• Tag Archives superhero
  • Canister X Movie Review #57: Man of Steel (2013)

    Man of Steel (2013)

    Superman Man of Steel
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    Man of Steel (2013)
    Written by David S. Goyer
    Directed by Zack Snyder
    Runtime 143 min.
    5 out of 5

    A sole survivor of the doomed planet Krypton grows up on Earth and discovers he has abilities far beyond those of mortal men. Once grown, he sets off to find out who he is and where he comes from. The answer is discovered in a spaceship in the arctic and Krypton’s Last Son, Kal-El—Clark Kent—meets a hologram of his long-dead father, Jor-El, who reveals to him his destiny: to be a beacon of hope for humanity, and also someone who could one day restore the doomed Kryptonian race.

    Enter Zod, a harsh general and one who has fought his whole life to protect Krypton and its people. During an altercation with Jor-El prior to Krypton’s explosion, he finds out that Jor-El has sent his newborn son off-world and, along with the child, plans for Krypton’s future. A battle ensues and Zod is sent off-planet, too, him and his cohorts banished to the Phantom Zone for rehabilitation. When Krypton explodes, the containment units holding Zod and his followers release them and he spends the next thirty-three years combing the stars, searching for Jor-El’s son.

    Locating Kal-El on Earth, Zod sends an ultimatum to the planet, forcing Kal-El to reveal himself to the humans and to stop Zod from using Earth as ground zero for a new Krypton. Zod, like Kal-El, is now powered by the Earth’s yellow sun and is empowered with superabilities. An enormous battle ensues between Krypton’s general and Kal-El, the fate of the Earth hanging in the balance.

    What can I say? This movie is mind blowing! It’s epic, it’s incredible. So much was riding on this film to deliver a Superman movie that would captivate audiences and restore the Man of Steel to his rightful place as king of the superheroes. Man of Steel does just that and then some, bringing with it the awesome sci-fi factors of Star Wars to the dense storytelling of The Dark Knight Trilogy.

    There has never, ever been a superhero movie like this before. Henry Cavill as Superman nailed the part. He’s a nice guy, a caring guy, but he’s dead serious about doing the right thing and exudes the confidence that only one who has sold himself out for the good of all can portray. He did something that was never done before by any other Superman actor: showing Clark Kent before he was Superman or even the bumbling reporter of the Daily Planet. (I’m referring to the movies, not Smallville). In fact, he’s this version of Clark Kent for nearly the whole movie. You see him making the big decisions, weighing his upbringing against this new task of saving the world that was suddenly dropped on his lap. You journey along with him as he wrestles with his being different and how those differences apply not just to his life, but to the lives of others.

    As Superman, he’s the Superman. I never thought Christopher Reeve’s performance could be outdone, but Henry Cavill matches, if not exceeds, what Mr. Reeve brought to the character. Cavill’s Superman is one hundred percent devoted to staying true to who he is, his abilities, his upbringing, his quest for truth and justice, and for putting his foot down both with men and rebel Kryptonians when needed. I can’t really comment on his reporter Clark persona because that’s not a big role in this movie. I hope, however, it will be in the sequel and we’ll see plenty of Lois and Clark interaction in the next one, especially after the way the Lois and Clark relationship is portrayed in this movie. You’ll have to see for yourself for what I mean.

    Michael Shannon as Zod was crazy good. The guy can act and his Zod is much different than Terrence Stamp’s. Yes, both are ruthless, but whereas Stamp’s Zod was more about power grabbing and his desire to rule, Shannon’s is about giving his all to restore the former glory of Krypton at any cost, even if that means eradicating all of Earth’s population to do it. The best villain is always the villain you accidently find yourself rooting for, and that happened to me throughout this movie. Every so often I felt for Zod and understood what he was trying to accomplish. It made sense and made me consider that maybe if I was in his shoes I would’ve done the same thing or something similar.

    Amy Adams as Lois Lane was a good choice. I wasn’t sure at first, as I know Amy Adams as more of the happy-go-lucky girl from other movies far removed from the superhero genre—though she was in one episode of Smallville during its first season—but she sold me on the part and she reminded me of the Lois Lanes from the old cartoons: warm, but cut and dry; funny, but serious about what she does and her desire to go the distance to get a story.

    The action in this movie was crazy huge. The bar has been set so high in terms of superhero cinema in recent years and Man of Steel makes every superhero movie that’s come before it look like a puppet show by comparison. The wide-scale destruction wrought by Superman and Zod—never mind Zod’s right-hand-woman Faora and the other rebel Kryptonians—is what you’d expect if people with god-like powers let loose in an all-out brawl across a city. And the speed, man, the speed! Normally superspeed is shown as either a big blur or done in slo-mo, with the superspeedsters moving quickly while everyone else is frozen. In this one, you see Superman et al. zipping around, pausing, breaking sound barriers, and bringing the viewer along as if we’re in his boots the whole time and experiencing the thrill of superspeed ourselves.

    The way Superman flies in this is unlike any other portrayal before, and while I loved how he flies in the other movies and TV shows, in this one he seems to hurl himself through the air at times, while at others flies with precision and care. The heat vision effect in this was stellar, too. The glow beneath the skin around the eyes and to see the veins beneath its surface made it all the more menacing. The superhearing and X-ray vision were familiar territory to those who’ve watched Smallville, but there was no all-out X-ray vision where everything was dark blue and white.

    The fighting between Superman and Zod was serious business and was truly a portrayal of two warriors going toe-to-toe and not just wrestling or tapping each other out. It was one crazy hard blow after another, some slow, some rapid, even some in the sky! Insane! So many times I was blown away and just going “Wow, wow, wow!” Zod fought with the skill of a trained warrior, whereas Superman fought with brute force.

    Man of Steel is a crazy good movie with a strong story, an incredible cast, and superhero action that has now become the benchmark for anything to follow. To be honest, I don’t know if it can be followed. Hopefully in Man of Steel 2.

    Super recommended.


  • Canister X Movie Review #54: The Legend of Zorro (2005)

    The Legend of Zorro (2005)

    Legend of Zorro
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    The Legend of Zorro (2005)
    Written by Roberto Orci and Alex Kurtzman
    Directed by Martin Campbell
    Runtime 129 min.
    3 out of 5

    In this follow up to 1998’s The Mask of Zorro, Alejandro must try and abstain from adventuring as the black-masked crusader in an effort to keep his home life under control as his wife, Elena, now feels it’s time for him to give up the mask since he’s been Zorro for nine years. Meanwhile, a nefarious plan is afoot to stop California from becoming part of the United States. Soon the lines between the Fox’s life as Zorro and his life as Alejandro blur and our hero must balance the two and ensure California’s statehood comes to pass before it’s too late.

    I loved The Mask of Zorro so was super excited when this one came out. To me, it was one of those “what took you so long?” things. Well, I don’t know what went on behind the scenes or why the delay, but I was happy when they finally made this movie. Due to being a new parent at the time, I didn’t make it to theatres to check it out and had to do so once it hit the direct market.

    It was all right. Wasn’t as thrilling as the first one nor was the story as good. There was a lot of Zorro in this, which, of course, is a plus, but I think because it was more lighthearted than its predecessor I was let down. Sure, Zorro isn’t a grim and brooding hero, but since the first movie was so serious, I expected more of the same with this one. That’s not to say this was all slapstick and camp. Far from it. Just had this lighter vibe to it that I wasn’t really into.

    I think, for me, the romantic tension in this movie is what wasn’t my thing. There was good reason for it in the context of the story, but I just didn’t see how Elena (Catherine Zeta-Jones) couldn’t just simply tell Alejandro (Antonio Banderas) what was going on and together they would take on Armand (Rufus Sewell). Perhaps relationships were different back then than they are now, I don’t know.

    The swashbuckling and adventure were fun and would make any male watching it want to put on a mask and get on a horse and go ride around. Kind of hard nowadays, but you get the idea.

    The thing that makes Zorro interesting in this movie is the fact that he has a son. Superman Returns aside, what other superhero on the big screen has to juggle being a dad and a superhero? Even in Superman Returns Superman didn’t find out about his kid until the end of the flick so we never got to see him be a family man and Earth’s champion. If you were a superhero and had kids, you’d have to keep it a secret lest they spill the beans to their friends. You’d also have to face years of them being disappointed in you because you’re always “working” and are never around. And the sacrifice involved on the part of the parent is also high because you’re missing out on all these great moments from your kid’s childhood because you’re off saving the day.

    I think this movie would’ve worked well as a third in a trilogy after some kind of high-octane swashbuckling adventure of a second flick. Then you can have your hero think of retiring and moving on instead of setting him up as a legend at the end of the first movie then suddenly saying, “Nope, you’ve had enough. Let’s slow things down.” What happened in between?

    This is a fun movie, don’t get me wrong, and is a good time for adults and kids alike.

    I do recommend this movie because I think it’s important the younger generation knows who Zorro is in this day and age of high-profile DC and Marvel superheroes and suggest parents show their kids this flick for that reason.

    Any Zorro exposure is good in my book.

    This is The Legend of Zorro.


  • Canister X Movie Review #53: Kick-Ass (2010)

    Kick-Ass (2010)

    Kick-Ass
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    Kick-Ass (2010)
    Written by Matthew Vaughn and Jane Goldman
    Directed by Matthew Vaughn
    Runtime 117 min.
    4.5 out of 5

    Dave Lizewski (Aaron Johnson), comic book geek and nobody-at-large, always wondered why no one stepped up and became a superhero. People aspire to be doctors and firemen and policemen, so why not also want to be someone else who helped his fellow man?

    After ordering a green and yellow wetsuit off the Internet, Dave dons the outfit and hits the streets as Kick-Ass, a superhero without powers, training or even a proper motivation to fight crime other than “what if?” The first few weeks are uneventful, and after his first attempt at stopping a car robbery nearly kills him, Dave returns more determined than ever to rid the streets of crime. Soon, after stopping the beating of a guy from a gang, Kick-Ass is all over the Internet and soon becomes a citywide celebrity.

    Little does he realize he’s not alone. Enter Big Daddy (Nicholas Cage) and Hit Girl (Chloe Moretz), a father-daughter team of real-deal vigilantes with a thirst for blood and matching guns to boot. Their mission? Take out the D’Amico crime family, their leader, Frank D’Amico (Mark Strong), having been personally involved with Big Daddy long ago and robbing him of the one he loved.

    Soon Kick-Ass, Big Daddy, Hit Girl and newcomer Red Mist (Christopher Mintz-Plasse) are locked in a war that, hopefully, only the good guys survive.

    It’s guns, action, comic books and bubble gum in this adaptation of Mark Millar and John Romita Jr.’s graphic novel.

    This movie is crazy. A good crazy. A special kind of crazy. I knew from the previews I was in for a different kind of superhero flick and, man, that was what I got. This was fresh, exciting, fun and new. Most superhero movies stick to a formula (origin of the good guy then the bad guy, a few tussles along the way leading to a big fight in the end, the stuff in between usually dramatic bits starring the hero in his personal life). With Kick-Ass, though there were those basic elements to it, the one thing that was really hammered home over and over again was the idea that, yeah, Kick-Ass was functioning in the real world. One with guns, knives, average fighting skills and no body armor. Some folks might think the violence in this film was overdone. Personally—despite a few exceptions—I didn’t think so. You try doing the superhero thing in real life in a place like New York and see what happens.

    I also really liked how they dragged that fantasy of being a superhero into our reality and proved, really, that it wouldn’t work. Kick-Ass went up against real bad guys. Ones without mercy. Without care. They’d kill their own mothers if they had to.

    The lack of a costumed supervillain also helped this movie and ensured the focus was kept on the good guys. I particularly liked Big Daddy’s and Hit Girl’s origin. It was simple, yet bittersweet and, if anything, really showed that despite being off his rocker, Big Daddy really loved his little girl and only wanted the best for her.

    In terms of the non-costumed scenes, Dave Lizewski’s real life was extremely relatable (especially for this comic book nerd) and his high school years and mine seemed to have a lot in common. Except for the girlfriend part. I wasn’t cool enough to have one of those.

    This movie was fantastic start to finish. The writing, the action, the realism—truly cool.

    My only thing was the profanity. I don’t live in New York, but that was a lot of swearing and if people really talk like that in NYC, man, I feel sorry for them. (But, hey, I’m just a Maple Syrup-guzzling Canadian, so what do I know?) If they don’t, perhaps the writers can pull back a bit on the wagging tongue for the next one.

    Looking forward to the sequel.


  • Canister X Movie Review #49: Justice League: Crisis on Two Earths (2010)

    Justice League: Crisis on Two Earths (2010)

    Justice League Crisis on Two Earths
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    Justice League: Crisis on Two Earths (2010)
    Written by Dwayne McDuffie
    Directed by Lauren Montgomery and Sam Liu
    Runtime 75 min.
    5 out of 5

    The superhero known as Lex Luthor travels from a parallel Earth to ours and summons the help of the Justice League to take on the Crime Syndicate, an evil version of the JLA from his own Earth. Agreeing to help him, the Justice League travels to Luthor’s Earth and takes on the Crime Syndicate, pitting the likes of Superman against Ultraman, Wonder Woman against Superwoman, the Flash against Johnny Quick, Green Lantern against Power Ring, Martian Manhunter against J’edd J’arkus, Hawkgirl against Angelique, and, soon enough, Batman against Owlman.

    In a true case of looking in a mirror darkly, Justice League: Crisis on Two Earths is a super heroic and super villained thrill ride that gives you two Justice Leagues for the price of one!

    Such a simple premise but such a cool story. Why not have the JLA face themselves from an alternate reality? Who would win? If you’re fighting someone every bit as powerful as you are, would someone come out on top? What if they thought like you? Talk about playing with one’s shadow.

    There’s superpowers galore in this movie as each hero gets to take on their counterpart and show what they are fully capable of. More so, you get to see what our beloved JLA would be like had they taken other paths in life as the similarities and differences between them and the Crime Syndicate are explored.

    A bunch of other heroes make an appearance in this flick as well, guys like Aquaman, Black Canary, Red Tornado (a personal favorite), Firestorm (another favorite), and more. Kind of a throwback to Justice League Unlimited in that way.

    Don’t be fooled, though, as this movie is more than just a superhero/supervillain slugfest. It gets into the deeper issues, the big one being about choice. In the context of the movie, if every choice we make spawns an alternate reality where the alternate choice(s) was also made, do any of the choices we make ultimately matter?

    This movie is smart, interesting, and grabs you from the get-go. The action is top notch, the animation is ultra sweet, and if these direct-to-video DC Universe movies have proven anything, it’s that they know how to make a good Justice League flick. I can’t wait until they transfer that same know-how to a live action Justice League movie. Can you imagine how awesome that’ll be?

    Anyway, back to this one. This is such a good movie and is a must-have on any superhero fan’s movie shelf. You not only get DC Universe’s all-stars, but the all-stars of a parallel universe as well. Like I said above, definitely a two-for-one ticket and definitely worth checking out.


  • Canister X Movie Review #48: Iron Monkey (1993/2001)

    Iron Monkey (1993/2001)

    Iron Monkey
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    Iron Monkey (1993/2001)
    Written by Tsui Hark
    Directed by Yuen Woo-ping
    Runtime 90 min.
    4 out of 5

    Like Robin Hood, the Iron Monkey robs from the rich and gives to the poor, but instead of wielding a bow and arrow and sword, he wears a mask and uses martial arts weapons instead.

    By day, Chinese doctor Yang Tianchun (Rongguang Yu) is a physician caring for the poor and rich alike, but at night he’s the Iron Monkey, a high-kicking do-gooder assisting those in need who are suffering beneath the rule of the corrupt governor.

    Meanwhile, Wong Kei-Ying (Donnie Yen) and his son Wong Fei-hong (Sze-Man Tsang) come into town. Soon after, Wong Kei-Ying is captured on suspicion of being the Iron Monkey after being observed in battle. His son is arrested as well. In an effort to clear himself, he offers to capture the real Iron Monkey, his son being forced to remain in prison to ensure his compliance.

    Soon Wong Kei-Ying and the Iron Monkey meet and, after going toe-to-toe with no victor, form an alliance that will rescue Wong Fei-hong from prison and bring down the evil governor once and for all.

    This movie kicks some serious wa-hoo-hoo and I’m not just saying that because of the awesome kung fu sequences, but because of it’s fun presentation of a classic story—Robin Hood—through the lens of Chinese culture, martial arts and fast-paced action.

    Quentin Tarantino brought the flick over to the West and I’m glad he did. I’m 99% sure I went to the theatre to check out this gem and it soon got a place in my DVD collection once it hit store shelves.

    What can I say? The fight sequences are over-the-top—wire acts, crazy fast kicks—but those are what make kung fu movies great and give the fight performances that supernatural feel that can’t be obtained otherwise.

    The superhero fan part of me had never seen a kung fu superhero movie, and when I compare it to the Western version of martial arts techniques that we get in our own superhero flicks, sadly, we come up short every time. I mean, this crazy, fast-paced over-the-top form of fighting is one of the main reasons The Matrix became so popular.

    There is lots that goes on in this movie storywise, everything from the simple rob-from-the-rich-to-feed-the-poor angle to Wong Kei-Ying’s tense relationship with his son, to commentary on oppression and what’s fair and what isn’t, to comedic moments, tear-jerking moments, to adrenaline-fueled action—it’s a full experience, something that Quentin Tarantino said in an interview on the DVD that is common in Chinese cinema but not really over here in the West. I think we need to learn a thing or two about moviemaking from our Chinese friends instead of compartmentalizing everything into genres and niches.

    If you love folk heroes like Robin Hood, or are a superhero fan, Iron Monkey should definitely be on your watch list.


  • Canister X Movie Review #45: Iron Man (2008)

    Iron Man (2008)

    Iron Man
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    Iron Man (2008)
    Written by Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway
    Directed by Jon Favreau
    Runtime 126 min.
    5 out of 5

    Tony Stark has it all: money, women, fame, and little regard for anyone else but himself, but when he’s kidnapped by a terrorist group known as the Ten Rings, everything changes and he soon finds himself with a car battery connected to a magnet in his chest. Tiny bits of shrapnel from the blast that led to his capture are slowly making their way to his heart and the magnet is keeping them at bay.

    The Ten Rings want him to build them a weapon and Tony knows that if he does, the world will fall into the terrorists’ hands. He needs to find a way to escape and to do so he must create something more than just the weapon the Ten Rings wanted him to.

    After inventing a metal suit with some crude weaponry, he manages to escape the Ten Rings’ lair and return to the world as a new man. Taking his iron suit discovery to a whole new level, he becomes Iron Man and sets to right the wrongs of his past and ensure that the terrorists who tried to enslave him won’t do so to anyone else.

    Iron Man is a thrill ride you don’t want to miss!

    There’s something about origin stories that I have an extreme soft spot for and Iron Man is near perfect in that regard. Given that Iron Man is a “human hero with no powers” ala Batman and it’s his suit which gives him his abilities, he becomes instantly relatable (well, okay, maybe not one hundred percent as I’m not a billionaire, playboy, philanthropist like him), but I’m on the journey of life like Tony with my own share of pain and turning points. The movie’s pacing is bang on and progresses “as if this really happened,” which is a huge plus for a superhero movie. (I’m a fan of super flicks that come from the angle, “If this happened tomorrow, this is how it’d most likely play out.” My own superhero series, The Axiom-man Saga, is based on that premise.)

    The Iron Man armor looks amazing and real, which is a big deal because most of it is CGI. I’m glad they were able to create real-looking metal armor that didn’t look totally fake. Likewise, to see the progression from the oh-so-crude Mark One armor all the way up the Mark Three was cool.

    The rest of the special effects were out-of-sight, especially the ultrasonic flying sequences. Looking at the world from Tony’s perspective inside the suit put you in his shoes—in his armor—and made you feel like you were Iron Man along with him.

    This flick also boasts a killer soundtrack and score that gets you pumped.

    Let’s see . . .

    Robert Downey Jr. is Tony Stark. Right from the first scene he lets you know who he is and what he believes in: himself. This carries throughout the rest of the film, but he also does a good job of becoming a changed man as the story goes on and the Tony we meet in the beginning of the movie is different from the one at the end. A lot of actors who are on supposed journeys during a story don’t pull that off and usually come across as the same guy from start to finish.

    Gwyneth Paltrow as Pepper Potts is dynamite. She’s strong, witty and is one of the few people who can go toe-to-toe with Tony’s narcissistic personality. Excellent casting for this role.

    Iron Man was the stepping off point for Marvel’s Phase One, which would later culminate in The Avengers. I don’t think at the time anyone knew that Iron Man—who back then wasn’t really known outside of the comic book community—would become such the massive hit it was, the franchise growing bigger and bigger with each outing.

    But I can see why. This movie is awesome.


  • Canister X Movie Review #40: Hulk (2003)

    Hulk (2003)

    Hulk
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    Hulk (2003)
    Written by James Schamus, Michael France and John Turman
    Directed by Ang Lee
    Runtime 138 min.
    3.5 out of 5

    You’re making me angry.

    You wouldn’t like me when I’m angry.

    In a lab accident, Bruce Banner (played by Eric Bana) is hit with a healthy dose of gamma radiation, the effects from the blast triggering the dormant bizarre alterations to his body done to him by his father (played by Nick Nolte) when he was just a toddler. Now, every time Bruce gets angry, the gamma rays still in his body course through his veins and transform him into the Hulk, a booming mass of pure green muscle driven by rage and fueled by anger and frustration at all those trying to hurt him.

    Bulldozing everything in his path, Hulk tries to outrun those who want a sample of his tissue and those who want him dead.

    Bruce Banner must face what he’s become and come to terms with its effects on his life, especially those on his ex-girlfriend, Betty Ross (played by Jennifer Connelly), and the relationship with her he’s trying to salvage.

    This Ang Lee-directed flick was well done, all in all. It took a while to get going (the opening credit sequence was especially long), but once it did, things got intense, heavy and also fun.

    This is a very emotional story. It’s a story of domestic abuse, suppressed memories, obsession, confusion, loss and everything in between.

    If anything, though, it was too emotional.

    Hulk is a hard character to bring to the screen but given the time allotment he had to convey as much story as possible, Ang Lee did a good job.

    This is not a good-guy-versus-bad-guy superhero movie. To watch it as one would be doing it a disservice.

    The comic book-framed shots added to the experience for this reviewer. Likewise, the all-CGI Hulk, once you got used to seeing him (he looks pretty cartoony at first sight), was believable and incredibly, no pun, well done. The way his muscles rippled when he tore stuff apart or flexed, the sweat on his skin, his hair blowing in the breeze—Ah, all good.

    This film is for true Hulk fans and for the viewer who likes the occasional monster flick or man-on-the-run movie.

    Hulk smash!


  • Canister X Movie Review #39: Hero at Large (1980)

    Hero at Large (1980)

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    Click Here to Order from Amazon.com

    Hero at Large (1980)
    Written by A.J. Carothers
    Directed by Martin Davidson
    Runtime 98 min.
    4.5 out of 5

    When nice guy and tough-on-his-luck actor Steve Nichols steps in and stops a convenience store robbery while dressed as Captain Avenger after promoting the movie of the same name, his life is changed and he suddenly finds himself as a superhero. Now with everyone wanting a piece of him, can he balance playing to the crowd with doing the right thing?

    I got this flick on VHS and on DVD and it’s one of my all-time favorites. Such a warm comedy that harkens back to a time when movies had values and superhero action wasn’t full of angst and drama. Instead, this movie is the opposite and I don’t mean it’s a goofball comedy. It’s simply loaded with heart and is about a man who constantly tries to do the right thing in and out of costume simply because that’s who he is, no other reason.

    John Ritter’s amazing in this flick. He was amazing in everything he did and it’s sad he’s no longer with us. His portrayal of nice-guys-finish-last Steve Nichols is inspiring and it’s oh so rare nowadays that you meet someone like that, but when you do, your whole day has been made better, if not your week. Sometimes even your life.

    The story is a simple one, but one that doesn’t follow the standard superhero formula and thus makes the movie the great one that it is. It’s about the guy beneath the costume versus the costume itself and all the explosive action that would normally entail.

    Without giving anything away, but reading between the lines, the supervillain in this movie is someone who made the wrong choice at the best time, and the consequences that play out leave you with a morality tale steeped in how important it is to do the right thing even when it’s not the popular thing to do. We can all take a lesson from that.

    Hero at Large is a heart-warming superhero movie perfect for a rainy day. Or a sunny one.

    I love this movie. It’s that simple.


  • Canister X Movie Review #37: Hellboy (2004)

    Hellboy (2004)

    Hellboy
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    Hellboy (2004)
    Written by Guillermo del Toro
    Directed by Guillermo del Toro
    Runtime 122 min.
    4.5 out of 5

    A baby demon comes through an interdimensional portal originally created by the Nazis near the end of World War II, but is rescued by the Allies before he could fall into enemy hands. Fast forward some sixty years later to the Bureau of Paranormal Research and Defense. The baby demon is grown up—now called “Hellboy”—and he works for the BPRD.

    When an evil hellhound known as Sammael is unleashed, Hellboy and the BPRD are sent to stop it. What ensues is a supernatural battle between Good and Evil.

    This movie is a superhero monster movie, two of my favorite genres rolled into one. You got Hellboy (Ron Perlman), the lone gunman type but with a heart of gold; Abe Sapien (Doug Jones), the intellectual who is a humanoid amphibian; Liz Sherman (Selma Blair), who is a distraught young woman with major issues and also has a hard time controlling her pyrokinetic abilities; and Trevor Bruttenholm (John Hurt), the scholar and father-figure who guides the group.

    As an amateur scholar of the supernatural world myself and all that that entails, the idea of the BPRD really appeals to me as I think modern society is very close-minded on the subject when the very world we live in—never mind all that’s beyond it—suggests that there is much more to our existence than what we can perceive with our five senses. Too many accounts of supernatural happenings to discount that. But that’s not what this review is about, so onward.

    Hellboy is an exciting movie with loads of action. Watching Hellboy fight is, well, just plain cool. Very brutal, and is sheer brawn mixed with skill. (He also wings things, too.) There’s some real good humor in this flick, as well.

    With certain superhero movies you could swap out the lead with someone else and wouldn’t miss a step, but with Hellboy, Ron Perlman did such a fantastic job with the character that it’s hard to envision anyone else. Kind of like how Robert Downey Jr. is Tony Stark or Hugh Jackman is Wolverine. It’s difficult to picture someone else in the role. Perlman played it straight, played it tough, and played it fun all the while making you believe this big red creature is a real person with real heart.

    I’m so glad they made a sequel and as of the writing of this review, there’s rumors of a third one starting up to round out the trilogy. I, for one, can’t wait to see it.


  • Canister X Movie Review #36: Hancock (2008)

    Hancock (2008)

    Hancock
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    Hancock (2008)
    Written by Vince Gilligan and Vincent Ngo
    Directed by Peter Berg
    Runtime 92 min.
    4 out of 5

    Alcoholic superhero John Hancock (Will Smith) is Los Angeles’s champion. The only problem is as much as the city needs him, he causes so much damage when fighting crime and rescuing others that the city also wishes they were without him. Enter Ray Embrey (Jason Bateman), a PR guy who’s just been turned down again after pitching his All Heart logo to different charitable organizations. When Hancock saves Embrey from an oncoming train, Embrey offers to restore Hancock’s image to the public while also giving a nice boost to his own career. When Hancock meets Embrey’s wife, Mary (Charlize Theron), he soon discovers that him and her have a forgotten past, one that’s already altered their future and will do so again unless history repeats itself.

    Wow. This is a cool movie and a take on superheroes that’s unique. Though an alcoholic superhero is nothing new (Tony Stark aka Iron Man is a drunk), making a guy who’s like Superman an alcoholic is, and seeing the ramifications of that play out is something this superhero fan was excited to see. Not only that, but you got to see what an inebriated superhero looks like as he uses his abilities. The haphazard way Hancock flies shows one of the dangers of such raw power if it’s not under restraint.

    The mythology brought forth in this tale is well done and turns the superhero notion on its head, bringing in the idea of a race of immortals that had once taken the place as gods or angels throughout history. The fact that these superhumans were created in pairs, and that if they chose to stay together they would live a normal life as normal humans and later die, added a level of tragedy to this film that was welcome though tugged at the heartstrings. Sort of that idea of “what would you give up for the one you love?” And in this case superpowers if you chose to be with them. It also seems that these super pairs have a genuine love for each other so to forego that is a great sacrifice indeed and was something exemplified in this flick.

    Never thought I’d want to see Will Smith as a superhero. Still have memories of him as the Fresh Prince of Bel-Air running through my head, but the reality is Will Smith is an incredibly talented actor and while he has used his default funny guy now and then, he’s pulled off loads of roles where Fresh Prince is but a faint memory and him as John Hancock in this flick is one of those roles. While I personally prefer actors who’ve portrayed superheroes to only be that one superhero and not take on others, if you put Will in the upcoming Justice League movie as Cyborg, for example, I wouldn’t complain and would certainly look forward to it.

    Charlize Theron—I’m a fan. Given the complexity of the Hancock story—namely where Theron’s character is concerned—I really felt bad for her for what she’d given up. She also did a good job of holding her own against Will Smith, who’s a pretty domineering actor in any scene.

    Jason Bateman is, well, Jason Bateman, but I like him so having him along for this super ride was super fine by me.

    Hancock is an awesome superhero movie that gives a fresh take on the genre as it doesn’t follow the traditional formula. Maybe in the sequel, if they ever make one. I hope they do as I’d like to see where the characters and the mythology go from here.

    Recommended.