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  • A.P. Fuchs’s movie reviews, ranging from horror to superhero to sci-fi and a bunch of other stuff.

  • Canister X Movie Review #74: Superhero Movie (2008)

    Posted on by A.P. Fuchs

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    Superhero Movie (2008)
    Written by Craig Mazin
    Directed by Craig Mazin
    Runtime 85 min.
    4 out of 5

    After being bitten by a genetically-engineered super dragonfly, Rick Riker (Drake Bell) discovers he has superpowers and can stick to walls, has superstrength and can even fly! Trying to live up to the high expectations of the Riker family name, he becomes the Dragonfly, stopping evildoers wherever they may tread.

    Meanwhile, evil billionaire industrialist Lou Landers (Christopher McDonald), trying to cure a disease that’s killing him, tests an experimental procedure on himself. It goes wrong and he’s left with the ability to suck the life energy out of people. For each person he kills, he can live an extra twenty-four hours. To accomplish this, he takes on the identity of the Hourglass and starts killing people left and right.

    It’s going to take a real hero to stop him and the Dragonfly is the right hero for the job!

     

    This blatant superhero parody is basically a retelling of the 2002 Spider-Man movie, with a few references to other heroes thrown in (i.e. a scene from Batman Begins).

    Part slapstick comedy, part tongue-in-cheek, part smart and witty, this flick travels in the vein of the Scary Movie franchise, the Naked Gun flicks, Disaster Movie and others. As a fan of all those movies, to see the superhero genre getting the same treatment made this flick even more of a delight. What makes these types of movies brilliant is the deadpan delivery of most of the lines, where every character plays both the straight man and the funny man, the roles interchanging between whoever they are playing along with.

    Again, storywise, it’s the Spider-Man 2002 movie, with names changed, a few different scenarios and, well, that’s about it, so I don’t need to recap here.

    The action was fine, but obviously toned down because that’s not what this movie was about.

    Riffing on the Spider-Man 2002 costume, Dragonfly’s suit was pretty slick, actually. Hourglass’s, not so much.

    The super effects were well done and believable, and it had a soundtrack that was a take-off of, again, the 2002 Spider-Man movie (I sense a theme).

    As one who isn’t a fan of over-the-top crude humor, I’m glad that that stuff was toned down for this flick. Maybe because they thought some parents would let their kids see it because it has a superhero in it, I don’t know, but by doing that, it also forces the jokes and sight gags not to default to the easy stuff like sex humor.

    Definitely a movie for grownups, Superhero Movie is a tip of the hat to the superhero genre from the comedy genre without it simply being a campy rendition of the same.

    Funny stuff.


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  • Canister X Movie Review #73: Supergirl (1984)

    Posted on by A.P. Fuchs

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    Supergirl (1984)
    Written by David Odell
    Directed by Jeannot Szwarc
    Runtime 125 min.
    3.5 out of 5

    After accidentally losing the Omegahedron, Argo City’s power source, Kara Zor-El (Helen Slater) embarks on a journey to go recover it before Argo City perishes. Upon arriving on Earth, she discovers she has superpowers and adopts the identity of Supergirl, which she uses to help others while on her quest to recover the Omegahedron.

    Elsewhere, the Omegahedron has fallen into the hands of Selena (Faye Dunaway), a flunky witch who quickly becomes powerful because of it and who sets her sights on Supergirl, ready to eliminate the Girl of Steel the first chance she can get.

    Can Supergirl recover the Omegahedron before Argo City goes dark and Selena is victorious?

    It’s superheroine versus supervillainness in this ’80s classic of Good vs Evil.

     

    This flick is every bit a part of my childhood as the Superman movies were. At the time, of course, I was too young to understand the story, but now older, it’s not too bad. Sure, it has some flaws and continuity issues, but at its heart it’s the story about someone trying to right a grievous mistake, something that most of us can relate to.

    The visuals and hints of Kryptonian mythology put forth quickly link it to the Superman movies—Supergirl identifies herself as Superman’s cousin while in costume, and also as Clark Kent’s cousin when she’s in disguise as Linda Lee; her supersuit is basically the Christopher Reeve costume from the waist up—and it has a cinematic score that carries a similar heroic tone to that of its male counterpart. Likewise, Marc McClure reprises his role as Jimmy Olsen from the Superman movies and appears as Lucy Lane’s boyfriend (Lucy is Lois Lane’s younger sister).

    They seem to want to jump right into Kara being Supergirl so don’t give an explanation as to why she leaves Argo City in that bubble ship in one outfit then transforms inside the ship and flies out of the water in her supersuit, but whatever. They do a good job of showing her discovering her powers, the joy of having them, and also the satisfaction of using them for good.

    As hopeful and cheery as this flick is at times, it’s also equally dark thanks to Selena being a witch. There is a ton of occult imagery and when you’re watching this stuff as a kid, it creeps you right out. And that funhouse that Supergirl’s “man in distress” has to find his way out of? Shivers, man. But who isn’t afraid of creepy funhouses, right?

    The pacing was pretty decent and each obstacle Supergirl must overcome as the movie rolls along keeps getting bigger and bigger until the end when it seems all hope is lost and even the Girl of Steel is helpless.

    What was especially cool is during the time of Supergirl’s tenure on Earth, Superman was elsewhere in the galaxy doing his thing, so when the story wraps up, Supergirl asks those who knew of her presence to forget she was there and flies off triumphant back to Argo City. This, of course, kept the two super franchises separate while still linking them. I heard Christopher Reeve was supposed to have a cameo in Supergirl but it didn’t work out, with Reeve citing personal reasons (whatever those might’ve been). Would’ve been amazing had the two teamed up for it. Maybe we’ll finally get to see Supergirl and Superman together in Man of Steel 2 . . .

    In the end, Supergirl is an overall enjoyable flick that is from a time before superhero movies got all dark and gritty, the hero was filled with angst and turmoil, and it enjoys itself for what it is: a movie about a girl who can fly.


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  • Canister X Movie Review #72: The Spirit (2008)

    Posted on by A.P. Fuchs

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    The Spirit (2008)
    Written by Frank Miller
    Directed by Frank Miller
    Runtime 103 min.
    3.5 out of 5

    Denny Colt was one of the best cops Central City has ever known. After being killed in the line of duty, he returns from the grave as the Spirit and fights evil as a masked crime fighter. Enter the Octopus, an evil villain bent on gaining immortality and will do anything and stop at nothing to achieve it.

     

    So basically this is Sin City meets an old pulp superhero, the Spirit, who was created by Will Eisner. We can thank Frank Miller for the Sin City spin on this flick as he was the man behind it. Which, to me, is fine. I thought Sin City was the breath of fresh air movies needed and adding that kind of style and storytelling to the world of the Spirit is cool with me. Granted, I never read the comics so I can’t comment on if that was a smart move for an adaptation or not. I can comment that the costume change—going from an all-blue suit and fedora with a red tie, to an all-black suit and fedora with a red tie—was a cool move as a guy in a blue suit, a non-spandex one, wouldn’t translate to film very well.

    This movie is big time over-the-top, so leave your expectations for a realistic comic book movie at the door. The characters take a ton of abuse and keep on kicking. I mean, the Spirit taking a toilet to the head and still standing after? Come on. But if you go in not expecting a realistic superhero movie, then this won’t bother you.

    On a visual scale, this movie is aces. The black and white, the spot coloring, the glows, the different animated scenes thrown in—again, like Sin City but a really cool way to do a super flick and it makes me wonder how it might look if it was done with some of the more major franchises—i.e. if Captain America had a couple slick, three-or-four-second animated scenes as part of the movie. You never know.

    Gabriel Macht did just fine as the Spirit—was tough, suave and able to hold his own on the action scale. Samuel L. Jackson as the Octopus—well, he’s SLJ so you got SLJ. I love the guy but he’s the same guy in every movie despite what he’s supposed to be. Granted, there are a few exceptions (i.e. The Caveman’s Valentine).

    Bottom line: this is a crazy ride and cool detective story blended with superhero action and mayhem. It won’t change your life, but it certainly might add to it in a little way.

    Good movie.


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  • Canister X Movie Review #71: Spider-Man 3 (2007)

    Posted on by A.P. Fuchs

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    Spider-Man 3 (2007)
    Written by Sam Raimi, Ivan Raimi and Alvin Sargent
    Directed by Sam Raimi
    Runtime 139 min.
    4 out of 5

    It’s triple trouble for Spider-Man in this third installment in the mega franchise.

    Life is good for Peter Parker (Tobey Maguire). He’s got the girl, about to propose, making bucks, the good people of New York love their Friendly Neighborhood Spider-Man like it’s their job—yeah, everything is smooth sailing.

    As if.

    Suddenly, a mysterious new villain shows up out of nowhere: the New Goblin (though he doesn’t refer to himself as such in the film). Quickly, we find out it’s Harry Osborne (James Franco), Peter’s once-best friend out for revenge because he thinks Peter murdered his dad.

    One villain Peter can handle, especially since his first altercation with the suped-up Harry Osborne ends rather quickly. But no, things quickly get worse for our favorite wallcrawler when fugitive Flint Marko (Thomas Haden Church) gets himself trapped in a molecular blaster thingy and becomes the shape-shifting Sandman. Also adding to Peter’s troubles is ultra-hungry photographer Eddie Brock (Topher Grace), who wants nothing more than to make a name for himself in the newspaper business.

    Unbeknownst to Peter, while he and Mary Jane Watson (Kirsten Dunst) are on a date in a NY park, a mysterious meteor lands from the heavens, leaking a strange black goop that follows Peter home and eventually latches onto him, transforming him into someone darker, meaner and more spider-powered than ever before. When Peter finally realizes his new black suit is slowly destroying his life and he’s alienating everyone he’s ever cared about, he manages to ditch the suit in a cool church bell tower scene that screams Peter’s search for redemption, but also Eddie Brock’s search for revenge. The black goop lands on Brock, carrying a copy of Peter’s spider-powers with it, transforming Eddie into the menacing Venom.

    It’s Black Spider-Man versus three villains in this web-slinging rollercoaster ride that scratches Spider-Man fans right where they itch!

     

    The good:

     

    The spider effects keep getting better with each installment, especially in the area of you feeling like you’re right there with Spider-Man zipping through the air. That scene where Gwen Stacy (Bryce Dallas Howard) falls off that building and Spidey has to cut through the air in between falling debris to save her? Pure good.

    The story had some good twists, especially building up the suspense while we waited for the black symbiote to latch itself onto Peter. Same with Peter proposing to MJ. The whole “it not working out” thing was well done.

    James Franco played the villain wonderfully. I genuinely hated him after a while, the big tip of the hat being to when he fooled Peter into thinking he was his buddy again only to screw him over big time later on.

    Topher Grace was easily the best actor in the film. He was funny, cocky, yet at times you sincerely felt bad for him.

    The fight scenes were great. The symbiote effects for the living suit were fantastic, too.

    The ending with Harry Osborne—even after all he did during the film—made tears prick the corners of my eyes.

     

    The not-as-good:

     

    One would think a major lesson had been learned from Batman & Robin: too many characters is just plain stupid. Unfortunately, Spider-Man 3 didn’t take that warning to heart. The film had way too much going on. I know they had to wrap up some story threads as established in the first two movies, but when all was said and done, things just felt way too rushed and I know I’m not the only fan to think so. If it were me, I would have left it at two villains: the New Goblin and Sandman. Or just do Venom and leave it alone. (And if anyone knows the Venom story, from the comics or the 1990s Spider-Man cartoon, you know that Venom’s mythology is more than enough for a feature film.) I really felt short-changed regarding Venom. So much time was spent building up to him—the origin, Peter going dark, Eddie Brock’s character, both before and after he inherits the suit—that by the time Venom showed up, there wasn’t much time left in the movie for him to really be the bad guy fans know him to be.

    There’s really not much to complain about with this movie other than it feeling very rushed and cluttered. Over all, it still was a solid flick, but my least favorite of the three.

    Rumor has it that Spider-Man 4 is getting back to basics so I’m eagerly anticipating that one.

    Also stars: J.K. Simmons, Bruce Campbell, Rosemary Harris, James Cromwell, Ted Raimi, Bill Nunn, Willem Dafoe, Dylan Baker, Stan Lee and others.


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  • Canister X Movie Review #70: Spider-Man 2 (2004)

    Posted on by A.P. Fuchs

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    Spider-Man 2 (2004)
    Written by Alvin Sargent
    Directed by Sam Raimi
    Runtime 127 min.
    5 out of 5

    Who ever said being a superhero would be easy?

    In this second installment in the Spider-Man franchise, Peter Parker has his back against the wall as he tries to juggle life as a student, being best friends with Mary Jane Watson, carrying the guilt of his uncle’s death, freelancing for the Daily Bugle, delivering pizza, and, of course, being ever on-call as your Friendly Neighbourhood Spider-Man.

    No matter how hard he tries, Peter just can’t seem to balance everything at once and the constant sacrifices he makes in his personal life so he can help others wears him down . . . down . . . down . . . until he can’t take it anymore and his spider-powers begin to change.

    Then vanish.

    The timing couldn’t have been worse, either, because Dr. Otto Octavius’s energy device backfired and has fused four robotic arms to his body, their AI worming its way into his brain, controlling him. All they care about is fulfilling their purpose and they don’t care who they have to hurt to recreate the device they were made for.

    Dr. Octopus’s (Doc Ock’s) rampage through New York is met with little resistance until our favorite web-slinger attempts to take him on.

     

    This movie thrills the inner fanboy much more than its predecessor and officially is my favorite—so far—in the Spider-Man series. This flick carries near start-to-finish classic superhero goodness: stellar aerial battles, eye-popping web-slinging, dual identity troubles, nerd-can’t/won’t-get-the-girl issues, a hardcore villain bent on his mark, trials, sacrifice—all crammed into a-little-over-two-hour movie. But the pacing works and doesn’t feel over cluttered at all.

    You feel for Peter Parker every minute of this film, both when he’s at the top of his game and when he’s at the bottom, and when he loses his spider-powers, your heart sinks and you cry out, “No! Not Peter! His powers are part of who he is. How can you take them away?”

    Tobey Maguire was extremely believable in this film and brought a real depth to Parker that—though was present in the first one—really shone through in this. And Alfred Molina as Doc Ock? Such duality. When you first meet Otto Octavius, he genuinely seems like a nice guy, an almost fatherly figure in a way, but when he loses his project and those he cares about, things switch and he barely resembles the man he once was. Yet deep within, you see him struggling against the mechanical arms that have taken over his body and mind.

    J.K. Simmons as J. Jonah Jameson was hilarious as always, and Kirsten Dunst as MJ—there was more maturity in the character this time around and though she still acted kind of “high school-ish,” you also saw someone struggling with who they were—more specifically, trying desperately to reach out to the man she’s fallen for but who is pushing her away.

    Spider-Man 2 thrilled me to pieces. I was there on opening night and I left the theatre all smiles and in a state of disbelief at how downright cool it was. I wasn’t sure if it would top the first one because most sequels—’til that point because the Superman movies and the previous set of Batman films were pretty much what we had to go on except for X2—usually don’t nail it like the first one.

    I was proven wrong.

    This movie rocked so hard I went back a couple more times and bought it on DVD as soon as I could.

    Check this flick out. You’re in for an amazingly cool, web-slinging good time.

    Recommended.


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  • Canister X Movie Review #69: Spider-Man (2002)

    Posted on by A.P. Fuchs

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    Spider-Man (2002)
    Written by David Koepp
    Directed by Sam Raimi
    Runtime 121 min.
    4 out of 5

    This flick was decades in the making. So many legal setbacks forced Spider-Man to bounce from rights holder to rights holder before finally finding a place with Sony to deliver the goods.

    The hype surrounding this movie was astounding. I remember getting my copy of the soundtrack before the movie came out, and not just that, but also a copy of the “Hero” single by Nickelback as well. Seeing Spidey swinging over a golden-bathed New York on its cover got me even more stoked for this film.

    And so, opening night, I went with my dad to check the movie out, my heart pounding with excitement, the previews before the movie taking excruciatingly long.

    Peter Parker (Tobey Maguire), geek extraordinaire, gets bitten by a radioactive “super spider” while on a class fieldtrip as he tries to get a picture for the school paper of next-door-neighbour-slash-love-of-his-life Mary Jane Watson (Kirsten Dunst). Following a bout of sickness, Peter wakes up the next morning no longer a skinny geek but instead buff and tough, wondering what happened to him. Adding to the weirdness, he’s suddenly able to do things he wasn’t able to do before: no need for glasses; lots of energy; fantastic agility; amazing strength; sticks to walls; shoots sticky white web-things out of his wrists; can sense bad things before they happen. So, like any good teenager with superpowers, he uses them to impress the girl of his dreams, in his case, taking on a spider-like persona in a wrestling match to win some big money to buy a car. While on the way there, he fights with his uncle, Ben, and leaves in a huff, only to later find out the burglar he let get away—who had stolen from the wrestling folks who didn’t pay Peter what he was worth—killed his uncle in an effort to swipe a getaway car.

    Also going on, Norman Osborne (Willem Dafoe) is having trouble with his company and so, in a fit to prove to the military his superhuman formula works so he can sell it to them, he tries it on himself . . . but with dire side effects: the creation of an alternate personality which is eventually dubbed “the Green Goblin.” When things go sour for the company, the board of directors votes him out and Norman goes into full villain mode to exact his revenge.

    Across the city, Peter has learned that with great power comes great responsibility and so avenges his uncle’s death by using his new spider-like powers for good and becomes the Amazing Spider-Man.

    It’s hero versus villain, Spider-Man versus the Green Goblin, in this superheroic slugfest/love story/coming-of-age movie that made the wait for this flick well worth it.

     

    To be honest, however, the crazy overhype of this movie did put a damper on it for me when I first saw it. Straight up: when I left the theatre opening night I left disappointed. Not that I thought it was awful, not by any means, it was just there was this lingering “Is that it?” feeling that hung over me as I made my way back to the car.

    If anything, Spider-Man is definitely an origin movie, something to set the stage for more to come, giving a rich backstory and atmosphere not just to Peter Parker’s world, but to each of the supporting characters, even J. Jonah Jameson (who J.K. Simmons played brilliantly, by the way).

    The effects were top notch save for a couple moments where you clearly saw that the Peter that was swinging and jumping from rooftop to rooftop was animated. Speaking of the swinging, when Spidey took you up and down through the deep concrete chasms of New York—man, you felt like you were there, swinging along with him. I heard they even developed a “spider-cam” for this movie. Cool. And that heartbreaking scene at the end where Peter turns down MJ? My heart bled for the guy.

    Do I stand by Spider-Man? Absolutely. I saw it again in the theatre, going back with the mindset of “seeing it for what it was,” and I adored it afterward. Out of the three movies in this series so far, it’s my second favorite. As for my favorite-favorite, just read my reviews.

    This was a superhero movie done right, done well and done just plain cool.

    Recommended.


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  • Canister X Movie Review #68: Spawn (1997)

    Posted on by A.P. Fuchs

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    Spawn (1997)
    Written by Alan McElroy
    Directed by Mark A.Z. Dippé
    Runtime 96 min.
    3 out of 5

    Seasoned soldier Al Simmons is double-crossed by his boss, Jason Wynn, and is assassinated. Heading straight to Hell, Al cuts a deal with the devil and is sent back to Earth. The catch? It’s five years later and his beloved wife Wanda is married to his best friend. Worse, Al’s rethinking his vow to lead Hell’s war against Heaven. Endowed with the powers of a hellspawn, he not only looks terrible but is hounded by a demented and demonic clown and finds himself at a crossroads as to what to do with these new abilities. Deciding to take his fate into his own hands, Al begins to mark out his own path as Spawn.

     

    This movie is a CGI extravaganza unlike anything that had ever been seen in a superhero film at the time. Most of the effects are computer, and I mean com-put-er, but those were how effects looked back then so whatever.

    That stuff aside, the movie’s all right. They got Al’s origin right, but really seemed to tame down the gruesome exploits of a hellspawn for mainstream audiences. Realistically, a true Spawn film would be rated R and loaded with language and so much gore that even the most desensitized audiences would cringe.

    Michael Jai White as Spawn worked for me. He was tough, brooding, had the grumbly voice, and the dude knows how to fight! (He’s a real-life martial artist in several disciplines.)

    John Leguizamo as the Clown/Violator was awesome. He was disgusting, funny, rude and was a thorn in Al’s side right from the get-go.

    The story seemed more like an overview versus the thick of Spawn’s mythos. Spawn does have a dense mythology with a lot of players and it’s real hard to get all that into an hour-and-a-half movie. At the same time, they didn’t have a choice but to go short and sweet because Spawn—back then and outside of the comic book universe—was completely unknown. Even now, unless you’re a comic fan, not many people know who he is. Hard to convince a studio to green-light a long Spawn movie.

    On the plus side, this flick is intensely atmospheric and harkens back to Tim Burton’s Batman movies in a lot of ways. There is a sense of Spawn’s world throughout the film and not just, “Oh, this is happening in that city down the block.” Some of the fights were top notch, too, especially the Spawn vs Violator battle when the Clown first reveals his true form. This was new for comic book flicks at the time and should not go unappreciated.

    Maybe Spawn’ll get a second shot at the big screen? There have been rumors of that for years. You never know.


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  • Canister X Movie Review #67: Sky High (2005)

    Posted on by A.P. Fuchs

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    Sky High (2005)
    Written by Paul Hernandez, Bob Schooley and Mark McCorkle
    Directed by Mike Mitchell
    Runtime 100 min.
    4 out of 5

    Will Stronghold’s parents are the world’s greatest superheroes—the Commander and Jetstream—and his folks are hoping that by him enlisting in the super high school, Sky High, he’ll achieve his full potential and become a great hero himself. Unfortunately, Will doesn’t have any superpowers and must try and make his way out from under his parents’ super shadows and through the trials and tortures of a super high school. When one of the Commander’s old enemies, Royal Pain, surfaces, Will must find it in himself to be the man he was destined to be, and not just become a hero, but a superhero.

     

    Seriously, Kurt Russell as a superhero? Yes. That is a good idea and I’m dead serious. He’s got the looks, the charm and the coolness factor to pull it off. Turning him into a Superman rip-off makes it even more perfect so I’m totally down with Kurt Russell as the Commander. Throw in Kelly Preston as his wife and fellow super crime fighter Jetstream and you’ve got a match made in super Heaven.

    This movie is a love letter to the genre, featuring all the things that make superheroes great. As said, you got the Superman-type hero in the Commander, the beautiful heroine ala Wonder Woman in Jetstream, and loads of students at Sky High exhibiting all the classic powers throughout the movie, everything from flight to heat vision, to freezing people to superstrength, to shape shifting to superspeed—the list just keeps going. Tell the story from the point-of-view of the Commander and Jetstream’s son, Will (Michael Angarano), and you have the excuse to be on the outside looking in while also taking part in the adventure yourself.

    It’s a simple story, but a good story and, as said, was a love letter to the genre and the tale used to share that letter with viewers was a good one to do it with.

    I’ve also made it no secret in my other reviews that I’m a fan of superhero comedies. Usually, they’re done pretty well and Sky High is no exception. By making these superhero comedies and pulling it off, it goes to show how versatile the superhero genre really is. People generally view superheroes as so one-dimensional—sometimes two-dimensional—and that’s about it. Doing an assortment of super flicks breaks that perception and as a diehard fan of the genre, I’m happy these other variations on men and women in tights are created.

    This movie has fantastic cameos by the likes of Lynda Carter (TV’s Wonder Woman), Bruce Campbell (Evil’s Dead’s Ash—who is kind of a superhero on his own, in a way; I mean, Ash has a chainsaw hand for crying out loud!)—Patrick Warburton as the voice of Royal Pain (Patrick was TV’s the Tick) and a bunch of other familiar faces. Nice.

    Sky High is complete family fun, kid-friendly and is highly recommended for those looking to expand their superhero-movies-I’ve-watched repertoire.

    Go see it. Buy it, borrow it, rent it—just see it. It’s good times.


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  • Canister X Movie Review #66: The Shadow (1994)

    Posted on by A.P. Fuchs

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    The Shadow (1994)
    Written by David Koepp
    Directed by Russell Mulcahy
    Runtime 108 min.
    3.5 out of 5

    An avenging force for good and a terror of the criminal underworld, the Shadow operates in New York after dark, but when Shiwan Khan—last descendent of Genghis Khan—comes to the city and plans on world domination, the Shadow must defend the Big Apple from him. When the Shadow refuses to join forces with Khan, the two battle it out with the fate of the city hanging in the balance.

     

    This flick was my first exposure to the pulp superhero when I was younger. With loads of shadows, gothic ambience, an exciting soundtrack and a hero with the biggest cape I’d ever seen, the Shadow quickly became one of my favorites growing up. I mean, he was kind of like Batman, but had a superpower—he could get into your mind, control you, make you see things that weren’t there and thus become a “shadow.”

    Alec Baldwin as Lamont Cranston totally worked. He had the cool rough voice, the playboy debonair down to a T, and had an air of mystery about him that suited the character well. Good stuff.

    Action-wise, no complaints. Nothing over-the-top or extremely spectacular, but enough to get the job done. I will say those shots of the Shadow materializing and dematerializing out of view as he fights is especially cool and spooky. I mean, how do you fight what you can’t see?

    The plotline was well thought out, especially because you’re dealing with a hero and villain with mental powers, which isn’t always easy to show people. It all takes place in the head, after all, so depicting the manifestation of these mental powers was well done.

    This movie really had that old radio drama feel to it, which I’m sure was something the filmmakers were going for as The Shadow used to be a radio drama back in the day.

    Some recognizable names in this flick, too: Sir Ian McKellen, Peter Boyle, Tim Curry.

    The Shadow is an excellent foray into the “realistic fantastic” and I’d recommend it to anyone looking for pulpy heroic goodness.


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  • Canister X Movie Review #65: The Rocketeer (1991)

    Posted on by A.P. Fuchs

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    The Rocketeer (1991)
    Written by Danny Bilson and Paul De Meo
    Directed by Joe Johnston
    Runtime 108 min.
    4 out of 5

    When Cliff Secord stumbles upon a rocket pack stashed away in an airplane, him and his friend Peevy soon find themselves on the run from gangsters with ties to the Nazis.

     

    I saw this back when I was a kid and it’s still one of my favorite superhero flicks, namely because it’s historical, has a very human superhero, and is about flying. I mean, who doesn’t want to fly? Better, who doesn’t want to think they can somehow piece together a rocket pack, strap it on and take to the sky?

    What makes this superhero movie different is it’s not about a guy going around and helping people while trying to juggle a secret identity and, later, ultimately facing off against a supervillain. Instead, it’s about someone who has something the bad guys want and spends all his time running from them, occasionally helping people along the way. So while true the standard superhero “ingredients” are there, they’re presented outside of the standard formula thus setting this flick apart. Couple that with it taking place in the past during a simpler time—a classier time, too—and you’ve got a memorable movie.

    I like how they also blended real life history into this, namely bringing in Howard Hughes as the designer of the rocket pack. Very cool. Throw in a Nazi as a main villain and you’ve got some solid Good vs Evil going on. Speaking of which, Timothy Dalton as Neville Sinclair the Nazi was awesome. He was super evil in this and once you found out who he really was you just hated the guy. You gotta love villains you can hate and feel justified in doing so.

    There was certainly a pulpy feel to this movie, which is good, as the Rocketeer is an old time hero, a pulp hero, in fact. They kept that element alive, even so far as having him go up against a giant goon with a unique visage. Reminded me of the Dick Tracy villains. Sweet.

    If you dig pulp heroes, The Rocketeer is definitely recommended viewing. Go see for yourself.


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