• Getting Bored, Need to Work

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    I’m supposed to be on holidays, and though last week was pretty relaxing on the whole and I only worked a bit, I’m finding I’m getting bored trying to take it easy and not work. This week I’ve been going slow–on purpose–and am enjoying the leisurely working hours, but I also have this deep desire to just buckle down and work like a dog. Then I remember that I have between next week and summer break for that so I should enjoy this while it lasts.

    I think I’ll get stuff done this week but on my own terms without worrying too much about deadlines, then get down to business next week as I officially get the 2012 publishing year off the ground.

    Lots of cool stuff coming out both from Coscom Entertainment and Torn Veil Books this year.

    Providing the world doesn’t end, this is going to be a big year in publishing.

    Watch this space for announcements, and likewise stop by Coscom Entertainment and Torn Veil Books for the latest news and releases.

    Lots is happening.

  • Asking for Trouble: A Rant About Money, Selling Books and Stupid Writer Cliques

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    I’m ultra passionate about this business. I’ve spent almost 11 years of my life working my butt off, trying to make it as a writer and publisher. Truth is, I’m really on edge these days and since I have a hard time keeping my trap shut about important issues, I ended up spouting off a rant over on J.A. Konrath’s blog about the new trend amongst writers in terms of measuring success: numbers.

    Read below to see what I mean.

    _________________________________________

    At the end, the artist needs to decide what’s more important to them: reader/download numbers or actual dollars earned. You can’t have both, not when you’re the publisher. The math forbids it.

    In a traditional setting, the buck-a-book royalty system is more or less accurate. Sell 5000 copies, you’ve made around $5000.

    Midlist writers used to rag on me for self-publishing all the time for years–gee, funny how things have changed since their market dried up; can I be one of the cool kids now? Wait, is your shoe on the other foot? Self-publishing because no one will publish you? Awwww. Yes, partly sour grapes to be sure because no midlister has admitted to this profound truth–and my aim had always been to write fulltime. When you make $7+ per sale, I only needed to sell anywhere between 500-1000 copies to match their “bigtime advances” from a mass market publisher. (i.e. Dorchester, even Tor) But they had to sell 5000+ copies, depending who they went with, to earn that advance back.

    All comes down to goals, and Scott Nicholson was 100% right when he recently said the “new currency” amongst writers in terms of “success” is number of books sold versus actual dollars earned.

    Can’t we just grow up and all get along? What’s with all this competing? Hey, I’m all for having a healthy competitive nature. It’s what keeps you sharp, especially if you’re a businessman (which a true self-publisher is, anyway). But, seriously, new cliques are forming now because of this whole numbers thing.

    I love this business and I love my job, but some days I honestly feel like I’m in high school again.

    If an author is after numbers, just put your stuff out there for free. Seriously. You’ll get rid of hundreds of thousands of books in a relatively short time (David Moody, for example, before his legacy deal).

    If you want to make a living, then price your work in a way to actually manage that.

    As said, because self-publishing earns you quite a bit more than the buck-a-book royalty, your numbers don’t need to be high to match the income of those under legacy contracts or those pricing their books dirt cheap.

    Personally, the most devasting thing I’m seeing happen to writers’ careers right now–and I’m not alone in this as I’ve read other writers’ blogs saying the same thing–is this whole indie bandwagon, screw the traditional publisher mentality. Goes to show that no matter what business your in, people can’t march to their own drummer. They need to be part of the parade for fear of looking like the odd man out even if they’re actually making smart sense by doing what works for them and not what works for so-and-so.

    End of sermon. I have publishing work to do, the business side of this job.

  • Writing/Publishing–Scott Nicholson Blog Tour Comments Part Ten

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    October 18, 2010
    Blog: Books Complete Me
    Web: http://www.bookscompleteme.com/2010/10/q-with-scott-nicholson-and-giveaway.html
    Comment:

    I disagree about always being an “aspiring writer,” in the context you put forth, but I get what you’re saying.

    To me, an “aspiring writer” is someone who wants to be a writer but never actually writes anything and/or only writes here and there. Whether published or not, a writer is someone who writes regularly. Same as with an artist being someone who regularly creates art, and a chef is someone who regularly creates with food.

    But thus is the downside of this business, isn’t it? It’s hard to go from aspiring writer to actual writer when one lets life gets in the way and, eventually, lets life become their excuse for not actually following a creative path. Thus is the tale of woe for many writers out there.

    Writing is a game of doing, and doing is a way of life.

    Otherwise you’re just dreaming.

    October 19, 2010
    Blog: To Read or Not to Read
    Web: http://2readornot2read-loves2read.blogspot.com/2010/10/fifth-beatle-guest-post-by-author-scott.html
    Comment:

    I have a musical background, too. I first learned piano as a kid, then joined band in junior high to play trumpet and baritone. In grade nine I joined the jazz band and played bass, likewise thumping on the strings now and then with my dad, he and I playing in the band at church.

    A few years ago I was part of the worship team at our church–bass–until we switched churches.

    Nowadays, it’s Guitar Hero, because every male needs to be a rock star now and then.

    Tell you what, Scott: if ever you and I do a joint signing, we’ll work a music act into it somehow. (That would really sell the horror in our books, wouldn’t it? Haha.)

    Peace.

    October 20, 2010
    Blog: Fishmuffins of Doom
    Web: http://titania86-fishmuffins.blogspot.com/2010/10/guest-post-curtains-by-scott-nicholson.html
    Comment:

    The crime genre is something that has always appealed to me though I’ve really never ventured there in terms of fiction (whether reading or writing it). I’ve read a couple Mary Higgins Clark mysteries and enjoyed those, and for a time had delved deeply into the world of Jack the Ripper and read a bunch of books on him. To this day, that case still fascinates me.

    Mystery’s tricky–to me, anyway–in terms of dropping the bread crumbs for the “whodunit” while at the same time ensuring that when you do reveal the killer(s), you take the reader by surprise and, in the end, the revelation makes perfect sense and there wouldn’t be anyone else as the killer.

    Cudos to you for writing in that genre.

    October 21, 2010
    Blog: Satisfaction for Insatiable Readers
    Web: http://insatiablereaders.blogspot.com/2010/10/blog-tour-with-author-scott-nicholson.html
    Comment:

    Best. Recipe. Ever. Sure, tastes a little funky, but what doesn’t these days?

    Thanks, Scott.

    October 22, 2010
    Blog: Minding Spot
    Web: http://mindingspot.blogspot.com/2010/10/scott-nicholson-blog-tour-kindle.html
    Comment:

    The whole writer introduction is always a fun spot for me. Usually, I don’t mention this is what I do unless I’m asked, “So, what do you do for a living?” I then usually follow up by saying, “I’m a publisher and writer.”

    Then it goes:

    “Oh, so what kind of books do you write?”

    “Monster and superhero fiction.”

    Then I get the look (you know the one–face partly screwed up to one side, squinty-eyed).

    “Monsters, really?” they say, though more as a statement than a question.

    “Yeah. Zombies, usually.”

    “Oh.” They nod, and it’s off to the next topic.

    That’s if they’re “grown ups.” When talking to folks 20-35 or so, I get more of a “Zombies? Cool” type of response.

    I guess I could avoid all the awkwardness if I just wrote mysteries or something. But where’s the fun in that?

  • An Oldie But Goodie – Time Management/One Thing at a Time

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    This is an old article I wrote nearly six years ago. I don’t even remember for what or who.

    Just reread it now and it still makes sense so I thought I’d post it here. Might be useful to at least one person reading this blog. If so, then my job is done.

    Some of you will read this and go, “Duh! I knew that!” and others might find it the “reminder” that they need, so bear with me, here.

    Being an independent author and/or publisher has two halves: creative and business/marketing/etc.

    One of the things I’ve struggled with but have finally overcome was the desire to everything at once. What I mean is when I sat at the computer, I’d put out 1000 words on a new book, do some email, do some marketing material prep–all in a mish-mosh. The thing that will benefit your marketing and your creating the most is time management. Break up your computer time. When you sit down to write your book/story/poem/article or whatever, clear your “to do” list from your mind and pretend that today your only task is to do you story. If that email you have to write to an editor at a webzine pops into your mind, shove it aside, ignore it and get on with your tale. Once you’ve written your scene or whatever amount of words you feel is a good output for the day, take a short break (have dinner, coffee, cigarette), then move onto the next item, say, that email to that editor. Once that’s done, depending on how long it took, then go to the next task. One of the things I still sometimes find happening is a short attention span. I got so much to do between the creative and business end of my publishing business that I find myself multitasking or bouncing from task to task without really ever completing one of them.

    In short, if each part of your business, creative or otherwise, were approached one at a time, you’ll see a boost in quality output and response to your marketing efforts.

    Thanks for reading.

    - A.P. Fuchs
    September 28, 2004

  • The Self-publisher's Mindset: Where Your Head Needs to Be At

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    I’ve been self-publishing since 2004 (I subsidy published in 2003–bad move) and in that time I’ve seen pretty much all there is to see in the self-pub biz, everything from wild successes to dismal failures.

    I’ve been writing since 2000. It was June of that year that I started writing my first novel, A Stranger Dead. At the time, the publication aspect, well, I didn’t really care about. Sure, I wanted the book to be published, but the how and by whom, I waited till I was done till I figured that out.

    In the end I was screwed over by a subsidy company, one, it seemed, that played on my naivety regarding this business.

    Regardless, I got the self-publishing bug and most true self-publishers will tell you they suffer from the same ailment as me: the need to do it yourself.

    My goal was to always create for a living, at first comics then books. Nowadays I’m doing a bit of both. What I didn’t realize back then was that the publishing business–namely being an author–isn’t all fame and glamor and oodles of cash despite what TV teaches us. Yes, those types of successes and lifestyles do happen, but they are few and far between, which is why there’s a big news story about it when it does happen. Most writers who write full time have a modest income. Other writers still work part time to make ends meet. Others need to work full time and write on the side.

    The Self-publisher’s Mindset:

    To go into self-publishing thinking it’ll be your ticket to writing/creating full time is like thinking you’re gonna go to the casino and come out with enough dough to buy a house. It could happen, but your odds are ultra slim. That’s how it is.

    However, it is possible to go into self-publishing–and I’m talking about self-publishing fiction here; self-publishing non-fiction is much more easier to make a living at–and actually come out with enough money to live on and create for a living.

    But here’s the kicker: the “creating for a living” part would only be how you’d spend 10-20% of your time. The other 80-90% is you marketing your creation, networking, making phone calls, sending emails and going nuts in your effort to tell the world about your product.

    The self-publisher’s mindset is this: you’re a business. You’re not a full time writer. You’re a full time businessman.

    And this is where most self-publishers get tripped up. Too many just want to write and that’s it, which is fine, but if that’s you then don’t self-publish.

    The very idea of publishing a book and then waiting for the sales to roll in is ridiculous at worst and self-deceiving at best.

    Self-publishing is about investing in yourself, making a business out of your product and name, and doing what it takes to make that business succeed.

    It can be a slow process (most likely) or a not-so-slow one (depends on which break you catch; i.e. an article about you in the New York Times complete with purchasing info about your book).

    Your mindset needs to be not just on product creation, but product distribution, financial management, the willingness to sacrifice, the willingness to take a risk, the willingness to walk away after a failed sincere effort. Though, I admit, that last one is subjective and perseverance through failure is the better option. The idea is knowing when to call its quits (i.e. after, say, 10 years of trying to self-publish successfully).

    You need to understand that you will wear several hats as a self-publisher. The writing one is the one you’ll rarely wear. The marketing, production, networking, designing, and money calculating ones are the hats you’ll have on most of the time.

    It’s scary, sure, but it can also be rewarding.

    And please–please–whatever you do, know that the first hat you’ll wear if you decide to self-publish is the research hat. You need to understand the different between true self-publishing and what’s being passed off as self-publishing these days.

    This is true self-publishing. Anything else is not. Period.

    Self-publishing is:

  • you are the publisher; no one else
  • you publish under the name of your own company (properly registered with the correct outlets of your country, including proper tax registration); in short, you are now a business owner
  • you do not use any “services” for printing, only printers, ones that specialize in book printing
  • you spend money publishing your product; you have to spend money to make money after all
  • you understand Lulu.com and Createspace.com are not self-publishing companies, neither is any POD place that sell packages for a ridiculous fee and pay you a “royalty”
  • you are responsible for all production and marketing aspects of your product
  • you hire an professional editor to edit your work
  • if you are not artistically inclined, you hire an artist to create your cover likewise someone else to design the interior
  • you keep track of all monies going in and out of your company (or hire an accountant to do so)
  • you front all costs for all things
  • in short: you do everything and are responsible for everything yourself
  • This is where your head needs to be at. You need to divide the creative and business sides of yourself. If you don’t have a business side, don’t self-publish. If you do and have an intense drive to succeed, then that’s the base upon which to build.