• Tag Archives superman
  • Canister X TV Review #8: Smallville, Season 8 (2008 – 2009)

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    Smallville, Season 8 (2008 – 2009)
    5 out of 5

    If any one season of Smallville made me feel like I was deeply immersed in Superman mythology and was watching a true, live-action version of a DC comic book, Season Eight was it.

    Not only is Clark Kent and Lois Lane working at the Daily Planet, but Doomsday, the monster that killed Superman in the comics, is the over-arcing plot this season. He comes in the form of Davis Bloom whom, we learn, experiences these mysterious blackouts as he transforms into the Kryptonian beast and murders anyone that crosses his path.

    To make matters worse, Davis has a soft spot for Chloe and despite her best intentions, giving in only sets off a chain of events that screws up her relationship with both him and Clark.

    Also introduced this season—and taking the place of Lex Luthor—is Tess Mercer. At first she’s as loyal to the Luthor name as anyone, but when she learns what kind of a man Lex Luthor truly was, everything changes and we encounter a woman who is just as evil as her predecessor.

    I have to admit I was unsure how Smallville was going to work without Lana Lang and Lex Luthor as key characters, and for the first few episodes, the show did feel a little empty, but that was more than made up for with the breakneck pace the show took and the dark path it led its viewers down while creating the Doomsday saga. With Tess Mercer and Doomsday as the central villains, you forget all about Lex Luthor and instead try to read between the lines to see how he’ll one day return as Clark’s rightful foe, while watching Tess and Doomsday lead the world into destruction.

    I was really happy with how this season turned out after my initial skepticism. The episodes were great, the appearances of other DC alumni like Zatanna, Maxima, Jimmy Olsen, the Legion of Superheroes and more just made Season Eight fantastic.

    Like I always say, this show just keeps getting better and better and I cannot wait to see how everything pans out from here on in. Too cool.

    Recommended.


  • Canister X TV Review #6: Smallville, Season 6 (2006 – 2007)

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    Smallville, Season 6 (2006 – 2007)
    4 out of 5

    This Season Had Me Seeing Green . . . Green arrows, that is.

    Justin Hartley joins the regular Smallville cast as Oliver Queen/Green Arrow, billionaire business tycoon by day, daring Robin Hood do-gooder by night.

    At first I wasn’t sure what to think when I heard Green Arrow was going to have a place in Smallville‘s continuity. Of course, I was, like, “Hey, cool, another superhero joins the show and this one actually wears his costume!” Whereas the other part of me was, like, “What does Green Arrow have to do with Superman growing up, again?” All I can say without giving anything away is having Green Arrow join the show was a brilliant move. Not only does he demonstrate a good example for Clark, but his past and present conflicts with Lex Luthor also add a nice twist to the storyline.

    Of particular note this season was the episode, “Noir,” where everything was in black and white and took place in the ’30s. Reminded me a bit of the Lois and Clark episode that did the same thing, but Smallville‘s was much better written and not as cheesy.

    The over-arcing storyline of the phantoms that escaped from the Phantom Zone was cool and gave Smallville its trademarked horror-esque twist, but without continually going into Twilight Zone territory like it usually did.

    I should add there was one more green element to this season: Martian Manhunter, played by Phil Morris. The only downside, though, was no alien visage but rather his shape-shifted human form instead. Oh well. The budget can only go so far, I suppose. Still, would have been cool if Martian Manhunter had more screen time, but this isn’t his series.

    The only thing that I didn’t like about this season was Lex and Lana getting together. It really bothered me and didn’t make much sense when looking back over the first five seasons. This is the reason I give it 4 instead of 5 stars.

    Recommended.


  • Canister X TV Review #5: Smallville, Season 5 (2005 – 2006)

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    Smallville, Season 5 (2005 – 2006)
    5 out of 5

    Leading up to this season, Smallville was more “earthbound,” in that it really was about a teenager with developing superpowers with only mere glimpses into his true heritage.

    Season Five changed the tone of the series forever.

    I always viewed this season as the mythology turning point for the series. Huge things happen and we’re suddenly thrust from those Twilight Zone-oriented episodes into the DC Comics Universe; things shifted from a “superboy” to Superman.

    Significant events go down this season, including the emergence of a certain location and the death of a certain loved one. We’re also introduced to a couple more characters from DC Comics continuity.

    For me, this was the season where the show grew up and strolled down the Superman road with purpose instead of by happenstance. (Those who’ve seen the show know what I mean.)

    The only thing that irked me about this season and going into the next was the whole Clark and Lana thing was getting played out and it seemed the romantic subplot of the show was going in circles instead of officially stating, “Let’s get these guys together for real and keep it that way.” But, as per usual TV show fashion, something always has to happen to drive the couple apart. Though romantic tension is good up to a point, Smallville set the bar high in terms of driving the audience nuts—even to the point of bad-TV frustration—with the Clark and Lana relationship. Sometimes we as viewers just want to see things work out, you know?

    Other than that, good times to be had in Season Five of Smallville.

    Recommended.


  • Canister X TV Review #4: Smallville, Season 4 (2004 – 2005)

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    Smallville, Season 4 (2004 – 2005)
    5 out of 5

    This season was like a breath of fresh air after Season Three, which was so dark and gritty and full of angst. This season also marked the entrance of one of the critical figures in the Superman mythos: Lois Lane, played by Erica Durance. She’s tough as nails, Tomboy-ish and reminded me a lot of Teri Hatcher, who played the character in Lois and Clark.

    We also got to meet Bart Allen, on day to become the Scarlet Speedster, the Flash.

    The over-arcing storyline of the season involving the three stones was played out nicely and, when I first saw what they were for, was geeking out all over the place. Of course, the cliffhanger season finale didn’t help anything and brought yet another long summer as I waited for the Season Five premiere to show what happened next.

    The only episode that bothered me—aside from the few that just seemed like filler—was the episode entitled “Blank,” where Clark loses his memory and the most recent person to learn his secret has to show him who he really is and what he can do. They did this in Lois and Clark and this episode almost seemed like a repeat despite the story being different.

    This was a great season nonetheless. Superman rocks, and looking back and seeing Season Four in the grand scheme of what had gone on before and what has gone on since makes it work really well. This season definitely was a turning point in the series, the first step in taking Clark from teen to adult.

    Go see it.


  • Canister X TV Review #2: Smallville, Season 2 (2002 – 2003)

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    Smallville, Season 2 (2002 – 2003)
    5 out of 5

    More powers emerge as Clark gets ever closer to his destiny as the Man of Steel.

    This season made you know the show was here to stay and showed a slight, more mature change in the writing style (if memory serves), despite the show still being kind of like The Twilight Zone meets Superman.

    Regardless, throwing into the mix someone outside the Kent family permanently knowing Clark’s secret—well, things got a little more complicated for our favorite farmboy as he’s now got the concern of “what if so-and-so spills the beans?”

    What really made this season, of course, was the guest appearance by Christopher Reeve, who everyone in my generation knows as THE Superman, bar none. His role as Dr. Swann, who shows Clark his Kryptonian heritage, really brought a passing-of-the-torch moment to the show, cementing in Superman fans’ heads that Tom Welling was indeed our new boy and—if anyone else out there is like me—makes you itch for Welling to one day put on the tights in a feature film (or seven).

    I love the mythology episodes in this series and Season Two had enough to remind you that, yes, you were watching Superman and not just a show about a young man with developing superpowers.

    Go watch this, then check out Season Three right after it. You know what? Go watch ’em all then follow Season Nine week-to-week like the rest of us. You won’t be sorry.


  • Canister X TV Review #1: Smallville, Season 1 (2001 – 2002)

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    Smallville, Season 1 (2001 – 2002)
    5 out of 5

    When I heard they were coming out with a new Superman television show back in 2001, I was thrilled. I had watched Lois & Clark religiously, so to learn that Supes was back, but this time exploring his pre-Superman years as a mild-mannered teen in Smallville, well, needless to say I was pumped, and Season One of Smallville didn’t disappoint.

    We got our first glimpses of Clark’s developing superpowers, how he and Lex met and the friendship that would later help forge the greatest archrivalry of all time, Clark’s Kryptonian heritage and more. Likewise, to meet Lana Lang for the first time and not just as a mere movie character but someone who—if you know even a chunk of the Superman backstory—made a huge impact on Clark as he grew up was especially interesting.

    I remember watching the season finale and flipping out over the cliffhanger ending.

    I’ve been watching the series ever since, every week, barely missing an episode.

    Check this series out if you haven’t already. This stuff is good. Real good.


  • Canister X Movie Review #86: Superman vs the Elite (2012)

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    Superman vs the Elite (2012)
    Written by Joe Kelly
    Directed by Michael Chang
    Runtime 74 min.
    4 out of 5

    Upon meeting the Elite, Superman hopes to have found new allies in his quest against evil, but when he discovers they bring a new brand of justice to the table, he must make a stand against them.

     

    That’s basically the premise of the movie and it’s not so much a story with the fate of the planet hanging in the balance, but rather a story about the fate of how villains should be dealt with hanging in the balance. Bottom line is the question: is the world ready to move on from using temporal solutions to stop criminals—super or otherwise—to permanently stopping them by simply killing them?

    Superman believes in the potential good in everyone whereas the Elite, led by Manchester Black, believes that if you mess up, you should die to a) bring justice to whatever crime you did, and, b) stop any future chance of it happening again. While in a way you can see where he’s coming from, his black-and-white view of how to deal with evil leaves a lot to be desired. If anything, his view mirrors Superman’s in that justice must come to pass, but Superman also believes in mercy and forgiveness and the idea of learning one’s lesson then trying to make a positive go at things versus getting one shot and if you blow it then that’s it.

    Part of this movie asks the question about Superman’s place in our modern society and if his ideals and motives are still relevant. Face it, we live in a very cynical, hard-edged world where people would sooner see the worst in others—while missing the bad in themselves, of course—than acknowledge people’s shortcoming(s) for what they are, try to fix the issue(s), forgive and move on. This is the product of a self-centered society—especially in the West—so self-centered that we won’t even acknowledge we have this issue (or get mad when confronted with it), thus creating the need to produce movies like Superman vs the Elite as, it seems, there are only a few who want to bring it to light.

    That’s the deeper stuff. The lighter stuff is this movie has a fairly interesting story to bring the above to pass. I did find it slow in parts. The action sequences were pretty good, especially when Superman starts battling the Elite. I wasn’t a fan of the art direction, though, and have seen better presentations of Superman and his supporting cast in other direct-to-video DC movies.

    If it weren’t for the strong themes of this movie, I would’ve given it a three, but because it’s about something important, it gets bumped up a point.

    I do recommend this movie if you’re not sure if Superman is still relevant today or if you find him an unrelatable hero. This flick might change that for you. Take a look and decide for yourself.


  • Canister X Movie Review #85: Superman: Unbound (2013)

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    Superman: Unbound (2013)
    Written by Bob Goodman
    Directed by James Tucker
    Runtime 75 min.
    4 out of 5

    When Brainiac shows up and threatens to destroy Metropolis, Superman and his cousin Supergirl must rise to the occasion and put an end to a foe that has deep ties to Krypton.

     

    This was a good flick. Hey, it’s Superman and lately DC’s been pulling out all the stops and every time Supes gets the DVD treatment it’s done really well. Supergirl’s presence added a new dimension to the Man of Steel’s animated movie exploits. Giving a quick showcase of her past, what happened to Kandor, and how those events created the motivations behind the Supergirl of this movie proved that sometimes less is more. Also understanding where she was coming from gave Superman a glimpse into a part of himself that he wasn’t really ready to face: the need to sometimes go hard on bad guys for the greater good. Yet, being true to who he was, he was also able to soften Supergirl around the edges, which just goes to show how much you can learn from family.

    The animation was smooth, the colors were clear, the action was great and the art was fantastic. The slightly too-long-of-a-face aside, I like the way Superman looked in this. The Clark Kent was so-so. More of a fan of the thick glasses than the more stylish ones, but whatever. In the animated series he had two thin circles for frames and that was it.

    Lois looked good, too. My only gripe is, while I understand these movies are being made more and more for adults, there are parents out there who buy these flicks for their kids because a) they’re superheroes, b) it’s cartoons, and having Lois giving Brainiac the finger wasn’t cool. Though I doubt it’ll ever happen, there should be some sort of bold labeling or disclaimer on the package aside from the MPAA rating that lets parents know if there’s content inside that is inappropriate for kids. This “giving the finger” is why I won’t let my kids see this movie now. Something for DC to think about.

    As a Superman fan, I’ve been loving all this attention the Man of Steel has been getting lately and since Batman was the focus of so many shows and animated features, giving the Last Son of Krypton a shot and a large amount of screen time helps balance all that out. I also hope DC has plans in the works for other animated movies for other characters, JLA stuff aside.

    What can I say? DC and Warner Bros. keep knocking these flicks out of the park. Now, if they translate this awesome sensibility and sensitivity to the comics to the big screen on a consistent basis, then superhero fans will truly be living in a new golden era of superhero cinema.


  • Canister X Movie Review #84: Superman Returns (2006)

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    Superman Returns (2006)
    Written by Michael Dougherty and Dan Harris
    Directed by Bryan Singer
    Runtime 154 min.
    3 out of 5

    The Man of Steel had vanished for five long years.

    The world moved on.

    So did the one person everyone thought never would: Lois Lane. She even wrote about it in a Pulitzer Prize-winning article entitled, “Why the World Doesn’t Need Superman.”

    But that’s not all that changed. Lex Luthor had swindled his way out of a double life-sentence with a new plan: create his own continent and wipe out all the others.

    He just wasn’t prepared for one thing—Superman returns.

     

    It’d been almost twenty years between Superman movies when this one came out, the last being Superman IV: The Quest for Peace. Expectations were high, the hype was through the roof, a star director (Bryan Singer) was attached to it, huge names played some of the key roles . . .

    The payoff: an embarrassing movie.

    I remember feeling ashamed of my hero when I walked out of the theatre. Being a lifelong Superman fan, I thought Superman Returns would nail it and kick a certain red-and-blue wallcrawler off the box office charts.

    I was wrong.

    The story of Superman Returns is okay. It’s nothing new, pretty much a rehash of Superman: The Movie, just updated with a different spin.

    There are also several terrible and nonsensical moments in the film: Superman’s son, Superman in the hospital, Superman lifting a massive island made of kryptonite and flying it into space even though just before that scene being around kryptonite made him virtually mortal.

    It was tempting to give this movie two stars, but Brandon Routh’s portrayal of the Man of Steel saved the day. He did a stellar job as both Clark and Superman. Aside from Christopher Reeve, he’s my favorite boy in blue.

    Kevin Spacey did an all right job as Lex Luthor—evil, funny, selfish, manipulative, king of understatement. But he wasn’t evil-evil, unlike Michael Rosenbaum in Smallville. Though I realize they’re different continuities/series, you’d think a grown-up Lex would be darker than his younger counterpart.

    Warner Brothers et al. erred with this film because they didn’t remember the secret to Superman: people don’t want to relate to him. He’s an icon, an ideal. He’s not Spider-Man. We want to be amazed, put in a state of awe. People only want to relate to Clark Kent, not his cape-wearing alter ego. They blurred the line between the two when it should have been crisp and clear, and that is where this movie failed.

    Hopefully the sequel will not be a drama, but a serious yet fun superhero movie, one filled with wonder, eye-popping action and a story worthy of the Man of Steel. I just hope they don’t use kryptonite as a weapon against Superman. If they do, they’re going to have to use a whole planet’s worth to make a dent seeing as how a kryptonite island didn’t stop him.


  • Canister X Movie Review #83: Superman: Doomsday (2007)

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    Superman: Doomsday (2007)
    Written by Duane Capizzi
    Directed by Bruce Timm, Lauren Montgomery and Brandon Vietti
    Runtime 78 min.
    4 out of 5

    Digging deep beneath the planet’s surface, Lexcorp accidentally unearths the merciless killing machine known as Doomsday. Immediately, the behemoth of rage goes on a rampage, destroying everything in its path, and all efforts to stop it fail.

    The Man of Steel, learning of the destruction and deaths in Metropolis, takes it upon himself to bring the monster down before more lives are lost.

    The battle is epic.

    The action is huge.

    The consequences are dire.

    Superman fails, falls . . .

    Dies.

    Adapted from the biggest and most shocking comic book story of all time, Superman: Doomsday is the emotional and action-packed tale of the life, death and return of the world’s greatest superhero.

     

    This story is dark, and not just because Superman dies. This isn’t a kids cartoon. The themes are mature (i.e. Lois half-naked in the Fortress of Solitude), Lex Luthor, distraught over Superman’s absence in his own weird way, is the most evil Lex ever seen in a cartoon and the things he does at some points in the film make you go, “Man, that’s evil. Not just evil. Hugely evil.”

    What was most astonishing was the swearing. I never would have expected that from a Superman cartoon.

    On the plus side, the battle between Superman and Doomsday is the greatest slugfest this reviewer has ever seen in a superhero cartoon (and I’ve seen nearly all of them). The story is solid and packs a lot in given the amount of time Warner Brothers seems to allow for these direct-to-DVD animated movies of theirs.

    The animation is dynamic, the coloring bold, the art in the style of the Justice League cartoons.

    This DVD includes a few special features, most notably the enthralling documentary on the life, death and return of Superman, chronicling the death saga from conception to fruition, with interviews with the many artists, writers and editors on the project.

    A very awesome movie.