• Tag Archives superhero
  • Canister X Movie Review #48: Iron Monkey (1993/2001)

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    Iron Monkey (1993/2001)
    Written by Tsui Hark
    Directed by Yuen Woo-ping
    Runtime 90 min.
    4 out of 5

    Like Robin Hood, the Iron Monkey robs from the rich and gives to the poor, but instead of wielding a bow and arrow and sword, he wears a mask and uses martial arts weapons instead.

    By day, Chinese doctor Yang Tianchun (Rongguang Yu) is a physician caring for the poor and rich alike, but at night he’s the Iron Monkey, a high-kicking do-gooder assisting those in need who are suffering beneath the rule of the corrupt governor.

    Meanwhile, Wong Kei-Ying (Donnie Yen) and his son Wong Fei-hong (Sze-Man Tsang) come into town. Soon after, Wong Kei-Ying is captured on suspicion of being the Iron Monkey after being observed in battle. His son is arrested as well. In an effort to clear himself, he offers to capture the real Iron Monkey, his son being forced to remain in prison to ensure his compliance.

    Soon Wong Kei-Ying and the Iron Monkey meet and, after going toe-to-toe with no victor, form an alliance that will rescue Wong Fei-hong from prison and bring down the evil governor once and for all.

     

    This movie kicks some serious wa-hoo-hoo and I’m not just saying that because of the awesome kung fu sequences, but because of it’s fun presentation of a classic story—Robin Hood—through the lens of Chinese culture, martial arts and fast-paced action.

    Quentin Tarantino brought the flick over to the West and I’m glad he did. I’m 99% sure I went to the theatre to check out this gem and it soon got a place in my DVD collection once it hit store shelves.

    What can I say? The fight sequences are over-the-top—wire acts, crazy fast kicks—but those are what make kung fu movies great and give the fight performances that supernatural feel that can’t be obtained otherwise.

    The superhero fan part of me had never seen a kung fu superhero movie, and when I compare it to the Western version of martial arts techniques that we get in our own superhero flicks, sadly, we come up short every time. I mean, this crazy, fast-paced over-the-top form of fighting is one of the main reasons The Matrix became so popular.

    There is lots that goes on in this movie storywise, everything from the simple rob-from-the-rich-to-feed-the-poor angle to Wong Kei-Ying’s tense relationship with his son, to commentary on oppression and what’s fair and what isn’t, to comedic moments, tear-jerking moments, to adrenaline-fueled action—it’s a full experience, something that Quentin Tarantino said in an interview on the DVD that is common in Chinese cinema but not really over here in the West. I think we need to learn a thing or two about moviemaking from our Chinese friends instead of compartmentalizing everything into genres and niches.

    If you love folk heroes like Robin Hood, or are a superhero fan, Iron Monkey should definitely be on your watch list.


  • Canister X Movie Review #45: Iron Man (2008)

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    Iron Man (2008)
    Written by Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway
    Directed by Jon Favreau
    Runtime 126 min.
    5 out of 5

    Tony Stark has it all: money, women, fame, and little regard for anyone else but himself, but when he’s kidnapped by a terrorist group known as the Ten Rings, everything changes and he soon finds himself with a car battery connected to a magnet in his chest. Tiny bits of shrapnel from the blast that led to his capture are slowly making their way to his heart and the magnet is keeping them at bay.

    The Ten Rings want him to build them a weapon and Tony knows that if he does, the world will fall into the terrorists’ hands. He needs to find a way to escape and to do so he must create something more than just the weapon the Ten Rings wanted him to.

    After inventing a metal suit with some crude weaponry, he manages to escape the Ten Rings’ lair and return to the world as a new man. Taking his iron suit discovery to a whole new level, he becomes Iron Man and sets to right the wrongs of his past and ensure that the terrorists who tried to enslave him won’t do so to anyone else.

    Iron Man is a thrill ride you don’t want to miss!

     

    There’s something about origin stories that I have an extreme soft spot for and Iron Man is near perfect in that regard. Given that Iron Man is a “human hero with no powers” ala Batman and it’s his suit which gives him his abilities, he becomes instantly relatable (well, okay, maybe not one hundred percent as I’m not a billionaire, playboy, philanthropist like him), but I’m on the journey of life like Tony with my own share of pain and turning points. The movie’s pacing is bang on and progresses “as if this really happened,” which is a huge plus for a superhero movie. (I’m a fan of super flicks that come from the angle, “If this happened tomorrow, this is how it’d most likely play out.” My own superhero series, The Axiom-man Saga, is based on that premise.)

    The Iron Man armor looks amazing and real, which is a big deal because most of it is CGI. I’m glad they were able to create real-looking metal armor that didn’t look totally fake. Likewise, to see the progression from the oh-so-crude Mark One armor all the way up the Mark Three was cool.

    The rest of the special effects were out-of-sight, especially the ultrasonic flying sequences. Looking at the world from Tony’s perspective inside the suit put you in his shoes—in his armor—and made you feel like you were Iron Man along with him.

    This flick also boasts a killer soundtrack and score that gets you pumped.

    Let’s see . . .

    Robert Downey Jr. is Tony Stark. Right from the first scene he lets you know who he is and what he believes in: himself. This carries throughout the rest of the film, but he also does a good job of becoming a changed man as the story goes on and the Tony we meet in the beginning of the movie is different from the one at the end. A lot of actors who are on supposed journeys during a story don’t pull that off and usually come across as the same guy from start to finish.

    Gwyneth Paltrow as Pepper Potts is dynamite. She’s strong, witty and is one of the few people who can go toe-to-toe with Tony’s narcissistic personality. Excellent casting for this role.

    Iron Man was the stepping off point for Marvel’s Phase One, which would later culminate in The Avengers. I don’t think at the time anyone knew that Iron Man—who back then wasn’t really known outside of the comic book community—would become such the massive hit it was, the franchise growing bigger and bigger with each outing.

    But I can see why. This movie is awesome.


  • Canister X Movie Review #40: Hulk (2003)

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    Hulk (2003)
    Written by James Schamus, Michael France and John Turman
    Directed by Ang Lee
    Runtime 138 min.
    3.5 out of 5

    You’re making me angry.

    You wouldn’t like me when I’m angry.

    In a lab accident, Bruce Banner (played by Eric Bana) is hit with a healthy dose of gamma radiation, the effects from the blast triggering the dormant bizarre alterations to his body done to him by his father (played by Nick Nolte) when he was just a toddler. Now, every time Bruce gets angry, the gamma rays still in his body course through his veins and transform him into the Hulk, a booming mass of pure green muscle driven by rage and fueled by anger and frustration at all those trying to hurt him.

    Bulldozing everything in his path, Hulk tries to outrun those who want a sample of his tissue and those who want him dead.

    Bruce Banner must face what he’s become and come to terms with its effects on his life, especially those on his ex-girlfriend, Betty Ross (played by Jennifer Connelly), and the relationship with her he’s trying to salvage.

     

    This Ang Lee-directed flick was well done, all in all. It took a while to get going (the opening credit sequence was especially long), but once it did, things got intense, heavy and also fun.

    This is a very emotional story. It’s a story of domestic abuse, suppressed memories, obsession, confusion, loss and everything in between.

    If anything, though, it was too emotional.

    Hulk is a hard character to bring to the screen but given the time allotment he had to convey as much story as possible, Ang Lee did a good job.

    This is not a good-guy-versus-bad-guy superhero movie. To watch it as one would be doing it a disservice.

    The comic book-framed shots added to the experience for this reviewer. Likewise, the all-CGI Hulk, once you got used to seeing him (he looks pretty cartoony at first sight), was believable and incredibly, no pun, well done. The way his muscles rippled when he tore stuff apart or flexed, the sweat on his skin, his hair blowing in the breeze—Ah, all good.

    This film is for true Hulk fans and for the viewer who likes the occasional monster flick or man-on-the-run movie.

    Hulk smash!


  • Canister X Movie Review #39: Hero at Large (1980)

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    Hero at Large (1980)
    Written by A.J. Carothers
    Directed by Martin Davidson
    Runtime 98 min.
    4.5 out of 5

    When nice guy and tough-on-his-luck actor Steve Nichols steps in and stops a convenience store robbery while dressed as Captain Avenger after promoting the movie of the same name, his life is changed and he suddenly finds himself as a superhero. Now with everyone wanting a piece of him, can he balance playing to the crowd with doing the right thing?

     

    I got this flick on VHS and on DVD and it’s one of my all-time favorites. Such a warm comedy that harkens back to a time when movies had values and superhero action wasn’t full of angst and drama. Instead, this movie is the opposite and I don’t mean it’s a goofball comedy. It’s simply loaded with heart and is about a man who constantly tries to do the right thing in and out of costume simply because that’s who he is, no other reason.

    John Ritter’s amazing in this flick. He was amazing in everything he did and it’s sad he’s no longer with us. His portrayal of nice-guys-finish-last Steve Nichols is inspiring and it’s oh so rare nowadays that you meet someone like that, but when you do, your whole day has been made better, if not your week. Sometimes even your life.

    The story is a simple one, but one that doesn’t follow the standard superhero formula and thus makes the movie the great one that it is. It’s about the guy beneath the costume versus the costume itself and all the explosive action that would normally entail.

    Without giving anything away, but reading between the lines, the supervillain in this movie is someone who made the wrong choice at the best time, and the consequences that play out leave you with a morality tale steeped in how important it is to do the right thing even when it’s not the popular thing to do. We can all take a lesson from that.

    Hero at Large is a heart-warming superhero movie perfect for a rainy day. Or a sunny one.

    I love this movie. It’s that simple.


  • Canister X Movie Review #37: Hellboy (2004)

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    Hellboy (2004)
    Written by Guillermo del Toro
    Directed by Guillermo del Toro
    Runtime 122 min.
    4.5 out of 5

    A baby demon comes through an interdimensional portal originally created by the Nazis near the end of World War II, but is rescued by the Allies before he could fall into enemy hands. Fast forward some sixty years later to the Bureau of Paranormal Research and Defense. The baby demon is grown up—now called “Hellboy”—and he works for the BPRD.

    When an evil hellhound known as Sammael is unleashed, Hellboy and the BPRD are sent to stop it. What ensues is a supernatural battle between Good and Evil.

     

    This movie is a superhero monster movie, two of my favorite genres rolled into one. You got Hellboy (Ron Perlman), the lone gunman type but with a heart of gold; Abe Sapien (Doug Jones), the intellectual who is a humanoid amphibian; Liz Sherman (Selma Blair), who is a distraught young woman with major issues and also has a hard time controlling her pyrokinetic abilities; and Trevor Bruttenholm (John Hurt), the scholar and father-figure who guides the group.

    As an amateur scholar of the supernatural world myself and all that that entails, the idea of the BPRD really appeals to me as I think modern society is very close-minded on the subject when the very world we live in—never mind all that’s beyond it—suggests that there is much more to our existence than what we can perceive with our five senses. Too many accounts of supernatural happenings to discount that. But that’s not what this review is about, so onward.

    Hellboy is an exciting movie with loads of action. Watching Hellboy fight is, well, just plain cool. Very brutal, and is sheer brawn mixed with skill. (He also wings things, too.) There’s some real good humor in this flick, as well.

    With certain superhero movies you could swap out the lead with someone else and wouldn’t miss a step, but with Hellboy, Ron Perlman did such a fantastic job with the character that it’s hard to envision anyone else. Kind of like how Robert Downey Jr. is Tony Stark or Hugh Jackman is Wolverine. It’s difficult to picture someone else in the role. Perlman played it straight, played it tough, and played it fun all the while making you believe this big red creature is a real person with real heart.

    I’m so glad they made a sequel and as of the writing of this review, there’s rumors of a third one starting up to round out the trilogy. I, for one, can’t wait to see it.


  • Canister X Movie Review #36: Hancock (2008)

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    Hancock (2008)
    Written by Vince Gilligan and Vincent Ngo
    Directed by Peter Berg
    Runtime 92 min.
    4 out of 5

    Alcoholic superhero John Hancock (Will Smith) is Los Angeles’s champion. The only problem is as much as the city needs him, he causes so much damage when fighting crime and rescuing others that the city also wishes they were without him. Enter Ray Embrey (Jason Bateman), a PR guy who’s just been turned down again after pitching his All Heart logo to different charitable organizations. When Hancock saves Embrey from an oncoming train, Embrey offers to restore Hancock’s image to the public while also giving a nice boost to his own career. When Hancock meets Embrey’s wife, Mary (Charlize Theron), he soon discovers that him and her have a forgotten past, one that’s already altered their future and will do so again unless history repeats itself.

     

    Wow. This is a cool movie and a take on superheroes that’s unique. Though an alcoholic superhero is nothing new (Tony Stark aka Iron Man is a drunk), making a guy who’s like Superman an alcoholic is, and seeing the ramifications of that play out is something this superhero fan was excited to see. Not only that, but you got to see what an inebriated superhero looks like as he uses his abilities. The haphazard way Hancock flies shows one of the dangers of such raw power if it’s not under restraint.

    The mythology brought forth in this tale is well done and turns the superhero notion on its head, bringing in the idea of a race of immortals that had once taken the place as gods or angels throughout history. The fact that these superhumans were created in pairs, and that if they chose to stay together they would live a normal life as normal humans and later die, added a level of tragedy to this film that was welcome though tugged at the heartstrings. Sort of that idea of “what would you give up for the one you love?” And in this case superpowers if you chose to be with them. It also seems that these super pairs have a genuine love for each other so to forego that is a great sacrifice indeed and was something exemplified in this flick.

    Never thought I’d want to see Will Smith as a superhero. Still have memories of him as the Fresh Prince of Bel-Air running through my head, but the reality is Will Smith is an incredibly talented actor and while he has used his default funny guy now and then, he’s pulled off loads of roles where Fresh Prince is but a faint memory and him as John Hancock in this flick is one of those roles. While I personally prefer actors who’ve portrayed superheroes to only be that one superhero and not take on others, if you put Will in the upcoming Justice League movie as Cyborg, for example, I wouldn’t complain and would certainly look forward to it.

    Charlize Theron—I’m a fan. Given the complexity of the Hancock story—namely where Theron’s character is concerned—I really felt bad for her for what she’d given up. She also did a good job of holding her own against Will Smith, who’s a pretty domineering actor in any scene.

    Jason Bateman is, well, Jason Bateman, but I like him so having him along for this super ride was super fine by me.

    Hancock is an awesome superhero movie that gives a fresh take on the genre as it doesn’t follow the traditional formula. Maybe in the sequel, if they ever make one. I hope they do as I’d like to see where the characters and the mythology go from here.

    Recommended.


  • Canister X Movie Review #34: Green Lantern (2011)

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    Green Lantern (2011)
    Written by Greg Berlanti, Michael Green, Marc Guggenheim and Michael Goldenberg
    Directed by Martin Campbell
    Runtime 114 min.
    3.5 out of 5

    When dying alien and Green Lantern Abin Sur is discovered by brash and cocky fighter pilot Hal Jordan (Ryan Reynolds), Hal’s life is suddenly changed when the mysterious alien gives him a green power ring and matching lantern with vague instructions to “speak the oath.”

    After finally unlocking the lantern, Hal is taken to the planet Oa where he learns he has become Abin Sur’s successor in the Green Lantern Corps and is also the first human to ever bear the powerful mantle of a Green Lantern.

    As part of his training, Hal is taken under the wing of a powerful Lantern named Sinestro (Mark Strong) whose view of right and wrong is sheer black and white, and who has no trouble enforcing the law with lethal force. Turns out Sinestro wasn’t the first to feel this way as long ago one of the creators of the lantern rings—one of the Guardians of Oa—disagreed with the Oan Council and set off on his own, discovering a new power, this one the yellow power of Fear. Now the superpowered being Parallax, this former Guardian wishes to take revenge on those who banished him.

    As Hal learns what it means to set aside his own pride and ego and live by the sacred Green Lantern oath—In brightest day, in blackest night . . . —he must come to grips with his newfound power and expel Parallax’s presence from the universe once and for all.

     

    After the crazy success of Batman Begins and The Dark Knight, Warner Brothers and DC Comics were in big need of another hit after Superman Returns failed to deliver at the box office, and so they went to another DC hero: Green Lantern. Good choice. He’s a kind of Superman/Batman hybrid in that Hal Jordan is human and has the qualities and struggles thereof like Bruce Wayne, and yet by wielding his power ring, his superpowers get up there right alongside the Last Son of Krypton in many ways. Whether this was Warners’ reasoning or not, I don’t know—probably not—but GL was certainly a good character to try and take to the big screen, especially since it had never been done before.

    In a nutshell, the movie wasn’t bad. I liked it. It didn’t change my life, but it’s not the piece of garbage many folks make it out to be. It covered Hal Jordan’s transformation into Green Lantern, delivered awesome effects, created a sense of atmosphere both about the Green Lantern Corps and Oa, and came through on telling a simple story that got Hal Jordan from Point A to B in a reasonable amount of time.

    People complained there wasn’t enough action or not enough stuff on Oa—but those kinds of things aren’t—and weren’t—supposed to be the focus of this movie. It was about getting the ring into Hal’s hands and teaching him the ol’ Uncle Ben motto of “With great power comes great responsibility.”

    I like how it took time to get Hal used to using the ring and it wasn’t a case of him putting it on and suddenly becoming an expert on creating green light constructs. And once he figured it out, I enjoyed how his constructs were simple—the racetrack, machine guns, etc.—as opposed to something crazy or way too technical. Why? Put yourself in his shoes. You’d probably construct something you’re more comfortable with than trying to create some big complicated airship stocked with robot soldiers with a zillion weapons and stuff.

    The love story between Hal and Carol Ferris (Blake Lively) seemed forced though it did provide a nice bridge between the realm of Oa and Earth. Clearly this relationship was introduced for sequel purposes because those who know the comics know Carol Ferris becomes the supervillain Star Sapphire down the line.

    I think in the end, Green Lantern did its job. Could it have been better? Sure. Could it have been worse? Yup.

    Regardless, I like popping this movie into the player from time to time, and if you’re a superhero fan, you should, too.


  • Canister X Movie Review #33: The Green Hornet (2011)

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    The Green Hornet (2011)
    Written by Seth Rogen and Evan Goldberg
    Directed by Michel Gondry
    Runtime 119 min.
    2.5 out of 5

    Irresponsible and party-it-up guy Britt Reid (Seth Rogen) is living the life as the son of the well-to-do publisher of The Daily Sentinel, but when his father is found dead after a fatal bee sting, Britt’s life is changed. Since he never liked his father, he goes to the cemetery and, meaning to sabotage his dad’s memorial, he and his dad’s mechanic, Kato (Jay Chou), end up saving a couple people from being mugged. Later, Britt convinces Kato that the two of them should pose as criminals so they could get close to real criminals and bust them.

    Kato agrees and Britt adopts the identity of the Green Hornet. His target is Benjamin Chudnofsky, a Russian mob boss who is trying to unite the crime families in Los Angeles. Soon the Green Hornet and Kato find themselves neck-deep in the city’s underworld.

    Sometimes it takes a criminal—or one posing as one—to catch a criminal.

     

    I don’t know, man. I was super jazzed when I found out they were making this movie because I’m a big fan of the 1960s TV show starring Van Williams and Bruce Lee as the Green Hornet and Kato. I thought, hey, imagine doing an updated version where it could be a mob story with all sorts of intense drama, action and be a kind of Sin City, you know, with Green Hornet being an antihero and all?

    Instead, I got a goofball comedy out of what was supposed to be a serious idea. I blame Seth Rogen, who I usually don’t mind. He was one of the writers on this movie so obviously wrote to his strengths versus what the character was really about.

    The costumes were cool, the action was fantastic, Chou’s martial arts was aces—but they got the Green Hornet wrong and took the gist of him and then did their own thing. Too bad. This really could have been a hit had they done the original series justice and then tweaked it for a modern audience.

    Maybe sometime down the line they’ll do another one and do it right. In the meantime, if a straight-up, not bad superhero movie is your thing, check it out, otherwise there are other lesser-known-superhero movies I enjoyed more like The Phantom and The Rocketeer.


  • Canister X Movie Review #32: Ghost Rider (2007)

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    Ghost Rider (2007)
    Written by Mark Steven Johnson
    Directed by Mark Steven Johnson
    Runtime 114 min.
    3 out of 5

    After having made a deal with the devil to save the life of his father when he was young, Johnny Blaze (Nicolas Cage) is a cursed man. When the devil’s son, Blackheart (Wes Bentley), comes to Earth in search of a contract that would bring Hell to the planet, the devil makes Johnny the new Ghost Rider and tasks him with killing Blackheart. If Johnny succeeds, he can have his soul back.

    Supernatural excitement and thrills ensue in this paranormal tale about a haunted man facing his own demons—both internally and externally—and what it takes to be the Ghost Rider.

     

    There’re lots of ways of looking at this movie, everything from was it faithful to the comic to simple eye candy to story to themes to—well, you get the idea. For me, it was all right. I like Nic Cage because, well, he’s Nic Cage and usually just plays himself, it seems. Sometimes he steps outside that, but in Ghost Rider, he was Nic Cage. Ghost Rider did look amazing in this, looked real. That first transformation sequence was insane! It’s hard to sell the image of a walking, burning skeleton in leather, but they pulled it off here.

    The motorcycle—trippin’. Can you imagine owning a hog like that? Know how many heads you’d turn? And if you could ride up a building like he did? Yeah, thought so.

    The story’s pretty good and carries its own mythology and purpose. The elemental demons that Ghost Rider has to go up against were pretty cool and tough to beat, and the effects needed to portray them looked real. It’s amazing what Hollywood can do these days.

    This movie got a lot of mixed reactions from fans. For me, it was okay. Wasn’t one of those superhero movies I could watch over and over again. At the same time, it did do its job in getting me interested in the sequel, which is on my to-check-out list, so that definitely has to count for something.


  • Canister X Movie Review #28: Defendor (2009)

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    Defendor (2009)
    Written by Peter Stebbings
    Directed by Peter Stebbings
    Runtime 101 min.
    4.5 out of 5

    Arthur Poppington (Woody Harrelson) has a secret: when night rises upon the city, he takes to the streets as Defendor, a lone avenger on the hunt for the ever-elusive Captain Industry. Unfortunately for Arthur, he’s mildly retarded and the line between right and wrong sometimes blurs. Though he means well, sometimes he gets in over his head, especially when his search for Captain Industry takes him into the city’s underworld of drugs, guns and prostitution.

    After saving the life of prostitute and drug-addict Kat Debrofkowitz (Kat Dennings), Arthur takes her in and, though at first exploited by her for money, the two eventually bond and he accomplishes one of his first objectives he had since donning the Defendor uniform: helping those who need it most.

     

    Being a lifelong superhero fan, there are a few things, to me, that define a good superhero movie and Defendor had more than one of those things. It touched me on that very human level of seeing a sincere human being trying to make a difference regardless of what other people thought of him. Fear of man is one of the things I think holds people back from doing the right thing in real life. To at least see that attribute on the screen means a lot to me because it proves that people are still thinking about it even if it’s just in a movie.

    The trailer for this flick makes it come across as more of a superhero spoof than a serious movie, and this was most definitely a serious movie. Sure, there were some funny moments, but this movie wasn’t about that, but instead was about a man who saw something wrong and did the best he could with what he knew how to do.

    And he did. He showed us who Captain Industry really was: the villain that all of us have in each of our cities, the one comprised of drugs, guns and illegal sex that has ruined countless lives yet for some reason authorities refuse to do something about.

    This movie makes me think of the real life superheroes that are out there (see www.reallifesuperheroes.org), those real men and women who don guises of other personas and do what they can to help us. Lots of people mock them. Lots of people mocked Defendor, but when all is said and done, they, like Defendor, do the right thing and try to right a world full of wrongs, bring hope to those who need it, and set an example that we should all follow.

    Defendor is a fantastic movie and I’m really glad Peter Stebbings went ahead and made this flick.

    Fight back.

    Recommended.