• Tag Archives Wolverine
  • Canister X Movie Review #100: X-Men Origins: Wolverine (2009)

    X-Men Origins: Wolverine (2009)

    X-Men Origins: Wolverine
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    X-Men Origins: Wolverine (2009)
    Written by David Benioff and Skip Woods
    Directed by Gavin Hood
    Runtime 107 min.
    3 out of 5

    Little James was born in the 1800s and was always sick. His family background . . . well, he didn’t have much of one, at least, one that cared. Except for his friend, Victor. One night, during a drunken upset with his later-to-be-found-out father, James learned he could produce bone claws from his hands and defended himself, killing his father.

    That night, James and Victor were on the run, and promised to always stick together. The years go by and the two find a great outlet for their rage: war. Victor (Liev Schreiber) also has a special ability and he is more animal than man, with claws coming out of his fingers. The two are very similar and age very slowly. War after war goes by, and the two eventually end up working with a secret team run by William Stryker (Danny Huston). While on one mission, James—now calling himself Logan (Hugh Jackman)—feels Victor has gone too far in his attack on an innocent and walks out on the group.

    Years later, the group’s been disbanded and Stryker comes to warn Logan that Victor is behind the recent string of deaths of its former members. The only way Logan will be strong enough to fight the always-stronger Victor is to undergo a special experiment of Stryker’s own design: graft the indestructible adamantium to his bones. Logan agrees.

    But there’s something Stryker hasn’t told him about what’s been going on and when Logan finds out, he’s furious and wages an all-out one-man war against Stryker, Victor and anyone else who stands in his way.

    On the action: cool fight scenes and neat concepts. However, it seemed to me Logan was a little too acrobatic and was able to survive way more and take way more pain than even a mutant with a healing ability could.

    On the story: works for me, in that we knew Logan had a history going in. He was the star of the X-Men movies after all, and X2 especially focused on Logan’s origins as much as they were able to without detracting from the main story. I did like seeing what really went on and, more specifically, how Logan lost his memory. I was under the impression that he lost it because of the adamantium experiment and not after it. Doesn’t matter, but I did feel for the guy when the love of his life wasn’t all she was cracked up to be.

    On Deadpool, because, you know, it has to be covered: the whole story involving the secret ops group Logan was a part of made for fun action. Deadpool’s origin, hey, why not? To be honest, I don’t know if they followed the comics or not because I’m more a DC guy than a Marvel one and don’t know too much about Deadpool other than he’s the “merc with a mouth.” His transformation from normal-looking Wade Wilson (Ryan Reynolds) to disfigured Wade—good stuff.

    Was this a perfect movie? No, unfortunately. It felt too cartoony as opposed to carrying with it the realistic tone the other X-movies had, namely the first two.

    Will I see the sequel? Absolutely. I’m a saga guy so I want to see what happens next.

    Check this film out if you’re the superhero-movie-completist type like me.


  • Canister X Movie Review #99: X-Men: The Last Stand (2006)

    X-Men: The Last Stand (2006)

    X-Men: The Last Stand
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    X-Men: The Last Stand (2006)
    Written by Simon Kinberg and Zak Penn
    Directed by Brett Ratner
    Runtime 104 min.
    3.5 out of 5

    When a cure is developed to rid mutants of their unusual abilities, the mutant community is torn in two, with some more than happy to get rid of what they view as a curse, while others are vehemently against it. Outraged at this development, Magneto makes war on the humans for trying to rid the world of mutantkind and the X-Men stand in the gap to stop him.

    This movie has a lot going on and seems to serve as an ending to the previous two movies, bringing to fruition a major confrontation between the X-Men and the Brotherhood. These two teams, while having skirmished in the other movies, never had an all-out battle and this flick shows that. It also brings to pass a version of the Dark Phoenix storyline with Jean Grey returning from the dead as the Phoenix and working for the bad guys.

    From an action standpoint, this movie has tons of it and it’s really cool. Wolverine (Hugh Jackman) kicks butt as usual, while having the Juggernaut (Vinnie Jones) running around and smashing into things makes you cheer. Magneto (Sir Ian McKellen) ups the metal-controlling ante in this—I mean, lifting a bridge? Flipping semis? Awesome!—and even having Beast (Kelsey Grammer) beasting it up adds a level of excitement that makes this comic-book-come-to-life a thrill. And when Jean Grey lets loose and destroys her childhood home while a bunch of X-Men and Brotherhood folks are fighting inside it? That was some jaw-dropping stuff!

    From a story standpoint, it kind of falters. In a general sense—the overall story, I mean—it’s fine as is. That is, the “what it’s about.” The delivery, however, seems to suffer from the same thing Spider-Man 3 did: too much going on and not enough time to tell it in. Had this third X-Men movie either been part one of two or even the first in a trilogy where the mutant cure is introduced, a war brews, there’s a big battle, some people die, etc. then that would’ve been fine. But it didn’t happen that way. I don’t know if that’s because of a change in hands of directors or what.

    The other thing that I didn’t like—but could’ve worked had the story justified it/been expanded into another movie or two—was everyone dying. We lost some major people in this movie and for seemingly no good reason. I have no trouble with killing off major characters. It can definitely add to the story . . . when done right. In this flick, there didn’t seem any justification for it.

    What’s amazing is thanks to the upcoming X-Men: Days of Future Past in 2014, depending on how that plays out, there’s a chance of undoing some of the stuff that fell short in this outing and bringing back some people from the dead. After all, isn’t that what time travel’s for?

    In the meantime, yeah, if you want a fun superhero movie, I’d still recommend X-Men: The Last Stand.


  • Canister X Movie Review #97: X-Men (2000)

    X-Men (2000)

    X-Men
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    X-Men (2000)
    Written by David Hayter
    Directed by Bryan Singer
    Runtime 104 min.
    4 out of 5

    A small percentage of the world’s population has natural mutations in their genetic code, each manifesting themselves differently. For many, it leads to special talents and abilities, but such capabilities come at a high cost: ostracization from society. Two factions have risen: one which believes that these “mutants” and the rest of humanity can live peacefully side-by-side, and another which believes a war is coming between mutant and humankind, one in which only one side will prevail.

    Welcome to the world of the X-Men.

    This flick is considered by many to be the beginning of the modern day superhero film era. Yes, we had Blade before this, but X-Men really cracked the door open in terms of taking a well-known comic property and bringing it to the big screen. Not only that, but there is some serious acting firepower in this movie, namely actors who don’t do garbage, so right there that says something. Sir Patrick Stewart as Professor X, Sir Ian McKellen as Magneto, Anna Paquin as Rogue—yeah, big deal stuff. Then you throw who was then an unknown into the role of Wolverine (Hugh Jackman) and you suddenly have a bunch of talented actors taking a serious stab at a story about mutants with superpowers.

    Bryan Singer was known for The Usual Suspects before this flick, and with him at the helm, we got an X-flick that was serious, funny in the right parts, plausible and just plain cool.

    They did right to take the most popular X-character—Wolverine—and tell the story primarily from his point-of-view. I mean, this role made Hugh Jackman’s career and it’s a role he’s gone back to six times, not including the upcoming X-Men: Days of Future Past due in 2014.

    While the all-black leather costumes weren’t really my thing—I liked the more colorful ones from X-Men: First Class better, which were based off the classic comic book costumes—they brought a level of realism to the movie and prompted that joke later on when Wolverine complains about the uniforms and Cyclops says, “Well, what would you prefer? Yellow spandex?” At the same time, I’m also in the major minority of people who think that properly-armored and modernly-stylized colorful superhero costumes could work in a real world situation. There are guys going around in The Real Life Superhero Movement dressed as such and are helping police after all.

    Anyway . . .

    The trick with an ensemble movie is to give each character enough history and density to make them likeable and relatable from frame one. When you have only a couple hours to do that, you need to have a story that revolves around each of them so they could each have their moment in the sun long enough to get the audience involved with them. X-Men does this for the most part and it’s no easy feat.

    Of course, there is the metaphor of the evils of racism throughout the movie, and how all people are equal regardless of who they are, what they can do and what they look like. This theme is strangely overt yet subtle at the same time. Kind of depends what frame of mind you’re in when watching it and your personal history and feelings on the topic.

    This movie is an interesting, exciting, thoughtful and well-executed big screen adaptation of one of the biggest comic book franchises of all time. Did they nail it perfectly? No. Did they do a good job of taking the X-Men concept as a whole to the big screen? You betcha.

    Recommended.


  • Canister X Movie Review #95: X2: X-Men United (2003)

    X2: X-Men United (2003)

    X2: X-Men United
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    X2: X-Men United (2003)
    Written by Michael Dougherty, Dan Harris and David Hayter
    Directed by Bryan Singer
    Runtime 133 min.
    4.5 out of 5

    The rumored war between mutants and humans begins to take shape after a mutant makes an attempt on the life of the President of the United States. Soon, the X-mansion is attacked by military forces led by a man with a hidden vendetta against them. While the X-Men band together to make a stand against those who would rather see them killed or controlled, many of them must also face the demons of their past for good or ill.

    Meanwhile, Jean Grey’s powers are acting up and she’s losing control. The others take notice and try to help, but something else seems to be brewing deep within her.

    I love this movie. It was my favorite superhero flick until Spider-Man 2 came out. This movie picked up pretty much where the first X-Men left off, and delivered in spades everything that made the first X-movie so good: solid story, amazing acting, high stakes (even higher in this one), and a respect for the source material. Throw Brian Cox as the main bad guy—William Stryker—into the mix and you got a recipe for a great movie.

    Once again told from Wolverine’s (Hugh Jackman’s) perspective, X2 is the story about facing your past and not running from what you find there. We see this not only when looking into Wolverine’s life, but that of Stryker’s, Iceman’s, Rogue’s, and others. Like the first one, the theme of being-different-is-okay is prevalent, and comes more into play as the government exercises its power while it seeks to investigate what it doesn’t understand.

    The hard part about reviewing an X-Men movie is that everyone does so well in their roles, you can spend a thousand words talking about each. Space doesn’t permit that here, but needless to say I can watch Sir Patrick Stewart’s father-figure and leader role as Professor X all day. Couple that with Sir Ian McKellen’s—Magneto’s—diehard devotion to ensuring mutants are ready for the inevitable confrontation with humans and you can see how these two characters are really two sides of the same coin with both wanting the same goal: peace for mutants. Of course, their means of achieving that goal are completely different from one another.

    There’s a real sense of world-building in the X-Men universe, with each location and character fully developed, and as we visit them with each outing, it’s like coming home to old friends.

    This movie is more intense than the first because, like I said, the stakes are higher and all those at Xavier’s School for Gifted Youngsters are in some real life-or-death danger.

    I also appreciate how they showed that if certain people had these special mutant-enhanced abilities in real life how much of a danger they could be to themselves and to others. This is something not often seen in superhero flicks as the villains in here—even some of the heroes—seemed more misguided than simply evil for evil’s sake. And that’s the kind of world we live in, right? How often are those who do something wrong doing so out of misguided intentions? How many times do we do that ourselves?

    I’m really glad they made this movie and made it so well that the franchise has kept going.

    I’m proud to stand united with X2: X-Men United.

    Recommended.


  • Canister X Movie Review #41: Hulk vs (2009)

    Hulk vs (2009)

    Hulk vs Thor Hulk vs Wolverine
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    Hulk vs (2009)
    Written by Craig Kyle and Christopher Yost
    Directed by Frank Paur and Sam Liu
    Runtime 78 min.
    4.5 out of 5

    Two short films, one explosive movie!

    Hulk vs Wolverine: Logan (Wolverine) is called in to a small town that the Hulk just ravaged in an effort to track down the beast and stop him for good. However, once the two meet, they go head-to-head and battle to the finish. Different phases of the fight trigger certain flashbacks for Wolverine and he remembers bits and pieces of how he came to be and his history with Weapon X (who also shows up).

    This part of the movie is all-out-hey-bub-come-get-some craziness. Wolverine lets it rip and him and Hulk go at it like no one’s business, definitely making this segment the more exciting of the two in terms of action. I mean, Hulk really smashes and showcases his raw power and strength and, I’m telling you, there’s no holding back.

    Putting Wolverine up against Hulk was a smart move because here you got this guy who’s tough as nails, has a healing factor, and has an adamantium skeleton—and claws!—that make him near invincible. On the I-can-take-some-serious-damage level, Wolverine is right up there.

    I also appreciated how they had him slice into Hulk versus just having the two slug it out. Frankly, Wolverine’s punches against the Hulk wouldn’t him take him far, if anywhere at all. Have him start cutting the Hulk with his claws—and with them being adamantium, they can do that—now Hulk finds himself in some serious jeopardy if he’s not careful.

    Storywise, this one was the weaker of the two, but getting a brief overview of the Weapon X program and Wolverine’s creation is a plus for fans. Besides, Deadpool is in this and who doesn’t love that?

    Onto . . .

    Hulk vs Thor: Loki transports Hulk to Asgard while the city is no longer under Odin’s protection thanks to his annual Odinsleep. By separating Bruce Banner from the Hulk, Loki removes the restraint on the Hulk and unleashes the green beast against the unsuspecting Asgardians. Thor steps in to stop the Hulk from breaking in and destroying the city. The two battle it out in the realm eternal and only one can be the victor.

    Straight off, the storytelling of this one was much more complex than the Hulk vs Wolverine segment. I appreciated that and liked how Thor was dragged into this battle as opposed to him just trying to get back at Hulk for something or simply seeing who is the strongest.

    Sticking Hulk in the realm of Asgard as opposed to having the story take place on Earth changes things up for those of us not used to Hulk fighting in that kind of arena. Throw some complex emotions and Hulk’s inner turmoil into the mix by way of honing in on Bruce Banner, and you got a good Hulk story.

    This one focused more on Hulk in that regard whereas the other one seemed to focus more on Wolverine despite this movie titled as being Hulk-centric.

    The battles on Asgard were almost as good as the Hulk vs Wolverine ones, but not as awe-inspiring. I did like, however, Hulk going up against multiple opponents in this as he took on the Asgardians.

    The movie as a whole—I wish they’d do a live action version or something similar if they ever do a follow up to The Incredible Hulk. To have Hulk not just have the army on his tail but also other powerful superheroes would make for an exciting flick.

    You never know.

    Hulk smash!