• Tag Archives creators
  • It’s ThankYouPatrons Day!

    A.P. Fuchs Patreon Thank You

    Surprise! It’s ThankYouPatrons Day and you guys get center stage!

    Today across the globe, Patreon creators are thanking their patrons for their support and I’m proud to be one of them.

    Thank you, patrons, truly, from the bottom of my heart for your support on my Patreon journey, and though my journey is still fairly new, it’s been a fun ride and I have more fun planned for you in the coming months. It’s not easy to be the first to support someone or take a chance on something less familiar, yet that’s exactly what you have done: Stepped out and had been the first to support this writer/artist from the north on the platform.

    Again, thank you.

    Right now, my Patreon includes various tiers, all of them having an ongoing serial novel–Gigantigator Death Machine is playing right now, a homeage to late-night creature features–as a base, with essays, behind-the-scenes stuff, a book club, and more at other tiers. Please go here to join myself and my patrons as we travel the road of imagination.

    And so again, patrons, thank you for your support. I hope you’ve enjoyed what I’ve brought to the table so far and I hope you enjoy the things coming up around the bend.

    Best,

    A.P. Fuchs

    Note: This notice is posted in its own variation both on Patreon and on my blog because I want my patrons to be acknowledged and thanked publicly and know they are appreciated.


  • Creator Breakfast with G.M.B. Chomichuk and Jonathan Ball (Publishing Business)

    Publishing venture sketch by G.M.B. Chomichuk
    Publishing Model Visual Documentation by G.M.B. Chomichuk

    This morning I once again met with writer/artist G.M.B. Chomichuk and writer/editor Jonathan Ball at Clementine Cafe in Winnipeg’s Exchange District. On top of the outstanding fried chicken on toast I had for breakfast, we got to work talking about the publishing business.

    See, I have a major advantage over other writers: I’m tapped into both the book publishing world and the comic book publishing world. While there are similarities in the overall business side of things, there are distinct differences and, I believe, it’s a merge of these two models that are the future of publishing.

    What’s happening in the book publishing world at present is an old archaic system at war with the new digital paradigm. While some adaptations have been made, for the most part book publishing is operating on an out-of-date system that doesn’t work in today’s reading climate which is why most writers cannot make a living from their craft. What compounds the problem are publishers–big and small–stuck in the old way of doing things and writers who don’t want to do anything but write. This is a major problem that hurts both publishers, creators, and readers.

    Ground was gained this morning in coming up with a new way of doing things that merges the best of the book publishing world and that of the comics publishing industry while setting aside dated systems that hinder bringing books and comics to the reader. Some of the ideas put forth were new (to me) and others were in line with the bomb that went off when my workload exploded.

    The above photo–a visual documentation of our little meeting created by G.M.B. Chomichuk–shows how three creators think when hashing out how to create a publishing system that benefits both the creator and reader. Yes, the image is hard to follow without explanation, but will serve as a future reference point for a venture that was brought up during the meeting (details still to be ironed out).

    The main goal with these meetings outside of spending time with friends is to learn something new, have discussion, and then apply those lessons to see what works and what doesn’t.

    In the end, it was a productive morning and one that will stew in my brain for a while as I retool things over here.

    (Please also see my first entry about my breakfast with these two creators by going here.)


  • Creator Breakfast with G.M.B. Chomichuk and Jonathan Ball (Networking)

    A.P. Fuchs writing by G.M.B. Chomichuk
    Sketch of A.P. Fuchs at the keyboard by G.M.B. Chomichuk

    This morning I had a wonderful breakfast at Clementine Cafe here in Winnipeg with writer/illustrator G.M.B. Chomichuk and writer/editor Jonathan Ball. And while networking wasn’t the reason I chose to see them, it was something that inevitably happened given that all three of us work in the business.

    I usually see these dudes at book signings or on the convention circuit, but since I’ve been away from events for a season, it was a pleasure to have a sit-down with them and talk shop and catch up after so long. It was also an opportunity to share work habits and pick each other’s brains over how we do things and what works and what doesn’t, tell stories, and learn a thing or two.

    Today I came away with two wins, and in order of occurrence they were: A dynamite breakfast. Had the Turkish eggs and it was brilliant. The second was a writing gig. I’ll reveal more details about that here on the blog when I’m allowed to.

    Most creators would rather be holed up in their studio or office and just work. And while that has its charm and is important in order to get things done, it’s also critical time is spent with those in the business. First and foremost, it’s a chance to simply be friends with like-minded people and realize you’re not alone in the universe regarding your creative quirks. Secondly, it might lead to opportunities to use your craft you might not otherwise have had.

    In summary, go have breakfast with other creatives when you can. It yields positive friendships and, sometimes, a job.

    Networking, man. Networking.


  • Reflections on Patreon after a Month on the Platform

    A.P. Fuchs on Patreon

    On September 14, 2019, I launched my first Patreon page. It was a thrilling day and one filled with hope and excitement. Sure, part of the reason to create the page was to supplement my writing and drawing income, but, having been part of Web culture since close to the beginning of my career (circa 2000), it was an opportunity for me to create a place on the Web to share cool stuff with people in a kind of “club” format.

    See, I have this problem of creating a ton of stuff for free and putting in on the Web whether via this blog or social media. As of today’s date, I’m on here blogging articles, essays, and musings Monday to Friday, my free weekly newsletter goes out on Saturdays, I started up a YouTube channel again, and I’m doing Inktober and sharing those sketches on social media (see the icons on the right). I enjoy entertaining people and, if I was in a place where money was no object, I’d gladly share all my work for free. But I can’t. I need to eat, need to buy supplies, need to cover costs, etc. so I have no choice but to charge for my work hence adding Patreon as part of my platform.

    If there is one major aspect of Patreon I truly enjoy, it is the idea of having a special place on the Web where people use a key (money) to unlock a door (my Patreon) to get stuff only available on the other side of that door. It’s an opportunity for me to virtually sit down with a group of people several times a month and go, “Look what I made. Hope it entertains you. Hope it educates you.” Almost like show-and-tell but, hopefully, much more entertaining. And, in the end, that’s what Patreon stands for for me: My patrons. They’re a special group of people who were willing to shell out a few beans to help a northern jackass like myself keep making entertainment for them and others.

    (Side note to explain what creators mean when they say buying their work or supporting their Patreon enables them to keep creating. They are not saying that without the support they can no longer create. A creator creates and always will. Just how it is. What they are saying is your support buys them the greatest and most precious of all commodities: Time. Time is the most valuable thing on the planet. Once a moment passes, it’s gone forever. No going back. No storing it up. It’s not even in abundant supply because we all die. If a creator spends their time doing everything but creating–I’m talking surviving life stuff not blowing hours on social media–then we’d have no entertainment. By supporting a creator, you’re filling up their Time Bank Account instead of them spending their Time Dollars on things that hinder the hours needed to create something. Even if ten hours a week can be supplemented, if the creator is responsible, they now have ten extra hours to make stuff for you. It’s win-win on both ends.)

    I’m only about a month into my Patreon journey. It’s been wonderful so far and I look forward to the days that are scheduled to upload new content. Right now, a new chapter of my creature feature serial novel, Gigantigator Death Machine, airs every two weeks (a new chapter went up today). On the off weeks, I put up essays on the creative industry and also treat patrons to behind-the-scenes stuff here at the Central. Of course, there are also extra blog posts for everyone as well as patron-first announcements where my patrons receive news before the general public. I’m still finding my footing regarding what else to offer. I have a plan for an ongoing special something for patrons but it’s not ready yet. Perhaps in the New Year, perhaps sooner. Regardless, I’m pleased with my current offerings and am excited to share more as time goes on.

    My patrons are my special group. They are those who’ve gone the extra mile by way of monthly support, and for that I am grateful. I want to publicly thank them here and I want to offer a thanks to future patrons as well.

    My Patreon journey has just begun. Would you like to come along? Here, take my hand. I have something to show you.


  • On These Self-help Posts

    Just trying to help, is all. Lots of creators ask me questions because I’ve been in this business for so long. These little posts I’m broadcasting are meant to answer some and also provide encouragement to those who feel like throwing in the towel. Are they annoying? Maybe. Are they helpful? Maybe, too. Hope they are, anyway.

    Time to keep working. If you have questions about any aspect of publishing, send me an email and I’ll do my best to answer in a timely manner.


  • On Competing

    It’s easy to get competitive in this business and try and match the success of your fellow creators. While healthy competition is good, when that competition grows dark and is borne out of jealousy, resentment sets in. It’ll suck the life out of you and your mental and emotional energy will flow to those dark places instead of to good places like creating more work and promoting it accordingly.

    Your fellow creators aren’t your competition. At most, it can be a little bit of friendly sibling rivalry, but anything south of that and you’re looking for a world of heartbreak and anger.

    Put your energy into your work instead of into competition. It’s that simple.


  • On Writers and Emails

    Every writer’s inbox is different. Mine is sitting at 1883 unread messages as of this writing. Some are from fellow creators, others from family, others from friends, and others from fans. That’s just from people, as in, people who took the time to contact me. Then there are the emails that help me with marketing in publishing, emails on my spirituality, folks’ newsletters, and emails pertaining to my business. I’ve pretty much maxed out Gmail’s space since I’m an archivist and archive everything. To keep up with it all, all I can do is read my email when I can and, hopefully, eventually catch up.

    It’s both a burden and a blessing to have that many unread messages in my inbox.

    My favorite emails are from fans, of course, like any other creator.

    What’s in your inbox?


  • Going Dormant – Broadcast Mode Reinstated

    It’s that time of year again where I withdraw from having an active social media presence and switch over to broadcast mode. This begins today and will carry on throughout the winter, which in Manitoba means at least five or six months.

    My plan for the winter season is to release all the manuscripts I’m sitting on–some of which were created last winter broadcast season–and get them into your hands as quickly as possible. The plan also calls for creating new work, whether writing or drawing.

    The best way to keep up with me is to watch this blog and sign up for my weekly newsletter, The Canister X Transmission.

    To contact me, please use email via the contact page on this site.

    I hope everyone has a great winter. Try and stay warm, and to you creators out there, get stuff done. I know I will.


  • Why You Need a Newsletter

    The Canister X Transmission Years One and Two
    The Collected Editions of The Canister X Transmission Years One and Two
    This article was originally published November 28, 2016 on the Operation Awesome Blog.

    The Internet is a painfully crowded place, especially these days. I remember in the late nineties when the Web was starting to take shape. There were some basic websites and, well, that was about it. Communication on-line was pretty much email. Now look at us—everyone’s on-line, we’re all shouting, and social media is the main form of communication.

    Unfortunately, there’s just too many people and these days, with every one and their monkey writing a book, there’s too many authors and it’s near impossible to get noticed. Sure, it happens, and some authors build a sizable and—keyword: pragmatic—social following, but for the most part, many struggle in this area.

    Newsletters bypass all the number games associated with social media, the whole like-for-like and I-follow-you-you-follow-me tactics, and all the rest. (Which are pretty much useless because those are about quantity not quality.)

    Productive numbers are where it’s at and newsletters, by their very opt-in nature, cater to that. Do you want to know who is truly invested in what you do? Start a newsletter.

    It’s focused marketing: sending out communication and information to people who have chosen to hear what you have to say. Actually, I don’t even like to use the word “marketing” in this case because that totally devalues the point of a newsletter, which is connecting with readers who genuinely care about you in return.

    Look at the word itself: newsletter. It’s a letter, not a brochure.

    Sure, your newsletter numbers might be smaller than your Facebook likes, but they’re quality numbers, which have more value than just a high like count. The people who have chosen to receive a newsletter from you are the same people who are more likely to get a copy of your book because a genuine interest in you has already taken place.

    There are so many ways to go about doing a newsletter, some of which are:

    ▪ The Plain Jane promo newsletter.

    This is the kind that only goes out when an author has a new release. It’s not about communicating with the reader, but simply selling to them. I find these shallow; see the newsletter work breakdown above.

    ▪ The monthly update newsletter.

    Typically something sent out once a month, this is the newsletter where the author says what’s going on with them, where what project is at in the production process and to promote a book(s) or event or something.

    ▪ The weekly newsletter.

    My personal favorite and the kind I run, which I’ll get to in a moment. The weekly version can be like the monthly one, just sent out weekly. Or it can be about creating a dialogue with the readers and talking points of interest, usually to do with writing or books or entertainment.

    My weekly newsletter, The Canister X Transmission—presently in its second year—has four main points: writing/publishing/marketing tip of the week; book/comic spotlight from my catalog; creator spotlight focusing on indie and mainstream creators who’ve impacted my career; rant of the week, which is basically a positive or negative thing depending on what’s been heavily on my mind for the past seven days.

    I also offer a free thriller e-novelette download if you sign up.

    The benefits:

    ▪ regular connection with readers who actually want to hear from you
    ▪ exercise in self-discipline to maintain the newsletter schedule, which then trains you to keep deadlines for other projects like, um, your books
    ▪ an opportunity to market work to readers without spamming, which can lead to sales options outside of the usual channels
    ▪ a chance to encourage and inspire others

    Ultimately, newsletters make the on-line world a smaller place and, frankly, in today’s obscenely overcrowded rat race society, it’s sorely needed. It’s a chance to quiet down, meet with a reader, and open up about what’s going on on your end. And you’d be surprised. Readers respond to newsletters with their thoughts, questions and more.

    Beats an overcrowded social media channel any day.


  • Why I Quit the Publishing Industry and Opted to Just Make Books Instead

    bookshelfmar162016Well, we’ve really done it, haven’t we?

    And we’re all to blame, every one of us.

    Writers, editors, publishers, marketing departments.

    Indie or traditional, we’re all guilty.

    Some call this the Golden Age of Publishing and the best time to be a writer.

    Still trying to figure out why. That is, why in the truest sense. Sure, the arguments are it’s easy to get your work out there and some of have made a goldmine. That’s not reason enough to give this era of publishing the labels we have.

    For those who don’t know, I started writing my first book in 2000. I published it via a vanity press in 2003. Starting in 2004, I began self-publishing all my novels through my own company, my traditional “outbound” sales being short stories. Being independent back then was considered taboo and the kiss of death. If you publicly declared you published your own work, at least in writing and publishing circles, you weren’t a real writer and eBooks weren’t real books. You weren’t even a real publisher.

    It bothered me for a few years, but then I didn’t care and proudly flaunted what I did. If you didn’t like it, too bad.

    I made a name for myself in small press circles and became a minor local celebrity. Back in the beginning, back when I was writing that first book, there were a couple of months where I dreamed of fame and fortune. Not anymore. Don’t want it. But that’s another blog entry.

    As my career progressed, I’ve seen writers come and go, publishers rise and fall, and the industry drastically change. I’ve made amazing friendships and networked with so many people, some of whom are very well known. I’ve stuck to the small press by choice and have dealt with the major league publishers while my publishing company was in full swing and I worked with other authors.

    These days, I’m alone again. By choice. My meltdown in 2014 led to that and, in some ways, I’m still recovering.

    That’s a quick history of where I’m coming from.

    Back to why I decided to quit the publishing business: to be honest, I won’t no part of it. Not in the way it is right now. Over the past few weeks I’ve spoken to a several writers about how things are going. I’m paraphrasing, but they all said the same thing: not very good. Can’t get readers.

    Over the months and recent years leading up to this past little while, I’ve heard the same thing. It’s getting progressively harder and harder to reach people and books can no longer–for most–be one’s sole source of income. And I’m not even talking massive money, to be clear. For many, making a thousand bucks off one’s books in a year is doing well. But to make a livable wage of, say, twenty or thirty thousand? Forget it.

    Sure, there are genre exceptions. Erotica’s a big one. I know a guy who’s main love is horror, but that doesn’t pay the bills, so he writes pornographic books to make up the difference. Certain romance genres are also big. But other genre fiction from average Writer Joe? Forget it.

    The market is flooded. Everyone is publishing a book these days, quality be damned. And those who do put in the time and effort and monetary investment for quality are just nameless voices on the wind. Some said the cream would rise to the top. I have yet to see it, and that statement was made years ago.

    Heck, some readers are stopping reading independent titles altogether because they’ve been let down too many times. You don’t have a name that’s recognizable and one that can be counted on to deliver the goods? Back of the line, please.

    That opening line to this entry? It’s true. Here’s what happened:

    A certain on-line juggernaut was a good place to get books. There were many others, but this big on-line place was a favorite. They offered a few breaks, saved you some shipping, discounted things by a couple of bucks. It became a common place to refer people to. We all sent them there. Over and over again. The company grew–exploded–and came out with their own publishing platform. That caught like wildfire and stories of near-instant millionaires tickled the ears of writers everywhere. A little more time passed and everybody was publishing and everybody was referring people to this one place. Meanwhile, over the years on the side, other companies couldn’t compete and started shutting down. (Ever wonder why you go into a bookstore and a good chunk of it is dedicated to things other than books? There you go. Or what of the smaller publishing houses whose main bread and butter is government grants and not book sales?) Options became limited. And us writers kept pushing one platform, one retailer. Throw a flooded market on top of that and now things are falling apart.

    (And you know it’s bad when you have big shot agents in NY telling you to self-publish instead.)

    Writers don’t know what to do and fail to realize they’ve ruined their own careers by betting the majority of their chips on one avenue. Mankind’s shortsightedness, right? Look at other writer blogs that talk about writing and publishing. What are most of the articles about? How to sell books, score big at a certain on-line place, manipulate charts and cheat your way to the top all in the name of the almighty dollar.

    Greed.

    Pride.

    Foolishness.

    Oh sure, even if you’ve scored massive right now–who cares? You’re screwing Future You. If you’re really in this business for the right reasons–that is, you’re an artist and need an outlet and want to share it with people while supporting yourself at the same time–you should know by now this is a marathon not a sprint. Yet writers are sprinting and scrambling and are getting frustrated all the while not paying attention to how their actions today will affect themselves tomorrow.

    Samhain Publishing is the recent high profile case of a publisher closing its doors. The reason? Like all businesses that have to say goodbye, they couldn’t fund the operation anymore. If you read their letter, which is on-line, the bulk of their sales came from one place and, when that market became tough, the money was no longer there to keep going.

    Side note: Even those who are making a killing at this–it’s not a killing at all because they have one main outlet, even one main format. Take that away and what’s left? Not much else. That’s not success, in my opinion. Yours might be different. Success in publishing comes from doing well in the majority of the markets, not just one. Anyway . . .

    Speaking generally, the mad dash for the dollar is the main culprit. Greed is the fall of mankind.

    I was at a bookstore recently and I was disgusted by what I saw. Nearly every book on the shelf looked just like the one next to it. Not a single one caught my eye. Sure, some had neat-sounding titles, but strictly the covers? It’s like walking into Moore’s to buy a suit. They’re pretty much all the same save for a few differences in how the lapels are cut. But that’s marketing. That’s the big machine brainwashing people into telling them what they want. Romance covers look like this, thriller covers look like that.

    Of course I realize I could very well be alone in this. My tastes are more into the unusual and books with covers that show genuine creativity and break boundaries are what get my attention. This goes for my comic book tastes, too.

    So again, the machine, the big ocean of publishing. I’m just one measly fish in all this but everyone else wants to cater to the masses. They forget that we programmed the masses to accept things a certain way by doing things a certain way over and over.

    Even books. We have genres. When a book’s genre is a snap to define, it’s marketable. Ask any writer who’s queried an agent or publisher. Have a different style of book where genres–even mediums–merge and it’s much, much harder. Seems we forgot people simply like stories and have instead forced those stories into little boxes. Romance here, thrillers there. This puts writers in boxes, too. Write a book that’s gonna sell. Another common mantra. So you write to genre, even to formula. That’s what readers expect, after all. Don’t shake things up. Don’t create anymore. Just follow the recipe and hopefully your cupcakes will turn out well.

    I got into this business all those years ago to tell stories. Being green and naive at the time, I knew about genre but didn’t know about genre. And, yeah, I’ve partly catered to it as time has gone on. Even played the money game and published what was popular. It was all unfulfilling. The extra bucks in my pocket didn’t fill that gap in my heart, the one that needed to express itself through simply telling a story.

    Over the years, I’ve tried to do new things in my fiction. Even my zombie stuff has gotten blasted because of some of the non-formulaic stuff I threw in there. Wanna give me a one-star review for that? Put me down. Or the first Axiom-man book. It’s a slow burn because I based it on real life and played it out as if the storyline happened in our world. No fast-paced Hollywood hero stuff.

    There were even times over the years where I was obsessed with landing a mass market deal so I could “make it.” There were other times where all the joy and fun of creating was gone and my books became a product and I was a factory. And, man, when a book loses its heart–it’s not a book anymore. Just words on a bunch of pages. That’s empty. That defeats point of even creating to begin with.

    These days, all I’m seeing is the majority of those in the business thinking nothing of the craft itself and instead thinking of the endgame, the product, the dollar. Search writers’ groups or your Twitter feed. Article after article on “formulas for success,” or “how to write a book that sells.”

    The immediate cash grab.

    (These formulas are all BS, by the way. There is no one right way because if there was, the secret would’ve gotten out by now and we’d all be doing it.)

    Authors are panicking because most rely on on-line sales and, well, there’s really only one place for those now, isn’t there? You remember whose fault it is.

    Just living in the now. Screw the Future You and, for quite a lot of you, you are that Future You right now and you’re taking it hard up you-know-where.

    As said, we’re all guilty.

    —–

    To wrap up, I just don’t want to be part of this business as it is. I don’t want my own creativity to be limited by outlet or genre. I don’t want to be an author brand or that writer who only does one thing. The point of art is to create without limits. Pick your medium. This is where you say, “Well, that might be, A.P., but if you want to survive in this business you have to play by the business’s rules.” And you’re right . . . but you also forget it’s actually us writers who make the rules.

    Except no one is going about trying to change them. A publisher is useless without you, remember?

    Imagine if we all started doing our own thing. Imagine if we didn’t play to genre or one platform or manipulate systems and writers everywhere flooded publishing offices with manuscripts that were excellent heart-filled stories that didn’t fall into a definable category. Chaos at first. A whole slew of rejections. But if it kept happening? The powers that be would have no choice but to take a second look and revise how they do business.

    Or . . .

    Imagine if every writer marketing their work got their heads around the truth that fostering box stores–on-line and off- –is a bad idea, and instead of handing their literary destiny over to a single entity, they diversified. Hmm . . . what if they led by example? What if their own purchases for anything in their lives were made outside the giants? What if they steered their readers toward direct sales or other outlets that don’t get as much attention? Small businesses would thrive again. Perhaps, even, people in general wouldn’t be corporate cogs and we’d all have fulfilling lives in terms of how we spent eight hours a day and the rewards we reaped from it beyond just the dollar sign.

    For years I said if the publishing industry continued down the path it was on, it would start to break. Now it’s happening. I know many writers who used to support themselves on their writing having to go and work outside the home again. I know of many small presses closing up shop because they can’t sustain themselves off of books.

    It seems creators in any medium don’t understand they hold all the cards. We can change this. We’ll need to take hits along the way and some will be financial. You’ll have to part with your precious cash. But in the long term? That Future You? They’ll thank you.

    As for me, I’m out. Gonna march completely to my own drummer now. Do things my way. Tell the stories I want to tell genre be damned. Break some rules. Put out books with covers that are simply cool instead of falling into marketing cliches. Even mix mediums and put out illustrated novel/graphic novel hybrids. These days I don’t rely on that on-line empire for my sales. Off-line and direct work very well for me. And this is good. If all my cards were in one deck and that deck goes away–and yeah, it could happen, guys, unless you know the future and aren’t telling me something–I’d have nothing.

    Anyway, you might call this career suicide.

    I call it career resurrection.

    I’m in this to be honest with my work, to be honest with who I am as a person, to be straight up with you and to be the real deal. Might also being the only guy doing it, too, which is fine.

    But, man, what a payoff.

    I’m not publishing books anymore. I’m making them. To publish them connects me to a business that’s dying. To simply make them and make art connects me to something that’s alive.

    And that’s so much better.