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  • Canister X Movie Review #98: X-Men: First Class (2011)

    Posted on by A.P. Fuchs

    Click Here to Order from Amazon.com
    Click Here to Order from Amazon.com
    X-Men: First Class (2011)
    Written by Ashley Edward Miller, Zack Stentz, Jane Goldman and Matthew Vaughn
    Directed by Matthew Vaughn
    Runtime 132 min.
    4.5 out of 5

    After writing a thesis on mutation, university student Charles Xavier is approached by the CIA for his expertise on the subject as they’ve been tracking the villain Sebastian Shaw, who keeps mutant company. Once convincing the CIA mutants exist, Charles begins to form a team of mutants to go up against Shaw before he can execute his plans to start a third World War.

    Loaded with thrills, excitement, stunning SFX, fun cameos and a strong story, X-Men: First Class is an amazing prequel to the X-Men films that won’t leave you disappointed.

     

    X-Men: First Class is one of my favorites. It was also a good chance to kind of give the X-franchise a boost after X-Men: The Last Stand. What was cool about First Class is it takes place in the same universe on the same timeline and is indeed a true prequel to the X-franchise we all know and love. Yes, there are some continuity flaws, but overall the whole thing flows. Besides, any other bumps that need ironing out can always be fixed with the upcoming X-Men: Days of Future Past as, well, time travel fixes everything.

    The two main characters in this are Wolverine and . . . wait, kidding, it’s Professor X (James McAvoy) and Magneto (Michael Fassbender), and this story goes way back to when they first met and were even on the same team fighting for the same ideals. You got to see how that friendship was forged because their friends-yet-foes relationship was so prominent in the other movies that to make it the spotlight of this one was a smart move.

    This is truly an origin tale as you got to see Mystique (Jennifer Lawrence) in her humble beginnings, Professor X all the way back to when he was twelve; they recreated the Nazi camp beginning from X-Men for Magneto’s origin and then expanded on that—which kicked off the main plot of the movie in which Sebastian Shaw (Kevin Bacon) wants to use the mutants under his command to kick off World War III—and also how Hank McCoy (Nicholas Hault) becomes all blue and furry as Beast.

    Like the other X-flicks, this movie is amazing at being an ensemble film where each character is given care, the right amount of time in the spotlight, each having unique relationships with the others, and who-does-what-and-why is clearly explained. As a storyteller myself, I find this kind of writing fascinating because it’s easy to fall into the trap of just focusing on one or two people and that’s it, the rest of the supporting cast being way too supporting and not enough of their own people. I think the secret was the X-Men—whether good guy or bad—were approached from the angle of family, the idea that as mutants their mutation was their common bond and it was all for one and one for all regardless of personalities or even if people got along or not. There’s even a bond between the heroes and villains of this flick because of their mutation.

    The SFX were out of sight. The flying sequences were thrilling, the teleportations were amazing, the nods to the other movies—complete with cameos so watch closely—totally added to the world-building of the X-universe. That and the attention to the source material—using the yellow costumes from the classic comics, for example—and the overall story make this an awesome X-Men movie.

    Man, just writing this review makes me want to go watch it again.

    Highly recommended.


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  • Canister X Movie Review #53: Kick-Ass (2010)

    Posted on by A.P. Fuchs

    Kick-Ass (2010)

    Kick-Ass
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    Kick-Ass (2010)
    Written by Matthew Vaughn and Jane Goldman
    Directed by Matthew Vaughn
    Runtime 117 min.
    4.5 out of 5

    Dave Lizewski (Aaron Johnson), comic book geek and nobody-at-large, always wondered why no one stepped up and became a superhero. People aspire to be doctors and firemen and policemen, so why not also want to be someone else who helped his fellow man?

    After ordering a green and yellow wetsuit off the Internet, Dave dons the outfit and hits the streets as Kick-Ass, a superhero without powers, training or even a proper motivation to fight crime other than “what if?” The first few weeks are uneventful, and after his first attempt at stopping a car robbery nearly kills him, Dave returns more determined than ever to rid the streets of crime. Soon, after stopping the beating of a guy from a gang, Kick-Ass is all over the Internet and soon becomes a citywide celebrity.

    Little does he realize he’s not alone. Enter Big Daddy (Nicholas Cage) and Hit Girl (Chloe Moretz), a father-daughter team of real-deal vigilantes with a thirst for blood and matching guns to boot. Their mission? Take out the D’Amico crime family, their leader, Frank D’Amico (Mark Strong), having been personally involved with Big Daddy long ago and robbing him of the one he loved.

    Soon Kick-Ass, Big Daddy, Hit Girl and newcomer Red Mist (Christopher Mintz-Plasse) are locked in a war that, hopefully, only the good guys survive.

    It’s guns, action, comic books and bubble gum in this adaptation of Mark Millar and John Romita Jr.’s graphic novel.

    This movie is crazy. A good crazy. A special kind of crazy. I knew from the previews I was in for a different kind of superhero flick and, man, that was what I got. This was fresh, exciting, fun and new. Most superhero movies stick to a formula (origin of the good guy then the bad guy, a few tussles along the way leading to a big fight in the end, the stuff in between usually dramatic bits starring the hero in his personal life). With Kick-Ass, though there were those basic elements to it, the one thing that was really hammered home over and over again was the idea that, yeah, Kick-Ass was functioning in the real world. One with guns, knives, average fighting skills and no body armor. Some folks might think the violence in this film was overdone. Personally—despite a few exceptions—I didn’t think so. You try doing the superhero thing in real life in a place like New York and see what happens.

    I also really liked how they dragged that fantasy of being a superhero into our reality and proved, really, that it wouldn’t work. Kick-Ass went up against real bad guys. Ones without mercy. Without care. They’d kill their own mothers if they had to.

    The lack of a costumed supervillain also helped this movie and ensured the focus was kept on the good guys. I particularly liked Big Daddy’s and Hit Girl’s origin. It was simple, yet bittersweet and, if anything, really showed that despite being off his rocker, Big Daddy really loved his little girl and only wanted the best for her.

    In terms of the non-costumed scenes, Dave Lizewski’s real life was extremely relatable (especially for this comic book nerd) and his high school years and mine seemed to have a lot in common. Except for the girlfriend part. I wasn’t cool enough to have one of those.

    This movie was fantastic start to finish. The writing, the action, the realism—truly cool.

    My only thing was the profanity. I don’t live in New York, but that was a lot of swearing and if people really talk like that in NYC, man, I feel sorry for them. (But, hey, I’m just a Maple Syrup-guzzling Canadian, so what do I know?) If they don’t, perhaps the writers can pull back a bit on the wagging tongue for the next one.

    Looking forward to the sequel.


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