• Tag Archives Lois Lane
  • Canister X Movie Review #76: Superman II (1980)

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    Superman II (1980)
    Written by Mario Puzo, David Newman and Leslie Newman
    Directed by Richard Lester
    Runtime 127 min.
    4.5 out of 5

    Superman is back, and when he inadvertently releases three inmates from the Phantom Zone, he has to go up against three supervillains every bit as powerful as he is. Complicating matters, Lois Lane is getting wise to the possibility that Clark Kent might not be who he claims to be and that, just maybe, beneath those glasses is the Man of Steel she so desperately loves.

    As the two become close and spend time together, the three Kryptonian villains arrive on Earth and wreak havoc and destruction. Meanwhile, Lex Luthor seizes the opportunity to cash in on the aliens’ arrival and tries to exploit their powers for his own gain.

    With the fate of the world hanging in the balance and Superman nowhere to be found, will the Earth fall to General Zod forever?

     

    This is a great follow up to Superman I, and is basically a direct continuation of that story, with seeds for this one planted in the first movie. This is also true behind-the-scenes as Superman I and II were shot simultaneously but due to various complications, the version that came out in 1980 wasn’t completely what was intended, and thus the birth of Superman II: The Richard Donner Cut, which is the subject of another review.

    Regardless, this version is fantastic, beginning with a recap of the Superman origin and mythology during the opening credits, and jumping right into Superman action pretty much from the start. The ante is upped by putting Superman against not only someone who is his equal power-wise, but three people who are, never mind Lex Luthor as well, who is a big challenge to Superman in the struggle of brains vs brawn.

    This movie at its center carries a lot of heart as it goes into the relationship between Lois and Clark and Lois and Superman, making for a love story that is every bit as good as some romance movies without transforming this whole film into a romance flick. The ending is heart-wrenching as you understand the cost of being Superman and even the cost of being someone close to him.

    Like its predecessor, Christopher Reeve and Margot Kidder know their roles and fulfill them to a T. Same with Gene Hackman. Obviously, a great deal of this has to do with them filming Superman I and II simultaneously, but in the interest of watching them from one movie to the next, that seamless transition adds to the believability of the whole thing.

    Terrance Stamp stole the show as General Zod, easily holding up against Christopher Reeve and oftentimes overshadowing him. He carried with him a powerful presence, and gave off a rage that only one who had been—in his eyes—unrightfully imprisoned in the Phantom Zone could give. Sarah Douglas as Ursa and Jack O’Halloran as Non did just fine in their roles, but their main score was their reverence and allegiance to Zod, which then added to Stamp’s performance.

    The super battle at the end was great and awesome for its time. Most of the effects were practical effects—the best kind, in my opinion—and so while nowadays these guys wouldn’t look so tough fighting it out on screen, back then I remember being in awe at how mean and powerful the bad guys were and how Superman really had a run for his money.

    Superman II carries the same awe and wonder that Superman I did, even more so depending on what angle you want to tackle it from (i.e. Superman II showcases all of Superman’s powers whereas the first one didn’t).

    Whether as a kid or an adult, I love this movie.

    Recommended.


  • Canister X Movie Review #75: Superman (1978)

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    Superman (1978)
    Written by Mario Puzo, David Newman, Leslie Newman and Robert Benton
    Directed by Richard Donner
    Runtime 143 min.
    5 out of 5

    Before the doomed planet Krypton explodes, Jor-El and wife Lara send their infant son, Kal-El, to Earth to save his life. Discovered in a field and raised by Jonathan and Martha Kent, Kal-El—renamed Clark—grows up to discover he has powers and abilities far beyond those of mortal men. After leaving the farm after high school, Clark heads north and meets a holographic projection of Jor-El and learns who he really is and what he is meant to do. Twelve years later, Clark re-enters the world and becomes Superman, a symbol of hope in a world that desperately needs it.

    Upon observing Superman’s debut, the greatest criminal mind of our time, Lex Luthor, hatches a clever real estate scheme to destroy the Man of Steel while also making himself filthy rich.

    With millions of lives in the balance as well as his own, can Superman stop Lex and put an end to the madman’s plan?

     

    Like most kids, I watched this flick a thousand times. Okay, maybe not a thousand, but as often as I could considering my parents taped it for me and I knew how to work the VCR. At one point, I think we even had a VHS tape that had all four Superman movies on it from when they aired on TV. Anyway, I’ll freely admit this review is totally biased as we’re talking about a movie—especially a Superman movie—from my childhood, and it’s impossible for me to watch the movie now without memories of being a kid, holding my Superman action figure and watching Superman catch Lois Lane falling from a helicopter that’s stuck on the side of a building.

    That said, this movie is still aces for loads of reasons. One, it was taken seriously. I read somewhere that Christopher Reeve—who plays Superman/Clark Kent—put forth that he wanted to do it straight-laced. Up until then, you had the Batman TV series for men in tights (unless you counted the Green Hornet TV series, which was semi-serious), and then the cartoons. There was the George Reeves Adventures of Superman series in the ’50s and the Kirk Allen series before that, but in terms of immediate “superheroes in people” memory, you had ’60s Batman and that was it.

    By taking the source material seriously, by playing Superman as if it’s really happening, this was the first time audiences were treated to superheroes in real life and the filmmakers weren’t kidding when they said, “You’ll believe a man can fly.” I know I did, both now and when I was a kid. Superman was larger than life on the screen, whether he was using his powers or not. He inspired hope, and the film didn’t shy away from showcasing a Superman that fought for “Truth, Justice and the American Way.”

    We got to see Superman enjoy being Superman, especially during his first night out saving a cat stuck in a tree, stopping Air Force One from falling to the ground, apprehending a jewel thief and putting an end to a criminal/police car chase.

    Christopher Reeve as Superman has been the benchmark every other Superman actor has tried to reach. His Superman is bold, idealistic, hopeful and kind. As Clark Kent, mild mannered reporter for the Daily Planet, he did a fine job of really making you believe he was two different people when all he really had to use was a change of clothes, a new hairstyle and a pair of glasses. The guy changed his voice, his mannerisms, his speech—everything. I bought it. Go ahead. Put a picture of the two side-by-side and it’s like two different guys, so I don’t believe it when people nowadays say a pair of glasses is a stupid idea to conceal your identity. Ever have someone you know really well not recognize you after a haircut? It’s happened to me and that’s just a haircut not something covering part of my face like glasses. Anyway . . .

    Margot Kidder was a solid Lois Lane: brash, driven and totally obsessed with Superman while being dismissive of Clark Kent. Her way of treating the two totally made the bizarre love triangle that is Superman/Lois/Clark work. Aside from some bad decisions that maybe we wouldn’t expect a smart-as-a-whip reporter to make, she still sold it.

    Gene Hackman as Lex Luthor. His version was good. I don’t know much about the comics of the time, so I can’t say how faithful he was. But in terms of being a good villain, for sure. And he was a bad guy here, an actual criminal and not the revered-but-shady businessman he would later become in the comics world.

    The overall story: hey, it’s simple, but so were most movies back then. At the same time, the superhero movies of today—as good as they are—could learn a lot from Superman and sometimes keeping things simple instead of just non-stop explosions and action is the better way to go. So much more room for character development and interaction.

    This review wouldn’t be complete without mentioning John Williams’s iconic score. The “Theme from Superman” is right up there with Beethoven’s Sixth. You play the tune anywhere and people recognize it. It’s iconic, inspiring, heroic and like one of the folks who worked on the movie said—I think it was Richard Donner himself—you can actually hear the song say the word, “Superman.”

    Watch this movie. Just watch it.

    You’ll believe a man can fly.

    Highly recommended.


  • Canister X Movie Review #57: Man of Steel (2013)

    Man of Steel (2013)

    Superman Man of Steel
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    Man of Steel (2013)
    Written by David S. Goyer
    Directed by Zack Snyder
    Runtime 143 min.
    5 out of 5

    A sole survivor of the doomed planet Krypton grows up on Earth and discovers he has abilities far beyond those of mortal men. Once grown, he sets off to find out who he is and where he comes from. The answer is discovered in a spaceship in the arctic and Krypton’s Last Son, Kal-El—Clark Kent—meets a hologram of his long-dead father, Jor-El, who reveals to him his destiny: to be a beacon of hope for humanity, and also someone who could one day restore the doomed Kryptonian race.

    Enter Zod, a harsh general and one who has fought his whole life to protect Krypton and its people. During an altercation with Jor-El prior to Krypton’s explosion, he finds out that Jor-El has sent his newborn son off-world and, along with the child, plans for Krypton’s future. A battle ensues and Zod is sent off-planet, too, him and his cohorts banished to the Phantom Zone for rehabilitation. When Krypton explodes, the containment units holding Zod and his followers release them and he spends the next thirty-three years combing the stars, searching for Jor-El’s son.

    Locating Kal-El on Earth, Zod sends an ultimatum to the planet, forcing Kal-El to reveal himself to the humans and to stop Zod from using Earth as ground zero for a new Krypton. Zod, like Kal-El, is now powered by the Earth’s yellow sun and is empowered with superabilities. An enormous battle ensues between Krypton’s general and Kal-El, the fate of the Earth hanging in the balance.

    What can I say? This movie is mind blowing! It’s epic, it’s incredible. So much was riding on this film to deliver a Superman movie that would captivate audiences and restore the Man of Steel to his rightful place as king of the superheroes. Man of Steel does just that and then some, bringing with it the awesome sci-fi factors of Star Wars to the dense storytelling of The Dark Knight Trilogy.

    There has never, ever been a superhero movie like this before. Henry Cavill as Superman nailed the part. He’s a nice guy, a caring guy, but he’s dead serious about doing the right thing and exudes the confidence that only one who has sold himself out for the good of all can portray. He did something that was never done before by any other Superman actor: showing Clark Kent before he was Superman or even the bumbling reporter of the Daily Planet. (I’m referring to the movies, not Smallville). In fact, he’s this version of Clark Kent for nearly the whole movie. You see him making the big decisions, weighing his upbringing against this new task of saving the world that was suddenly dropped on his lap. You journey along with him as he wrestles with his being different and how those differences apply not just to his life, but to the lives of others.

    As Superman, he’s the Superman. I never thought Christopher Reeve’s performance could be outdone, but Henry Cavill matches, if not exceeds, what Mr. Reeve brought to the character. Cavill’s Superman is one hundred percent devoted to staying true to who he is, his abilities, his upbringing, his quest for truth and justice, and for putting his foot down both with men and rebel Kryptonians when needed. I can’t really comment on his reporter Clark persona because that’s not a big role in this movie. I hope, however, it will be in the sequel and we’ll see plenty of Lois and Clark interaction in the next one, especially after the way the Lois and Clark relationship is portrayed in this movie. You’ll have to see for yourself for what I mean.

    Michael Shannon as Zod was crazy good. The guy can act and his Zod is much different than Terrence Stamp’s. Yes, both are ruthless, but whereas Stamp’s Zod was more about power grabbing and his desire to rule, Shannon’s is about giving his all to restore the former glory of Krypton at any cost, even if that means eradicating all of Earth’s population to do it. The best villain is always the villain you accidently find yourself rooting for, and that happened to me throughout this movie. Every so often I felt for Zod and understood what he was trying to accomplish. It made sense and made me consider that maybe if I was in his shoes I would’ve done the same thing or something similar.

    Amy Adams as Lois Lane was a good choice. I wasn’t sure at first, as I know Amy Adams as more of the happy-go-lucky girl from other movies far removed from the superhero genre—though she was in one episode of Smallville during its first season—but she sold me on the part and she reminded me of the Lois Lanes from the old cartoons: warm, but cut and dry; funny, but serious about what she does and her desire to go the distance to get a story.

    The action in this movie was crazy huge. The bar has been set so high in terms of superhero cinema in recent years and Man of Steel makes every superhero movie that’s come before it look like a puppet show by comparison. The wide-scale destruction wrought by Superman and Zod—never mind Zod’s right-hand-woman Faora and the other rebel Kryptonians—is what you’d expect if people with god-like powers let loose in an all-out brawl across a city. And the speed, man, the speed! Normally superspeed is shown as either a big blur or done in slo-mo, with the superspeedsters moving quickly while everyone else is frozen. In this one, you see Superman et al. zipping around, pausing, breaking sound barriers, and bringing the viewer along as if we’re in his boots the whole time and experiencing the thrill of superspeed ourselves.

    The way Superman flies in this is unlike any other portrayal before, and while I loved how he flies in the other movies and TV shows, in this one he seems to hurl himself through the air at times, while at others flies with precision and care. The heat vision effect in this was stellar, too. The glow beneath the skin around the eyes and to see the veins beneath its surface made it all the more menacing. The superhearing and X-ray vision were familiar territory to those who’ve watched Smallville, but there was no all-out X-ray vision where everything was dark blue and white.

    The fighting between Superman and Zod was serious business and was truly a portrayal of two warriors going toe-to-toe and not just wrestling or tapping each other out. It was one crazy hard blow after another, some slow, some rapid, even some in the sky! Insane! So many times I was blown away and just going “Wow, wow, wow!” Zod fought with the skill of a trained warrior, whereas Superman fought with brute force.

    Man of Steel is a crazy good movie with a strong story, an incredible cast, and superhero action that has now become the benchmark for anything to follow. To be honest, I don’t know if it can be followed. Hopefully in Man of Steel 2.

    Super recommended.


  • Canister X Movie Review #1: All-Star Superman (2011)

    All-Star Superman

    All-Star Superman
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    All-Star Superman (2011)
    Written by Dwayne McDuffie
    Directed by Sam Liu
    Runtime 76 min.
    5 out of 5

    The Man of Steel is dying after receiving an extreme dose of solar radiation. Trying to live out his last days and wrap up all loose ends, he spends it with Lois and gives her a special serum that grants her superpowers for twenty-four hours. When unexpected twists and turns arise, the two must save Metropolis together. Meanwhile, Lex Luthor has plans of his own and when he gets his hands on the serum that granted Lois superpowers, he becomes as powerful as Superman.

    Can the Last Son of Krypton stop his arch nemesis while also saving the Earth from a damaged sun before he perishes?

    When I think of classic Superman, I think of this story. The reason is because this story involves all of the classic elements of Superman lore, everything from the basics like Lois Lane and Lex Luthor, all the way to the Fortress of Solitude, the bottle city of Kandor, a full array of superpowers—and in the case of this story, some new ones, which reminds me of the “bonus” powers portrayed in Superman IV (though they’re not silly in this one like they were in that flick)—the Phantom Zone, Superman using not only his super brawn but also his super brains, Lois having superpowers (which has happened quite a lot in Supes’s history—she’s got a cool costume in this, by the way), and a ton more.

    Based on the graphic novel by Grant Morrison and Frank Quitely, this flick asks the hard questions about Superman’s mortality, if such a thing is possible, and if it is possible, then how would that possibly play out? Unlike Superman’s death when the Man of Steel went up against Doomsday, this story isn’t about a giant slugfest, but about a slow death caused by the very thing that gives Superman his powers: the sun. It’s about him coming to terms with his own mortality and setting things in order before his final moment arrives.

    One of the great things about these direct-to-DVD super flicks from DC is they’re all stand-alone features based on a graphic novel and by being so, they also carry with it the same art style from the book. In this case, it’s Frank Quitely’s art animated. I admit it took a while for his art to grow on me. Perhaps because it’s so simple and clean, yet by being that way, he’s able to create some pretty realistic-looking superheroes. Seeing it animated like we do in this flick brings Superman et al. to life and makes this comic book fan very happy.

    Out of all the Superman adaptations done thus far, All-Star Superman is one of the greats and gets high props for being an awesome animated flick with a great cast, great art direction, a great story and, most importantly, having the greatest hero of them all, one who’s definitely an all-star: Superman.

    Highly recommended.