Batman & Robin (1997) Written by Akiva Goldsman Directed by Joel Schumacher Runtime 125 min. 2 out of 5
A freeze is coming.
Gotham is under siege, this time by not one but three supervillains: Mr. Freeze (Arnold Schwarzenegger), Poison Ivy (Uma Thurman) and Bane (Jeep Swenson).
The Dynamic Duo (George Clooney and Chris O’Donnell) is called to the rescue despite the tension growing between them. Complicating things, Barbara Pennyworth (Alicia Silverstone), Alfred’s niece, has come to Wayne Manor to liberate her ailing uncle from a life of servitude. She also has a secret: a wild side that needs to be tamed.
When an all-out assault is declared on Gotham by Mr. Freeze and Poison Ivy, the caped crusaders rise to the occasion, and this time they have a little help.
If you took the cheesy, camp-filled ’60’s Batman series and shot it with a huge budget, tons of effects and modern day equipment, Batman & Robin is what you’d get (and is what we got).
Clearly this was the film that killed the Batman franchise. It took eight years for Warner Brothers to recover from the disaster that was this movie.
The story—the “what it’s about”—though farfetched, is bearable. It’s the dialogue and stupid jokes that catapult this Bat-flick a zillion miles into the campy canyon.
On the plus side, if you watch this movie solely for the bright colors, glitter and action, you’ll have a good time.
If you’re looking for substance, go back to the beginning, namely Burton’s ’89 triumph.
Batman (1989) Written by Sam Hamm and Warren Skaaren Directed by Tim Burton Runtime 126 min. 4 out of 5
There are rumors of a six-foot bat in Gotham City. Whispers. Suggestions. Nothing concrete. But all that changes after the Batman confronts Carl Grissom’s men at Axis Chemicals and Grissom’s top hood, Jack Napier, gets dropped into a vat of chemicals, transforming him into the maniacal Joker. Discovering he had been set up by his boss to take the fall at Axis, Joker takes over Grissom’s operation, in turn allowing him to try and take over Gotham City itself, with only the Dark Knight to stop him.
This was the film that gave us the “movie Batman” we know today: dark and armored. If it wasn’t for director Tim Burton’s gothic and grim vision of crime-ridden Gotham City and its brooding protector, I suspect the edgy superhero movies of today wouldn’t exist.
Michael Keaton takes on the title role as billionaire playboy Bruce Wayne and his rubber-clad alter ego Batman, delivering one of the greatest Batman performances that many, at the time, hadn’t expected from “Mr. Mom.” And after his memorable line during the opening rooftop scene, “I’m Batman,” from that moment on he had you sold that his version of the Dark Knight meant business and quenches any lingering thought that Batman, thanks to the 1960s TV series, is a campy superhero.
Stealing the stage is Jack Nicholson as the Joker. Basically take the Jack from One Flew Over the Cuckoo’s Nest and crank it up to a hundred and you have the Joker. Nicholson does a brilliant job of blending the serious and twisted Joker while also playing the crazy, laughing, psycho killer. I’m sure when Batman: The Animated Series came along, Nicholson’s Joker was the template for Mark Hamill’s performance when he voiced the character. Awesome.
Danny Elfman’s haunting and lonely score only adds to the movie’s eeriness.
My only problem with the film was there wasn’t enough Batman. I remember that bothering me as a kid. Batman shows up all of four times in the film, the first being something, like, only for a minute. Each subsequent time gets progressively longer, thankfully.
Bold, atmospheric and downright fun, Batman is one for the ages. It was where the modern dark superhero movie started.
Batman (1966) Written by Lorenzo Semple Jr. Directed by Leslie H. Martinson Runtime 105 min. 4 out of 5
Atomic batteries to power. Turbines to speed!
The dynamic duo, Batman and Robin, hit the big screen in this 1960s action/adventure camp-stravaganza!
When the caped crusaders’s most dangerous foes—Joker, Riddler, Catwoman, Penquin—team up and plot to dehydrate the United Nations Security Council, Batman and Robin find themselves in over their heads and must pull out all the stops to put an end to the evil villains’ dastardly plans in this big screen adaptation of the hit TV series.
This movie rocks! And here’s why:
It’s fast-paced, exciting, and is the definition of superhero fun. What? You mean superheroes can be fun? Of course! Remember dressing up as a kid and flying around the house as Superman or climbing the stairs as Spider-Man or swinging from room to room as Batman? Remember laying waste to all those imaginary villains while also saving the damsel in distress and trying to ignore your parents when they called you for dinner? That was superhero fun. Easy-going, super adventure.
This film is the same thing . . . but with grownups. Of course, it’s also a giant Batman TV episode complete with such goodies as the animated THOKs and POWs bursting across the screen, crazy bat-gadgets for every occasion (i.e. the [in]famous bat-shark repellent), a host of bat-vehicles, and goofy special effects that work well in the context of the movie.
What’s brilliant about this Batman movie are the jokes. First, it’s meant to be silly and funny, but the humor is both overt and subtle, whether it’s the dialogue, facial expressions or even actions in some cases. It’s also amazing that despite it being purposely campy, Adam West and Burt Ward—Batman and Robin, respectively—played their characters straight. What I mean is, they played these guys seriously in the crazy, colorful world they inhabited—the characters matching the story, the environment and those they interacted with—and not once did it seem like actors goofing around and simply scoring a paycheck. That’s a feat on its own, in my books.
Nowadays, superhero filmmakers have a hard time trying to do more than one villain in their movies. Why they don’t go back and look at this flick for help, I don’t know. Granted, the four villains in here all had their TV history backing them up, but they still were able to each stand on their own and each share the spotlight and fulfill their roles. No one is second stringer to anyone else.
If there is a movie out there that represents superhero fantasy, this flick is it. Everything is so over-the-top that it actually works and you feel like you’re watching an old school comic book come to life. Joel Schumacher tried to recreate this with Batman Forever and Batman & Robin and wasn’t able to pull it off. The big reason, in my mind, is because he tried to merge the old with the new and that’s like mixing black and white—you get a bunch of gray and no one knows what’s what.
Anyway, I love this movie. My kids love this movie and I let them watch it because compared to the ultra dark Bat-flicks of today, I need to know they’ll have fun watching a Bat-movie, will have at least a general sense of what’s going on, and won’t get nightmares after. (I mean, Heath Ledger’s Joker creeps me out and I’m an adult.)
Batman (1966) is one of my all-time favorite movies. It’s lighthearted, it’s funny, it’s exciting, and is a showcase of everything that made the TV series such a hit, even now, nearly fifty years later.
The Avengers (2012) Written by Joss Whedon Directed by Joss Whedon Runtime 143 min. 4 out of 5
When Thor’s mischievous brother, Loki, makes a deal with the alien race the Chitauri to help them secure the Tesseract Cube so they can conquer the galaxy, the Earth suddenly falls into great peril. With even the powerful top secret agency S.H.I.E.L.D. having difficulty containing Loki, there is only one call S.H.I.E.L.D. Director Nick Fury can make: Avengers Assemble!
The team is gathered—Captain America, Iron Man, Thor, Hulk, Black Widow, Hawkeye—and they set out to do battle with Loki and his alien cohorts. If they don’t overcome their differences and learn to work together as a team, the Earth will fall and Loki will rule the planet.
The Avengers brings together Earth’s mightiest heroes to combat a force of evil so great they either stand together or fall together, with the fate of the planet—even the galaxy—hanging in the balance.
The Avengers is a difficult movie to review, more so, give a proper rating to because this movie is very much black and white between its story and its presentation, so that said, I’m going to quickly go over both and you’ll see where I’m coming from at the end.
The story: This is a single-plot movie, very much an A-to-B narrative and incredibly simple—too simple. Aliens are coming, we need to stop them so we’ll get the Avengers to do it. That’s it. From a storytelling perspective, it’s too simple and too predictable. Big bad guy, big good guy(s), let’s fight, good guys win. The end.
However, if you view The Avengers as an end cap/final act to all the movies leading up to it: Iron Man, Incredible Hulk, Iron Man 2, Thor, Captain America—then you have something that definitely serves its purpose and more or less lets each character shine for the same amount of time. In this case, a simple story works despite, um, the many continuity flaws from the previous movies (i.e. Thor is somehow now able to come to Earth, which renders the ending of Thor’s movie moot; Tony Stark called upon to be Iron Man in The Avengers despite being banned from doing so in Iron Man 2; the characters communicating to each other without earpieces or any communication devices. Maybe they’re telepathic?).
The presentation: this movie is a nerd’s dream come true from start to finish. Assemble your favorite superheroes—of which each were spotlighted in their own movies, almost—put them together and have them go toe-to-toe with a larger-than-life threat that will squash the planet if they don’t come through.
From an eye candy perspective, this movie nailed it. Huge battles, lots of explosions, combat action, hammer throwing, Hulk smashing, shield boomeranging, repulsors firing, arrows shooting, girl fists punching—yeah, it has it all.
It’s also very important to point out that the casting of Mark Ruffalo as Bruce Banner/Hulk was an amazing choice. I honestly wasn’t too thrilled with the news when I first heard it, with Ruffalo being more of a chick-flick romance guy, but he got the role done so well that if there’s a spin-off, I hope he gets the job. He’s definitely earned it.
Chris Evans as Captain America—a Superman performance, which is good and brought a traditional superhero element to the team. As the running joke was throughout the movie, a little “old-fashioned” was what was needed.
Robert Downey Jr. as Iron Man—do I really need to talk about this? He’s the same Tony Stark from the first two Iron Man movies, the only difference being he’s mellowed out a bit because, despite his arrogance, he understands life isn’t all about him and there are other people out there, too. This bit really comes through in this movie.
Chris Hemsworth as Thor—bold, poetic, commanding, everything his character is supposed to be so kudos to him for carrying on with a great performance from the stand-alone movie.
Jeremy Renner as Hawkeye—I don’t know much about the comic character other than he’s like Green Arrow, but perhaps with a more military-mind-set, so I can’t comment. Renner did sell me on Hawkeye though, but why couldn’t they give him that awesome mask? Maybe in the sequel.
Scarlett Johansson as Black Widow—she really comes into her own in this flick because in Iron Man 2, it was more a back-up appearance so we didn’t know much about her. I’m glad she got the screen time she deserved and, come on, her fight scenes were fantastic.
Tom Hiddleston as Loki—he’s the bad guy you love to hate, the one that, even just looking at him, you want to punch in the face. I appreciated how Loki, to a degree, was a villain to sympathize with because of his exile, but you also get mad at him for being such a jerk about it.
Samuel L. Jackson as Nick Fury—an excellent portrayal of Samuel L. Jackson being Samuel L. Jackson—but under a fictitious alias. Yeah.
The Avengers is a solid good-times-turn-your-brain-off-action-fest that is great for escape and is recommended for that reason. As a spoiler warning, if you want just the action parts, start the movie around thirty minutes in.
Honest assessment is 3.5 out of 5, but because it’s the first movie of its kind and because of all the building up to it that has been going on since 2008, I’ll give it a 4.
I’ve missed blogging. Though I had to stay away from it for a while for good reason, prior to the New Year starting I was itching to get back into it.
See, when I disconnected from writing/publishing almost a year ago, I pulled the plug on everything. I mean everything, which included deleting the content of this blog. I think it was over 900+ entries. I’ve salvaged some of them and re-posted. Other stuff was just fluff, which can be left deleted forever. But in hindsight, I wish I would have left things intact, handled the situation differently, etc. No matter. The past is the past.
Here we are, 2015. Time to blog again. I’ve already started on working to restore my movie reviews so you’ll see those going up regularly. I’m also planning on posting the book reviews I have access to as well.
Then there will be other blog posts, whether ones about what’s on my mind, maybe a writing exercise or two, articles/essays, things like that. In the end, I hope whatever I post is something you’ll find interesting.
Just wanted to keep you updated.
Please check this site daily to see what’s going on.
The Amazing Spider-Man (2012) Written by James Vanderbilt, Alvin Sargent and Steve Kloves Directed by Marc Webb Runtime 136 min. 4 out of 5
After getting bitten by a genetically-modified spider, teenager Peter Parker discovers he has spider-like abilities. However, after looking into his past, he meets Dr. Conors and becomes the scientist’s pupil. When Peter’s uncle is murdered in cold blood, he uses his new spider abilities to try and track down the killer and ends up creating an alternate identity in the process. Meanwhile, Dr. Conors’s own limb-regeneration experiments goes haywire and the good doctor is transformed into a giant lizard. Peter, now under the identity of Spider-Man, takes it upon himself to stop the Lizard at all costs before others get hurt.
When I first heard they were rebooting Spider-Man, I was like, “Come on, really? You just did that in the movies, the cartoons, in the comics . . .” It seems Spider-Man has only one story to tell: his origin. They keep doing it, after all.
But I got something more than that in The Amazing Spider-Man and I was won over. While I enjoyed the Raimi films on the whole, this one seemed more comic book Spider-Man to me as they dialed back the clock all the way to his childhood and got a bit more into Peter Parker’s (Andrew Garfield’s) parents’ history, introduced Gwen Stacy (Emma Stone), and went with a villain that fans have been itching to see ever since his civilian identity was mentioned back in the 2002 Spider-Man movie: Dr. Conors aka the Lizard (Rhys Ifans). While Spidey’s origin stayed true to its main components—getting bitten by a spider, Peter Parker as a student, the tragic death of Uncle Ben—they modernized it a bit and seemed to suggest that, kind of like in the 2003 Hulk movie, our hero’s destiny was mapped out for him many years before. This part I wasn’t too keen on, to be honest, nor was I big on how the Peter Parker side of things was done: pretty cool dude, likeable, good looking, hot girlfriend, etc. Pretty much the opposite of nerdy Parker becoming a superhero.
However, on the Spider-Man side of things, we got one wicked webcrawler on our hands. We’ve got three movies prior to this one to learn how to make him move, swing around, climb walls, spin webs—everything that was showcased in this flick was like a comic book come to life. What made it work, too, was that it was believable and didn’t look like a 3D cartoon unlike some sequences in 2002’s Spider-Man. What made it even more special was that this Spider-Man actually cracked a lot of jokes, something that was missing for the most part from the other outings. And the Spider-Man-point-of-view wall crawling and swinging around scenes? Yes, please! Totally made you feel like you were there and reminded me a lot of the Spider-Man ride at Universal Studios in Florida. Bring back the mechanical webshooters instead of the organic variety (I didn’t mind those, actually, as it makes more sense), and Spider-Man is back in business, baby!
The stakes were high in this movie, too, with the Lizard being a serious bad guy to contend with. He was strong, powerful, showed no mercy, and that sewer scene was spooky.
This movie was a lay-the-groundwork movie, setting things up for what is currently rumored to be three sequels and, according to director Marc Webb, aiming for the Sinister Six storyline, which was being mapped out even while they were making this Spider-Man movie. I can’t wait. A giant Spider-Man story is going to be awesome and I’m glad they started from scratch to make it happen as they can then link everything together, starting from scene one.
So what can I say? I’ve been pulled to the other side and am glad they rebooted Spider-Man. A part of me can’t help but wonder what might’ve been had Spider-Man 4 happened, but this new journey we’re on with our favorite webhead is off to a good start.
All-Star Superman (2011) Written by Dwayne McDuffie Directed by Sam Liu Runtime 76 min. 5 out of 5
The Man of Steel is dying after receiving an extreme dose of solar radiation. Trying to live out his last days and wrap up all loose ends, he spends it with Lois and gives her a special serum that grants her superpowers for twenty-four hours. When unexpected twists and turns arise, the two must save Metropolis together. Meanwhile, Lex Luthor has plans of his own and when he gets his hands on the serum that granted Lois superpowers, he becomes as powerful as Superman.
Can the Last Son of Krypton stop his arch nemesis while also saving the Earth from a damaged sun before he perishes?
When I think of classic Superman, I think of this story. The reason is because this story involves all of the classic elements of Superman lore, everything from the basics like Lois Lane and Lex Luthor, all the way to the Fortress of Solitude, the bottle city of Kandor, a full array of superpowers—and in the case of this story, some new ones, which reminds me of the “bonus” powers portrayed in Superman IV (though they’re not silly in this one like they were in that flick)—the Phantom Zone, Superman using not only his super brawn but also his super brains, Lois having superpowers (which has happened quite a lot in Supes’s history—she’s got a cool costume in this, by the way), and a ton more.
Based on the graphic novel by Grant Morrison and Frank Quitely, this flick asks the hard questions about Superman’s mortality, if such a thing is possible, and if it is possible, then how would that possibly play out? Unlike Superman’s death when the Man of Steel went up against Doomsday, this story isn’t about a giant slugfest, but about a slow death caused by the very thing that gives Superman his powers: the sun. It’s about him coming to terms with his own mortality and setting things in order before his final moment arrives.
One of the great things about these direct-to-DVD super flicks from DC is they’re all stand-alone features based on a graphic novel and by being so, they also carry with it the same art style from the book. In this case, it’s Frank Quitely’s art animated. I admit it took a while for his art to grow on me. Perhaps because it’s so simple and clean, yet by being that way, he’s able to create some pretty realistic-looking superheroes. Seeing it animated like we do in this flick brings Superman et al. to life and makes this comic book fan very happy.
Out of all the Superman adaptations done thus far, All-Star Superman is one of the greats and gets high props for being an awesome animated flick with a great cast, great art direction, a great story and, most importantly, having the greatest hero of them all, one who’s definitely an all-star: Superman.
This is the official website of Canadian author and cartoonist A.P. Fuchs.
I’m the author of over 30 books with more being created all the time. I write from Winnipeg, Manitoba, and am in the midst of a ton of deadlines, which is why this website will be quiet for a while. My main conduits to the outside world are Twitter and my newsletter, which is sent out weekly. To keep up-to-date with me, those two are your best options. I do pop in on Facebook once in a while, but will be scaling that back as I work off-line to finish a couple manuscripts and start some new ones.
Metahumans vs Werewolves: A Superhero vs Werewolf Anthology
The war between Good and Evil has raged since before Time began. Now it’s ultimate power versus ultimate savagery.
With ferocious fangs, flesh-ripping claws and a feral hunger to destroy anything in their path, werewolves are one of the most feared monsters on the planet.
Stepping in to stop their quest for blood are the metahumans, men and women with powerful abilities that set them apart from the rest of humanity. Some wear costumes as symbols of hope, others operate discreetly, using their special abilities for good. Put these two groups of people together and you have a clash between light and darkness that is sure to rock the foundation of the world and bring about an epic battle unlike anything seen before.
Featuring familiar heroes like Axiom-man, Midnight Angel, Nightcat, The Wraith, The Cowl and others, these eleven stories of super-powered heroism and terror are a thrilling ride through the worlds of wolf and superhero, and to a place where only one can remain standing.
Contains stories by Frank Dirscherl, Lorne Dixon, A.P. Fuchs, Anthony Giangregorio, Keith Gouveia, Jon Klement, J.L. MacDonald, Gina Ranalli, Jim Robb, Stephen Semones and Scott Story.
Metahumans vs the Undead: A Superhero vs Zombie Anthology
The war between Good and Evil has raged since before Time began.
Now the battle continues with the Ultimate Good versus the Ultimate Evil.
Metahumans vs the Undead
Metahuman: one of the human species endowed with one or more powers beyond that of mortal men; a person who uses those abilities to serve either themselves or society. Typically branded by a codename and colorful costume. AKA Superhero.
Undead: one of the human species endowed with life even after death; a walking corpse. Typically branded by their decayed form and appetite for human flesh. AKA Zombie.
In a world where superheroes and zombies collide, only one can prove the victor.
Featuring indie heroic favorites like Axiom-man, The Wraith and Shadowflame, while also introducing newcomers like Nightcat, Spectrolite, Midnight Angel and more, Metahumans vs the Undead is a terror-filled action adventure where Light and Darkness collide and only one can prevail.
Contains stories by: Rebecca Besser, Eric S. Brown, Frank Dirscherl, Lorne Dixon, A.P. Fuchs, Anthony Giangregorio, Keith Gouveia, J.L. MacDonald, Joe Martino, Rhiannon Paille, Gina Ranalli and J.B. Robb.
