Vicious Verses and Reanimated Rhymes: Zany Zombie Poetry for the Undead Head
The dead rise. The world dies. Mankind falls and enters Death’s halls.
Over 90 poems of carnage, hopelessness and despair mixed with oodles of the living dead await you. Featuring poems by W. Bill Czolgosz, Paul A. Freeman, Keith Gouveia, J.H. Hobson, Rich Ristow, Lester Smith, Steve Vernon, Zed Zefram, Zombie Zak, and many others, Vicious Verses and Reanimated Rhymes will not only melt your brain . . . it’ll tear out your jugular!
The human intellect knows no bounds because of them.
We’ve built cities and nations upon them.
We’ve stopped the spread of terrible diseases because of what we’ve learned from them.
Lives have been saved . . . but lives also have been lost.
Now those lives have returned from the grave, seeking revenge.
Sometimes . . . science goes wrong.
Death. Destruction. Zombies.
Featuring the terrifying tales of 13 authors, Dead Science brings you stories of the undead unlike any you’ve ever read before. Prepare to go behind-the-scenes and learn about the causes of various zombie uprisings and the havoc these creatures wreak upon the living.
Stories by:
Gustavo Bondoni, Eric S. Brown, Michael Cieslak, Lorne Dixon, Anthony Giangregorio, Glen Held, Becca Morgan, Mark Onspaugh, Gina Ranalli, Vincent L. Scarsella, Jason V. Shayer, Ryan C. Thomas and Adam J. Whitlatch.
Flight of the Living Dead (2007) Written by Sidney Iwanter, Mark Onspaugh and Scott Thomas Directed by Scott Thomas Runtime 94 min. 4 out of 5
A team of scientists creates a virus that kills the victim then regenerates the body. The idea: sell it as a biological weapon. The plan: one of the scientists is infected so is transported via plane in a special container under armed guard. Not that they think the scientist within is a threat, just that they don’t want anyone stealing the container.
The plane encounters a severe thunderstorm and is rocked all over the place. Sure enough, the container is no longer secure and the person within is brought back to life. First goes the guard . . . then goes everyone else.
Also on board—in coach—is a cop named Truman Burrows (David Chisum) and a criminal, Frank (Kevin J. O’Connor), being transported for trial. Soon these two must set aside their differences if they are to survive this doomed flight.
Outbreak on a plane? You bet.
Big trouble? You better believe it.
The premise for this movie is just plain cool: zombies on a plane (sounds familiar, don’t it?). Good stuff. My question going into this was: okay, you got a plane full of zombies, but only so much room. How can you fill a whole movie without people getting slaughtered inside of fifteen minutes? Sure enough, the writers thought of that and managed to at first slowly let the zombies rise then, due to the large plane and various compartments therein, give our main band of heroes some room to run around and not get eaten.
The zombies were scary, especially their eyes. Really good makeup. There was plenty of action and enough blood and guts to make any horror fan happy.
The only thing I thought was kind of weak was the pilot’s insistence on not setting the plane down once the undead outbreak occurred. Can’t you land on more than just a long stretch of road? How about a field? Even a water landing? Better to take a chance with those than watch your passengers get eaten.
This is one of those B-movies that make you happy you love B-movies, you know? There’s a sense of B-horror pride with this one. Hard to place it, but it’s there. More than once I was going, “Oh man, this is so good!” Maybe it’s the acting. Maybe it’s the grade of the film. Maybe the effects. I don’t know . . . but it’s good.
Fun flick. Check it out.
I’m glad I added Flight of the Living Dead to my collection.
And on a personal note, I had the privilege of publishing one of the co-writers of this movie, Mark Onspaugh, in my science-gone-wrong zombie anthology, Dead Science. His story is called “The Decay of Unknown Particles.” Cool.
Night of the Living Dead 3D (2006) Written by Robert Valding Directed by Jeff Broadstreet Runtime 80 min. 3 out of 5
I found out about this flick via the movie-on-demand feature from my cable provider. I watched the trailer, loved the zombies, then vowed that one night soon after my wife and kids went to bed, I’d indulge in a world of darkness and gore while hiding out in an old farmhouse.
The problem was: I got busy, so when I finally got around to my late-night television watching, I was too tired to watch a full movie and since the on-demand rental would only be for 24 hours, there wouldn’t be any other time to watch this flick other than, well, right when I rented it.
So the suspense built. One day turned to two. Two to four. Four to eight, ’til eventually a few weeks passed, me all the while unable to stop thinking about this film. Then . . . finally—finally—I was able to watch this thing. The only problem was it was an over-the-cables rental so no 3D for me. Oh well.
I loved how it started out like the original Night of the Living Dead (that was 1968, for those who don’t know). The opening scene in the cemetery immediately brought back memories of the original and the same kind of eeriness. Then the zombies showed up; I was all giggles and my inner undead fanboy was a happy camper.
Right then I knew I was in for a good time. And I had a good time. The zombie scenes were great. The dead were just plain gross, each in various states of decay. The blood was plentiful and Sid Haig as Gerald Tovar Jr. did a great job of being that creepy, hick kind of guy that would bother anyone. And I gotta tell you, I didn’t see the twist in the storyline coming. I won’t spoil it, but those who’ve seen this movie know what I’m talking about.
This movie is one of those great-yet-not flicks. You love it because it’s all blood and guts, zombies and definitely a B-movie. You have a problem with it because the story is kind of “meh” and the acting is all right. At the same time you can’t stop thinking about it afterward because—since it’s a remake—it brings back gushy memories of the original (and in this case the original and the 1990 remake), but at the same time you wonder how it got off the rails so badly.
That said, I’m giving it a split rating, the idea here being you can go either way on this, but at the very least be in for a good time, especially if you dig B-horror.
Land of the Dead (2005) Written by George A. Romero Directed by George A. Romero Runtime 93 min. 3 out of 5
One day, they rose. The next, the world fell. Now, humanity barely survives. And the undead have gotten smarter.
Zombies abound in this recent blockbuster by George A. Romero and, as always, the man who invented the zombie genre shows us he still has what it takes to turn out a good flick.
Simon Baker does a great job playing the hard-edged-yet-soft-hearted hero, while John Leguizamo steals the show as a kind of crooked hero-turned-bad guy.
What I enjoyed about this flick was the idea of a walled-in society, a city-turned-world of its own, with its own hierarchy, running down from rich to poor. I suppose that even if the dead walked the earth, we’d still have the same problems we have today with the rich getting richer and the poor poorer.
Blood and guts fill the screen of this feature: graphic, wet and sloppy. There’s no shortage of stomach-turning moments here.
I liked the idea of some of the zombies getting smarter instead of just roaming around looking for folks to eat, and the idea of them trying to regain their former humanity was well done. However, the “human-hearted” zombies also made the creatures feel a bit too human, for my taste, and the undead lost their edge as a result.
Resident Evil: Extinction (2007) Written by Paul W.S. Anderson Directed by Russell Mulcahy Runtime 94 min. 5 out of 5
Alice (Milla Jovovich) wanders the Nevada desert alone, flying under the radar of the Umbrella Corporation.
It’s been five years since the deadly T-virus outbreak. The world is all but in shambles. Alice believes that only Alaska is the last safe place on Earth. An old journal she found with a six-month-old radio transcription told her so.
On her journey, Alice comes across a small caravan of survivors headed up by Claire (Ali Larter) that also happens to be carrying along some old friends: Slater (Matthew Marsden) and L.J. (Mike Epps).
She convinces them to head north to Alaska, and so they embark, fighting off the dead at every turn, even undead crows that have been transformed from feasting on zombie flesh.
Dr. Isaacs (Iain Glen) wants Alice back under his control as he focuses on perfecting her as a weapon against the undead. Except, once Alice catches on, she manages to disable their system of control over her and escapes with Claire and the others.
All hope lost, and having been bitten by one of the dead himself, Dr. Isaacs uses the antivirus on himself . . . but in a different way, creating a result neither he nor Alice expected.
It’s ultra crazy good and suspenseful action horror in this third installment in the Resident Evil series.
Wow. I mean, man oh man, I love this movie. So, so good. I’m a sucker for roadside horror and sleepy towns. This movie has both. The zombies? Pure gruesome since most of them have been rotting for five years as they wander around devouring the rest of the living.
The zombie crows were a nice touch. So, so many of them. Swarms. That’s the thing I always tell people about zombies. One zombie’s not so bad. Get a whole mess of them together and they’re scary as all get out. Same for zombie crows. There was enough here to turn the sky black. Freaky.
The development of Alice’s powers was cool and though her telekinesis might seem kind of outlandish to some, it’s portrayed well here and done with the utmost seriousness and not used as a cop-out to get her out of a jam.
I felt bad for her as well when she saw all those clones of herself rotting out in the desert sun. That’d be heartbreaking, upsetting and angering for anyone. I’m glad she gave Dr. Isaacs his due.
The ending raises a ton of questions for the forthcoming Resident Evil: Afterlife. I’m eager to see how they deal with that army of Alices without it coming off goofy or repetitive.
This movie’s score was also spectacular, the hard beat of the drums and dark, raunchy guitar giving it a very awesome grittiness that adds to the whole post-apocalyptic feel.
Check this flick out. It’s hardcore, loaded with gore and just down right fantastic.
Resident Evil: Apocalypse (2004) Written by Paul W.S. Anderson Directed by Alexander Witt Runtime 94 min. 4.5 out of 5
The Umbrella Corporation needs to know what happened at the Hive and why it was sealed up afterward, so a team is sent down there to open it. Unfortunately, when they do, they unleash an army of the undead and the T-virus is unleashed on the world.
Alice (Milla Jovovich) wanders the streets of Raccoon City, now under quarantine, blasting the heads off of anything dead that moves. Soon she saves Valentine (Sienna Guillory) and crew and the group is quickly contacted by Dr. Ashford (Jared Harris) whose daughter, Angie (Sophie Vavasseur), is still in the city. Umbrella Corporation scanners show her at the school she attends. The deal: if they save his daughter, he’ll guide them out of the city and past the perimeter Umbrella has put up to keep the T-virus in. They have to do this before sunrise otherwise they won’t make it out before Umbrella nukes the entire city, erasing any trace that the T-virus existed and reanimated the dead.
Oh, and the Nemesis Project is online, and it’s on the hunt.
Usually sequels fail after the first, or if they succeed, it’s only by a small margin. Well, Resident Evil: Apocalypse is even better than its predecessor and brings another haul of thrills and chills along with it. In this one the post-apocalyptic feel hangs thick on the air. Raccoon City is in ruins. Cars are overturned and on fire. Bodies and blood litter the streets. Guns are going off in the distance.
And zombies are everywhere. Good and gruesome zombies. (I particularly liked the ones featured in the cemetery; the level of rot and decay on those things was exquisite.)
In Resident Evil style, dark things lurk in the shadows and the suspense and tension built in this movie is awesome. I jumped I don’t know how many times. Even the parts where you go, “Okay, something’s going to pop out . . . NOW!” make you jump. Very cool.
The fight between Nemesis and Alice was cool along with her other wheelings and dealings with the undead. Her super solider-esque, Matrix-like fighting techniques was a treat to watch.
That scene in the school with all those zombie kids? Truly creepy. Adult zombies got nothing on these little terrors.
The movie serves as a nice in-betweener for the first and third. The epic scale of storytelling is terrific, and this is one zombie saga I’m eager to see go on, especially when part four (Resident Evil: Afterlife) comes out in 2011.
Resident Evil (2002) Written by Paul W.S. Anderson Directed by Paul W.S. Anderson Runtime 100 min. 4.5 out of 5
When Alice (Milla Jovovich) wakes up on a shower floor inside a mansion with no memory, she has little time to try and get herself together. Soon the place is infiltrated by commandos, who then take her down beneath the mansion to a secret train and into a place called the Hive, a hidden underground facility where the powerful Umbrella Corporation was conducting secret experiments.
The problem is something had gone wrong before the team got there.
And the dead are coming back to life.
Alice and the commandos dodge zombies, the Hive’s super sophisticated security system—called the Red Queen—and teammates who have secrets of their own.
It would be a miracle if anyone makes it out of the Hive . . . alive.
This movie is pure suspense. Every little sound, thump and bump make you wonder when a zombie’s going to pop out of nowhere and devour one of the living. Keeping things even creepier is the Hive itself. It’s location: a half mile below Raccoon City. Space is limited. Time is running out. You feel the tension all the way through, right from when Alice wakes up ’til the blood-soaked climax.
I loved this movie. The only reason I’m knocking off half a point is because the plot is super simple (though they make you feel otherwise). However, this flick serves as an awesome back story for what’s to come because there have been two sequels so far (Resident Evil: Apocalypse and Resident Evil: Extinction) and a fourth one to come in 2011, currently called Resident Evil: Afterlife.
This movie definitely served its purpose of setting things up for the saga to come, and wasted no time going through zombie origin stuff before getting hardcore into the action, mystery and carnage. Director/writer Paul W.S. Anderson nailed it with this film. Though—according to my Mrs—this flick was different than the game, I enjoyed it big time and have been a fan of the franchise since. Guess I owe my wife one for introducing it to me back when this film came out.
Zombie fans will love this movie and it’s easy to see why Resident Evil has the following it does.
Day of the Dead (2008) Written by Jeffrey Reddick Directed by Steve Miner Runtime 86 min. 3 out of 5
A strange flu outbreak.
Nose bleeds.
Death.
Rebirth . . . in rage.
No one knows how anyone got sick . . . at least, no one is telling us. The US Army is all over it, quarantining Leadville, Colorado. Sarah Bowman (Mena Suvari) is serving her country and is part of the troops bordering the town.
Except they can’t contain the rage-filled maniacs that have returned from the dead after being killed by the flu.
Going back for her mother (Linda Marlowe), she runs into her brother, Trevor (Michael Welch), and tries and save their mother’s life. Unfortunately, the mom falls victim to the virus and Sarah and her brother—along with his girlfriend/female interest, Nina (AnnaLynne McCord), and a couple of Army Joes—try and flee from the ever-escalating attack of flesh-hungry zombies that stop at nothing to satisfy their gut-munching desires.
Adding a strange twist to things, one of the army chaps, Bud Crain (Stark Sands), gets infected and later transforms into an angry zombie as well, but Sarah keeps him along for the ride, feeling sorry for him. Besides, he seems harmless enough and hasn’t attacked them.
When their hope of escape falls through, Sarah and the others must make their last stand against the undead before they are ripped to pieces.
Can they survive this Day of the Dead?
The first thing that comes to mind about this movie is that it’s hardcore. The zombies in this flick aren’t just your average gray-skinned, baggy-eyed monsters. The person infected dies then are suddenly transformed into pale-skinned, decayed-fleshed, white-eyed beasties loaded with so much rage that hate and hunger emanates from them before they even move in for the kill. Speaking of which, they move so fast you’d think they’re part vampire or something. Crazy speed with these guys and, for me, those quick, jerky movements of the undead creep me out every time.
The story’s simple: an outbreak, people turn into zombies, folks run for their lives. Hey, standard zombie fare, and that’s part of the fun. I also liked having a female in the lead and it was neat to see Mena Suvari—who usually plays the fun, get-along girl—take charge and blast the heads off these creatures.
I was totally into this flick. The suspense was building. Every time a zombie jumped out I was jumping on my couch. All good.
Then Bud died, came back—and was nice? This bit took me out of the movie and it’s why I’m giving this a 3 out of 5 instead of a 4 like I was going to. It just totally ruined it for me, especially when Sarah and friends were riding with him in the Humvee and, after a short debate about why this zombie was riding with them, they all seemed pretty cool with it.
Bud’s bit at the end was also predictable, but, hey, what’re you gonna do?
I did like how vulnerable these zombies were to fire and how quickly the flames destroyed them.
The ending director Steve Miner chose for this flick was the better of the two as the alternate ending on the DVD, though very similar, wasn’t as strong and was a bit hokey. Having Salazar (Nick Cannon) die was the best choice.
If you like your zombie flicks raunchy, quick and gory, you’ll love this Day of the Dead (2008) remake. If you’re one of those folks who are sticky about story plausibility—even in the realm of zombie movies—then this probably won’t be up your alley.
Undead (2003) Written by The Spierig Brothers Directed by The Spierig Brothers Runtime 97 min. 4 out of 5
After having lost everything, Rene (played by Felicity Mason) tries to leave her hometown of Berkeley but is unable to get out when the town is struck with a meteor shower. Instead of leaving giant craters and demolished buildings in their wake, these meteors leave something else: an infection that transforms humans into zombies.
The town now overrun with the undead, Rene barely survives and meets up with Marion (played by Mungo McKay), the town nut who claimed he was abducted by aliens a long time before. Soon joined by others, the group of survivors find temporary solace in Marion’s cabin before the dead come a’knockin’ and force their way in.
Blood and guts ensue as this band of not-so-merry-men try and fight their way through throngs of the undead and leave town.
They almost make it, too, if not for that giant, spike-laden wall bordering the town, keeping everyone inside.
This flick starts off as your run-of-the-mill zombie movie. Nothing wrong with that. Not at all. The blood, the guts, the guns—ah, yes, everything that makes up a good zombie flick. Even Marion’s Matrix-like fighting style works well in the context of the story (though when that style was first introduced, I had a hard time buying it but quickly got used to it).
What separates this zombie flick from all others I’ve seen is the twist it takes when we find out these aren’t your standard zombies, but instead the product of “something beyond,” namely intergalactic stuff. Toss in a few aliens and you got yourself a unique zombie film that pays more homage to the zombie clichés than actually follows them like a rulebook.
This is an independent film and I only point that out because it being indie really added to the gritty feel of the whole thing, enhancing the movie. This didn’t carry that too-smooth-yet-too-cheap look that B-movies have. Even the directors’ love for the genre really shone through in this and the cast did a fantastic job.
I can understand now why this movie got the cult following it did.
