• Tag Archives Christopher Reeve
  • Canister X Movie Review #73: Supergirl (1984)

    Supergirl (1984)

    Supergirl
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    Supergirl (1984)
    Written by David Odell
    Directed by Jeannot Szwarc
    Runtime 125 min.
    3.5 out of 5

    After accidentally losing the Omegahedron, Argo City’s power source, Kara Zor-El (Helen Slater) embarks on a journey to go recover it before Argo City perishes. Upon arriving on Earth, she discovers she has superpowers and adopts the identity of Supergirl, which she uses to help others while on her quest to recover the Omegahedron.

    Elsewhere, the Omegahedron has fallen into the hands of Selena (Faye Dunaway), a flunky witch who quickly becomes powerful because of it and who sets her sights on Supergirl, ready to eliminate the Girl of Steel the first chance she can get.

    Can Supergirl recover the Omegahedron before Argo City goes dark and Selena is victorious?

    It’s superheroine versus supervillainness in this ’80s classic of Good vs Evil.

    This flick is every bit a part of my childhood as the Superman movies were. At the time, of course, I was too young to understand the story, but now older, it’s not too bad. Sure, it has some flaws and continuity issues, but at its heart it’s the story about someone trying to right a grievous mistake, something that most of us can relate to.

    The visuals and hints of Kryptonian mythology put forth quickly link it to the Superman movies—Supergirl identifies herself as Superman’s cousin while in costume, and also as Clark Kent’s cousin when she’s in disguise as Linda Lee; her supersuit is basically the Christopher Reeve costume from the waist up—and it has a cinematic score that carries a similar heroic tone to that of its male counterpart. Likewise, Marc McClure reprises his role as Jimmy Olsen from the Superman movies and appears as Lucy Lane’s boyfriend (Lucy is Lois Lane’s younger sister).

    They seem to want to jump right into Kara being Supergirl so don’t give an explanation as to why she leaves Argo City in that bubble ship in one outfit then transforms inside the ship and flies out of the water in her supersuit, but whatever. They do a good job of showing her discovering her powers, the joy of having them, and also the satisfaction of using them for good.

    As hopeful and cheery as this flick is at times, it’s also equally dark thanks to Selena being a witch. There is a ton of occult imagery and when you’re watching this stuff as a kid, it creeps you right out. And that funhouse that Supergirl’s “man in distress” has to find his way out of? Shivers, man. But who isn’t afraid of creepy funhouses, right?

    The pacing was pretty decent and each obstacle Supergirl must overcome as the movie rolls along keeps getting bigger and bigger until the end when it seems all hope is lost and even the Girl of Steel is helpless.

    What was especially cool is during the time of Supergirl’s tenure on Earth, Superman was elsewhere in the galaxy doing his thing, so when the story wraps up, Supergirl asks those who knew of her presence to forget she was there and flies off triumphant back to Argo City. This, of course, kept the two super franchises separate while still linking them. I heard Christopher Reeve was supposed to have a cameo in Supergirl but it didn’t work out, with Reeve citing personal reasons (whatever those might’ve been). Would’ve been amazing had the two teamed up for it. Maybe we’ll finally get to see Supergirl and Superman together in Man of Steel 2 . . .

    In the end, Supergirl is an overall enjoyable flick that is from a time before superhero movies got all dark and gritty, the hero was filled with angst and turmoil, and it enjoys itself for what it is: a movie about a girl who can fly.


  • Canister X Movie Review #57: Man of Steel (2013)

    Man of Steel (2013)

    Superman Man of Steel
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    Man of Steel (2013)
    Written by David S. Goyer
    Directed by Zack Snyder
    Runtime 143 min.
    5 out of 5

    A sole survivor of the doomed planet Krypton grows up on Earth and discovers he has abilities far beyond those of mortal men. Once grown, he sets off to find out who he is and where he comes from. The answer is discovered in a spaceship in the arctic and Krypton’s Last Son, Kal-El—Clark Kent—meets a hologram of his long-dead father, Jor-El, who reveals to him his destiny: to be a beacon of hope for humanity, and also someone who could one day restore the doomed Kryptonian race.

    Enter Zod, a harsh general and one who has fought his whole life to protect Krypton and its people. During an altercation with Jor-El prior to Krypton’s explosion, he finds out that Jor-El has sent his newborn son off-world and, along with the child, plans for Krypton’s future. A battle ensues and Zod is sent off-planet, too, him and his cohorts banished to the Phantom Zone for rehabilitation. When Krypton explodes, the containment units holding Zod and his followers release them and he spends the next thirty-three years combing the stars, searching for Jor-El’s son.

    Locating Kal-El on Earth, Zod sends an ultimatum to the planet, forcing Kal-El to reveal himself to the humans and to stop Zod from using Earth as ground zero for a new Krypton. Zod, like Kal-El, is now powered by the Earth’s yellow sun and is empowered with superabilities. An enormous battle ensues between Krypton’s general and Kal-El, the fate of the Earth hanging in the balance.

    What can I say? This movie is mind blowing! It’s epic, it’s incredible. So much was riding on this film to deliver a Superman movie that would captivate audiences and restore the Man of Steel to his rightful place as king of the superheroes. Man of Steel does just that and then some, bringing with it the awesome sci-fi factors of Star Wars to the dense storytelling of The Dark Knight Trilogy.

    There has never, ever been a superhero movie like this before. Henry Cavill as Superman nailed the part. He’s a nice guy, a caring guy, but he’s dead serious about doing the right thing and exudes the confidence that only one who has sold himself out for the good of all can portray. He did something that was never done before by any other Superman actor: showing Clark Kent before he was Superman or even the bumbling reporter of the Daily Planet. (I’m referring to the movies, not Smallville). In fact, he’s this version of Clark Kent for nearly the whole movie. You see him making the big decisions, weighing his upbringing against this new task of saving the world that was suddenly dropped on his lap. You journey along with him as he wrestles with his being different and how those differences apply not just to his life, but to the lives of others.

    As Superman, he’s the Superman. I never thought Christopher Reeve’s performance could be outdone, but Henry Cavill matches, if not exceeds, what Mr. Reeve brought to the character. Cavill’s Superman is one hundred percent devoted to staying true to who he is, his abilities, his upbringing, his quest for truth and justice, and for putting his foot down both with men and rebel Kryptonians when needed. I can’t really comment on his reporter Clark persona because that’s not a big role in this movie. I hope, however, it will be in the sequel and we’ll see plenty of Lois and Clark interaction in the next one, especially after the way the Lois and Clark relationship is portrayed in this movie. You’ll have to see for yourself for what I mean.

    Michael Shannon as Zod was crazy good. The guy can act and his Zod is much different than Terrence Stamp’s. Yes, both are ruthless, but whereas Stamp’s Zod was more about power grabbing and his desire to rule, Shannon’s is about giving his all to restore the former glory of Krypton at any cost, even if that means eradicating all of Earth’s population to do it. The best villain is always the villain you accidently find yourself rooting for, and that happened to me throughout this movie. Every so often I felt for Zod and understood what he was trying to accomplish. It made sense and made me consider that maybe if I was in his shoes I would’ve done the same thing or something similar.

    Amy Adams as Lois Lane was a good choice. I wasn’t sure at first, as I know Amy Adams as more of the happy-go-lucky girl from other movies far removed from the superhero genre—though she was in one episode of Smallville during its first season—but she sold me on the part and she reminded me of the Lois Lanes from the old cartoons: warm, but cut and dry; funny, but serious about what she does and her desire to go the distance to get a story.

    The action in this movie was crazy huge. The bar has been set so high in terms of superhero cinema in recent years and Man of Steel makes every superhero movie that’s come before it look like a puppet show by comparison. The wide-scale destruction wrought by Superman and Zod—never mind Zod’s right-hand-woman Faora and the other rebel Kryptonians—is what you’d expect if people with god-like powers let loose in an all-out brawl across a city. And the speed, man, the speed! Normally superspeed is shown as either a big blur or done in slo-mo, with the superspeedsters moving quickly while everyone else is frozen. In this one, you see Superman et al. zipping around, pausing, breaking sound barriers, and bringing the viewer along as if we’re in his boots the whole time and experiencing the thrill of superspeed ourselves.

    The way Superman flies in this is unlike any other portrayal before, and while I loved how he flies in the other movies and TV shows, in this one he seems to hurl himself through the air at times, while at others flies with precision and care. The heat vision effect in this was stellar, too. The glow beneath the skin around the eyes and to see the veins beneath its surface made it all the more menacing. The superhearing and X-ray vision were familiar territory to those who’ve watched Smallville, but there was no all-out X-ray vision where everything was dark blue and white.

    The fighting between Superman and Zod was serious business and was truly a portrayal of two warriors going toe-to-toe and not just wrestling or tapping each other out. It was one crazy hard blow after another, some slow, some rapid, even some in the sky! Insane! So many times I was blown away and just going “Wow, wow, wow!” Zod fought with the skill of a trained warrior, whereas Superman fought with brute force.

    Man of Steel is a crazy good movie with a strong story, an incredible cast, and superhero action that has now become the benchmark for anything to follow. To be honest, I don’t know if it can be followed. Hopefully in Man of Steel 2.

    Super recommended.