• Tag Archives superhero
  • Canister X Movie Review #25: Daredevil (2003)

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    Daredevil (2003)
    Written by Mark Steven Johnson
    Directed by Mark Steven Johnson
    Runtime 103 min.
    4 out of 5

    An A-plus report card brings young Matt Murdock to the docks to show his father. All he ever wanted was to please his dad and, as per his father’s advice, “be a doctor, be a lawyer.” Except, stumbling upon his alcoholic, washed-up ex-boxer father as a leg-breaker, Matt takes off on his skateboard in a hurry, only to accidentally run into a truck with barrels of radioactive liquid that cause him to go blind. But all is not darkness because he also mysteriously inherits a strange “radar sense” that enables him to see in a sort of X-ray way because of his newfound ability to convert sound waves into sight.

    Him and his father vow to fix their relationship and their life, promise to never give up and be fearless, and embark on a journey to perfect themselves and hit the comeback trail—Matt via the books and honing his senses and disciplining his body; his father to enter the ring once more. With Matt by his side, Jack “the devil” Murdock makes good on that promise, but a fateful night in the ring changes everything and Matt promises from then on to stick up for those who can’t defend themselves and watch out for the long shots like he and his father were.

    Now, all grown-up, he’s a lawyer by day and masked crime fighter by night. His name: Daredevil.

    And he’s not the only one who wants a piece of New York. Crime boss the Kingpin (Michael Clarke Duncan) is on the rise, as is his hired goon, Bullseye (Colin Farrell). Adding to matters, Elektra Natchios (Jennifer Garner)—a shapely martial arts master—has her sights on Daredevil (Ben Affleck) as well, leading us into a battle for New York, for vengeance, and for those who have been a victim of crime.

     

    For some reason a lot of people didn’t like this movie. I thought it was great. I liked the overall story; the costumes (except Bullseye’s); the atmospheric New York City; the sense of darkness Matt Murdock carried within himself; Elektra’s close relationship with her father; Foggy Nelson (Jon Favreau) and his being a “come-with” guy—very enjoyable. There was a sense of humanity about this version of Daredevil that I was able to relate to on a lot of levels.

    The fight scenes were nothing short of amazing, especially that barroom brawl where Daredevil clears the room. I remember seeing that in the trailer and just being absolutely stoked.

    Who cares that Kingpin was black? So what? The dude’s one of my favourite actors and it was interesting to see him play the bad guy as he’s usually the nice, innocent one, but for some reason people didn’t like the character being black in this. It doesn’t matter, folks. He did a good job.

    The whole Matt Murdock-Elektra/Daredevil-Elektra relationship was well-handled, in my opinion, and I particularly enjoyed how those elements intertwined with each other throughout the film.

    If I was going to criticise a few things—and while I enjoyed Daredevil’s gallivanting throughout New York—his spinning jumps and aerial movies were very similar to Spider-Man’s (who made his feature film debut the year before Daredevil came out), and some of the stuff Daredevil was able to do was pretty farfetched. I mean, I don’t care how awesome you are at acrobatic stuff or if you’re more fit than Bruce Lee on his best day, but falling face first toward a window washer’s station at lightning speed won’t get slowed down by doing a somersault in the air so you could land on your feet. You’d break your legs and die from the impact. But whatever. It’s superheroes, so I overlook most of the impossible these guys accomplish. Just goes with the understanding that superheroes can do things we can’t, whether realistic or not.

    That’s really my only critique. I liked everything else. Wasn’t crazy about Bulleye’s costume. Would have liked to have seen him as more of a stealth assassin. I also don’t read Daredevil comics so I can’t tell you if this is a faithful adaptation or not. I know Daredevil’s backstory and a bit about some past adventures, but that’s about it.

    I haven’t seen the director’s cut of this either, so need to get around to doing that.

    Still a good movie and I’m proud to have it in my superhero movie collection.

    If you like superhero flicks, you’ll like Daredevil.


  • Canister X Movie Review #24: Chronicle (2012)

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    Chronicle (2012)
    Written by Max Landis
    Directed by Josh Trank
    Runtime 84 min.
    5 out of 5

    Andrew Detmer’s got a tough life: he’s bullied at school, his mom’s dying of cancer, and his dad is an alcoholic. Andrew also likes to film things and his friend, Steve, gets him to film something him and Matt have found in the woods: a strange deep hole with a weird blue crystalline object inside it. After the boys develop telekinetic abilities, all bets are off as they discover exactly what they are capable of. The problem, however, is that with great power comes great temptation and Andrew begins to discover not only the extent of his power but what is deep inside of him. Soon, the group of friends are divided and one has gone off the deep end.

     

    This movie is the boss. This is very much in the vein of Unbreakable, that is, the story of people pre-superhero or pre-supervillain, how they got their abilities, the discovery of their powers, the honing of them, and the ultimate decision as to what to do with them.

    Filmed via “shaky cam” documentary style, Chronicle looks like a home movie but carries the strong story and special effects of a major blockbuster. Actually, it has a stronger story than most major blockbusters, but that’s another topic. This flick is completely down-to-earth despite its out-of-this-world premise. By doing it documentary style, the character development of Andrew (Dane DeHaan), Steve (Michael B. Jordan) and Matt (Alex Russell) is through the roof and you care about each one, hope for each one, and get mad at each one when they do something you think you wouldn’t do yourself. Well done, boys. Well done.

    Telekinesis is the name of the game in this movie, that is, the ability to move and control things with your mind. While we’ve seen this power on screen before, this flick really gets into the potential of that ability from simply causing objects to float all the way to making yourself fly. Telekinesis would be the power to choose if one was presented with it because the majority of superpowers can ultimately come from it: flight, strength, stopping objects from hitting you, forcing bad guys to stop their actions, and more.

    What makes this flick stand out is its intense study into what having such an incredible power does to a person, whether for good or ill. This is something we seldom see in standard superhero cinema as usually you got the hero or villain get their powers and already start using them based on their personality or because of how they’re raised, or they are used a certain way because of a recent event. This flick asks the question—even answers it—does absolute power corrupt absolutely?

    I’ve never seen a documentary-style superhero movie before. Correction: I’ve never seen a documentary-style superhero/villain origin movie before and I am curious if others exist. Will have to track them down because I thoroughly enjoyed Chronicle, was captivated by it, and it brings a level of realism to the material that even your most-seriously-attempted-at-realism superhero movies can’t portray. It’s about everyday people suddenly getting a powerful ability with everyday people reactions, temptations, and usages.

    Such a well done flick. So good. You need to see this. What Blair Witch did for horror Chronicle does for the superhero genre.

    Highly recommended.


  • Canister X Movie Review #23: Catwoman (2004)

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    Catwoman (2004)
    Written by John Brancato, Michael Ferris and John Rogers
    Directed by Pitof Comar
    Runtime 104 min.
    2 out of 5

    Patience Phillips overhears news of the terrible side effects of a skin cream that is being manufactured by the company she works for, Hedare Beauty, and is quickly silenced—fatally—for her eavesdropping. However, she comes back from the dead thanks to an Egyptian Mau cat and discovers she has cat-like abilities. Disguising herself as Catwoman, Patience seeks to learn the truth behind her own death.

     

    Do you have any idea how excited I was when I heard they were making a Catwoman movie? I mean, it could be the greatest cat-burglar movie of all time loaded with super slick espionage, martial arts, sneaking around, Batman mythos references and/or cameos, strong-female-led action, cool costume(s) and more.

    And then they made the movie they did.

    Almost wish I could make this whole review two words—“no comment”—but that’d be cheating you guys.

    This movie was not a Catwoman movie. I just don’t understand what they were trying to do here. Had this been a fan film and some attempted new take on the character, okay, fine, whatever, put it online and let people decide, but this was supposed to be the real deal. She wasn’t even called Selina Kyle in this. Instead, she was “Patience Phillips.” They tried to jazz up what is supposed to be a very down-to-earth origin and give it a mythology of its own. Okay, points for trying something new and superhero or supervillain origins are often tweaked or changed for the big screen. What makes Catwoman as a character awesome is the fact that she’s human, like Batman, and is basically his opposite. Not so in this one. She’s got cat-powers and while it was visually cool to watch her jump around and scale buildings and stuff, it’s just not who she is.

    Halle Berry playing Catwoman is just fine. She’s sleek, sexy and pulls off the part. The problem is the story is not very good, the costume is terrible—how slinky and impractical can you get?—and there’s really nothing in this that ties it into the Batman universe. This is supposed to be a spin-off, but even spin-offs have a connection to the main source. i.e. the Elektra spin-off movie from Daredevil. Regardless of how you feel about that one, it’s still a spin-off and is known as such.

    This was definitely a comic book movie in that they went for “comic booky” as the feel of it. Felt more direct-to-video to me, seemed rushed and just fell flat.

    Catwoman is an awesome character and was resurrected in The Dark Knight Rises in a much more real world way. I hope that someday—hopefully sooner rather than later—another Catwoman flick is made and they really try to get it right. It has huge potential. Sadly, it was missed with this version here.


  • Canister X Movie Review #20: Blankman (1994)

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    Blankman (1994)
    Written by Damon Wayans and J.F. Lawton
    Directed by Mike Binder
    Runtime 92 min.
    4 out of 5

    Two brothers. One a nerd. One a Karate expert. Both grown up and living with their grandma.

    Darryl and Kevin Walker (Damon Wayons and David Alan Grier) have lived in the rough part of town with their grandma since they were kids. As boys they’d run around the apartment with towels tied around their necks, aping Batman and Robin. Now, grown up, Kevin works at the TV station doing over-the-top news stories about aliens while Darryl works as a repairman and has a knack for inventing. After their grandma is killed along with several others while working to support the campaign of a wholesome, upcoming mayor, Darryl vows to make a difference in his city and invents bulletproof long johns, transforming himself into Blankman. He even makes a costume for his brother . . . who quickly refuses to join him. Taking cues from the campy 1960s Batman series, Blankman sets out to help others and uses this super alter ego to work through his grandmother’s death. Meanwhile, Kevin lets Darryl go about his crimefighting business since he’s too busy trying to woo beautiful reporter Kimberly Jonz (Robin Givens), who does real news stories several floors above him. Of course, tensions rise as Kimberly seems to have a thing for Blankman and admires the superhero’s heroic efforts.

    Eventually, Kevin learns who was behind their grandmother’s death: the city’s crime boss, Michael Minelli (Jon Polito). This time, Kevin asks to join Darryl on his crusade and since Darryl is the ever-faithful brother, he produces the outfit Kevin rejected and Kevin becomes Other Guy, Blankman’s sidekick. The two take it upon themselves to hunt down Minelli and bring him to justice, making him pay for what he did once and for all.

     

    Blankman is superhero comedy at its finest. It’s also inspiring as it’s the story of everyday guys trying to do the right thing even if it means putting on a costume and helping others. Damon Wayons and David Alan Grier are hilarious and the chemistry between the two works well. If you didn’t know any better, you would think they were brothers in real life.

    This flick isn’t your usual superhero spoof, though. It took itself seriously in that it wasn’t tongue-in-cheek, but a deliberate superhero comedy with serious undertones. Everything from the social outcast that rises up, to the standing up for what’s right in a world that’s cynical and jaded, to going out of your way to help your fellow man, Blankman hits it hard on all points.

    The jokes and humor are laugh-out-loud funny, the sad moments make you ache inside, and David Alan Grier’s facial expressions are priceless.

    Like I mentioned in my review of The Phantom, sometimes it’s nice to unplug and watch a superhero movie that’s lighthearted, easygoing, and loads of fun.

    There’s plenty of action and excitement in this movie to satisfy those looking for those things, but it’s real strength lies in its heart and that is about two boys rising up to become men in a world that took away the one person they held the most dear.

    As a fair warning, this isn’t a kid’s movie as there’s grown-up humor, innuendo and some language in it so is recommended for ages 14+.

    I’ve been a Blankman fan from the beginning and though it’s been nearly twenty years since it came out, I’m still rooting for a sequel.


  • Canister X Movie Review #17: Blade (1998)

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    Blade (1998)
    Written by David S. Goyer
    Directed by Stephen Norrington
    Runtime 120 min.
    4 out of 5

    Half-human/half-vampire Blade makes war on the undead—that’s the vampire undead, I’m talking—and tries to dismantle the vampire underworld piece by piece. He soon meets Karen, a hematologist, who was bitten by a vampire. Before the change occurs, she researches how a possible cure can be attained. Meanwhile, Deacon Frost, a rising star in the vampire community, believes he can become even more powerful by awakening the blood god La Magra. The problem is he needs the blood of the “daywalker”—Blade—to achieve it.

    Blood and carnage ensue as Blade tries to stop the vampire world from rising to supremacy while also battling the bloodthirsty vampire within himself in this thrilling monster superhero movie extravaganza.

     

    For me, Blade was the “prequel” movie to the start of the superhero box office comeback, which would later be kicked off by X-Men. It was almost as if studios were testing the waters with a serious superhero movie using a lesser known character and disguising him as a “slayer” to see how audiences would react. That’s my superficial first impression, but then when you get into Blade and watch it you soon find out there is far more here than just a slayer-vs-vampire flick. Is he a superhero? Yes, but not your conventional one. There is no secret identity, no costume per se—though he does sport a cool trench coat and sword—and no standard supporting character in the vein of a love interest. Instead, you get a conflicted man who’s part vampire who’s trying so desperately to tame the beast within while also doing what’s right: killing vampires and helping those who get caught in the crossfire. Sounds like a superhero to me.

    Wesley Snipes as Blade is sheer awesomeness. He’s tough as nails, got the martial arts moves, is dark and handles himself like someone who has the weight of the world on his shoulders. Which is true, of course, as he’s doing his best to keep the vampires at bay, namely the ambitious ones who would seek to subdue, even eradicate, the human race.

    Kris Kristofferson is dynamite as Whistler, Blade’s father-figure, friend and mentor. Talk about a tragic origin for this guy and one that tugs at the heartstrings. He’s the perfect example of a man trying to make things right because something so wrong was done to him and those he loved. Plus “Kris Kristofferson” is a cool name so he gets points just for that.

    I liked Stephen Dorff as Deacon Frost, a cocky villain who knows how powerful he is and is tired of others trying to “keep a good vampire down.” He’d make an amazing Bat-villain, in my mind, just by the way he plays villains—confident, dark, a tad witty—maybe Riddler? I mean, the real Riddler, the one who’s serious and not a slapstick goofball like in Batman Forever.

    Blade’s exciting from start to finish, with action sequences and slayer-vs-vampire moments that make you want to hit the rewind on the remote and watch ’em again. I’m really glad they made two other sequels because Blade’s a character with endless story possibilities because both him and his universe go beyond the simple slayer-vs-vampire motif. Like a Transformer, there’s more to him than meets the eye and this flick does a great job of showing that. No wonder it did so well at the box office and earned about triple its budget.

    Recommended.


  • Canister X Movie Review #14: Batman Returns (1992)

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    Batman Returns (1992)
    Written by Daniel Waters
    Directed by Tim Burton
    Runtime 126 min.
    3.5 out of 5

    A mysterious “penguin man” surfaces and takes the city by storm, so much so that evil business tycoon Max Shreck, played by Christopher Walken, thinks he can turn Penguin into the city’s new mayor. But Penguin is not all what he seems and he secretly controls the Red Triangle Gang, who are wreaking havoc across the city.

    Adding to the mix is one Selina Kyle, Shreck’s lowly assistant, er, secretary, who, after a bad night with her boss, becomes Catwoman.

    The Bat Signal shines and the Dark Knight returns to once again rid Gotham of chaos and restore order.

     

    Michael Keaton is back as Gotham’s Guardian and brings to the role all the mystery and edge that made the ’89 movie so popular. What’s even better is that this movie actually has Batman in it and the vigilante appears, clad in black armor, more than just four times like in the previous flick.

    Danny DeVito as the Penguin does a great job given what he had to work with. Though the Penguin in this film is not the same as the one in the comics, DeVito still did well portraying a man who was born . . . a little different.

    Michelle Pfeiffer pulls off the dual role of Selina Kyle/Catwoman nicely. In fact, she plays four distinct roles in this film, all in one character: nerdy Selina, hip Selina, crazy Selina and Catwoman.

    This film is filled with action, darkness and fun, all set in Tim Burton’s eerie Gotham City, which was a character on its own in this film and its predecessor.

    It’s the hokey plot that’s earning this film a lower rating than the previous one. Had the story been better, this movie had the potential to be one of the best superhero flicks ever.


  • Canister X Movie Review #12: Batman: Mask of the Phantasm (1993)

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    Batman: Mask of the Phantasm (1993)
    Written by Alan Burnett, Paul Dini, Martin Pasko and Michael Reaves
    Directed by Eric Radomski and Bruce Timm
    Runtime 76 min.
    5 out of 5

    A mysterious costumed phantasm haunts Gotham City, knocking off mob bosses thus drawing the Batman out from the shadows to stop him. Only when the Dark Knight starts to uncover clues as to who this person might be does he discover how deeply personal this phantasm’s crusade has become, not just to the phantasm himself, but to the Batman as well.

    Pulling out all the stops with top-notch storytelling, animation and direction, Batman: Mask of the Phantasm is a hallmark in Batman’s movie history that’s guaranteed not to disappoint!

     

    This movie is unbelievably amazing and rivals even the almighty Dark Knight Trilogy that would begin on the big screen twelve years later. Actually, Mask of the Phantasm was in theatres and I remember going there with a friend and being stunned start to finish at this masterpiece. I also remember being anxious for it to hit home video—and back then, flicks took a looong time to get to video—and the day it came out, I went to K-Mart straight after school, spent some big bucks for the VHS (over twenty, I’m sure), then biked home in the rain so I could watch it. It was totally worth that brutal and soaked-to-the-bone bike ride.

    This is a serious Bat-flick, both in tone and scope. Brought to life by the same team that managed Batman: The Animated Series—Bruce Timm and Paul Dini—I’m pretty sure this was the first animated superhero movie to ever hit the big screen. This was also at a time when animated superhero movies never happened. There were only half-hour shows—twenty-two minutes, technically—and that was it.

    The story is enthralling, right from the introduction of the mysterious phantasm through Bruce Wayne’s heartbreaking journey both in the present day and in the flashbacks that showcased his rise as the Dark Knight, all the way to the intense, sobering and heart-wrenching finish.

    To this day, Mask of the Phantasm stands as a benchmark of Batman storytelling in my book. It’s right up there with the Dark Knight Trilogy, Batman 1989, and the other recent animated efforts. Personally, it’s the finest superhero animated effort ever brought to screen.

    The storyline is mature and, probably due to it hitting theatres, was geared toward adults as it clearly contained those kinds of markings (i.e. a hinted-at sex scene between Bruce and Andrea, something that was never in superhero animation before). The violence level was also a notch above the animated series, complete with blood, hard-hitting brutality, and a glimpse into the kinds of real-life physical ordeals Batman would have to go through if he truly existed.

    The real strength of the story lies in the fact that as much as it’s Batman solving a mystery, it’s Bruce Wayne’s story, showing us a part of his journey to becoming Batman, what made him finally put on the cape and cowl, and how those events from his past had a direct and painful impact not just on his future, but on the future of Gotham City as well.

    The animation is perfect, moody, stylized and has become the benchmark even all these years later of what superhero animation can be.

    This isn’t a kids movie. This is a serious Bat-movie for the serious Bat-fan who wants to take their Bat-flick experience to the next level.

    Highly recommended.


  • Canister X Movie Review #4: Batman (1966)

    Batman (1966)

    Batman 1966
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    Batman (1966)
    Written by Lorenzo Semple Jr.
    Directed by Leslie H. Martinson
    Runtime 105 min.
    4 out of 5

    Atomic batteries to power. Turbines to speed!

    The dynamic duo, Batman and Robin, hit the big screen in this 1960s action/adventure camp-stravaganza!

    When the caped crusaders’s most dangerous foes—Joker, Riddler, Catwoman, Penquin—team up and plot to dehydrate the United Nations Security Council, Batman and Robin find themselves in over their heads and must pull out all the stops to put an end to the evil villains’ dastardly plans in this big screen adaptation of the hit TV series.

    This movie rocks! And here’s why:

    It’s fast-paced, exciting, and is the definition of superhero fun. What? You mean superheroes can be fun? Of course! Remember dressing up as a kid and flying around the house as Superman or climbing the stairs as Spider-Man or swinging from room to room as Batman? Remember laying waste to all those imaginary villains while also saving the damsel in distress and trying to ignore your parents when they called you for dinner? That was superhero fun. Easy-going, super adventure.

    This film is the same thing . . . but with grownups. Of course, it’s also a giant Batman TV episode complete with such goodies as the animated THOKs and POWs bursting across the screen, crazy bat-gadgets for every occasion (i.e. the [in]famous bat-shark repellent), a host of bat-vehicles, and goofy special effects that work well in the context of the movie.

    What’s brilliant about this Batman movie are the jokes. First, it’s meant to be silly and funny, but the humor is both overt and subtle, whether it’s the dialogue, facial expressions or even actions in some cases. It’s also amazing that despite it being purposely campy, Adam West and Burt Ward—Batman and Robin, respectively—played their characters straight. What I mean is, they played these guys seriously in the crazy, colorful world they inhabited—the characters matching the story, the environment and those they interacted with—and not once did it seem like actors goofing around and simply scoring a paycheck. That’s a feat on its own, in my books.

    Nowadays, superhero filmmakers have a hard time trying to do more than one villain in their movies. Why they don’t go back and look at this flick for help, I don’t know. Granted, the four villains in here all had their TV history backing them up, but they still were able to each stand on their own and each share the spotlight and fulfill their roles. No one is second stringer to anyone else.

    If there is a movie out there that represents superhero fantasy, this flick is it. Everything is so over-the-top that it actually works and you feel like you’re watching an old school comic book come to life. Joel Schumacher tried to recreate this with Batman Forever and Batman & Robin and wasn’t able to pull it off. The big reason, in my mind, is because he tried to merge the old with the new and that’s like mixing black and white—you get a bunch of gray and no one knows what’s what.

    Anyway, I love this movie. My kids love this movie and I let them watch it because compared to the ultra dark Bat-flicks of today, I need to know they’ll have fun watching a Bat-movie, will have at least a general sense of what’s going on, and won’t get nightmares after. (I mean, Heath Ledger’s Joker creeps me out and I’m an adult.)

    Batman (1966) is one of my all-time favorite movies. It’s lighthearted, it’s funny, it’s exciting, and is a showcase of everything that made the TV series such a hit, even now, nearly fifty years later.

    Recommended.


  • Metahumans vs Werewolves: A Superhero vs Werewolf Anthology

    Metahumans vs Werewolves: A Superhero vs Werewolf Anthology

    Metahumans vs Werewolves edited by A.P. Fuchs

    The war between Good and Evil has raged since before Time began. Now it’s ultimate power versus ultimate savagery.

    With ferocious fangs, flesh-ripping claws and a feral hunger to destroy anything in their path, werewolves are one of the most feared monsters on the planet.

    Stepping in to stop their quest for blood are the metahumans, men and women with powerful abilities that set them apart from the rest of humanity. Some wear costumes as symbols of hope, others operate discreetly, using their special abilities for good. Put these two groups of people together and you have a clash between light and darkness that is sure to rock the foundation of the world and bring about an epic battle unlike anything seen before.

    Featuring familiar heroes like Axiom-man, Midnight Angel, Nightcat, The Wraith, The Cowl and others, these eleven stories of super-powered heroism and terror are a thrilling ride through the worlds of wolf and superhero, and to a place where only one can remain standing.

    Contains stories by Frank Dirscherl, Lorne Dixon, A.P. Fuchs, Anthony Giangregorio, Keith Gouveia, Jon Klement, J.L. MacDonald, Gina Ranalli, Jim Robb, Stephen Semones and Scott Story.

    Available as a paperback at:

    Amazon.com
    Amazon.ca
    Amazon.co.uk
    Barnes and Noble

    Available as an eBook at:

    Amazon Kindle
    Drivethru Fiction
    Smashwords

    Check out this anthology’s superhero vs werewolf predecessor, Metahumans vs the Undead, by going here.


  • Metahumans vs the Undead: A Superhero vs Zombie Anthology

    Metahumans vs the Undead: A Superhero vs Zombie Anthology

    Metahumans vs the Undead: A Superhero vs Zombie Anthology edited by A.P. Fuchs

    The war between Good and Evil has raged since before Time began.

    Now the battle continues with the Ultimate Good versus the Ultimate Evil.

    Metahumans vs the Undead

    Metahuman: one of the human species endowed with one or more powers beyond that of mortal men; a person who uses those abilities to serve either themselves or society. Typically branded by a codename and colorful costume. AKA Superhero.

    Undead: one of the human species endowed with life even after death; a walking corpse. Typically branded by their decayed form and appetite for human flesh. AKA Zombie.

    In a world where superheroes and zombies collide, only one can prove the victor.

    Featuring indie heroic favorites like Axiom-man, The Wraith and Shadowflame, while also introducing newcomers like Nightcat, Spectrolite, Midnight Angel and more, Metahumans vs the Undead is a terror-filled action adventure where Light and Darkness collide and only one can prevail.

    Contains stories by: Rebecca Besser, Eric S. Brown, Frank Dirscherl, Lorne Dixon, A.P. Fuchs, Anthony Giangregorio, Keith Gouveia, J.L. MacDonald, Joe Martino, Rhiannon Paille, Gina Ranalli and J.B. Robb.

    Available as a paperback at:

    Amazon.com
    Amazon.ca
    Amazon.co.uk
    Barnes and Noble

    Available as an eBook at:

    Amazon Kindle
    Drivethru Fiction
    Smashwords

    Grab the sequel to this superhero vs zombie anthology, Metahumans vs Werewolves, by going here.