Dracula and Blade was more epic. Seemed average, but that could just be me. Really liked this movie on the whole, though. It was the Dracula angle that brought it down a notch solely because there was more they could’ve done in terms of raising the stakes with such a villain.

    In the end, it’s a decent send-off for Blade and a pretty good bookend to the trilogy.

    Go check it out.


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  • Canister X Movie Review #18: Blade II (2002)

    Posted on by A.P. Fuchs

    Blade II (2002)

    Blade 2
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    Blade II (2002)
    Written by David S. Goyer
    Directed by Guillermo del Toro
    Runtime 117 min.
    4 out of 5

    A major virus is sweeping the through the vampire community and transforming its hosts into creatures called Reapers, who have a thirst for blood worse than vampires, are near invulnerable, and who can also pass the virus on to victims of their own. Worse, they feed on both human and vampire alike. Desperate to stop these creatures, the vampire community strikes a truce with Blade and gets him to help them fight these awful creatures. As Blade carves his way through the Reapers, he finds out their sinister origin and must put a stop to the Reaper vampires once and for all.

    The thing with sequels is you gotta go bigger and better than the first one. It’s not always easy and usually fails, however there are exceptions and Blade II is such an exception. Instead of just simply pitting Blade against more vampires, he now has to fight alongside them and stop a common enemy. How does that go? “The enemy of my enemy is my friend”? That’s what’s happening here and is a unique take on the vampire mythos and takes Blade to the next level.

    Wesley Snipes is back as the Daywalker, and does everything right in this flick like he did in the first movie: tough, sweet action, martial arts, swordplay, solid acting and more. It’s always great when you can see the actor enjoys what they’re doing—or convinces you they are—instead of merely phoning it in as is sometimes the case when an actor keeps reprising a role.

    Kris Kristofferson is back, too, which is awesome because Whistler is a big part of the first movie and this one might’ve felt hollow without him. How they bring him back after what happened in the last movie was also clever.

    The Reapers—total killers with sweet SFX, brutal savagery and they make the regular vampires look like a bunch of modern day angsty vamps by comparison. Always a good thing when you up the ante on the bad guy.

    I really liked this sequel, especially because, like I said, it had a fresh take on the slayer-vs-vampire mythos and I’m all about fresh takes. The story moved along at a good clip, kept me engaged, and makes me have a good time every time I have a Blade movie marathon.

    Awesome stuff, Blade II.

    Recommended like the first.


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  • Canister X Movie Review #17: Blade (1998)

    Posted on by A.P. Fuchs

    Blade (1998)

    Blade
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    Blade (1998)
    Written by David S. Goyer
    Directed by Stephen Norrington
    Runtime 120 min.
    4 out of 5

    Half-human/half-vampire Blade makes war on the undead—that’s the vampire undead, I’m talking—and tries to dismantle the vampire underworld piece by piece. He soon meets Karen, a hematologist, who was bitten by a vampire. Before the change occurs, she researches how a possible cure can be attained. Meanwhile, Deacon Frost, a rising star in the vampire community, believes he can become even more powerful by awakening the blood god La Magra. The problem is he needs the blood of the “daywalker”—Blade—to achieve it.

    Blood and carnage ensue as Blade tries to stop the vampire world from rising to supremacy while also battling the bloodthirsty vampire within himself in this thrilling monster superhero movie extravaganza.

    For me, Blade was the “prequel” movie to the start of the superhero box office comeback, which would later be kicked off by X-Men. It was almost as if studios were testing the waters with a serious superhero movie using a lesser known character and disguising him as a “slayer” to see how audiences would react. That’s my superficial first impression, but then when you get into Blade and watch it you soon find out there is far more here than just a slayer-vs-vampire flick. Is he a superhero? Yes, but not your conventional one. There is no secret identity, no costume per se—though he does sport a cool trench coat and sword—and no standard supporting character in the vein of a love interest. Instead, you get a conflicted man who’s part vampire who’s trying so desperately to tame the beast within while also doing what’s right: killing vampires and helping those who get caught in the crossfire. Sounds like a superhero to me.

    Wesley Snipes as Blade is sheer awesomeness. He’s tough as nails, got the martial arts moves, is dark and handles himself like someone who has the weight of the world on his shoulders. Which is true, of course, as he’s doing his best to keep the vampires at bay, namely the ambitious ones who would seek to subdue, even eradicate, the human race.

    Kris Kristofferson is dynamite as Whistler, Blade’s father-figure, friend and mentor. Talk about a tragic origin for this guy and one that tugs at the heartstrings. He’s the perfect example of a man trying to make things right because something so wrong was done to him and those he loved. Plus “Kris Kristofferson” is a cool name so he gets points just for that.

    I liked Stephen Dorff as Deacon Frost, a cocky villain who knows how powerful he is and is tired of others trying to “keep a good vampire down.” He’d make an amazing Bat-villain, in my mind, just by the way he plays villains—confident, dark, a tad witty—maybe Riddler? I mean, the real Riddler, the one who’s serious and not a slapstick goofball like in Batman Forever.

    Blade’s exciting from start to finish, with action sequences and slayer-vs-vampire moments that make you want to hit the rewind on the remote and watch ’em again. I’m really glad they made two other sequels because Blade’s a character with endless story possibilities because both him and his universe go beyond the simple slayer-vs-vampire motif. Like a Transformer, there’s more to him than meets the eye and this flick does a great job of showing that. No wonder it did so well at the box office and earned about triple its budget.

    Recommended.


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  • Canister X Movie Review #16: Batman: Year One (2011)

    Posted on by A.P. Fuchs

    Batman: Year One (2011)

    Batman: Year One
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    Batman: Year One (2011)
    Written by Tab Murphy
    Directed by Sam Liu and Lauren Montgomery
    Runtime 64 min.
    4.5 out of 5

    After spending many years abroad, Bruce Wayne returns to Gotham City to fulfill the vow to rid it of crime that he made to his deceased parents when he was a boy. At the same time, Chicago cop James Gordon moves to Gotham to start with the GCPD. Soon, Bruce adopts the identity of the Batman and makes war on Gotham’s crime families, with James Gordon hot on his tail as the cop tries to take down the vigilante crime fighter.

    I love origin stories. The mythology of characters, their history, their motivations, the events leading up to the creation of a super identity—all of it’s gold in my book. Batman: Year One is such a story, giving you not only Batman’s origin, but the chance to walk a mile in his shoes during his first year as a crime fighter. You get to see him test the waters, make mistakes, have some wins and losses, and watch as he earns the trust of Gotham’s finest.

    This movie is a down-to-earth story about Batman and James Gordon, very much a crime story versus a superhero-vs-supervillain tale. Batman deals with real world criminals in real world ways. You also get a glimpse into the hard life he leads, what he gives up to be Batman, and how he balances life as a fool in the public eye so he could be a fear to the criminal underworld at night.

    You also get to see a different side of James Gordon, the marriage trouble, his humanity, and the plight of being a good cop in a bad town. His portrayal makes him every bit a hero as Batman in this story.

    This flick is based on the one-shot comic book by comics superstar Frank Millar and matches the book’s style for the most part, really bringing it to life.

    This is a story of beginnings so the pacing is different than what most people are used to, and instead of having a beginning, middle, big lead up to a climax then end, it has—to me, anyway—more of a beginning, middle and then part of an end because it’s really a prequel to all the other Batman stories that come after it. Which is fine. It works, but I remember going, “Is that it?” when it ended after I first watched it.

    I’m glad that Batman’s first year was brought to the small screen and I hope more first year stories are made for other heroes. Superman next would be great.

    Recommended.


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  • Canister X Movie Review #15: The Batman vs Dracula (2005)

    Posted on by A.P. Fuchs

    The Batman vs Dracula (2005)

    Batman vs Dracula
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    The Batman vs Dracula (2005)
    Written by Duane Capizzi
    Directed by Michael Goguen
    Runtime 83 min.
    4 out of 5

    What starts as a treasure hunt by the Penguin soon turns into a near-apocalyptic ordeal when he accidentally revives the legendary Dracula. Immediately, the prince of darkness begins to feed, snatching innocent citizens of Gotham from its streets.

    Darkness blankets the city and the Caped Crusader is all who stands in the way between Dracula and the city’s doom.

    Wow. That was my first reaction when watching this. This direct-to-DVD release doesn’t view as your standard Batman cartoon. This truly is a monster tale and views more like a horror movie than a superhero flick.

    The vampires in this film are scary, looking like something between a vampire and a zombie. Dracula himself is neat, trim and suave, yet carries a presence of death.

    This DVD also introduces Batman’s love interest, Vicky Vale (who appeared both in the comics and in the 1989 movie). I have yet to discover how much of a role she will have in the half-hour episodes of The Batman series (I have only watched up to season three), but it was great to see her on screen. It was also wonderful to see Bruce Wayne dealing with a female lead in a realistic way and having once again come face-to-face with Batman getting in the way of his personal life.

    A surprising touch to this film was the Joker, not so much the character but what happens to him. Cool indeed.

    This is a solid Bat-flick, one which is definitely meant for an older audience, not for kids. Thirteen or fourteen and up, I’d say.

    This flick is a keeper, one every true Bat-fan should have.


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  • Canister X Movie Review #14: Batman Returns (1992)

    Posted on by A.P. Fuchs

    Batman Returns (1992)

    Batman Returns
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    Batman Returns (1992)
    Written by Daniel Waters
    Directed by Tim Burton
    Runtime 126 min.
    3.5 out of 5

    A mysterious “penguin man” surfaces and takes the city by storm, so much so that evil business tycoon Max Shreck, played by Christopher Walken, thinks he can turn Penguin into the city’s new mayor. But Penguin is not all what he seems and he secretly controls the Red Triangle Gang, who are wreaking havoc across the city.

    Adding to the mix is one Selina Kyle, Shreck’s lowly assistant, er, secretary, who, after a bad night with her boss, becomes Catwoman.

    The Bat Signal shines and the Dark Knight returns to once again rid Gotham of chaos and restore order.

    Michael Keaton is back as Gotham’s Guardian and brings to the role all the mystery and edge that made the ’89 movie so popular. What’s even better is that this movie actually has Batman in it and the vigilante appears, clad in black armor, more than just four times like in the previous flick.

    Danny DeVito as the Penguin does a great job given what he had to work with. Though the Penguin in this film is not the same as the one in the comics, DeVito still did well portraying a man who was born . . . a little different.

    Michelle Pfeiffer pulls off the dual role of Selina Kyle/Catwoman nicely. In fact, she plays four distinct roles in this film, all in one character: nerdy Selina, hip Selina, crazy Selina and Catwoman.

    This film is filled with action, darkness and fun, all set in Tim Burton’s eerie Gotham City, which was a character on its own in this film and its predecessor.

    It’s the hokey plot that’s earning this film a lower rating than the previous one. Had the story been better, this movie had the potential to be one of the best superhero flicks ever.


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  • Canister X Movie Review #13: Batman: Mystery of the Batwoman (2003)

    Posted on by A.P. Fuchs

    Mystery of the Batwoman (2003)

    Batman Mystery of the Batwoman
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    Batman: Mystery of the Batwoman (2003)
    Written by Michael Reaves
    Directed by Curt Geda
    Runtime 75 min.
    5 out of 5

    There’s a new superhero in Gotham, one who wears silver-gray tights and a cape.

    And she’s a woman, a bat-woman.

    At first it appears she’s here to help, but when she begins targeting the Penguin and Rupert Thorne’s secret arms operation, the Dark Knight and the Boy Wonder step in to solve the mystery of the Batwoman.

    Who is she? What does she want? And why is it each time Batman thinks he’s solved her secret identity does he find himself back at square one?

    As Batman and Batwoman put the strain on the Penguin’s operation, the bird man calls in a deadly force to eliminate them: Bane.

    The Bruce Timm-designed Batman series is a staple on the animated superhero genre. The sleek yet angler style’s been used in Batman: The Animated Series, Batman Beyond, Superman: The Animated Series, Justice League and Justice League Unlimited. And in Batman: Mystery of the Batwoman, it’s delivered in spades. The art is just simply amazing straight through.

    The story is terrific, with twists and turns right up ’til the end, and no punches are pulled in giving each and every character a level of depth not usually achieved in animated features.

    Kevin Conroy is Batman and has the greatest Batman voice out of them all, both live action and animated. His line delivery as the Dark Knight forces you to respect the pointy-eared vigilante and take him seriously. The dude’s got major authority.

    Likewise, Efrem Zimbalist Jr. as Alfred? Wow. Between him and Kevin, these two hold down the film and set the tone for the entire movie. The relationship Alfred and Bruce Wayne share is beyond close and is a stark contrast to the relationships the bat-women suspects have with their own family or loved ones.

    You know what? All the voices were terrific, not a one out of place. Each suited the character they portrayed, the acting and tone behind their voices never missing a beat.

    The stakes are high, the danger’s real and Batman is better than ever.

    Go. Watch. Enjoy.


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  • Canister X Movie Review #12: Batman: Mask of the Phantasm (1993)

    Posted on by A.P. Fuchs

    Batman: Mask of the Phantasm (1993)

    Batman Mask of the Phantasm
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    Batman: Mask of the Phantasm (1993)
    Written by Alan Burnett, Paul Dini, Martin Pasko and Michael Reaves
    Directed by Eric Radomski and Bruce Timm
    Runtime 76 min.
    5 out of 5

    A mysterious costumed phantasm haunts Gotham City, knocking off mob bosses thus drawing the Batman out from the shadows to stop him. Only when the Dark Knight starts to uncover clues as to who this person might be does he discover how deeply personal this phantasm’s crusade has become, not just to the phantasm himself, but to the Batman as well.

    Pulling out all the stops with top-notch storytelling, animation and direction, Batman: Mask of the Phantasm is a hallmark in Batman’s movie history that’s guaranteed not to disappoint!

    This movie is unbelievably amazing and rivals even the almighty Dark Knight Trilogy that would begin on the big screen twelve years later. Actually, Mask of the Phantasm was in theatres and I remember going there with a friend and being stunned start to finish at this masterpiece. I also remember being anxious for it to hit home video—and back then, flicks took a looong time to get to video—and the day it came out, I went to K-Mart straight after school, spent some big bucks for the VHS (over twenty, I’m sure), then biked home in the rain so I could watch it. It was totally worth that brutal and soaked-to-the-bone bike ride.

    This is a serious Bat-flick, both in tone and scope. Brought to life by the same team that managed Batman: The Animated Series—Bruce Timm and Paul Dini—I’m pretty sure this was the first animated superhero movie to ever hit the big screen. This was also at a time when animated superhero movies never happened. There were only half-hour shows—twenty-two minutes, technically—and that was it.

    The story is enthralling, right from the introduction of the mysterious phantasm through Bruce Wayne’s heartbreaking journey both in the present day and in the flashbacks that showcased his rise as the Dark Knight, all the way to the intense, sobering and heart-wrenching finish.

    To this day, Mask of the Phantasm stands as a benchmark of Batman storytelling in my book. It’s right up there with the Dark Knight Trilogy, Batman 1989, and the other recent animated efforts. Personally, it’s the finest superhero animated effort ever brought to screen.

    The storyline is mature and, probably due to it hitting theatres, was geared toward adults as it clearly contained those kinds of markings (i.e. a hinted-at sex scene between Bruce and Andrea, something that was never in superhero animation before). The violence level was also a notch above the animated series, complete with blood, hard-hitting brutality, and a glimpse into the kinds of real-life physical ordeals Batman would have to go through if he truly existed.

    The real strength of the story lies in the fact that as much as it’s Batman solving a mystery, it’s Bruce Wayne’s story, showing us a part of his journey to becoming Batman, what made him finally put on the cape and cowl, and how those events from his past had a direct and painful impact not just on his future, but on the future of Gotham City as well.

    The animation is perfect, moody, stylized and has become the benchmark even all these years later of what superhero animation can be.

    This isn’t a kids movie. This is a serious Bat-movie for the serious Bat-fan who wants to take their Bat-flick experience to the next level.

    Highly recommended.


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  • Canister X Movie Review #11: Batman: Gotham Knight (2008)

    Posted on by A.P. Fuchs

    Batman: Gotham Knight (2008)

    Batman: Gotham Knight
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    Batman: Gotham Knight (2008)
    Written by Brian Azzarello, Josh Olson, David S. Goyer, Greg Rucka, Jordan Goldberg and Alan Burnett
    Directed by Yasuhiro Aoki, Yuichiro Hayashi, Futoshi Higashide, Toshiyuki Kubooka, Hiroshi Morioka, Jong-Sik Nam and Shojiro Nishimi
    Runtime 75 min.
    4.5 out of 5

    Okay, now this is how you do something new with a character and do it right and totally change the formula. Not only was the style of Batman animation changed—this whole movie is done in anime by genuine Japanese anime directors—but also instead of giving us one big story, why not give us six shorter ones in the same universe?

    This flick was meant as a bridge between Batman Begins and The Dark Knight, giving audiences an in-depth glimpse into Batman’s past and what he’s been up to between those two movies. To make it even sweeter, Kevin Conroy voices Batman for all six short films.

    They are (and what I thought):

    Have I Got a Story for You –

    Premise: A bunch of skater kids relate to each other firsthand encounters with the Dark Knight.

    Really good, each story seeming to center around Batman chasing the same thief. The art direction is ridiculous! Did you see the backgrounds in this thing? While the character designs for this vignette were so-so, the backgrounds were insane. What makes this vignette special is it shows how the Batman legend was born, that is, people swapping stories, relating what they thought they saw versus what really happened, and how one tale leads to another until, eventually, Batman is myth and man combined.

    Of course, sometimes the facts get straightened out, as per the ending of this story. You’ll have to see for yourself what I mean.

    Crossfire –

    Premise: Two cops take a recently-dropped-off-by-Batman felon to the Narrows for incarceration. There they encounter tons of trouble and Batman comes to the rescue.

    This one is much grittier than the previous story, focusing heavily on the cops and gangs. The art is superb and while the backgrounds are more classical animation, the character design is top notch and I really dig how everyone looks in this tale. Batman is boss in this: big, powerful, sleek, tough—wish he looked like this all the time. Well done.

    The main point of the story is the question: is Batman an ally? One cop thinks so, the other is skeptical, and the conclusion reached? Well, you’ll just have to see this wicked cartoon for yourself.

    Field Test –

    Premise: Lucius Fox shows Bruce Wayne some new gear he can use as Batman and he gets a chance to do just that.

    How does anyone draw this good? The backgrounds are so realistic it’s upsetting (in that good way). The character design is very classic anime: pointier noses, smaller eyes, very realistic body proportions.

    Batman definitely has a unique style to his suit in this; not your classic uniform but it works. I also like the change of pace by showing his eyes instead of having just whites. I think this is the first time Batman’s been animated that way.

    All in all, this vignette was great and there is a moral to the story about Batman’s stance on guns and how he understands the need to defend himself against them . . . but not at another’s expense.

    In Darkness Dwells –

    Premise: When a congregation starts going crazy during a church service, Batman thinks the Scarecrow is to blame. Instead, he’s greeted by someone far more dangerous: Killer Croc! However, Scarecrow is still waiting in the wings.

    Visually, this vignette is very comic-book-like. I see glimpses of Mike Mignola’s—Hellboy artist and creator—style though I doubt that the animators were trying to imitate that. It’s just what it reminds me of.

    This one was pretty exciting. Lots of action, lots of danger, lots of Batman stopping baddies and getting out of tight situations. Dig it.

    Working Through Pain –

    Premise: Suffering from a gunshot wound, Batman flashes back to before he donned the cowl and reflects on pain and what it means in his life physically and emotionally.

    This one’s pretty gory, but that’s to further cement the point of this tale: pain . . . and what it does for Batman, how he deals with it and how he overcomes it. Giving glimpses into Bruce Wayne’s travels and the training he picked up along the way, we get to see the lengths he went to to perfect his body in the areas of enduring through pain—physical and emotional—something he no doubt knew he needed to do if he was to succeed in his mission. Except, there is one pain he can’t overcome.

    Visually, I liked the art style of this one as well.

    Deadshot –

    Premise: Deadshot comes to Gotham and the word is he’s going to assassinate Jim Gordon. When the GCPD catch wind of this, they let Batman know. Batman becomes Gordon’s shadow and resolves to keep his friend safe.

    The art direction in this is like a high-end comic book come to life. Really, really liked it. Great line work, crisp images, solid colors, dark and bleak like a Batman comic. Awesome. And that train tunnel? Gotta be a 3D background but it looks unbelievably cool.

    The Batman-vs-Deadshot battle is a sweet one, high speed on a train.

    The main thrust of this story is about guns and how Batman feels about them. Since it was a gun that killed his parents, it’s a touchy area for him.

    All six of these stories were well done, well thought out and well written. I’m proud to be a Batman fan while watching these and I’m equally happy DC tried something new with the character and succeeded in spades. By tying this animated flick into the live action ones, it added a whole new dimension to those stories and to these animated shorts as well.

    Long live Batman: Gotham Knight!


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