• Category Archives Superhero Movies

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  • Canister X Movie Review #40: Hulk (2003)

    Posted on by A.P. Fuchs

    Hulk (2003)

    Hulk
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    Hulk (2003)
    Written by James Schamus, Michael France and John Turman
    Directed by Ang Lee
    Runtime 138 min.
    3.5 out of 5

    You’re making me angry.

    You wouldn’t like me when I’m angry.

    In a lab accident, Bruce Banner (played by Eric Bana) is hit with a healthy dose of gamma radiation, the effects from the blast triggering the dormant bizarre alterations to his body done to him by his father (played by Nick Nolte) when he was just a toddler. Now, every time Bruce gets angry, the gamma rays still in his body course through his veins and transform him into the Hulk, a booming mass of pure green muscle driven by rage and fueled by anger and frustration at all those trying to hurt him.

    Bulldozing everything in his path, Hulk tries to outrun those who want a sample of his tissue and those who want him dead.

    Bruce Banner must face what he’s become and come to terms with its effects on his life, especially those on his ex-girlfriend, Betty Ross (played by Jennifer Connelly), and the relationship with her he’s trying to salvage.

    This Ang Lee-directed flick was well done, all in all. It took a while to get going (the opening credit sequence was especially long), but once it did, things got intense, heavy and also fun.

    This is a very emotional story. It’s a story of domestic abuse, suppressed memories, obsession, confusion, loss and everything in between.

    If anything, though, it was too emotional.

    Hulk is a hard character to bring to the screen but given the time allotment he had to convey as much story as possible, Ang Lee did a good job.

    This is not a good-guy-versus-bad-guy superhero movie. To watch it as one would be doing it a disservice.

    The comic book-framed shots added to the experience for this reviewer. Likewise, the all-CGI Hulk, once you got used to seeing him (he looks pretty cartoony at first sight), was believable and incredibly, no pun, well done. The way his muscles rippled when he tore stuff apart or flexed, the sweat on his skin, his hair blowing in the breeze—Ah, all good.

    This film is for true Hulk fans and for the viewer who likes the occasional monster flick or man-on-the-run movie.

    Hulk smash!


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  • Canister X Movie Review #39: Hero at Large (1980)

    Posted on by A.P. Fuchs

    Hero at Large (1980)

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    Hero at Large (1980)
    Written by A.J. Carothers
    Directed by Martin Davidson
    Runtime 98 min.
    4.5 out of 5

    When nice guy and tough-on-his-luck actor Steve Nichols steps in and stops a convenience store robbery while dressed as Captain Avenger after promoting the movie of the same name, his life is changed and he suddenly finds himself as a superhero. Now with everyone wanting a piece of him, can he balance playing to the crowd with doing the right thing?

    I got this flick on VHS and on DVD and it’s one of my all-time favorites. Such a warm comedy that harkens back to a time when movies had values and superhero action wasn’t full of angst and drama. Instead, this movie is the opposite and I don’t mean it’s a goofball comedy. It’s simply loaded with heart and is about a man who constantly tries to do the right thing in and out of costume simply because that’s who he is, no other reason.

    John Ritter’s amazing in this flick. He was amazing in everything he did and it’s sad he’s no longer with us. His portrayal of nice-guys-finish-last Steve Nichols is inspiring and it’s oh so rare nowadays that you meet someone like that, but when you do, your whole day has been made better, if not your week. Sometimes even your life.

    The story is a simple one, but one that doesn’t follow the standard superhero formula and thus makes the movie the great one that it is. It’s about the guy beneath the costume versus the costume itself and all the explosive action that would normally entail.

    Without giving anything away, but reading between the lines, the supervillain in this movie is someone who made the wrong choice at the best time, and the consequences that play out leave you with a morality tale steeped in how important it is to do the right thing even when it’s not the popular thing to do. We can all take a lesson from that.

    Hero at Large is a heart-warming superhero movie perfect for a rainy day. Or a sunny one.

    I love this movie. It’s that simple.


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  • Canister X Movie Review #38: Hellboy II: The Golden Army (2008)

    Posted on by A.P. Fuchs

    Hellboy II: The Golden Army (2008)

    Hellboy 2: The Golden Army
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    Hellboy II: The Golden Army (2008)
    Written by Guillermo del Toro
    Directed by Guillermo del Toro
    Runtime 120 min.
    4.5 out of 5

    Long ago a war was fought between mythical creatures and humanity and, during that war, King Balor, leader of an elfin race, had an unstoppable Golden Army created for him, one that laid waste to humanity. The army marched and destroyed everything in its path. Amidst the piles of bodies and oceans of blood, the king felt great regret so a truce was made between mythical creatures and humankind. The agreement: the mythical creatures stuck to living in the forests whereas humanity could have the land. As well, the special crown that King Balor (or anyone of royal blood) used to control the Golden Army was split into three parts, of which two were kept for himself, the third given to humans. Also, the Golden Army was hidden somewhere on Earth in dormancy, locked away.

    King Balor’s son, Prince Nuada (Luke Goss), didn’t like the agreement so exiled himself and waited for the right time to strike and take control of the Army and remove the humans from the planet.

    Enter present day, where business flows as usual for Hellboy (Ron Pearlman) and the rest of the Bureau for Paranormal Research and Defense (B.P.R.D.). That is, until, Nauda resurfaces and begins slaughtering humans as he tries to piece the crown together so he can control the Golden Army and find out the secret location as to where the Army is hidden.

    To add to the B.P.R.D.’s distress, Hellboy and Liz (Selma Blair) are having issues. She wants him more domesticated; he wants to remain free-spirited. Also, Abe Sapien (Doug Jones) is taken with Nuada’s twin sister, Princess Nuala (Anna Walton) and, unfortunately, she is linked to Nuada so everything that happens to him happens to her as well. Nuala wants to stop her brother for what he has planned.

    The B.P.R.D. seems to have met its match, especially when things turn south and the Golden Army rises once more.

    I was super late seeing this movie. In fact, I just saw it prior to this review. It wasn’t for a lack of trying either, but life happens and other movies come out and, well, the next thing you know it’s almost two years later and you’re finally playing catch up. Let me just say it was worth the wait. I was a fan of the first Hellboy and though this one carries with it the same undertone as the first, the overall feeling of it is different: the first one was more monster-oriented and this one was more fantasy-oriented. I felt at times like I was watching a cross between Lord of the Rings and Van Helsing.

    Ron Perlman as Hellboy was pure awesome. I love the down-to-earth nature of the character plus the fact that despite him being a kind of rock ‘n’ roll tough guy, he’s really just a big kid underneath all that red.

    Selma Blair was feisty and dark as always, and she and Perlman had excellent chemistry in their Liz/Hellboy relationship.

    It was cool, too, to see Abe Sapien get more of the emotional spotlight in this flick with him falling in love with Princess Nuala. At first I thought the dude was all about books and that was it. Looks like there’s a tender heart underneath those gills after all.

    The layered storytelling was great, and there was a sense of history to the Army, the elfin race, and everything on Hellboy’s side of the fence. It wasn’t just some standard good-guys-versus-bad-guys stuff. Cool beans.

    The action was superb, hardcore and fun. The epic scale for some of the battles rocked, especially when Hellboy goes up against the big green guy that grows trees. Cool fight and Hellboy’s big hero moment/pose on top of the hotel sign hanging onto that baby was comical yet cool as well.

    Was this as good as the first? Hard to say. Tied for sure, though the first one is still my favorite.

    This sucker’s worth 4 and a half cigars in my book, though.

    Recommended.


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  • Canister X Movie Review #37: Hellboy (2004)

    Posted on by A.P. Fuchs

    Hellboy (2004)

    Hellboy
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    Hellboy (2004)
    Written by Guillermo del Toro
    Directed by Guillermo del Toro
    Runtime 122 min.
    4.5 out of 5

    A baby demon comes through an interdimensional portal originally created by the Nazis near the end of World War II, but is rescued by the Allies before he could fall into enemy hands. Fast forward some sixty years later to the Bureau of Paranormal Research and Defense. The baby demon is grown up—now called “Hellboy”—and he works for the BPRD.

    When an evil hellhound known as Sammael is unleashed, Hellboy and the BPRD are sent to stop it. What ensues is a supernatural battle between Good and Evil.

    This movie is a superhero monster movie, two of my favorite genres rolled into one. You got Hellboy (Ron Perlman), the lone gunman type but with a heart of gold; Abe Sapien (Doug Jones), the intellectual who is a humanoid amphibian; Liz Sherman (Selma Blair), who is a distraught young woman with major issues and also has a hard time controlling her pyrokinetic abilities; and Trevor Bruttenholm (John Hurt), the scholar and father-figure who guides the group.

    As an amateur scholar of the supernatural world myself and all that that entails, the idea of the BPRD really appeals to me as I think modern society is very close-minded on the subject when the very world we live in—never mind all that’s beyond it—suggests that there is much more to our existence than what we can perceive with our five senses. Too many accounts of supernatural happenings to discount that. But that’s not what this review is about, so onward.

    Hellboy is an exciting movie with loads of action. Watching Hellboy fight is, well, just plain cool. Very brutal, and is sheer brawn mixed with skill. (He also wings things, too.) There’s some real good humor in this flick, as well.

    With certain superhero movies you could swap out the lead with someone else and wouldn’t miss a step, but with Hellboy, Ron Perlman did such a fantastic job with the character that it’s hard to envision anyone else. Kind of like how Robert Downey Jr. is Tony Stark or Hugh Jackman is Wolverine. It’s difficult to picture someone else in the role. Perlman played it straight, played it tough, and played it fun all the while making you believe this big red creature is a real person with real heart.

    I’m so glad they made a sequel and as of the writing of this review, there’s rumors of a third one starting up to round out the trilogy. I, for one, can’t wait to see it.


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  • Canister X Movie Review #36: Hancock (2008)

    Posted on by A.P. Fuchs

    Hancock (2008)

    Hancock
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    Hancock (2008)
    Written by Vince Gilligan and Vincent Ngo
    Directed by Peter Berg
    Runtime 92 min.
    4 out of 5

    Alcoholic superhero John Hancock (Will Smith) is Los Angeles’s champion. The only problem is as much as the city needs him, he causes so much damage when fighting crime and rescuing others that the city also wishes they were without him. Enter Ray Embrey (Jason Bateman), a PR guy who’s just been turned down again after pitching his All Heart logo to different charitable organizations. When Hancock saves Embrey from an oncoming train, Embrey offers to restore Hancock’s image to the public while also giving a nice boost to his own career. When Hancock meets Embrey’s wife, Mary (Charlize Theron), he soon discovers that him and her have a forgotten past, one that’s already altered their future and will do so again unless history repeats itself.

    Wow. This is a cool movie and a take on superheroes that’s unique. Though an alcoholic superhero is nothing new (Tony Stark aka Iron Man is a drunk), making a guy who’s like Superman an alcoholic is, and seeing the ramifications of that play out is something this superhero fan was excited to see. Not only that, but you got to see what an inebriated superhero looks like as he uses his abilities. The haphazard way Hancock flies shows one of the dangers of such raw power if it’s not under restraint.

    The mythology brought forth in this tale is well done and turns the superhero notion on its head, bringing in the idea of a race of immortals that had once taken the place as gods or angels throughout history. The fact that these superhumans were created in pairs, and that if they chose to stay together they would live a normal life as normal humans and later die, added a level of tragedy to this film that was welcome though tugged at the heartstrings. Sort of that idea of “what would you give up for the one you love?” And in this case superpowers if you chose to be with them. It also seems that these super pairs have a genuine love for each other so to forego that is a great sacrifice indeed and was something exemplified in this flick.

    Never thought I’d want to see Will Smith as a superhero. Still have memories of him as the Fresh Prince of Bel-Air running through my head, but the reality is Will Smith is an incredibly talented actor and while he has used his default funny guy now and then, he’s pulled off loads of roles where Fresh Prince is but a faint memory and him as John Hancock in this flick is one of those roles. While I personally prefer actors who’ve portrayed superheroes to only be that one superhero and not take on others, if you put Will in the upcoming Justice League movie as Cyborg, for example, I wouldn’t complain and would certainly look forward to it.

    Charlize Theron—I’m a fan. Given the complexity of the Hancock story—namely where Theron’s character is concerned—I really felt bad for her for what she’d given up. She also did a good job of holding her own against Will Smith, who’s a pretty domineering actor in any scene.

    Jason Bateman is, well, Jason Bateman, but I like him so having him along for this super ride was super fine by me.

    Hancock is an awesome superhero movie that gives a fresh take on the genre as it doesn’t follow the traditional formula. Maybe in the sequel, if they ever make one. I hope they do as I’d like to see where the characters and the mythology go from here.

    Recommended.


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  • Canister X Movie Review #35: Green Lantern: First Flight (2009)

    Posted on by A.P. Fuchs

    Green Lantern: First Flight (2009)

    Green Lantern First Flight
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    Green Lantern: First Flight (2009)
    Written by Alan Burnett
    Directed by Lauren Montgomery
    Runtime 77 min.
    4.5 out of 5

    Pilot Hal Jordan goes for the ride of his life when his test pod is mysteriously transported from the safety of an air force hanger to a rocky desert only to encounter a bizarre dying alien named Abin Sur, who had summoned Jordan via his powerful ring. Abin Sur dies and Hal’s world is turned upside down when he is introduced to the Green Lantern Corps, guardians of the galaxy. Under the tutelage of Sinestro, Hal learns to use his newfound power and witnesses, thanks to Sinestro’s words and actions, that the Guardians of Oa—those who created the Green Lantern Corps and the green lantern power battery—have grown soft in their approach to intergalactic crime. Sinestro believes a more stern approach is needed and so takes Hal under his wing to show him that might makes right.

    The Corps faces a crisis as the Yellow Element—the only force capable of weakening the Green Element, which powers the Corps’s green battery on Oa—has been stolen. Should it be used against them, the Green Lantern Corps will crumble and the galaxy as we know it will no longer be protected and chaos and evil will reign.

    Green Lantern, to me, has always been a cool character, yet he’s also always been an overlooked character outside the realm of us hardcore superhero guys. Batman? Sure. Superman? We know him even better. Spider-Man? Yeah, good movies on the big screen. But Green Lantern? Wasn’t he that green guy from that old Super Friends show, the one with that ring that does stuff and, um, well . . .

    Green Lantern is an outsider character. He’s known and he’s unknown. I think of him like Superman, the difference being is he takes the ring off and he’s a guy like you and me. Superman doesn’t have that option because no matter what kind of clothes he’s wearing, he’ll always be a Kryptonian. Green Lantern: First Flight reminds us of that: that beneath the cool power ring Hal Jordan is just your average guy.

    I really appreciated the origin tone of this movie and even more so that 99% of it didn’t take place on Earth. Here we got to get a solid look at the world of Green Lantern, which is an intergalactic one and not confined to a bustling Metropolis or an eerie Gotham.

    To see the Green Lantern Corps—all those weird aliens with varied green uniforms—really added to the scope of what the Corps is all about and a visual reminder that humanity’s protection is only a small part of what they do. According to this movie, there are thirty-six hundred green lanterns, each with their own sector to watch over. Solid.

    I had only a couple minor quibbles with this movie. I thought Hal Jordan dove into the Green Lantern thing rather quickly. He gets the ring and suddenly—BAM—he’s all green and knows what to do. He also seemed too casual and calm about all these alien encounters he suddenly finds himself having. If that was you or me, we’d be freaking out the second Abin Sur showed up, green ring or otherwise.

    Likewise, Hal Jordan seemed to be the only guy who got back to wearing regular clothes when the ring came off, whereas everyone else still retained their uniform. I thought the uniform came with the ring. Take the ring off and you’re back to wearing whatever it was when you put it on.

    Again, minor, but something I would have liked to have seen handled better.

    I know that comic books and comic book movies are not as much for kids as they used to be. Once again this DC film has some foul language in it. Not impressed because it’s kids asking their moms for these flicks. It’s not like the old days where superhero cartoons were clean language-wise.

    The action is great. The fights are cool.

    If Green Lantern: First Flight is meant as a primer for the upcoming live action film, man, we’re in for a real treat and an awe-inspiring experience come 2011.

    This flick is solid, enjoyable and fun. Check it out.


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  • Canister X Movie Review #34: Green Lantern (2011)

    Posted on by A.P. Fuchs

    Green Lantern (2011)

    Green Lantern
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    Green Lantern (2011)
    Written by Greg Berlanti, Michael Green, Marc Guggenheim and Michael Goldenberg
    Directed by Martin Campbell
    Runtime 114 min.
    3.5 out of 5

    When dying alien and Green Lantern Abin Sur is discovered by brash and cocky fighter pilot Hal Jordan (Ryan Reynolds), Hal’s life is suddenly changed when the mysterious alien gives him a green power ring and matching lantern with vague instructions to “speak the oath.”

    After finally unlocking the lantern, Hal is taken to the planet Oa where he learns he has become Abin Sur’s successor in the Green Lantern Corps and is also the first human to ever bear the powerful mantle of a Green Lantern.

    As part of his training, Hal is taken under the wing of a powerful Lantern named Sinestro (Mark Strong) whose view of right and wrong is sheer black and white, and who has no trouble enforcing the law with lethal force. Turns out Sinestro wasn’t the first to feel this way as long ago one of the creators of the lantern rings—one of the Guardians of Oa—disagreed with the Oan Council and set off on his own, discovering a new power, this one the yellow power of Fear. Now the superpowered being Parallax, this former Guardian wishes to take revenge on those who banished him.

    As Hal learns what it means to set aside his own pride and ego and live by the sacred Green Lantern oath—In brightest day, in blackest night . . . —he must come to grips with his newfound power and expel Parallax’s presence from the universe once and for all.

    After the crazy success of Batman Begins and The Dark Knight, Warner Brothers and DC Comics were in big need of another hit after Superman Returns failed to deliver at the box office, and so they went to another DC hero: Green Lantern. Good choice. He’s a kind of Superman/Batman hybrid in that Hal Jordan is human and has the qualities and struggles thereof like Bruce Wayne, and yet by wielding his power ring, his superpowers get up there right alongside the Last Son of Krypton in many ways. Whether this was Warners’ reasoning or not, I don’t know—probably not—but GL was certainly a good character to try and take to the big screen, especially since it had never been done before.

    In a nutshell, the movie wasn’t bad. I liked it. It didn’t change my life, but it’s not the piece of garbage many folks make it out to be. It covered Hal Jordan’s transformation into Green Lantern, delivered awesome effects, created a sense of atmosphere both about the Green Lantern Corps and Oa, and came through on telling a simple story that got Hal Jordan from Point A to B in a reasonable amount of time.

    People complained there wasn’t enough action or not enough stuff on Oa—but those kinds of things aren’t—and weren’t—supposed to be the focus of this movie. It was about getting the ring into Hal’s hands and teaching him the ol’ Uncle Ben motto of “With great power comes great responsibility.”

    I like how it took time to get Hal used to using the ring and it wasn’t a case of him putting it on and suddenly becoming an expert on creating green light constructs. And once he figured it out, I enjoyed how his constructs were simple—the racetrack, machine guns, etc.—as opposed to something crazy or way too technical. Why? Put yourself in his shoes. You’d probably construct something you’re more comfortable with than trying to create some big complicated airship stocked with robot soldiers with a zillion weapons and stuff.

    The love story between Hal and Carol Ferris (Blake Lively) seemed forced though it did provide a nice bridge between the realm of Oa and Earth. Clearly this relationship was introduced for sequel purposes because those who know the comics know Carol Ferris becomes the supervillain Star Sapphire down the line.

    I think in the end, Green Lantern did its job. Could it have been better? Sure. Could it have been worse? Yup.

    Regardless, I like popping this movie into the player from time to time, and if you’re a superhero fan, you should, too.


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  • Canister X Movie Review #33: The Green Hornet (2011)

    Posted on by A.P. Fuchs

    The Green Hornet (2011)

    Green Hornet
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    The Green Hornet (2011)
    Written by Seth Rogen and Evan Goldberg
    Directed by Michel Gondry
    Runtime 119 min.
    2.5 out of 5

    Irresponsible and party-it-up guy Britt Reid (Seth Rogen) is living the life as the son of the well-to-do publisher of The Daily Sentinel, but when his father is found dead after a fatal bee sting, Britt’s life is changed. Since he never liked his father, he goes to the cemetery and, meaning to sabotage his dad’s memorial, he and his dad’s mechanic, Kato (Jay Chou), end up saving a couple people from being mugged. Later, Britt convinces Kato that the two of them should pose as criminals so they could get close to real criminals and bust them.

    Kato agrees and Britt adopts the identity of the Green Hornet. His target is Benjamin Chudnofsky, a Russian mob boss who is trying to unite the crime families in Los Angeles. Soon the Green Hornet and Kato find themselves neck-deep in the city’s underworld.

    Sometimes it takes a criminal—or one posing as one—to catch a criminal.

    I don’t know, man. I was super jazzed when I found out they were making this movie because I’m a big fan of the 1960s TV show starring Van Williams and Bruce Lee as the Green Hornet and Kato. I thought, hey, imagine doing an updated version where it could be a mob story with all sorts of intense drama, action and be a kind of Sin City, you know, with Green Hornet being an antihero and all?

    Instead, I got a goofball comedy out of what was supposed to be a serious idea. I blame Seth Rogen, who I usually don’t mind. He was one of the writers on this movie so obviously wrote to his strengths versus what the character was really about.

    The costumes were cool, the action was fantastic, Chou’s martial arts was aces—but they got the Green Hornet wrong and took the gist of him and then did their own thing. Too bad. This really could have been a hit had they done the original series justice and then tweaked it for a modern audience.

    Maybe sometime down the line they’ll do another one and do it right. In the meantime, if a straight-up, not bad superhero movie is your thing, check it out, otherwise there are other lesser-known-superhero movies I enjoyed more like The Phantom and The Rocketeer.


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  • Canister X Movie Review #32: Ghost Rider (2007)

    Posted on by A.P. Fuchs

    Ghost Rider (2007)

    Ghost Rider
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    Ghost Rider (2007)
    Written by Mark Steven Johnson
    Directed by Mark Steven Johnson
    Runtime 114 min.
    3 out of 5

    After having made a deal with the devil to save the life of his father when he was young, Johnny Blaze (Nicolas Cage) is a cursed man. When the devil’s son, Blackheart (Wes Bentley), comes to Earth in search of a contract that would bring Hell to the planet, the devil makes Johnny the new Ghost Rider and tasks him with killing Blackheart. If Johnny succeeds, he can have his soul back.

    Supernatural excitement and thrills ensue in this paranormal tale about a haunted man facing his own demons—both internally and externally—and what it takes to be the Ghost Rider.

    There’re lots of ways of looking at this movie, everything from was it faithful to the comic to simple eye candy to story to themes to—well, you get the idea. For me, it was all right. I like Nic Cage because, well, he’s Nic Cage and usually just plays himself, it seems. Sometimes he steps outside that, but in Ghost Rider, he was Nic Cage. Ghost Rider did look amazing in this, looked real. That first transformation sequence was insane! It’s hard to sell the image of a walking, burning skeleton in leather, but they pulled it off here.

    The motorcycle—trippin’. Can you imagine owning a hog like that? Know how many heads you’d turn? And if you could ride up a building like he did? Yeah, thought so.

    The story’s pretty good and carries its own mythology and purpose. The elemental demons that Ghost Rider has to go up against were pretty cool and tough to beat, and the effects needed to portray them looked real. It’s amazing what Hollywood can do these days.

    This movie got a lot of mixed reactions from fans. For me, it was okay. Wasn’t one of those superhero movies I could watch over and over again. At the same time, it did do its job in getting me interested in the sequel, which is on my to-check-out list, so that definitely has to count for something.


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  • Canister X Movie Review #31: Fantastic Four (2005)

    Posted on by A.P. Fuchs

    Fantastic Four (2005)

    Fantastic Four
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    Fantastic Four (2005)
    Written by Michael France and Mark Frost
    Directed by Tim Story
    Runtime 106 min.
    3.5 out of 5

    Five people are endowed with superpowers after an accident on a space station. Four become a force for good. One becomes a force for evil. That’s pretty much it.

    This is a fun movie and I liked it. It had a solid origin story, some good action, and pretty good SFX. Each character was clearly defined, even stereotypical, but that’s the Fantastic Four for you.

    A lot of people griped on this movie. It was not bad. Wasn’t as “cosmic” or over-the-top as I would’ve liked, but it wasn’t a bad flick by any means. It was a great translation of comic book to screen and carried that vibe with it from beginning to end.

    The invisibility effects of the Invisible Woman (Jessica Alba) were awesome, a sweet combination of complete I-can’t-see-you-at-all invisibility with the glass-like, transparent humanoid figure so we can see her enough to know what she’s doing.

    The Human Torch (Chris Evans) looked like a man on fire, which he is, but animated enough so we can make out his actions, his costume, facial expressions and anything else we needed to in a given scene.

    Mr. Fantastic (Ioan Gruffudd): at some points he looked like a real-life stretchy dude, at others the CGI was very clear (i.e. that scene when he stretches his hand under the door to unlock it from the outside).

    The Thing (Michael Chiklis), arguably the hardest costume because you didn’t want to run the risk of making him look like a cartoon character by going all CGI (as good as the Hulk looks even in The Avengers, there’s still an animated quality to it), but you also didn’t want bad prosthetics either. The Thing in this movie looked amazing and looked real. Well done.

    Dr. Doom (Julian McMahon) was fine as is, his costume something like an elaborate cosplay. I would’ve liked more detail in the cloak, some sort of pattern, but the whole how-he-got-his-armor thing was pretty cool.

    What worked especially well was the dynamic of family and all the love, bickering and craziness that goes along with having one. There was real chemistry between all the main players and it added a dynamic to the team that made the whole scenario believable.

    What also makes the Fantastic Four different is they’re public superheroes without secret identities, that is, though they have codenames, everyone knows who they are. While Iron Man did this, too, having a whole family who everyone knows who they are changes the game. It’s also different because, unlike Iron Man, they didn’t decide, “Hey, let’s be superheroes,” but instead it’s something that kind of happens and they discover how important it is they use their powers to help people.

    For me, Fantastic Four was a good movie that I like popping into the DVD player now and then.


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