• Zomtropolis Chapter Five

      2 comments


    Copyright 2010 by A.P. Fuchs. All rights reserved.

    5: Nothing Lasts Forever

    Didn’t sleep last night. Couldn’t. Wanted to. Even took about forty quick and short breaths to get myself lightheaded to help me drift away.

    Nothing.

    Just laid there atop unwashed sheets, thinking about Selena. She was alive. She was dead. Alive then dead. Alive then dead.

    Memories swept me away last night, and I thought back to our time together.

    Oh, I love her. I can’t stop saying it. Can’t stop thinking it. I never stopped, not even after everything ended and I didn’t see her for two years.

    She gave me life and ruined it all at the same time. And now with her gone, there’s not much point in going on, no other reason than to perhaps leave an account of one man’s life so that whoever—if anybody—survives what’s coming, they can at least have some kind of record of what things used to be like. Even if it was written by some love-struck loser who is so depressed right now that he can hardly see the keyboard beyond the tears.

    Going down memory lane and telling you about Selena is killing me, you know. These are memories that I learned to suppress because they were getting too painful to recall. Every time I did, I wanted to hide under a blanket and pretend it was raining just so I could get away and retreat into myself. Maybe fall asleep and awake in a world that isn’t dead anymore.

    That’s thing the about reality: try as we might, some things just are and there’s absolutely nothing we can do about them. What makes it worse is that not only are you depressed, trapped and have lost all hope, you also have the sickly realization that none of it can be changed.

    None.

    Forget what all those self-help gurus have told you. Sure, we can change our mind about some things, change our attitude and behavior and “start a new lifestyle.” But you know what? That’s all surface stuff. There is one thing that we can’t change and that is our heart, the true and deep who we are, the part of us that simply is and no change of circumstance can alter it. And when who you are is tied so intricately with outward situations that are irreparable, hopelessness takes on a whole new meaning and all you have left to do is either go through the motions and wait to die or just end it yourself and check out.

    I’ve tried the former; failed on the latter. I don’t know why I keep hanging on. I suppose it’s because of Selena. Though she’s dead and even though it was only her that could make life worth living again, Selena had one quality that I never possessed but, I guess, am learning to have now: dying hope.

    “It’s the most important thing in the world, Marty,” she once told me. “You lose that, you lose everything.”

    Selena was willing to press on in all things even when it appeared there was no hope.

    One night, after cuddling on my couch, holding each other, she told me that her parents were killed four years earlier in a massive car wreck. She was an only child, just turned eighteen. Her folks didn’t have life insurance and had a ton of debt. She had lost everything and had to sell the house, the car and everything inside except for a few pairs of clothes just to pay off most of it. Her relatives lived either in the States or in other provinces and the distance over the years created a huge gap between them and her family. Some came for the funeral, the brothers, sisters and the one living grandparent. The rest didn’t. Most flew home the next day. A couple stayed on an extra day or two in a hotel.

    Selena had been alone.

    Once the house and assets had been liquidated, she was homeless. She had just graduated so didn’t have a job. Her plans to go to university were squashed. For a month, she said, she lived on the street, bouncing around from shelter to shelter, if they had room. On the nights they didn’t, she spent them beneath the Hellmouth Bridge, out of the elements, trying to sleep with hands over her ears to shut out the noise from the cars driving overhead.

    At that point, she said, the only thing that kept her going was something her mom once told her: “It will pass. Everything does and nothing lasts forever.”

    Finally she managed to get a job serving coffee to the late night crowd at a coffee shop downtown that no longer exists. Slow but sure she saved up enough for a damage deposit and first month’s rent on an apartment. It was the same apartment I dropped her off at the night we first kissed.

    Anytime throughout our relationship I talked about how bad things were, she always silenced me and reminded me that nothing lasts forever.

    < Last ChapterTable of ContentsNext Chapter >

  • An Oldie But Goodie – Time Management/One Thing at a Time

      1 comment

    This is an old article I wrote nearly six years ago. I don’t even remember for what or who.

    Just reread it now and it still makes sense so I thought I’d post it here. Might be useful to at least one person reading this blog. If so, then my job is done.

    Some of you will read this and go, “Duh! I knew that!” and others might find it the “reminder” that they need, so bear with me, here.

    Being an independent author and/or publisher has two halves: creative and business/marketing/etc.

    One of the things I’ve struggled with but have finally overcome was the desire to everything at once. What I mean is when I sat at the computer, I’d put out 1000 words on a new book, do some email, do some marketing material prep–all in a mish-mosh. The thing that will benefit your marketing and your creating the most is time management. Break up your computer time. When you sit down to write your book/story/poem/article or whatever, clear your “to do” list from your mind and pretend that today your only task is to do you story. If that email you have to write to an editor at a webzine pops into your mind, shove it aside, ignore it and get on with your tale. Once you’ve written your scene or whatever amount of words you feel is a good output for the day, take a short break (have dinner, coffee, cigarette), then move onto the next item, say, that email to that editor. Once that’s done, depending on how long it took, then go to the next task. One of the things I still sometimes find happening is a short attention span. I got so much to do between the creative and business end of my publishing business that I find myself multitasking or bouncing from task to task without really ever completing one of them.

    In short, if each part of your business, creative or otherwise, were approached one at a time, you’ll see a boost in quality output and response to your marketing efforts.

    Thanks for reading.

    - A.P. Fuchs
    September 28, 2004

  • Animal Behavior and Other Tales of Lycanthropy Cover Art

      2 comments

    Animal Behavior and Other Tales of Lycanthropy by Keith Gouveia came out a short while back, which is a wicked book you really need to check out.

    This was the cover I did for it.

  • Canister X Review #54: MegaMan: NT Warrior Vol. 2: Log On! (2004)

      4 comments

    Click Here to Order from Amazon.com


    MegaMan: NT Warrior Vol. 2: Log On! (2004)
    Review by A.P. Fuchs

    5 out of 5

    Lan and his friends are back, this time getting ready for a huge NetNavi tournament. Of course all kinds of things happen along the way as they prepare—MagicMan and NumberMan, just to name two—but it’s all good. MegaMan and his fellow cyber warriors are there to save the day! However, WWW has entered their own Navis into the tournament and it’ll be bad news for all if they win.

    This volume picks up where the previous volume left off and now that all the character introductions are out of the way (See Vol. 1), you get to just sit back and watch them interact.

    The chemistry between Lan, Yai and Dex is great. They all have their own attributes and rhythms that make them unique so they’re not two-dimensional like other cartoon characters out there.

    MegaMan has proven to be a great hero—strong and quick-thinking. The villains harken back to the video games, each villain having a special power that MegaMan and the gang need to overcome.

    This fan is looking forward to checkout Vol. 3.

  • Bigfoot War Cover Art

      6 comments

    Bigfoot War by Eric S. Brown went to press late last night.

    Here is the cover I made for it.

    I’m pleased with how it turned out.

  • Batman Arkham Asylum 2 World Premiere Trailer [HD]

      0 comments

    First Spider-Man and now this.

    I got the fanboy chills all over.

    [youtube=http://www.youtube.com/watch?v=W73_hcyc6Dg]

  • eBooks, Paperbacks and the New Yorker

      0 comments

    Just posted the following over at Brian Keene’s blog in response to his post found here.

    This the article in question.

    Thought it worthwhile to share here as well and to hopefully get some feedback from readers.

    I wrote:

    eBook technology, when you think about it, is amazing, regardless of what reader you use.

    I’ve read both eBooks and paperbacks/hardcovers, and do prefer the physical version. The reason? Spending sometime thinking as to why–and it goes beyond holding something because with eBooks you’re still “holding” your e-reader–is that unless you’re a reader-reader and that’s all, I’ve noticed the big proponents for print books are one of two groups: creators and collectors. I’m not just talking special edition collectors either, but even just book collectors, the guys–like me–who want a library in a room in their house and not just on a virtual shelf.

    That is why I like physical books better. If all I cared about was reading and reading only, the eBook concept and its technology is amazing (to carry around 1000+ books as though just one? Wow). But I’m a collector, too, and I really enjoy sitting in front of my bookshelves looking over my paperbacks, hardcovers and graphic novels. To see them displayed that way evokes different emotions and is an experience you can’t duplicated on an eReader. Not really, though it seems the iPad’s virtual shelf is kind of cool-looking.

    Most writers would fancy themselves collectors in some way. Usually it’s “fans” who write books to begin with. When they get published, they want to see that book in front of them in the flesh and not on a virtual shelf, mostly for that feeling of accomplishment and “look what I did.”

    But we’re going the way of the eBook despite how many hold outs they’ll be. I suspect that one day getting the “paperback treatment” will be like getting the “special, ultra-deluxe gold-plated hardcover treatment” now.

    It’s only a matter of time.

  • Spider-Man Shattered Dimensions Debut Trailer [HD]

      2 comments

    This just looks ridiculously good.

    I can’t wait to get my hands on it.

    [youtube=http://www.youtube.com/watch?v=WvF6XWYL3U0]

  • Music That Shan't Be Forgotten

      0 comments

    As I play Mahjong Dark Dimensions:

    [youtube=http://www.youtube.com/watch?v=ClFUJEWD2L8]

  • Canister X Review #53: JCVD (2008)

      0 comments

    Click Here to Order from Amazon.com

    JCVD (2008)
    Review by A.P. Fuchs

    4.5 out of 5

    Jean-Claude Van Damme—international movie star.

    Jean-Claude Van Damme—the Muscles from Brussels.

    Jean-Claude Van Damme—loved by millions

    Jean-Claude Van Damme—criminal?

    It’s a post office hostage situation and Van Damme is suspected to be the guy running the show. He talks to the cops, tells them what he wants, is alone inside with the hostages—he’s got guilty written all over him.

    Except not all is what it seems and Van Damme—hero to all—is having the worst day of his life. Not only did he lose custody of his daughter, he’s broke, had no new movie on the horizon and now he’s getting framed taking a post office with a built-in bank hostage.

    I just finished watching this and I’m still soaking it in. I’ve seen most of Van Damme’s movies and JCVD is nothing like any of them. This isn’t an action movie despite it starting that way. This is a drama. Big time, and Van Damme proves here he is way more than just muscles, high kicks, and guns. This Van Damme is raw, brutally honest, caring and just downright human. No eight-foot-tall-and-bullet-proof karate guy here. This is the story about Van Damme the man (he goes by his own name in the movie), one with heart, potent emotion and a performance that should have been nominated for an Oscar. Seriously.

    Van Damme’s not listed in the movie’s writing credits, but there’s a point in the movie where he talks to the camera about life, Hollywood, the ups and downs and simply apologizes for the mistakes he’s made in real life to those he knows and to those, like us, he doesn’t. Just phenomenal.

    My only little thing was the story seemed to move slowly in parts, but, hey, that could just be me.

    And the ending . . . man, it was just perfect. I really liked how they presented it, especially the climatic scene between Van Damme and the bad guys. To go any other way would have completely ruined the movie, but this was handled nicely. Good on them.

    The sepia coloring used throughout the film added a wonderful grittiness to it, enhancing the drama and its foreign and rustic atmosphere.

    This is a Van Damme movie you’ve never seen before. This is a Van Damme you’ve never seen before.

    You need to see this.