Funko Friday: Michael Keaton Batman and Jack Nicholson Joker Funko Pops
Summer of 1989. Bat-mania everywhere. It was a magical time for a superhero movie especially since nothing serious for the genre came out since Superman II. While Superman IV ran in 1987, it wasn’ a very serious take on Superman so when Batman came out in 1989 and was a first effort in capturing the darkness of the Dark Knight, it was a really big deal. Like, huge.
Tim Burton, Michael Keaton, and Jack Nicholson created something special and it certainly was a massive part of my childhood.
The Batman and Joker Funko Pops in this video are my personal little callback to that era and a chance to be a kid again.
Batman Returns (1992) Written by Daniel Waters Directed by Tim Burton Runtime 126 min. 3.5 out of 5
A mysterious “penguin man” surfaces and takes the city by storm, so much so that evil business tycoon Max Shreck, played by Christopher Walken, thinks he can turn Penguin into the city’s new mayor. But Penguin is not all what he seems and he secretly controls the Red Triangle Gang, who are wreaking havoc across the city.
Adding to the mix is one Selina Kyle, Shreck’s lowly assistant, er, secretary, who, after a bad night with her boss, becomes Catwoman.
The Bat Signal shines and the Dark Knight returns to once again rid Gotham of chaos and restore order.
Michael Keaton is back as Gotham’s Guardian and brings to the role all the mystery and edge that made the ’89 movie so popular. What’s even better is that this movie actually has Batman in it and the vigilante appears, clad in black armor, more than just four times like in the previous flick.
Danny DeVito as the Penguin does a great job given what he had to work with. Though the Penguin in this film is not the same as the one in the comics, DeVito still did well portraying a man who was born . . . a little different.
Michelle Pfeiffer pulls off the dual role of Selina Kyle/Catwoman nicely. In fact, she plays four distinct roles in this film, all in one character: nerdy Selina, hip Selina, crazy Selina and Catwoman.
This film is filled with action, darkness and fun, all set in Tim Burton’s eerie Gotham City, which was a character on its own in this film and its predecessor.
It’s the hokey plot that’s earning this film a lower rating than the previous one. Had the story been better, this movie had the potential to be one of the best superhero flicks ever.
Batman Forever (1995) Written by Lee Batchler, Janet Scott-Batchler and Akiva Goldsman Directed by Joel Schumacher Runtime 121 min. 3 out of 5
Two Face has been terrorizing Gotham for a while and after executing a terrible sentence at Gotham Circus, he inadvertently changes the life of the Dark Knight forever by setting in motion a chain of events that lead to the birth of Batman’s legendary partner, Robin.
Continuing in the “double villain” trend as established by Batman Returns, a disgruntled—and stalker-ish—employee of Wayne Industries, Edward Nigma, gets revenge on his boss by becoming the Riddler, and steals his way to the top of the technology enterprise game.
It’s two-on-two in this third installment of the Batman franchise.
Riddle me this: what do you get when you cross Adam West and Michael Keaton? You get Val Kilmer’s portrayal of Batman, one who is part serious and part humorous. This is the film that I’ve always viewed as the “transition piece” between the dark Bat-flicks done by Tim Burton and the all-out camp-fest that is Batman & Robin.
Though a bit over the top, the story of Batman Forever is a good one and if you watch it just for that, you’ll highly enjoy it.
It was the humor that brought this film down.
First, Batman ain’t funny. He’s so serious and dry he makes Al Gore look like Superman.
Second, Two Face isn’t funny. Tommy Lee Jones, as much as I enjoy him as an actor, got the character wrong. Two Face is a gangster not another version of the Joker.
Third, Riddler isn’t all whacky and zany, though by director Joel Schumacher’s choice to cast Jim Carrey in the role, it’s evident he was after Frank Gorshin’s Riddler from the ’60s instead of the comic book Riddler. Jim also got this part shortly after he became super famous so obviously this role was playing to his strength of being a rubber-faced whack job.
Fourth, though it was a neat thing to add Robin to the mix, Chris O’Donnell was too old, but, I suppose, having a kid running around in an anatomically-correct rubber suit would have raised too many questions.
This film was 50/50 for me. Had its pluses and minuses. I’m going to leave this in the “decide for yourself” category.
Batman (1989) Written by Sam Hamm and Warren Skaaren Directed by Tim Burton Runtime 126 min. 4 out of 5
There are rumors of a six-foot bat in Gotham City. Whispers. Suggestions. Nothing concrete. But all that changes after the Batman confronts Carl Grissom’s men at Axis Chemicals and Grissom’s top hood, Jack Napier, gets dropped into a vat of chemicals, transforming him into the maniacal Joker. Discovering he had been set up by his boss to take the fall at Axis, Joker takes over Grissom’s operation, in turn allowing him to try and take over Gotham City itself, with only the Dark Knight to stop him.
This was the film that gave us the “movie Batman” we know today: dark and armored. If it wasn’t for director Tim Burton’s gothic and grim vision of crime-ridden Gotham City and its brooding protector, I suspect the edgy superhero movies of today wouldn’t exist.
Michael Keaton takes on the title role as billionaire playboy Bruce Wayne and his rubber-clad alter ego Batman, delivering one of the greatest Batman performances that many, at the time, hadn’t expected from “Mr. Mom.” And after his memorable line during the opening rooftop scene, “I’m Batman,” from that moment on he had you sold that his version of the Dark Knight meant business and quenches any lingering thought that Batman, thanks to the 1960s TV series, is a campy superhero.
Stealing the stage is Jack Nicholson as the Joker. Basically take the Jack from One Flew Over the Cuckoo’s Nest and crank it up to a hundred and you have the Joker. Nicholson does a brilliant job of blending the serious and twisted Joker while also playing the crazy, laughing, psycho killer. I’m sure when Batman: The Animated Series came along, Nicholson’s Joker was the template for Mark Hamill’s performance when he voiced the character. Awesome.
Danny Elfman’s haunting and lonely score only adds to the movie’s eeriness.
My only problem with the film was there wasn’t enough Batman. I remember that bothering me as a kid. Batman shows up all of four times in the film, the first being something, like, only for a minute. Each subsequent time gets progressively longer, thankfully.
Bold, atmospheric and downright fun, Batman is one for the ages. It was where the modern dark superhero movie started.
