• My Comic Book Haul Yesterday and Today — A List

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    Normally, my monthly comic reading diet consists of Batman, Superman, Batman and Robin, Red Robin and Batgirl. I might buy another comic or two, but those are my regulars.

    Well, I went to the shop (Galaxy Comics) yesterday and walked out with a pretty big stack of books.

    - Batman/Superman #75
    - Wolverine Saga (Marvel freebie)
    - Batman Beyond #2 (for my kind)
    - Toy Story #-something (for my other kid)

    From the dollar bin, all these #1 reprints:

    The Talisman #0
    Captain America #1 (for my wife)
    Action Comics #858
    Marvel Zombies #1
    The Walking Dead #1
    The Flash: Rebirth #1
    Detective Comics #854
    Spawn #1
    Savage Dragon #1
    Proof #1

    I came home yesterday, went through my pile, read Spawn and Savage Dragon and noticed the Wolverine and Batman/Superman. I thought, Wait, this isn’t my stuff. You see, I have a mailbox there and they just put the stuff I collect in there for me to pick up at my convenience. When I got to the counter with my stack of dollar books, the other comics were already in a bag. I just assumed what was in there was my usual books.

    Anyway, I went back to today. The Wolverine was a freebie (so I kept it, of course) and the Batman/Superman #75 was an error because I originally asked for the regular Batman and Superman series to be added to my monthly books over the phone. I guess the guy took it as the team up book instead of the two separate books like I meant. Completely understandable mistake because the Batman/Superman book is usually refered to as Superman and Batman or vice versa. But I kept the Batman/Superman because a) I like the owner and b) it’s the 75th issue and has some bonus stuff in it. No worries. It’s all good.

    So I left there today with Batman #702 and Superman #702, Hellboy #1 from the dollar bin plus a pack of bags and boards.

    Good haul. Really happy.

  • Superman/Batman: Apocalypse Exclusive Clip and Official Trailer

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    Based on the graphic novel by Jeph Loeb and Michael Turner, Superman/Batman: Supergirl, Superman/Batman: Apocalypse sounds just plain cool.

    Here’s the opening clip of the movie.

    And the official trailer:

  • Smallville Season 10 Trailer as Seen at San Diego Comic Con

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    In keeping up with posting trailers this week, I saw a crummy version of this on the weekend, one which recapped each season of Smallville then showed a teaser for the tenth and final season of the show. Then my good friend Doug passed me a link today with the Season 10 teaser in higher res. It’s still a “live” recording, but way, way better than what I saw. And now I want to share it with you as Smallville is one of my favorite shows. I’ve seen every episode every week without fail except for, like, 2 of them, ever since the show aired back in 2001. I did miss the first few of Season 2 and had to watch them online due to my folks at the time not having the right station when the show changed channels and times.

    Anyway, rambling.

    Here it is, Smallville Season 10 the teaser from San Diego Comic Con.

  • Zombie vs Werewolf Life-sized Stand Up/Cut Out Creation

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    Last week I teased on Twitter about me creating a life-sized stand up of a zombie vs a werewolf as a prop for my recent Zombie Fight Night booksigning.

    I took pictures along the way, and I’m pleased to share them with you here. This was the biggest thing I’ve ever drawn. The only other things that came close were Axiom-man on the wall of my old animation school, and some pencils for Superman (I think) on my wall of my room back when I lived with my folks.

    This was the first time I did two fully-rendered characters side-by-side.

    Blocking out pencils:

    More penciling:

    And yet more penciling:

    Blocking out the dark areas of paints:

    Adding some of the base colors:

    More colors:

    Adding to it:

    Final colors with black lines:

    Zombie guts and blood spatter:

    Final product standing up against a wall:

    I made some cardboard “feet” for it and it stood just fine. You’ll see this thing in action when I post my booksigning pics tomorrow.

  • Canister X Review #55: Green Lantern: First Flight (2009)

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    Click Here to Order from Amazon.com


    Green Lantern: First Flight (2009)
    Review by A.P. Fuchs

    4.5 out of 5

    Pilot Hal Jordan goes for the ride of his life when his test pod is mysteriously transported from the safety of an airforce hanger to a rocky desert only to encounter a bizarre dying alien named Abin Sur, who had summoned Jordan via his powerful. Abin Sur dies and Hal’s world is turned upside down and he is introduced to the Green Lantern Corps, guardians of the galaxy. Under the tutelage of Sinestro, Hal learns to use his newfound power and witness, thanks to Sinestro’s words and actions, that the Guardians of Oa—those who created the Green Lantern Corps and the green lantern power battery—have grown soft in their approach to intergalactic crime. Sinestro believes a more stern approach is needed and so takes Hal under his wing to show him that might makes right.

    The Corps faces a crisis as the Yellow Element—the only force capable of weakening the Green Element, which powers the Corps’s green battery on Oa—has been stolen. Should it be used against them, the Green Lantern Corps will crumble and the galaxy as we know it will no longer be protected and chaos and evil will reign.

    Green Lantern, to me, has always been a cool character, yet he’s also always been an overlooked character outside the realm of us hardcore superhero guys. Batman? Sure. Superman? We know him even better. Spider-Man? Yeah, good movies on the big screen. But Green Lantern? Wasn’t he that green guy from that old Super Friends show, the one with that ring that does stuff and, um, well . . .

    Green Lantern is an outside character. He’s known and he’s unknown. I think of him like Superman, the difference being is he takes the ring off and he’s a guy like you and me. Superman doesn’t have that option because no matter what kind of clothes he’s wearing, he’ll always be a Kryptonian. Green Lantern: First Flight reminds us of that: that beneath the cool power ring Hal Jordan is just your average guy.

    I really appreciated the origin tone of this movie and even more so that 99% of it didn’t take place on Earth. Here we got to get a solid look at the world of Green Lantern, which is an intergalactic one and not confined to a bustling Metropolis or an eerie Gotham.

    To see the Green Lantern Corps—all those aliens with varied green uniforms—really added to the scope of what the Corps is all about and a visual reminder that humanity’s protection is only a small part of what they do. According to this movie, there are 3600 green lanterns, each with their own sector to watch over. Solid.

    I had only a couple minor quibbles with this movie. I thought Hal Jordan dove into the Green Lantern thing rather quickly. He gets the ring and suddenly—BAM—he’s all green and knows what to do. He also seemed too casual and calm about all these alien encounters he suddenly finds himself having. If that was you or me, we’d be freaking out the second Abin Sur showed up, green ring or otherwise.

    Likewise, Hal Jordan seemed to be the only guy who got back to wearing regular clothes when the ring came off, whereas everyone else still retained their uniform. I thought the uniform came with the ring. Take the ring off and you’re back to wearing whatever it was when you put it on.

    Again, minor, but something I would have liked to have seen handled better.

    I know that comic books and comic book movies are not as much for kids as they used to be. Once again this DC film has some foul language in it. Not impressed because it’s kids asking their moms for these flicks. It’s not like the old days where superhero cartoons were clean language-wise.

    The action is great. The fights are cool.

    If Green Lantern: First Flight is meant as a primer for the upcoming live action film, man, we’re in for a real treat and an awe-inspiring experience coming 2011.

    This flick is solid, enjoyable and fun. Check it out.

  • Superman was in Smallville Last Night

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    For those geeks like myself, this was the greatest scene ever in Smallville’s 9 years . . .

    . . . and possibly the biggest tease.

  • Zomtropolis Chapter Three

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    Copyright 2010 by A.P. Fuchs. All rights reserved.

    3: Geeky Gawker

    Didn’t mean to drop out on you yet again yesterday. Had something I needed to attend to (took me all day, actually), but I just needed to get it done before coming back on here. I promise. It won’t happen again. Well, maybe. But if it does I’m sure I’ll have a really good reason as to why.

    Okay, so let’s get this thing going because I’m getting sick of beating around the bush, too.

    Selena.

    Oh man, it was all about her. Everything. Life. My heart. No one and nothing else mattered.

    Though I’m a guy and, I suppose, compared to most this was the most “un-guy” thing to do, I always knew, even from a young age, the type of girl that I wanted. I got glimpses of “her” throughout the school years, even way back starting in elementary. The way Jill smiled because Carl made a fart joke in class and even though it was unlady-like for her to think it was funny, she smiled anyway then covered her mouth when she couldn’t hold back her laugh any longer. Or when Sammi came to school with a Superman comic and me, being the comic nut that I am, suddenly took note and this ugly girl became oh-so-attractive in my eyes because of that. Or how about the time when Amy came into our high school chemistry class wearing a suit and tie (nearly the same as the teacher’s!) just so Mr. Finch could kick her out and she’d get a few stares and laughs from her classmates. Man, I love a girl with an adventurous spirit! The list goes on and on. So many girls. So many qualities each one possessed that I so deeply desired, but so many other qualities they also possessed which eventually drove me away. I never told them I started to be attracted to them. Didn’t want to girl hop. Maybe some of them. I don’t know. Never had a girlfriend back in school. Not one. Was never liked all that much by those of the opposite sex.

    But those girls . . . . Yeah. They each had something I wanted. Something I knew I liked. Stuff I connected with. Must have had a list of about thirty things going, everything from the superficial straight through to the important stuff like how my dream girl feels when it’s raining outside. (Was she like me? Did she like to hide under a blanket, listen to the rain and suddenly become washed over in this utter feeling of safety, that the little pellets of water outside couldn’t hurt her, that nothing could hurt her, here, in this dark place with nothing but the sound of the rain calming your soul?)

    And along came Selena. She had everything. All of it. Not a one missing. If you could have only seen her the day I met her. Nothing out-of-this-world happened. I was at the art gallery. Me and a few other folks. Just minding my own business, checking out a wall of comic art when she came up beside me and asked me for the time. I remember turning to face her, see whose voice that was, a voice that, upon hearing it, sent a jolt up my spine and made my ears feel as if they were learning to hear clearly for the first time. She just stood there, looking at me with brown eyes so wide and so innocent that I forgot the question. I’m telling you, I couldn’t breathe, couldn’t move, couldn’t do anything. All that I was just simply locked inside and I was lost in her.

    Never, ever expected that happen.

    She brushed back a lock of long, wavy brown hair back over her shoulder then hooked the lock on the other side behind her ear.

    “Do you have the time?” she asked again.

    I fumbled for my watch. Checked my right wrist instead of my left where it always was. “Um, yeah. It’s 3:33.”

    She smiled, her lips soft around the edges. Not too big. Not too small. “Thanks.” And she sidestepped over to the Wieringo piece beside me and lost herself in it.

    My hands began to shake. Sweat lined the rears of my knees and I think I was holding my breath because the next sound was a loud gasp. It was me.

    She snapped around to face me, eyes wide. I completely startled her and even to this day I don’t know what terrified her more: the loud gasp or the fact I had been standing there, staring at her for who knew how long like some geeky gawker who only saw beautiful women on the Internet.

    “Sorry,” I said and looked back at the piece that suddenly didn’t seem worth looking at anymore. I thought about walking away, about going somewhere else in the gallery, anything to get my mind off her and free of the chance of looking like an idiot again. But I stayed there. Beside her. Not really looking at the art in front of me though pretending to. I just needed to be around her.

    My heart bubbled inside. Butterflies let loose in my stomach. I lost my breath again and more than once had to wipe the sweat surfacing on my forehead.

    This girl had gotten to me.

    Selena moved about the gallery, going from one picture to another, all in order. I stayed beside her, pretending to do the same thing, superheroes and ink lines suddenly having lost all meaning to me.

    By the time we were done, she waved me good-bye and made her way back downstairs. When she was about halfway down the winding steps, a weird squawk popped out of my throat and echoed throughout the place. The few others in the same gallery looked at me as if I was trying to be a bird or something and that the art gallery was hardly the place for that.

    This time, Selena’s eyes didn’t go wide. Instead, they grew soft, expectant, asking me what I wanted.

    “Do you want to go out for coffee?” I asked. Those weren’t my exact words, but that was the gist of it.

    And you know what?

    She said yes.

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  • Never Sleep Again: When Darkness Awakes the Mind

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    Note: This article was originally published in Post Mortem Magazine #4. This is the article as submitted at the time. I thought it appropriate to post it given that the new Nightmare on Elm Street flick hits theatres on April 30. I’m looking forward to checking it out.

    Never Sleep Again: When Darkness Awakes the Mind
    by A.P. Fuchs

    “One, two, Freddy’s coming for you . . .”

    Who can forget that chilling opening line to Freddy Krueger’s nursery rhyme? Even to this day the unsettling picture of two young girls playing jump rope and singing that tune in those high-pitched, lilty voices still sends shivers up my spine.

    I have a confession: I never saw A Nightmare on Elm Street and its sequels until I was nineteen years old. I know, a crime. But one of the main reasons was quite simple: Mom and Dad said no. They didn’t want the scenes and images from that film to invade my head, scare me and, inevitably, lead to nightmares. I can’t blame them. I’m a father myself and if I knew something might disturb my son, I’d probably tell him he can’t read that book or see that movie either. Fortunately my son’s eight months old as I write this so I don’t have to worry about that yet.

    Because I wasn’t allowed to see Freddy, that didn’t mean I still didn’t get a chance to catch a glimpse of him. When I was in grade three or four, talk of Freddy Krueger filled the playground. All the “cool” kids would come to school and state how they stayed up late and watched Krueger hack people to bits either on TV or on video. I’ll admit I was intrigued, but not to the point where I had to see Freddy in action. Being raised Catholic, it was something I never had an interest in. Horror was not allowed in our home and, as a result, my exposure to it was so limited that it might as well not have existed at all.

    Then one day someone had brought a picture of Freddy to school. It may have been from a magazine or even the VHS box itself. Either way, I finally got to see the man everyone talked so much about, got to see his burnt skin, bubbled and peeling, the ratty fedora, the famous red-and-black-striped shirt, and, of course, the thing that made Freddy Freddy—his glove, the blades protruding at odd angles, rusty and coated with blood.

    And so the nightmare began.

    “Three, four, better lock your door . . .”

    I couldn’t shake the image of Freddy from my mind and, it’s safe to say, his creepy visage spooked me even more than your average kid because, like I said, horror wasn’t allowed in our home. Freddy was my first true exposure to the dark side of humanity, to the idea of murder, to the concept that—all childhood bumps and cuts aside—blood can flow outside the human body and not just flow, but burst forth in great crimson waves.

    As much as I tried to lock the door of my mind against Freddy’s face, he stood there prominently in my thoughts, begging to have a go at me. At night, in the supposed safety of my bed, I got to meet Freddy for the first time. The main thing I remember from that nightmare was—having some foreknowledge from a secret source that Freddy attacked you while you slept and invaded your dreams somehow—I had to try my best to keep myself awake. I remember, in my dream, being in bed, the lights out, the door closed, the only hint of light a small sliver of illumination from the crack beneath my bedroom door to where a light was on in the hall. If I knew one thing for certain in my dream, it was that I was alone. Then outside my bedroom door I heard the front door to the landing open and I knew, I just knew, it was Freddy coming for me. I bolted from my bed and ran across the hall, in my right peripheral noticing the shadow of a man with a hat, who had long fingers splayed out from a hand attached to an arm that was poised at an odd angle at his side. I burst through my parents’ bedroom door, closed it fast behind me and, sure enough, they weren’t there. Their bed had been slept in and was unmade, but I had no idea where they could have been. Downstairs, maybe, but I doubted it. Footsteps ascended the stairs and I couldn’t help but sense Freddy was in my room. Knowing full well that my parents’ bedroom was where he’d look next, I tore out of there, bounded down the stairs and streaked across the living room to the front landing…and I was out the front door.

    I was free.

    The next thing I knew I was at the neighbor’s across the street, standing with a faceless individual, someone you know in your dreams but have no idea who they are in real life. I remember looking across the bay we lived on and our driveway was filled with cop cars, red and blue lights flashing. Police carefully made their way to the front door, guns drawn. Then Freddy appeared behind the outside door, glove ready. When he opened the door, he looked right at me.

    Beating him wasn’t an option. His gaze told me so. There was nothing I could do. He moved past the cop and…

    “Five, six, grab your crucifix . . .”

    I awoke with a jolt, my heart racing faster than the Flash. I called for my mom or dad and, thank goodness, they came to comfort me. I told them what happened and they reminded me that I had been dreaming but because of God, I was protected from scary images and nightmarish creatures. It was the right thing to say to a young boy who was in hysterics over the man with the razorblade hand.

    “Seven, eight, gonna stay up late . . .”

    Freddy visited me several times over the next few years and one of the subsequent nightmares I had was an almost play-by-play of the first nightmare that still ravaged my mind and made me look twice under the bed before falling asleep. After all, Freddy was still out there. He and I never had a final showdown in my dreams.

    There were times when I was terrified to fall asleep, all because of the haunting image I saw of Freddy Krueger at school. It goes to show that even the mere idea of something sinister can play into our fears and emotions and turn our whole world upside down. And being a kid who was obsessed with make-believe and daydreaming and concocting different adventures where I was Superman, having Freddy as a personal villain became even easier for me to entertain and accept.

    “Nine, ten, never sleep again.”

    As mentioned, I never saw the Nightmare on Elm Street films until I was nineteen and truly discovered horror as a genre for the first time. But I tell you this, being able to watch those movies as an adult, with an adult’s mind and true knowledge it was all pretend, made it much easier, especially since most of the those movies carried the trademarked B-horror cheesiness that made them great and, at times, laughable.

    Freddy was the first to really nail me hard on what horror was and if you asked me about what had been my worst nightmare(s) ever, the one with Freddy would be one of two big ones that come instantly to mind.

    It’s been a long time since I’ve dreamed of Freddy, probably fifteen years. But I do wonder if he’s still out there, waiting until the time is right, to come for me again.

  • What This Business is all About

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    Originally published on-line at the old Coscomment blog on November 22, 2006

    Being a writer ain’t easy.

    The writing aspect of it, that’s a breeze and is a most-rewarding experience. To sit down and create, to put dreams to paper, to speak one’s mind on various subjects and provide commentary on life all wrapped up in an exciting tale—that is sheer joy. There’s nothing I’d rather do. Ever since as far back as I could remember, I was always making stuff up, living in my head more than I lived in the real world. It started with superheroes and my own superheroic fantasies as Superman and Batman. When I got older, those fantasies turned into creating my own heroes (Axiom-man, for example, whom I first created the story for when I was 13) and, as I got older still, creating other stories that were non-superheroic but had more to do with life and the ups and downs thereof.

    Writing is cathartic in a lot of ways. The latter part of my novel, A Stranger Dead, and the whole of my unpublished novel, For The Cause, helped me deal with some strong emotional issues I had at the time. April, my love story written as Peter Fox, was also an exercise in making a point about love and how I felt—and still feel—about the most beautiful yet complex of all human emotions. Writing those stories was sheer bliss and once I finished each tale, the sense of accomplishment was overwhelming.

    Writing is so powerful and seeing your ideas and dreams realized on the printed page is just as powerful.

    But that’s where it stops for a lot of writers, and for those who attempt the next step—publication—that’s a whole other experience completely.

    Most writers would tell you that the creative process is what keeps them going in life, the undying need to commit their thoughts and imagination to paper. We can’t help ourselves. Even if not a single story of ours got published, we’d still spend day after day typing away, emptying our full heads onto the page. Most writers, as well, will also tell you there is one thing they hate about being a writer: the business side of it.

    This is a tough field. The reality is writers—and any other kind of artist—are a dime a dozen. Virtually everybody on the face of the earth has some form of creative ability. Some are better at it than others, naturally, and some have the drive and need to create more than others as well. Regardless, artists and writers alike are everywhere and if a writer is going to take the next—and final—step in the creative process, he or she is going to go up against some very stiff competition.

    Last I heard, there was close to 200,000 titles published annually (fiction and non-fiction). Amazing, and there’s also no way to know how many other books are written that never see print. Using what we know, though, that means that every year, when an author puts out a book, he or she goes up against nearly 200,000 other people. 200,000! Let me ask you, out of those 200,000, how many authors can you name? A dozen? Maybe two? That’s only 24 out of 200,000 or just .012%. It’s no wonder that most authors—the ones you don’t see gracing the bestseller wall at your local bookstore—are banging their heads against the wall trying to come up with ways to get their books and names in front of readers. It’s no wonder that a lot of writers who couldn’t break into traditional print—not necessarily out of lack of talent or literary merit—are utilizing subsidy presses or are self-publishing their books.

    And thus is the challenge. How does one get their title out there?

    I hang out with a lot of writers, their station on the publishing industry ladder ranging from bestsellers to midlist to small pressers and self-publishers. And, like in any other industry, you’ll get a wide variety of opinions on “what’s best” for your career. Thus where a lot of writers find themselves frustrated, especially beginning ones. The newbie author has high hopes and large dreams. More than anything they’d love to see themselves as the next King or Grisham, their first book netting them a massive advance and guaranteed shelf space on bookstores worldwide. This rarely—and I mean rarely—ever happens. As mentioned above, a small, small percentage of books put out each year are by “name” authors; the rest are by guys and girls most folks haven’t even heard of.

    A newbie author will often seek advice from those in the business on how to get published and in turn gets bombarded with a myriad of opinions.

    If you hang out with a lot of writers, you know there are many in the what’s been dubbed “publishing elite” category. The thinking from this group is that you must get an agent then get picked up by a huge New York firm to be considered a “real” author. If you don’t, you haven’t made it yet. Others in this camp state that you have to get picked up by a firm willing to pay you an advance and print up at least 5000+ copies of your book in order to be a “real” author. Their condescending tone is unmistakable and it’s always their way or bust. No room for negotiation or second opinion. As a result, the newbie author gets frustrated when he or she can’t land an agent, can’t land a contract and ends up going the small press route or self-publishes. I admit, I’ve been there. I’ve been fooled.

    Then I discovered a little secret to success in this business, and the secret is this: it’s all about the writing. That’s the only way a writer will find fulfillment. If one is stuck fighting in the trenches all the time, he or she begins to get tired of fighting and eventually gives up. That’s why a lot of would-be writers drop out of the game after receiving a boatload of rejection slips. They’ve become so blinded by the have-to-get-traditionally-published-so-I-can-be-a-real-author attitude that they’ve lost their first love, and that is the creative act itself.

    Furthermore, if you are seeking publication for your work, you have to at first ask yourself what your goals are in this business and where you’d like to see yourself. From that starting point, you can easily take a pragmatic approach to your career. Do you want to be famous? Do you want loads of money? Believe it or not, a lot of authors love their day job and writing is just a thing they do on the side. Some don’t want to be famous. Some have decided to write for niche audiences only. The idea here is goal-setting.

    I know a guy who writes fulltime and is famous. That was his goal and he achieved it. I know another who loves his day job and just writes because he has to and isn’t concerned with “getting the big contract” but publishes only in the small press. I know another who writes novels and posts them on his blog. What do these three have in common? The craft. It’s all about the craft and because each had discovered what their goals were and what worked for them in this business, each of them is fulfilled in their career as an author. And, yes, I consider them real authors. A contract doesn’t mean anything. If you’re always writing something, you’re a writer. If you’re always authoring something, you’re an author. If you’re always painting something, you’re a painter.

    That’s the secret. You have to find out what works for you in this business, not what works for the big names on the bestseller lists or what works for the writing buddies you hang out with. You need to know what your goals are and pursue those goals. Then, and only then, will you be happy.

    As mentioned above, I once lost sight of that. To me it became a New-York-or-die attitude and that tore me up inside because I was having a hard time “breaking in” (and these days breaking into New York isn’t easy; splitting hairs with your teeth would bring a faster return). But then I reassessed my goals and formulated my own approach to this business. I decided to put my own material and build an audience. I decided to use the small press as a stepping stone. In other words, I decided to put the writing first and the business aspect of it second. As a result, I’ve had New York doors open up to me. I can only attribute this to both God’s blessing and my willingness to pursue my goal based on what worked for me and not what others said I should do in order to become a “real” author. Many who read this will probably disagree, but then I’d have to ask you what is more important: writing something solely on the basis of what sells or writing something that’s being true to you as the creator? Writing is an honest act. Why lie about it or sell out? There’s an audience out there for anything. The issue is how much of an audience, but if you know where to reach them, how you reach them is meaningless. The point is that you do reach them.

    It is my encouragement to you if you’re feeling down and out about this business to reassess your goals and find a publishing method that works for you and you alone. Resolve yourself to press on ahead despite the clamor from the publishing elite and makes roads where there are none. Your confidence and drive will take you a long way.

    It’ll take you to where you want to be and you will be rewarded.

  • Central Canada Comic Con March 21, 2010 Pictures

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    Yesterday the family and I went to the Central Canada Comic Con. This one is a much smaller venue than it’s Fall counterpart, its purpose to be a preview of what’s to come (i.e. Ray Park (Darth Maul, Toad) is the guest of honor for the Fall con), but that didn’t deter exhibitors from coming out and displaying their wares.

    It was at the Viscount Hotel, so with kids in tow, my wife and I checked it out. Good times.

    Amongst the collectibles purchased, we picked up:

    Burger King 1988 superhero cups with superheroes for handles. My brother and I had the Superman and Batman ones growing up. I don’t know what happened to them. We used the characters in lieu of our action figures because they looked cooler and the paint was intact. The paint on the ones from our Superpowers collection began to get worn away thanks to long hours of play and taking them into the bath.

    Some snazzy superhero fiction. I included the Amazon.com purchase link below each.

    The Further Adventures of Superman by Martin H. Greenberg at Amazon.com

    Batman: To Stalk a Specter by Simon Hawke at Amazon.com

    The Further Adventures of Batman, Vol. 3: Featuring Catwoman by Martin H. Greenberg at Amazon.com

    Spider-Man: Mayhem in Manhattan by Len Wein at Amazon.com

    Superman Christopher and Dana Reeve Foundation Dog Tags. The con bought a bunch of these as a donation to the Christopher and Dana Reeve Foundation. They resell them at the conventions but only to get their money back and not for a profit. I searched the site and it appears the Superman dog tags are no longer available. However, you can still click here to make a donation to help find a cure of spinal cord paralysis.

    The Books of Era Chapter 1 by Scott Henderson. This guy is a local comic artist and the artwork within the comic looks amazing. Here is his website: http://www.comicspace.com/scotthendersonart

    Also picked up my kids a Bumblebee Animated Series Transformer and Rodney Copperbottom from the movie Robots, which is an extremely underrated movie, in my opinion.